DOCSLIB.ORG

Fi/~,~ Rene BC:>Tts, Buyer State Purchasing Bureau

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fi/~,~ Rene BC:>Tts, Buyer State Purchasing Bureau NEB~/\S~/\ Good Life. Great Service. DEPT. OF .ADMINISTRATIVE SERVICES January 3, 2019 Dear Prospective Vendor: The State of Nebraska Purchasing Bureau is issuing the following solicitation: Solicitation Number: 5984 OF Commodity: Upholstery Fabric Opening Date: February 5, 2019, 2:00 p.m. Central Time Buyer: Rene Botts Copies of 5984 OF and all information relevant to this solicitation to include addenda and/or amendments may be obtained from the State Purchasing Bureau web site at: http://das.nebraska.gov/materiel/purchasing.html It is the responslblllty of the bidder to check this site for other pertinent information and any mandatory requirements. All information relevant to this solicitation to include addenda and/or amendments that may be issued prior to the opening date will be posted to the web site. Solicitation responses must be in a sealed envelope that indicates the Solicitation Number and Opening Date. Sealed responses must be received in the State Purchasing Bureau on or before the date and time indicated in the Schedule of Events, at which time responses will be publicly opened. Solicitation responses should be sent to: State Purchasing Bureau 1526 K Street, Suite 130 Lincoln, NE 68508 Any problems accessing the website regarding the above solicitation should be e-mailed to the State Purchasing Bureau at [email protected]. fi/~,~ Rene BC:>tts, Buyer State Purchasing Bureau David Zwart - Materiel Administrator Department of Administrative Servic88 j MATERIEL OIVISION 1526 K Street, Ste. 130 OFFICE 402-471-6500 Lincoln, Nebraska 68508 FAX 402-471·2089 das.nebraska.org / / Return to: /fuate-of Nebraska - INVITATION TO BID,·· State Purchasing Bureau 1526 K Street, Suite 130 CONTRACT Lincoln, Nebraska 68508 Telephone: 402-471~500 Date Fax: 402-471 -2089 01/3/19 !Page 1 of 9 Solicitation Number 5984 OF Opening Date and Time DESTINA.TION OF GOODS 02/05/19 2:00 pm CORRECTIONS· CORNHUSKER STATE INDSTR Buyer 800 PIO ~EERS BLVD RENE BOTTS (AS) LINCOLN NE 68502 Per Nebraska' s Transparency In Government Procurement Act, DAS is required to collect statistical information regarding the number of contracts awarded to Nebraska contractors; This information is fo r statistical purposes only and wll! not be considered for contract award purposes. {\: __NEBRASKA CONTRACTOR AFFADAVIT: Bidder hereb~ attests that bidder is a Nebraska Contractor. "Nebraska Contractor" shall mean any bidder who has maintained a bona:, lid¢-.place of business and at least one employee within this state for at least the six (6) months immediately preceding tt-:{·' ~}Wi~ date of this 1TB. __ I hereby certify that I am a Resident disabled veteraJ.q~ ~~i?l~~'ss located In a designated enterprise zone in accordance with Neb. Rev. stat. §73-107 and wish to have preference 1tf1¥J ~Jitat b, .considered in the award of this contract. 1''(J ri,1 q1 1 F . Contract to supply ~nd deliver UPHOLSTERY FABRIC Ap1i~~'.:s\~f~~?,f 6 ,e.!:>raska as per the attached specifications for a two (2) year period from date of award. The contract may be r~ne,~~g ,f0r: .