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VU Research Portal The impact of empire on market prices in Babylon Pirngruber, R. 2012 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Pirngruber, R. (2012). The impact of empire on market prices in Babylon: in the Late Achaemenid and Seleucid periods, ca. 400 - 140 B.C. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 25. Sep. 2021 THE IMPACT OF EMPIRE ON MARKET PRICES IN BABYLON in the Late Achaemenid and Seleucid periods, ca. 400 – 140 B.C. R. Pirngruber VRIJE UNIVERSITEIT THE IMPACT OF EMPIRE ON MARKET PRICES IN BABYLON in the Late Achaemenid and Seleucid periods, ca. 400 – 140 B.C. ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. -
Copyright by Kyle Austin Sanders 2018
Copyright by Kyle Austin Sanders 2018 The Dissertation Committee for Kyle Austin Sanders Certifies that this is the approved version of the following Dissertation: Pindar and the Enigmatic Tradition Committee: ____________________________________ Thomas Hubbard, Supervisor ____________________________________ Deborah Beck ____________________________________ Lesley Dean-Jones ____________________________________ Ayelet Haimson Lushkov ____________________________________ Joshua Katz Pindar and the Enigmatic Tradition by Kyle Austin Sanders Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Acknowledgments The germ of this project came in a graduate seminar on Pindar offered by Thomas Hubbard, whose expertise and guidance has informed every step of this process. I have also benefited from the lively discussion and feedback of many fellow graduate students. I am especially grateful to my colleague and dear friend Laura Takakjy, who closely read countless drafts over breakfasts at Kerbey Lane. I thank as well the numerous friends and fellow graduate students at Texas, including Chuck Oughton, Paul Hay, and the others in our dissertation reading group, who advised on preliminary versions of several chapters. My time in graduate school would surely not have been so productive and enriching were it not for the wide-ranging acumen and camaraderie of Matt Sibley and Olga Koutseridi. I deeply appreciate the contributions of my dissertation committee, whose careful feedback greatly shaped the later revisions I made to this project. Joshua Katz was very generous in commenting on the manuscript and in travelling to Austin to attend my defense. -
Persian Royal Ancestry
GRANHOLM GENEALOGY PERSIAN ROYAL ANCESTRY Achaemenid Dynasty from Greek mythical Perses, (705-550 BC) یشنماخه یهاشنهاش (Achaemenid Empire, (550-329 BC نايناساس (Sassanid Empire (224-c. 670 INTRODUCTION Persia, of which a large part was called Iran since 1935, has a well recorded history of our early royal ancestry. Two eras covered are here in two parts; the Achaemenid and Sassanian Empires, the first and last of the Pre-Islamic Persian dynasties. This ancestry begins with a connection of the Persian kings to the Greek mythology according to Plato. I have included these kind of connections between myth and history, the reader may decide if and where such a connection really takes place. Plato 428/427 BC – 348/347 BC), was a Classical Greek philosopher, mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. King or Shah Cyrus the Great established the first dynasty of Persia about 550 BC. A special list, “Byzantine Emperors” is inserted (at page 27) after the first part showing the lineage from early Egyptian rulers to Cyrus the Great and to the last king of that dynasty, Artaxerxes II, whose daughter Rodogune became a Queen of Armenia. Their descendants tie into our lineage listed in my books about our lineage from our Byzantine, Russia and Poland. The second begins with King Ardashir I, the 59th great grandfather, reigned during 226-241 and ens with the last one, King Yazdagird III, the 43rd great grandfather, reigned during 632 – 651. He married Maria, a Byzantine Princess, which ties into our Byzantine Ancestry. -
Hystaspes, Gobryas, and Elite Marriage Politics in Teispid Persia John Hyland Christ Opher Newport University
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 No.5.2018 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief Notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Judith A. Lerner (ISAW NYU) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University); Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (CNRS, UMR Mondes Iranien et Indien); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (University of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khodadad Rezakhani (History, UCLA); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Notes 1- Hamid Bikas Shourkaei: La satrapie de Phrygie hellespontique (Daskyleion): des origines 1 à la chute de l’Empire perse achéménide 2- Stanley M. -
Boris Maslov the Epinikion Is Unique Among Archaic Greek Melic Genres in That It Is Represented, for Us, by Two Sizable Contempo
