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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Bad Company Biography
BAD COMPANY BIOGRAPHY One of the most acclaimed bands of the classic rock era, England's Bad Company has put its indelible stamp on rock 'n' roll with a straight- ahead, no-frills musical approach that has resulted in the creation of some of the most timeless rock anthems ever. Led by the incomparable singer and songwriter Paul Rodgers, arguably the finest singer in rock 'n ' roll and a huge songwriting talent. Formed in 1973, Bad Company came to life when Rodgers was looking to start anew after the disintegration of his legendary band Free. His powerhouse vocals and songwriting were a main ingredient during Free's impressive five-year run; a period of time that saw the release of seven extremely influential albums that featured Free's minimalist blues-rock approach. Included among Free's dynamic body of work is the 1970 smash, "All Right Now," one of the most recognizable rock anthems ever recorded. Lyrics and melody by Rodgers. He was Free’s main songwriter. Rodgers had met Mott The Hoople guitarist Mick Ralphs and after jamming together and listening to new songs that Ralphs had penned and songs that Rodgers had penned, Ralphs made the decision to leave Mott and form a new band with Rodgers. The duo recruited former King Crimson bassist/vocalist Boz Burrell, added drummer Simon Kirke and Rodgers Christened the band Bad Company. Rodgers’ brought in Led Zeppelin manager Peter Grant and Bad Company became the first band signed to Zeppelin's Swan Song label. "I had to fight to get the management and the record company to accept the name Bad Company," explains Rodgers. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 4-25-2021 Concert: Ithaca College Madrigal Singers Hana J. Cai Ithaca College Madrigal Singers Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Cai, Hana J. and Ithaca College Madrigal Singers, "Concert: Ithaca College Madrigal Singers" (2021). All Concert & Recital Programs. 7962. https://digitalcommons.ithaca.edu/music_programs/7962 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Ithaca College Madrigal Singers Dr. Hana J. Cai, conductor Julianna LoBiondo, graduate assistant Ford Hall Sunday, April 25th, 2021 2:00 pm Program Royals Joel Little (b.1983) and Ella Yelich-O'Connor (b. 1996) arr. Deke Sharon Come Now My Dearest Jewel Thomas Weelkes (1575-1623) I Feel the Earth Move Carole King (b.1942) arr. Deke Sharon Lullabye (Goodnight, My Angel) Billy Joel (b. 1949) arr. Deke Sharon Kikkehihi Johann Hermann Schein (1586-1630) Blackbird John Lennon (1940-1980) and Paul McCartney (b. 1942) arr. Deke Sharon Time After Time Cyndi Lauper (b. 1953) and Rob Hyman (b. 1950) arr. Deke Sharon Royals I've never seen a diamond in the flesh I cut my teeth on wedding rings in the movies And I'm not proud of my address In a torn-up town, no postcode envy But every song's like gold teeth, Grey -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
We Are the CHAMPAGNE-IONS!
SEPTEMBER 30, 2009 PAGE: 5 BEST CHEF IN CHESCO C H PAGE: 6 E S CHILI T COOKOFF E R PAGE: 16 C O JOHN LILLEY U N WWW.DAILYLOCAL.COM/CC T Y C U IS IN E & N IG H T L IF E RESTAURANT FESTIVAL PAGE: 13 e e are th S! w NE-ION AG GE: 8 CHAMP PA Twice a month we will be featuring Jimmy’s BBQ of Frazer with some great local blues bands and our we known draft and bottled beer selection. Please che www.ronsoriginal.com for dates OCTOBER FEATURES ll SAUSAGE & PEPPERS APPETIZER ck $5.99 CAPRESE DI PARMA SALAD $6.99 POLLO PRIIMAVERA NACHOS $6.99 8 OZ.F ILET MIGNON DINNER $15.99 VEAL MARSALA DINNER $17.99 RAVIOLI AURORA WITH CHICKEN $12.99 BLACK & WHITE MUSSELS & SHRIMP $9.99 0547642 xxx xxx /PAGE 3 TABLE SEPT. 30, 2009 MAGA xxx ZINE CHESTER COUNTY CUISINE & NIGHTLIFE xx xxx OF www.dailylocal.com/CC STAFF: xx xxxCONTENTS Randall P. Notter Publisher Andrew M. Hachadorian Editor Justin McAneny Contributing Writer/Editorial Coordinator PAGE: 4 Autumnal Tricia A. Johnston Bliss Advertising Director CC is a magazine of the Daily Local News, pub- lished every other Wednesday and distributed free throughout Chester County. Our offi ces are located at 250 North Bradford Avenue, West Chester PA. PAGE: 6 Copyright 2009, Daily Local News. Reproduction Chili of CC, in part or in whole, is prohibited without written permission. Cookoff PAGE: 8 Chester County To advertise in CC, call Road Trip Jim Steinbrecher at 610-430-1138. -
ARTS V- Entertainment
ARTS V- entertainment Titian Schlummernde Venus” (1510) Erotica? Pornography? Who Sees What? rt and the erotic and/or pornographic image have maintained a long and in cestuous alliance. Indeed, perhaps the first known work of sculpture recovered, the Paleolithic “ Venus of Wildendorf” reflects in a size somewhat larger than a person’s thumb a avoluptuous fem ale form radiating with sexual potency. The representation of woman as sexual goddess has continued to preoccupy virtually every cultural epoch. Our own age is no ex ception. In fact, images of women in a sexual context have become so alarmingly com monplace that one is coerced into endorsing it. And that is precisely why the accelerated ex ploitation of these images through the media is so insidious. A naked woman lying suggestively upon a bed is a scene celebrated and culturally legitamatized by Titian, Rembrandt, Goya, Watteau, Manet and just about every other greater or lesser talent that has applied paint to a surface. This particular kind of image has become so ingrained in us that we accept and even pay homage to it as part of our history. In both a high and low art form people of both sexes continue to help foster and encourage it. The men who buy Playboy and the women who buy Cosmopolitan are, in truth, purchasing one and the same image. In fact, we have become so saturated with these images that they tend to cancel one another out, leaving us benumbed to their subtle manipulation. This is commonplace, a fam iliar aspect of everyday life. -