~~ree: (~~ additional one (1) year periods when mutually agreeable to the vendor and the State of Nebraska. /l! ,i ;:.H .1 1,1 ' .;, i 1 ,,. I . I • ••• J ! 1. ·.' ' i 1 11 1 I{ I,1 , 1; • (vc12/3/18) 111· J~/ 111:!'1 i1I· ij ... I h I I.! Extended Line Description 11 q! ~ gJa~t!JJ.I ii Measure Unit Price Price 1 I : I ; 1 I I ' .if 11,tLII _17.45 ____1745.00_ :~~EE~~~~~~OUP ' >; '· i I ri1111y~ YD l ; 1 11 MEANDER LINE I. I; ,'·; ll 11 . , • • 1 , I , 1' I · "1 '-' - 1 .. I<( ~ I ~ r• I ! i • <, Sandshell, Ovel'r1;r\ ;~: :~Pila el ~ , r:~~! Nlght~~~~~w .. .:.: ".. I .. • • I OR . 1 ll'; 11 ·· · ··• •" . · ··i .,, ;i;"<,i .. ,.. :. ,.: .. , -;, :! . I ·1 I .. ': '' !· i 1' l '1 : ! i f I ' I •I ·I. I • • j I • '· 1· I , , ~ I ' . •. ! • - ! • I ;; I -1I t::.1i, , ;. : ' :- : i ... 11 I . l . ' I . ·. I • • :. , : I j • J ·:. '·. '}. • • • . I . 1, I ; Al~er,na_t~· Br~ .1 :n ·l= ~ll(iC Lipe,9ff~ red: . ;' :• I • . • • • • '. • . ' • l : . :,' .r: ..: • •. .~:!ti •.. i,-. ,• ' . {I. •. • • • . ,. t, I I.:..' -: ..... '. : '· .. ... : :. ' :, ; ·, 11 l : • ,.; • . :., I ' ~~fi~.~-~~!(·:' ~~~9r:-Q,~~e.:~~li!~'.M.~1d:. ·f :::·.·>/ .· '.. ;· . _. ...! ·. Ld~~ ~f·h_e1.n·n~,:nb~rs/c_olo.r11 ' DISCOUNT PAYMENT TERMS: % ___ By signing this Invitation to Bid form, the bidder guarantees compRance with the provisions stated In this lnvlt.'dtlon to Bkl, agrees to lhe terms and conditions unless otherwise agreed to (see Sectl.on Ill) and certifies that bidder maintains a drug free work place envlronmenL Vendor wmfurnish the Items requei;led within _7_ days after receipt or order. Failure to enter Delivery Date may cause quotation to be REJECTED. Enter Contact lnfonnatlon Below Sign Contact Mick Mayer Here--------''----------------- (Authorized Signature MAN Telephone 800-428-4415 VENDOR# 63441 Facslmlle 317-26r-ze29 VENDOR: Mayer Fabrics Email [email protected] Address: 500 S. Kltley Ave lndianapolls, IN . 46219 ll,3530fNEll99003fHEIKl8003 20150001 Return to: State of Nebraska - INVITATION TO BID State Purchasing Bureau 1526 K Street, Suite 130 CONTRACT Lincoln, Nebraska 68508 Telephone: 402-471-6500 Fax: 402-471-2089 Date 01/3/19 'Page 1 of 9 Solicitation Number 5984 OF Opening Date and Time DESTINATION OF GOODS 02/05/19 2:00 pm CORRECTIONS - CORN HUSKER STATE INOSTR Buyer 800 PIONEERS BLVD RENE BOTTS (AS) LINCOLN NE 68502 Per Nebraska's Transparency in Government Procurement Act, DAS is required to collect statistical information regarding the number of contracts awarded to Nebraska contractors. This information is for statistical purposes only and will not be considered for contract award purposes. __NEBRASKA CONTRACTOR AFFADAVIT: Bidder hereby attests that bidder is a Nebraska Contractor. "Nebraska Contractor" shall mean any bidder who has maintained a bona fide place of business and at least one employee within this state for at least the six (6) months immediately preceding the posting date of this 1TB. __ I hereby certify that I am a Resident disabled veteran or business located in a designated enterprise zone in accordance with Neb. Rev. Stat. §73-107 and wish to have preference, if applicable, considered in the award of this contract. Contract to supply and deliver UPHOLSTERY FABRIC to the State of Nebraska as per the attached specifications for a two (2) year period from date of award. The contract may be renewed for three (3) additional one (1) year periods when mutually agreeable to the vendor and the State of Nebraska. (vc 12/3/18) INVITATION Unit of Extended Line Description Quantity Measure Unit Price Price 1 PANEL FABRIC ~00.0000 YD _ 17.45___ _ __174S.OO _ MOMENTUM GROUP MEANDER LINE Sandshell, Overcast, Agate Taupe, Nightshadow OR Alternate Brand and Fabric Line offered: _ Anasazi Color Card Submitted List of item numbers/colors ._ _ _ % ____ By signing this Invitation to Bid form, the bidder guarantees compliance with the provisions stated in this Invitation to Bid. agrees to the terms and conditions unless otherwise agreed to (see Section Ill) and certiries that bidder maintains a drug free work place environment. Vendor will furnish the items requested within _7_ days after receipt of order. Failure to enter Delivery Date may cause quotation to be REJECTED. Enter Contact lnformc1tion Below Sign Contact Mick Mayer Here (Authorized Signature MANDATORY - MUST BE SIGNED IN INK) Telephone 800-428-4415 VENDOR# 53441 Facsimile 317-267-2629 VENDOR: Mayer Fabrics Email [email protected] Address: 500 S. Kitley Ave Indianapolis, IN. 46219 R·135301NE~)~0011NE9&9Q03 2(1150901 Return to: State of Nebraska - INVITATION TO BID State Purchasing Bureau 1526 K Street, Suite 130 CONTRACT Lincoln, Nebraska 68508 Telephone: 402-471-6500 Fax: 402-471-2089 Oate 01/3/19 IPage 2 of 9 Solicitation Number 5984 OF Opening Date and Time DESTINATION OF GOODS 02/05/19 2:00 pm CORRECTIONS· CORNHUSKER STATE INDSTR Buyer 800 PIONEERS BLVD RENE BOTTS (AS) LINCOLN NE 68502 INVITATION Unit of Extended Line Description Quantity Measure Unit Price Price 12.95 2 MOMENTUM GROUP 100.0000 YD 1295.00 UNIVERSE LINE Creme Brulee, Whitecap, Wheat, Seneca, Milkyway, Mica, Cosmic, Depth OR J I .•• I Alternate Fabric Brand and Line offered: Fresco and Copa -Color Cards Submitted List of item numbers/colors attached:@:)io (circle'o~e) 1 SEATING FABRIC I fl 11 lrrrr I 3 MAYER FABRICS 3qo.oooo YD 19.45 5835.00 MOONSCAPE LINE I I 333-014 Cobalt. 333-000 Bark, 333-003 Cilantro, 333-009 Cinnamon, 333-016 Pewter, 333-013 Mallard, 333-001 Flame. 333-006 Ebony, 333-004 Indigo. 333-011 Ruby. 11 :l:rnale Fabric Line offered Jll \ l I J IJ List of item numb•r 'co1brs at aehed@ no (circle on~> I I 4 MAYER FABRICS) I I I 200.0000 YD 14.95 29.90.00 FOUNDATION LINE I M350-026 Graphite. M350-000 Chocolate. M350-001 Wine, M350-002 Cornsilk. M350-003 Sherwood, M350-004 Sapphire, M350-005 Concord, M350-006 Ebony, M350-007 Sandstone, M350-008 Merlot, M350-009 Cayenne, M350-010 Taupe. M350-011 Flame, M350-012 Sunflower, M350-013 Hunter, M350-014 Navy. M350-015 Deep Purple, M350-016 Mercury, M350-014 Jodhpurs, M350-018 Magenta, M350-019 Terra Cotta, M350-023 Apple Green, M350-024 Blue Mist, M350-028 Purple Haze, M350-029 Cinnabar, M350-033 Cactus, M350-034 Parade Blue. M350-043 Peacock. M350-044 Capri. M350-053 Aegean, M3519 Olive Green. M3523 Kelly, M3523 Magenta, M3502 Mango. M3504 Lilac, M3508 Seafoam OR Alternate Fabric Brand and Une offered: ------- - -------­ List of item numbers/colors attached@no (cfrcle one) CF STINSON BRAND 5 CF STINSON 50.0000 YD 12.45 622.50 BRYANT PARK LINE 6554 Dusk, 6555 Pumice, 6560 Gunmetal.
