Busta Rhymes Turn It Up! the Very Best of Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Busta Rhymes Turn It Up! The Very Best Of mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Turn It Up! The Very Best Of Country: Australia Released: 2001 Style: Pop Rap MP3 version RAR size: 1537 mb FLAC version RAR size: 1833 mb WMA version RAR size: 1446 mb Rating: 4.3 Votes: 827 Other Formats: ADX MOD AC3 DTS MIDI AU AIFF Tracklist Hide Credits Turn It Up (Remix) / Fire It Up 1 Producer – Busta Rhymes Woo Haa!! Got You All In Check 2 Co-producer – Busta Rhymes, Rashad SmithFeaturing – Rampage The Last Boy Scout* Gimme Some More 3 Producer – D.J. Scratch* What's It Gonna Be?! 4 Featuring – Janet JacksonProducer – Darrell Delite Allamby* Dangerous 5 Co-producer – Armando Colon, Rashad Smith Put Your Hands Where My Eyes Could See 6 Co-producer – Buddah , Shamello It's A Party 7 Featuring – Zhane*Producer – Easy Mo Bee One 8 Featuring – Erykah BaduProducer – Rockwilder Do My Thing 9 Producer – D.J. Scratch* Do The Bus A Bus 10 Producer – D.J. Scratch* Party Is Goin' On Over Here 11 Producer – D.J. Scratch* Get Out!! 12 Producer – Nottz Sobb Story - Leaders Of The New School 13 Producer – Eric "Vietnam" Sadler* Tear Da Roof Off 14 Producer – Swizz Beatz Everything Remains Raw 15 Producer – Easy Mo Bee Rhymes Galore 16 Producer – Rashad Smith Turn It Up (Soul Society Remix Extended) 17 Remix – The Soul Society Companies, etc. Manufactured By – Warner Music Australia Distributed By – Warner Music Australia Credits Art Direction – Lori Carfora Liner Notes – Soren Baker Mastered By [Remastering] – Keith Blake, Pat Kraus Photography By – Dean Karr, Jerome Albertine, Jonathon Mannion* Barcode and Other Identifiers Barcode: 9 325583 012853 Matrix / Runout: 8122735592 A E1 Mastering SID Code: IFPIL 311 Other versions Category Artist Title (Format) Label Category Country Year Turn It Up! The Warner Strategic Busta 8122 73559 2 Very Best Of (CD, Marketing, Rhino 8122 73559 2 Europe 2001 Rhymes Comp, RM) Records , Elektra Elektra, Rhino Turn It Up! The Busta Entertainment 8122 73580 2 Very Best (CD, 8122 73580 2 UK 2001 Rhymes Company, Warner Comp, Enh) Strategic Marketing Turn It Up! The Busta Very Best Of (CD, Elektra, Rhino 7559 62729-2 7559 62729-2 Germany 2001 Rhymes Comp, RM, Records S/Edition) Turn It Up! The Warner Strategic Busta 8122 73559 2 Very Best Of (CD, Marketing, Elektra, 8122 73559 2 Europe Unknown Rhymes Comp, RM, RP) Rhino Records Turn It Up! The Busta Elektra, Rhino 7559-62729-1 Very Best Of 7559-62729-1 Germany 2001 Rhymes Records (2xLP, Comp) Related Music albums to Turn It Up! The Very Best Of by Busta Rhymes Busta Rhymes Featuring Rah Digga & Spliff Star - Light Your Ass On Fire Remix Busta Rhymes - Extinction Level Event - The Final World Front Busta Rhymes - When Disaster Strikes... Busta Rhymes - Woo Hah!! Got You All In Check Busta Rhymes - Light Your Ass On Fire Busta Rhymes - Anarchy (Edited Version) Busta Rhymes - Turn It Up (Remix) / Fire It Up Q-Tip, Busta Rhymes - N.T.