DOI: 10.21638/11701/spbu20.2016.202 UDC 82-1/-9 Philologia Classica. 2016. Vol. 11. Fasc. 2 THE CHILDREN OF MNEMOSYNE: A CONTRASTIVE METAPOETICS OF PINDAR AND BACCHYLIDES1 Boris Maslov University of Chicago, 1010 East 59th Street, Classics 116 Chicago, IL 60637 USA National Research University “Higher School of Economics”, 17 Promyshlennaia, St. Petersburg 198099, Russian Federation; [email protected] The article investigates the uses to which the figures of the Muse(s) are put in the poetics of Pindar and Bacchylides, considered against the background of their earlier employments in elegiac and melic poetry. Based on a thorough examination of the evidence, it argues that the two poets pursue different strategies: whereas Bacchylides develops a poetic mythology of named Muses (particularly, Ourania), Pindar rede- ploys the single unnamed Muse of the earlier hexameter and choral traditions, envisioning her as the poet’s collaborator. Pindar may thus be seen to originate the notion of the Muse as a deity associated with poetic composition, as contrasted with her mnemonic-epistemic role in hexameter verse. Keywords: Archaic Greek lyric, epinikion, metapoetics, authorship, the Muses, Pindar. The epinikion is unique among Archaic Greek melic genres in that it is represented, for us, by two sizable contemporary corpora. In this regard, epinikion can be compared to Attic tragedy and the “Homeric” corpus of dactylic hexameter poetry; in the latter two cases, intensive comparative work has yielded profound insights into both the poetics of particular texts and, more generally, the evolution of the literary system in Ancient Greece. Much less work has been done on a contrastive poetics of epinikion. -
History of Phanagoria
Ассоциация исследователей ИНСТИТУТ АРХЕОЛОГИИ РАН ФАНАГОРИЙСКАЯ ЭКСПЕДИЦИЯ ИА РАН PHANAGORIA EDITED BY V.D. KUZNETSOV Moscow 2016 904(470.62) 63.443.22(235.73) Утверждено к печати Ученым советом Института археологии РАН Edited by V.D. Kuznetsov Text: Abramzon M.G., PhD, Professor, Magnitogorsk State Technical University Voroshilov A.N., PhD, Institute of Archaeology, Russian Academy of Sciences Voroshilova O.N., PhD, Institute of Archaeology, Russian Academy of Sciences Garbuzov G.P., PhD, Southern Scientific Centre of the Russian Academy of Sciences (Rostov-on-Don) Golofast L.A., PhD, Institute of Archaeology, Russian Academy of Sciences Gunchina O.L., conservator-restorer, Phanagoria Museum-Preserve Dobrovolskaya E.V., PhD, A.N. Severtsov Institute of Ecology and Evolution, Russian Academy of Sciences Dobrovolskaya M.V., PhD, Institute of Archaeology, Russian Academy of Sciences Zhukovsky M.O., Deputy Director of the Phanagoria Museum-Preserve Zavoikin A.A., PhD, Institute of Archaeology, Russian Academy of Sciences Zavoikina N.V., PhD, Institute of Archaeology, Russian Academy of Sciences Kokunko G.V., Historical and Cultural Heritage of Kuban Program Coordinator Kuznetsov V.D., PhD, Director of the Phanagoria Museum-Preserve, Institute of Archaeology, Russian Academy of Sciences Kuzmina (Shorunova) Yu.N., PhD, Curator of the Phanagoria Museum-Preserve, Institute of Archaeology, Russian Academy of Sciences Olkhovsky S.V., Institute of Archaeology, Russian Academy of Sciences Pavlichenko N.A., PhD, Institute of History, Russian Academy of Sciences Saprykina I.A., PhD, Institute of Archaeology, Russian Academy of Sciences Published with financial support from the Volnoe Delo Oleg Deripaska Foundation All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior permission of the copyright owners. -
Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: a Source Book
Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: A Source Book DANIEL OGDEN OXFORD UNIVERSITY PRESS Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds This page intentionally left blank DANIEL OGDEN ; ; ; Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds A SOURCEBOOK 1 2002 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2002 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Ogden, Daniel. Magic, witchcraft, and ghosts in the Greek and Roman worlds : a sourcebook / Daniel Ogden. p. cm. Includes bibliographical references and index. ISBN 0-19-513575-X; ISBN 0-19-515123-2 (pbk.) 1. Magic, Greek. 2. Magic, Roman. I. Title. BF1591.O335 2002 133.4′0938—dc21 2001036667 987654321 Printed in the United States of America on acid-free paper Acknowledgments Thanks to my colleague Byron Harries for his moral support and help of dif- ferent kinds with a number of the more obscure literary texts in this collec- tion, to my colleague Stephen Mitchell for Apphia, and to Professsor David Bain of Manchester University for help with the text of Cyranides. -
Pindar and the Poetics of Autonomy: Authorial Agency in Pindar’S Fourth Pythian Ode
I PINDAR AND THE POETICS OF AUTONOMY: AUTHORIAL AGENCY IN PINDAR’S FOURTH PYTHIAN ODE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Dennis Robert Alley May 2019 II ©2019 Dennis Robert Alley III PINDAR AND THE POETICS OF AUTONOMY: AUTHORIAL AGENCY IN PINDAR’S FOURTH PYTHIAN ODE Dennis Robert Alley Cornell University 2019 Over the last decade a growing number of scholars have questioned the veracity of the longstanding commission-fee model which placed the Greek lyric poet Pindar in the thrall of various aristocratic patrons to secure his pay. This seismic shift in our view on Pindar’s composition reveals manifold new questions to explore in its wake. What happens to our understanding of the 45 extant odes and extensive fragments, when, for example, angling for commission no longer mandates procrustean generic strictures? How do we understand praise poetry if not as exclusively solicited and sold? Where do we even begin examining the odes under this new model? Pindar and the Poetics of Autonomy suggests one ode in particular has suffered from the rigidity of scholarly expectations on commission and genre. In the corpus of Pindaric epinicia, Pythian Four, written around 462 for Arcesilaus the fourth of Cyrene, is conspicuously anomalous. At 299 exceptionally long lines, the poem is over twice as long as the next longest ode. While most epinicia devote considerable space in their opening and closing sections to celebrating the present victory, Pythian Four makes only one clear mention of it. -