Load more

Recommended publications
  • Diamond Textiles Lookbook 2020
    E stablished over 25 years ago, We pride ourselves on being a fair trade Diamond Textiles has become an distributor—providing jobs and internationally acclaimed wholesale support for countless rural villages in textile company. Our company is India and Indonesia. based on a dream of creating fabrics Diamond Textiles holds dearly its that intertwine traditional organic tenets of personable customer service elements with a modern relevance. and exceptional quality of fabric. What’s Inside We currently distribute fabrics across Whether you are a large international the United States, in Europe, Africa, distributor, a small storefront, or a Tweed Thicket Canada, South America, Australia, cottage industry, you are served equally Pluses & Crosses and Asia. and professionally. Topstitch Confetti Faded Memories Nikko™, Nikko II, Nikko III Cotton Embossed Primitive Stars Sandcastle Nikko Geo Moon Cloth Diamond Textiles Wholesale Fabric Supplier 13731 Desmond Street Pacoima CA 91331 Spring [email protected] PHONE: 818-899-9144 2020 FAX: 818-899-9145 Tweed Thicket We’ve added new colors to our popular Tweed Thicket collection to include lush blue greens: blue suede, French grey and dragonfly. To complement these we are Tweed introducing earthtones of butter rum, pink ginger and natural twine. Tweed Thicket is a yarn-dyed cotton now Thicket available in 36 colors. Shipping to shops in July 2020. Avobe right and below: Quilt blocks from the Kinship: 100 Block Fusion Sampler from the #100Days100Blocks sew-along by gnomeangel.com Bianca Dress. Pattern by Violette Field www.diamondtextilesusa.com (818) 899-9144 [email protected] www.diamondtextilesusa.com (818) 899-9144 [email protected] Tweed Thicket Pluses & Crosses Pluses & Crosses Inspired by hand stitching and visible mending, Diamond Textiles is combining an array of saturated hues with a special weaving process to create the look of hand stitching.
    [Show full text]
  • Embroidery Tools & Equipment. Categories of Basic Stitch~S of Hand
    Annexure – I Details of Theory Syllabus Sl. No. DETAILS 1 Embroidery tools & equipment. Categories of basic stitch~s of hand embroidery-their techniques anc applications. 2 Embroidery threads and their classification. Selection of threads & needles according to the texture and fibre of the material. 3 Tracing technique. 4 Tracing methods. 5 Ironing & finishing of the embroidered articles. 6 Identification of fiber and their characteristics. 7 Shade work, its kinas, techniques & characteristics 8 Applique work. 9 Smocking -its kinds and uses. 10 Cut work- its kinds and uses. 11 Line Types of lines -Straight, curved, dotted, zigzag,etc. Pasition of forms - Vertical, horizontal; diagonal & oblique 12 Types of forms -Geometrical, natural, decorative & free hand. 13 Sketching & Monogram - Free hand-Naturaf (Flowers, Leaves etc.) Garments - Ladies, Gents, Children Stitches, hems, etc. 14 Lettering & Monogram-Use of stencils (English &Devnagiri) Sizes. 15 cm & 2.5 cm Monogram with help of stencils 15 Enlargement & Reduction of form/design-Grid Method (Squarelscale method) 16 Types of Colour & Tones of Colour-- Primary, Secondary, Neutral, Cool <& warm Tint, Tone & Shade. 17 Colour wheel & colour schemes- 1. Colour-colour wheel 2. Monochrome 3. Contrast 4. Related 5. Neutral (Black & White &Gray) 6. Complementary 7. Multicolour Detail of Practical Syllabus SL NO DETAILS 1 MODULE-I HAND EMBRODIARY A. BASIC STITCHES (a) Flat Stitch 1. Running Stitch 2. Back Stitch 3. Stem Stitch 4. Satin Stitch 5. Kashmiri Stitch 6. Couching Stitch 7. Cross Stitch 8. Herringbone Stitch (b) Loop Stitches 1. Chain Stitch 2. Lazy-daisy Stitch 3. Button hole Stitch 4. Blanket Stitch 5. Fishbone Stitch 6.