Christina Jefferson Brehm Resume 2016 for Web Site
Christina Jeferson Brehm www.christyjeferson.com | christyjeferson.wordpress.com 610-462-2813 | [email protected] SUMMARY _________ Sincere, joyful & God-centered parent and music teacher aligned with Waldorf philosophy of education Accomplished and energetic music professional known for excellent people skills and positive attitude. Brings 9 years cumulative experience teaching voice, piano, & guitar lessons with focus on inspiring passionate performances as well as 9 years of solid experience as a performing singer and musician with noteworthy skills leading other musicians and planning music programs. Clear understanding of pentatonic scale and mood of the fifth music in enabling young children’s imagination that fuels their ability to realize their potential. Currently homeschooling preschool daughter in the Waldorf philosophy using Lavender’s Blue website, books on Waldorf, and relationships with other Waldorf educators at River Valley Waldorf School. Instruments: Formal training in Voice & Piano; self-taught in Guitar & Ukulele, Harmonium & Kinder Lyre SKILLS Teaching and guiding with patience, encouragement and kindness Instilling confidence in students by learning and adapting to various learning and communication styles Leading and guiding instrumentalists and vocalists of all ages Connecting music with messages, feelings and spirituality – interested in eurhythmy training Learning/trying new techniques, music and technology – great general abilities on PC and Mac EDUCATION BA in Music, concentration in Vocal Performance, -
The Hooters + Nordman = Bazilian & Wester
2011-02-01 11:30 CET The Hooters + Nordman = Bazilian & Wester Den internationellt framgångsrike artisten och låtskrivaren Eric Bazilian, bosatt i Philadelphia, är kanske mest känd från gruppen The Hooters, som haft många stora hits och sålt miljontals album internationellt. Eric har också skrivit hits med och till andra exempelvis Joan Osborne, till vilken han skrev världshiten One Of Us. Mats Wester är förstås skaparen, kompositören och motorn bakom folkpoppionjärerna Nordman, som sålt över en miljon album bara i Sverige och haft många hits sedan genombrottet 1994. Wester & Bazilians musik har växt fram under en lång period och innehåller det bästa av båda världar. Starka pop- och rocklåtar möter skandinavisk och amerikansk folkton och skapar mustig folkrock med lekfullhet och djup. Spår av både The Hooters och Nordman kan höras musiken. Här är det dock Bazilians passionerade rockröst och engelska texter som är i centrum. Mycket är skrivet ur en vuxen man och förälders perspektiv, men med lite humor och självdistans, berättar Wester. Resultatet är ett medryckande album med djup, driv och naturlig hitkänsla. Första smakprovet från den kommande plattan är ”Bigger Than Bossa Nova” som redan nu finns på Spotify och iTunes. ”Bigger Than The Bossa Nova” officiella video: http://www.youtube.com/watch?v=Hy6T5a1y4aE Hemsida: www.bazilianwester.com Facebook: www.facebook.com/pages/BazilianWester/159160720768235 Moore To Bebygger personliga varumärken. Både för artister och events. Med rejäl erfarenhet från underhållningsbranschen - och framgångsrika samarbeten med ikoner som Aerosmith, Erik Hassle, Ricky Martin, Slash, Meja och Stephen Simmonds - brinner vi idag lite extra för att lansera nya talanger. Ett arbete som bygger på lika delar mediastrategi, promotion och artistcoaching. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Recording Secrets for the Small Studio This Page Intentionally Left Blank Recording Secrets for the Small Studio
Recording Secrets for the Small Studio This page intentionally left blank Recording Secrets for the Small Studio Mike Senior First published 2015 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2015 Mike Senior The right of Mike Senior to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Application submitted ISBN: 978-0-415-71670-3 (pbk) ISBN: 978-1-135-87950-5 (ebk) Typeset in ITC Giovanni Std By MPS Limited, Chennai, India, www.adi-mps.com To my parents. -
The Levy Light Special Points of Interest
Winter 2019 Volume 7, Issue 4 “Alone we can do so little; together we can do so much” - Helen Keller The Levy Light Special points of interest: Our travels Checking out Jazz in Philly by Victor Levy Our accomplishments Over the years, my wife, Suzanne, and I have been to see many types of music, from rock and pop to orchestra. Last winter, we discovered that Our lives we actually love jazz music and when I received an email from the restau- rant South, which mentioned that Grammy award winning saxophonist LEVY VISION Kenny Garrett and his band will be in town, we decided we had to go. STATEMENT To let every client First, a word about the experience. This was not just going to a jazz club know that we have but rather South is a restaurant which, their needs and best Victor and his wife, Suzanne, at South no surprise, specializes in Southern cuisine. The menu includes fried green interest at heart. tomatoes, homemade cornbread, and various entrées featuring Louisiana Gulf shrimp. There are two areas to this restaurant, in front is a warm and cozy southern restaurant and in the back is a jazz night club where Levy Organization you can order from the same menu. I can’t say enough about how much 1818 Market Street, Suite 3232 fun it is to have dinner and listen to jazz music. Philadelphia, PA 19103 215-875-8710 We ordered drinks and were being served delicious food when the lights 215-875-8720 dimmed and out came Kenny and his band.