A Brief History of the Olympic
A Brief History of the Olympic Games BHOA01 1 16/4/04, 4:42 PM Brief Histories of the Ancient World This new series offers concise, accessible, and lively accounts of central aspects of the ancient world. Each book is written by an acknowledged expert in the field and provides a compelling over- view, for readers new to the subject and specialists alike. Published A Brief History of the Olympic Games David C. Young In Preparation A Brief History of Astrology Roger Beck A Brief History of Oracles, Divination, and Prophecy Sarah Iles Johnston BHOA01 2 16/4/04, 4:42 PM A Brief History of the Olympic Games David C. Young BHOA01 3 16/4/04, 4:42 PM © 2004 by David C. Young BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148–5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of David C. Young to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Young, David C. A brief history of the Olympic games / David C. Young. p. cm. — (Brief histories of the ancient world) Includes bibliographical references and index. -
21-30 a RACE-HORSE CALLED PHERENIKOS WJ Henderson
http://akroterion.journals.ac.za A RACE-HORSE CALLED PHERENIKOS W J Henderson (University of Johannesburg) The aptly-named stallion Pherenikos (Victory-bearer) raced and won for Hieron, tyrant of Gela (485 BC) and Syracuse (485-467/6 BC). This is the only horse that is named in the surviving victory odes (epinikia) of Pindar and Bacchylides.1 He makes his first victorious appearance in the single-horse event, the κέλης, of six laps (just over 1 km) in the hippodrome at the Pythia in 478, to which Pindar refers in P. 3.72-74, composed sometime after 476.2 This is probably the victory to which Bacchylides (5.41) refers when he states that Pherenikos won at Delphi before his victory at Olympia in 476. 3 ... µὲν διδύµας χάριτας εἰ κατέβαν ὑγίειαν ἄγων χρυσέαν κῶµόν τ’ ἀέθλων Πυθίων αἴγλαν στεφάνοις, τοὺς ἀριστεύων Φερένικος ἕλεν Κίρρᾳ ποτέ ... ... and if I had come down, bringing double blessings, golden health and celebration as lustre for the crowns of the Pythian Games, which victorious Pherenikos carried off at Kirrha once … Nothing is said about the horse apart from his earlier victory, but scholars have debated issues raised by this event. Jebb, following the scholiast,4 argued that the 1 Bernardini 1985:126. Pind. P. 10.16 mentions a Phrikias, which could be the name of the winner’s horse or his father. It is more likely the father, who would certainly be known to family, friends and fans, and be readily identifiable, whereas the horse would not and would therefore require some explanation in the text of the ode. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Pavlou, Maria Title: Time in Pindar General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. TIME IN PINDAR MARIA PAVLOU A dissertation submitted to the University of Bristol in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts, Department of Classics and Ancient History JUNE 2007 Words: ninety one thousand ACKNOWLEDGMENTS My first thanks must go to my supervisor Prof. -
HERODOTUS BECOMES INTERESTED in HISTORY* at 3.60
Greece & Rome, 61.1 1–6 © The Classical Association (2014) doi:10.1017/S001738351300020X HERODOTUS BECOMES INTERESTED IN HISTORY* At 3.60 Herodotus tells us that he has dwelt at length on the Samians because ‘they are responsible for three of the greatest buildings in the Greek world’:1 the tunnel of Eupalinos,2 the great temple,3 and the breakwater that protects their harbour.4 As successive commentators have pointed out, that is not the real reason for the length of his account. We hear about the tunnel for the first time in this chapter (60.1–35); Maiandrios escapes down a secret channel at 146.2, which may or may not be Eupalinos’ tunnel;6 we hear about the temple of * The suggestion made in this brief article occurred to me during the Oxford conference on Herodotus and Myth organized by Emily Baragwanath and Mathieu de Bakker in 2007 (now pub- lished as E. Baragwanath and M. de Bakker [eds.], Myth, Truth, and Narrative in Herodotus [Oxford, 2012]), but no-one present at that conference is to blame. I am very grateful to Prof. Christopher Pelling for sending me in advance of publication a copy of his paper ‘Herodotus and Samos’ (now published in BICS 54 [2011], 1–18), which I somehow missed when it was orig- inally delivered as the Barron Memorial lecture and which presents a more nuanced picture than usual of Herodotus’ treatment of Samos; to Jessica Priestley, who kindly sent me a copy of the chapter ‘Biographical Traditions about Herodotus’ from her thesis Herodotus and Hellenistic Culture: Studies in the Reception of the Historiae, which treats the traditions about Herodotus’ years on Samos in a much more thorough and interesting manner than the present article does; to Nigel Wilson, the editor of the forthcoming Oxford Classical Text of Herodotus, for n.