    [Show full text]
  • Research Article
    Available Online at http://www.journalajst.com ASIAN JOURNAL OF SCIENCE AND TECHNOLOGY Asian Journal of Science and Technology ISSN: 0976-3376 Vol. 08, Issue, 10, pp.60 84-6089, October, 2017 RESEARCH ARTICLE KANTHA EMBROIDERY-A WOMAN-CENTRIC PATH TOWARDS EMPOWERMENT FOR ARTISANS IN WEST BENGAL 1Dr. Debaleena Debnath and 2Sreenanda Palit 1Assistant Professor, Folklore Dept., Kalyani University, Nadia, West Bengal 2Associate Professor and Centre Coordinator-Fashion Communication, National Institute of Fashion Technology, Kolkata, Ministry of Textiles, Govt. of India ARTICLE INFO ABSTRACT Article History: Niaz Zaman describes the needlecraft of Kantha as "women's art”. Traditionally the Kantha embroidery Received 04th July, 2017 of Bengal has been the forte of women, unlike Zardosi and Ari work which is predominated by men Received in revised form folk. The craft has a history of being a revered recycled product. A Kantha is considered to be layers of 21st August, 2017 old sarees or dhotis quilted together to form a blanket, used by the poor as a protection against cold. Accepted 06thSeptember, 2017 Later the ‘nakshi’ form of it was born in the household of undivided Bengal as a portrait of women’s th Published online 17 October, 2017 aspiration and dream. The paper discusses how Kantha has been dominated by women and has eventually helped to empower hundreds of them. The various factors that made it woman-centric have Key words: been explored through primary research conducted among 50 artisans from Nanoor, Birbhum District, Kantha, Needlecraft, Quilting, and Kadambagachi, Barashat District of West Bengal. The study presents a comparative study of both Women empowerment, the clusters.
    [Show full text]
  • Downloaded from Old from Clothingbrill.Com09/25/2021 Are 10:04:08PM Via Free Access 30
    * 29 Heidi F. Jie HREADS STORIES IN THE THREADS: INTERVENTION AND T REINTERPRETATION IN KANTHA-MAKING The art of mending is an ancient craft. From clothing to pottery, what was worn and damaged was repaired to be used again. The repurposing of textiles has long been appreciated as an art form. Quilting, or the sewing together of layers of fabric by stitching through those layers to produce a thicker fabric, has been practiced in many regions around the world, from Europe and Asia to the Americas and Africa, and has taken on many forms and techniques. Quilting refers to the activity as well as the stitching technique used to work through the layers, and there are similarities and variances in both of these across traditions and cultures. For the purposes of this essay, the term ‘craft’ will refer to the mastery, skill and effort involved in making a thing by hand, in this case, a textile work such as a kantha. Because these works are an expression of that skill, requiring the use of imagination and creativity, they are a form of art.1 TORIES IN THE S The word ‘kantha’ speaks not only of a textile used for bedding and the name of the stitch; it has come to refer to any object using the stitch as part of its design. It can be found on a variety objects from saris to home furnishings today. Very simple and versatile, it lends itself easily to many design possibilities and materials. The only criterion for the perfect kantha stitch is that it is even in size and spacing, an exacting task.
    [Show full text]
  • A Study of Kantha Workers in Rural Bengal
    International Journals of Multidisciplinary Research Academy Editorial Board Dr. CRAIG E. REESE Professor, School of Business, St. Thomas University, Miami Gardens Dr. S. N. TAKALIKAR Principal, St. Johns Institute of Engineering, PALGHAR (M.S.) Dr. RAMPRATAP SINGH Professor, Bangalore Institute of International Management, KARNATAKA Dr. P. MALYADRI Principal, Government Degree College, Osmania University, TANDUR Dr. Y. LOKESWARA CHOUDARY Asst. Professor Cum, SRM B-School, SRM University, CHENNAI Prof. Dr. TEKI SURAYYA Professor, Adikavi Nannaya University, ANDHRA PRADESH, INDIA Dr. T. DULABABU Principal, The Oxford College of Business Management,BANGALORE Dr. A. ARUL LAWRENCE SELVAKUMAR Professor, Adhiparasakthi Engineering College, MELMARAVATHUR, TN Dr. S. D. SURYAWANSHI Lecturer, College of Engineering Pune, SHIVAJINAGAR Mr. PIYUSH TIWARI Ir. Executive, Dispatch (Supply Chain), SAB Miller India (Skal Brewaries Ltd.) July IJMT Volume 1, Issue 2 ISSN: 2249-1058 2011 __________________________________________________________ Prof S. R. BADRINARAYAN Sinhgad Institute for Management & Computer Applications, PUNE Mr. GURSEL ILIPINAR ESADE Business School, Department of Marketing, SPAIN Mr. ZEESHAN AHMED Software Research Eng, Department of Bioinformatics, GERMANY Mr. SANJAY ASATI Dept of ME, M. Patel Institute of Engg. & Tech., GONDIA(M.S.) Mr. G. Y. KUDALE N.M.D. College of Management and Research, GONDIA(M.S.) Editorial Advisory Board Dr.MANJIT DAS Assitant Professor, Deptt. of Economics, M.C.College, ASSAM Dr. ROLI PRADHAN Maulana Azad National Institute of Technology, BHOPAL Dr. N. KAVITHA Assistant Professor, Department of Management, Mekelle University, ETHIOPIA Prof C. M. MARAN Assistant Professor (Senior), VIT Business School, TAMIL NADU DR. RAJIV KHOSLA Associate Professor and Head, Chandigarh Business School, MOHALI Dr. S. K. SINGH Asst.
    [Show full text]
  • Zardozi Embroidery
    ZARDOZI EMBROIDERY List of Contents 1. Introduction 1.1 History of the craft 2. Regions Known for Zardozi Work in India 3. Producer Communities 4. Raw Material 4.1. Metal Wire 4.2. Embellishments 4.3 Raw Material Procurement 5. Tools Used 5.1. Adda / frame 5.2. Needle 5.3. Scissors 6. The Process of Zardozi Embroidery 6.1. Designing 6.2. Tracing 6.3. Setting the Adda / Frame 6.4. The Embroidery 7. Uses of the Product 8. Marketing 9. Changes in Recent Years 10. References 1. Introduction Different styles of Indian embroidery have been handed down from generation to generation such as Zardozi, Chikankari, Sujni, Kantha, Kasuti, Toda, mirror work. The passion for embroidery in India has led to great experimentation in the field, with several styles, creating dazzling effects such as the 'stained glass' look, the long cross stitch, rice stitch, textured panels and much more. One can see embroidery on wall hangings, saris, textiles and garments, incorporating unique motifs and patterns. Zardozi is one of the oldest and most beautiful embroidery styles of India. It is used extensively in clothing and home decoration. Painstakingly and delicately done by hand, creations in Zardozi work are timeless, unbounded by the shackles of trends. 1.1 History of the craft Zardozi — the magnificent metallic embellishment of India — dates back to ancient times. It finds mention in Vedic literature, the Ramayana and the Mahabharata, and all accounts of the Sultanate period. The country, from very early times, was known for the use of gold embroidery on a variety of objects including furnishings, trappings, parasols, and equestrian ornaments.
    [Show full text]
  • The Refining of a Domestic Art: Surayia Rahman Niaz Zaman [email protected]
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2014 The Refining of a Domestic Art: Surayia Rahman Niaz Zaman [email protected] Cathy Stevulak Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons, and the Art Practice Commons Zaman, Niaz and Stevulak, Cathy, "The Refining of a Domestic Art: Surayia Rahman" (2014). Textile Society of America Symposium Proceedings. 886. http://digitalcommons.unl.edu/tsaconf/886 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Refining of a Domestic Art: Surayia Rahman Niaz Zaman and Cathy Stevulak The kantha or, as it is increasingly referred to now, the nakshi kantha, is an important women’s domestic art of Bengal. It is made all over Bangladesh except in the south-eastern Chittagong Hill Tracts region. Layers of old garments such as saris, lungis and dhotis are put together and reconstituted into objects of functional, ritual, or ceremonial use. Borders and motifs are embroidered in variations of the running stitch with coloured thread, traditionally drawn from the borders of old saris. The empty spaces are stitched with white yarn to create an effect of ripples. In most Bengali families, small kanthas made of soft, old cloth, are used to wrap babies. [Figure 1] Husbands or sons who leave home to work on land or water almost always carry with them a kantha made by their mothers or wives.
    [Show full text]
  • Transformation of Kantha Traditional Embroidery: As Fabric Painting
    Indian Journal of Traditional Knowledge Vol. 16(4), October 2017, pp. 720-725 Transformation of Kantha Traditional Embroidery: As fabric painting Saroj Devi1*, Parveen Punia, Neelam Pruthi & Nidhi Sisodia Department of Clothing and Textile, I.C. College of Home Science, Chaudhary Charan Singh Haryana Agriculture University, Hisar-125 004, Haryana, India E-mail: [email protected] Received 20 January 2017, revised 10 July 2017 Rising concern in traditional Indian embroideries for their time consuming techniques and out dated look and reaching the art of painting at its highest degree of excellence, demands for revival of traditional Indian embroideries. These require bringing them into contemporary look and developed through faster techniques. Fabric painting is an innovative, economical and time saving technique as compare to the embroidery. Present study was conducted for transforming Kantha traditional embroidery designs for fabric painting on jacket for its revival at Hisar, India. Fifteen motifs were explored from market survey, 3 designs were developed and selected from them and finally three placement-design combinations were selected for developing final products. Six jackets were developed, i.e., three with embroidery and three with painting. On the basis of experts’ preferences for developed jackets on various parameters, fabric painting technique was most preferred technique on the basis of overall appearance was considered best. The study will serve guidelines for a new designer to develop articles of same look from traditional embroidery technique with less time consuming techniques. It will open a new vista for women entrepreneur to make low cost articles with great demand. It will also enhance aesthetic beauty of traditional Kantha embroidery.
    [Show full text]
  • Kantha Forms and Transformations
    40 Textiles on the move, The Focus through time and space Kantha forms and transformations Niaz Zaman and Cathy Stevulak The kantha or, as it is increasingly referred to as the nakshi kantha, is an important aspect of Bengali women’s domestic arts and crafts. Kanthas are made in most parts of Bangladesh as well as in West Bengal. The kantha has taken many forms: from simple quilts made at home for personal, domestic, or ritual use to elaborate story-telling wall hangings for public ith these transformations, the kantha view. Kanthas are used for traditional garments, such as saris and shawls, as well as for can now be found worldwide, not Western garments, such as jackets and stoles. Made initially from old garments like cotton Wonly in museums, but in catalogues and shops, in drawing rooms and boardrooms, saris, lungis, and dhotis, the kantha is now made with new cloth, either cotton or silk. and worn by fashion models on runways. How kanthas are made for guests and to accommodate the bride worked and embroidered when convenient. Today, old saris are replaced by new cotton Traditionally, layers of old saris, lungis, or groom would have fewer layers and finer Typically, a large lotus would be worked in fabrics. As this material is normally thicker, or dhotis were put together and reconstituted embroidery. Thicker kanthas, to be used as the centre. Following this, corner motifs and two layers of cloth may be sufficient for a into objects of functional, ritual, or ceremonial winter quilts, would have more layers of cloth.
    [Show full text]
  • Quilting, Embroidery and Surface Design
    Quilting, Embroidery and Surface Design Irene Lafleche From Raggs to Stitches Trunk Show Irene began her crafting career as a knitter and later evolved into a passionate quilter, teacher and designer. She has made well over 200 quilts since attending her first Creativ Festival (Ottawa, 2003). She will be sharing her quilting journey through her talk entitled "From Raggs to Stitches". Fri 11:45am – 12:45 pm – Fashion Arts Stage Canadian Quilters’ Association/ACC Sat 11:45am – 12:45 pm – Fashion Arts Stage Kingi Carpenter Silkscreen Fashions: Ain’t it a Peach! We all strive to be unique especially when fashion calls. And, there’s no better way than to start with unique fabric. Peach Beserk fashions are already being worn by celebrities such as Jennifer Love- Hewitt, Portia de Rossi and Paula Abdul and now it’s your turn. Come see a funky, edgy, inspiring collection that will leave you peachless! Fri 10:30am – 11:30am Fashion Arts Stage Sat 10:30am – 11:30am Fashion Arts Stage Fabric Goes Berserk! Peach Berserk Peach Berserk that is! Join Kingi to see and learn all the basics of screen printing. She’ll create artwork, ‘shooting’ silkscreens and As well as creating one of a kind printing while exploring different types of fabric designs and how to prints, Kingi offers screen printing "print create them. And, you’ll see how to set up your own inexpensive with a pint" workshops which include a and amazing screen print studio… the Peach Berserk way! beer, all supplies and instruction. Fri 12:00pm – 1:30pm Discovery Centre Contact Kingi at [email protected] Sat 1:00pm – 2:30pm Discovery Centre to book your print with a pint creative workshop! Bernadette Kent Visible Mending Big stitch quilting is a wonderful way to add texture and interest to any project.
    [Show full text]
  • Product Catalogue
    tisser sareesHAND PAINTED Madhubani | Pattachitra | Warli | Kalamkari | Kerela Hand Painted CHANDERI Buti | Plain | Gold Zari | Shibori | Indigo | Block Print LINEN Pure Linen | Tussar by Linen | Linen Jamdani | Digital Print TUSSAR Moonga | Gidcha | Plain | Block Print HAND-EMBROIDERED Mirror work | Kasuti work | Applique | Kantha | Mangalgiri MAHESHWARI Resham Border | Temple Border | Chatai Border | Shatranj Diya leher | Badi leher | Choka COTTON - SILK Mahapore | Velvet | Gorod | Temple Border COTTON Bishnupur | Cut Shut | Bhagalpur Silk | Kosa Silk Kolkata Cotton Fusion | Khes | Khadi | Khes Pom-Pom BLOCK PRINTED Maddhamoni | Gamcha | Muslin | Tant Indigo | Shibori | Baug | Ajrakh | Pigment | Chuna patri IKAT Sinlge Ikat | Double Ikat CHANDERI - SHIBORI MAHESHWARI - HALF STRIPE COTTON SILK - MIRROR WORK KOSA SILK HAND PAINTED Madhubani | Pattachitra | Warli | Kalamkari Abstract | Orissa Handpainted | Warli Zaripalla CHANDERI Buti | Indigo | Shibori | Chanderi dupattas Block Print | Silk | Pigment | Bagroo HAND-EMBROIDERED Kutch | Applique | Chikan | Kasuti Dunkand | Crotchet | Kantha | Cotton MAHESHWARI Leheriya Border | Kosa Pallu | Zari Pallla | Zari Patta | Resham Border Chatai | Zigzag Border Diya Border | Missing Lines | Tissue IKAT Ikat Silk | Ikat Cotton | Missing Lines TUSSAR Dupion | Gidcha | Tapti| Silk TIE-DYE Bandhni | Batik | Patterned BLOCK PRINTED Bagroo | Pigment |Baug | Ajrakh | Indigo | Kalamkari COTTON Siri Giri | Wave Border | Temple Border | Silk Border | Semi Khadi | Plain KOTA Plain | Block Print | Embroidary
    [Show full text]
  • Reminiscing the Supremacy of the Traditional Embroideries of India
    International Journal of Applied Social Science ARTICLE Volume 5 (8), August (2018) : 1384-1392 ISSN : 2394-1405 Received : 26.06.2018; Revised : 11.07.2018; Accepted : 28.07.2018 Reminiscing the Supremacy of the Traditional Embroideries of India S. AISHWARIYA Assistant Professor, Department of Textiles and Clothing, Avinashilingam University for Women, Coimbatore (T.N.) India ABSTRACT The manuscript is framed to invoke the supremacy and craftmanship associated with the traditional embroideries of India. Among the various styles Chamba rumal, chikankari and Kantha are discussed in this paper. It will enlighten the new graduates at under graduate level to gain knowledge about ancient textile crafts of India. This will also motivate the post graduate students to think of research areas in utilizing the craft for the latest trending styles. Key Words : Traditional embroidery, Chamba rumal, Chikankari, Kantha INTRODUCTION Embroidery is an art and handicraft that is done for decorating fabric or any flexible material using needle and thread. Materials such as metal strips, cut tube, zardozi, glass, pearls, beads, quills, feathers and sequins will be used as a part of value addition. Machine embroidery started in the early stages of the Industrial Revolution (19th century) that mimics hand embroidery not in construction but in appearance. Indians are world famous for their magnificent workmanship and most beautiful textiles especially the embroideries. Unity in diversity can be observed not only through culture, custom, but also in costume and decoration. Each state has its unique embroidery expressing the life style of the people inhibited their occupation, custom, thoughts, beliefs and likings. There are many such traditional embroideries from India namely Kantha, Banjara, Kathi, Soof, Aari Bharat, Rabari, Ahir Bharat, Banni, Kasuti, Kashmiri, ChikanKari, Zardozi, Phulkari, Bidri and Mirror Embroidery.
    [Show full text]