Copy Link

Recommended publications

The Moral Priorities of Rap Listeners
Published: Nzinga, K.L.K., & Medin, D.L. (2018). The Moral Priorities of Rap Listeners. Journal of Cognition and Culture, 312-342. http://booKsandjournals.brillonline.com/content/journals/10.1163/15685373-12340033 The Moral Priorities of Rap Listeners Kalonji L.K. NZINGA Douglas L. MEDIN Northwestern University A Cross-cultural approach to moral psychology starts from researchers withholding judgments about universal right and wrong and instead exploring community members’ values and what they subjeCtively perCeive to be moral or immoral in their loCal Context. This study seeks to identify the moral ConCerns that are most relevant to listeners of hip- hop music. We use validated psyChologiCal surveys inCluding the Moral Foundations Questionnaire (Graham, Haidt, & Nosek 2009) to assess whiCh moral ConCerns are most central to hip-hop listeners. Results show that hip-hop listeners prioritize concerns of justiCe and authentiCity more than non-listeners and deprioritize ConCerns about respeCting authority. These results show that the ConCept of the “good person” within the hip-hop subculture is fundamentally a person that is oriented towards soCial justiCe, rebellion against the status quo, and a deep devotion to keeping it real. Results are followed by a disCussion of the role that youth subCultures have in soCializing young people to prioritize Certain virtues over others as they develop their moral identity. 1. Introduction Many AmeriCan rappers inCluding KendriCk Lamar (2010), Snoop Dogg (2015), and Busta Rhymes (2006) have delivered the following CatCh phrase in their lyriCs: “You Can take me out the hood, but you Can’t take the hood out of me.” They proClaim that there are Certain aspeCts of the “hood” lifestyle and value system that, onCe they are part of you, direCt how you perCeive the world and behave in it.
[Show full text]
702 Steelo Remixes Mp3, Flac, Wma
702 Steelo Remixes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Steelo Remixes Country: US Released: 1996 Style: RnB/Swing, Rhythm & Blues MP3 version RAR size: 1451 mb FLAC version RAR size: 1821 mb WMA version RAR size: 1114 mb Rating: 4.8 Votes: 729 Other Formats: AA MP4 AHX AC3 AU XM MMF Tracklist Hide Credits Steelo (J-Dub Mix Edit) 1 4:00 Co-producer – Kenny BurnsFeaturing – Brad Dacus, Missy ElliottProducer – Dent*, J-Dub* Steelo (Timbaland Mix Edit) 2 4:03 Featuring – Missy ElliottProducer – Timbaland Steelo (Cali Mix) 3 4:09 Producer – Timbaland Steelo (Rashad Remix) 4 Arranged By – Missy Elliott, Rashad SmithCo-producer – Armando ColonProducer – Rashad 3:31 SmithWritten By – Missy Elliott, Rashad Smith Steelo (LP Edit) 5 Featuring – Missy ElliottProducer – Chad "Dr. Ceuss" Elliott*, George PearsonWritten By – 4:00 Chad Elliott, George Pearson, Gordon Sumners* Companies, etc. Manufactured By – Motown Record Company, L.P. Marketed By – Motown Record Company, L.P. Copyright (c) – Biv Ten Records Phonographic Copyright (p) – Biv Ten Records Credits A&R – Derek "Chuck Bone" Osorio*, Todd "Bozak" Russaw* Administrator – Steve Cook Executive Producer – Michael Bivins, Todd Russaw Management – Andre Harrell Notes LP Version appears on the 702 "No Doubt" Vinyl, CD & Cassette 314530738-1/2/4 Steelo contains a sample from "Voices Inside My Head" written by Gordon Sumner ©℗ 1996 Biv Ten Records, a Joint Venture of Motown Record Company, L.P., and Biv Ventures, Inc. Manufactured and Marketed by Motown Record Company, L.P., 825 8th Ave., New York, NY 10019- USA. All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
[Show full text]
OBJ (Application/Pdf)
ölver ine MORRIS BROWN COLLEGE “Dedicated to Educating the Leaders of Tomorrow” Herndon Stadium - A mnnument to self help by Herman “Skip” Mason, Jr. ‘84 College Historian/Archivist estled in the Vine City community behind the Morris Brown College campus was a huge rock pile surrounded by land virtually unfit for cultivation and building. The open field was adjacent to the home of many Vine City residents including the home of the President of the Morris Brown College and the palatial home of the Herndon family. It was in 1946 that work began to carve and sculpt this gigantic rock into a football stadium. Its namesakes Alonzo F and Norris B. Herndon, founder and son of Atlanta Life Insurance Company ironically were pillars in the Mayor Bill Campbell, Mayor of Atlanta gives Dr. Samuel D. Jolley Jr., President of Morris Brown College, a Proclamation during the dedication of the new Herndon Football Stadium. community. Why was there a need for a small liberal black arts SYMBOLISM college to have a stadium of its own? In the late 1890’s, Morris Brown became An Open Letter involved in athletic Let our children competition. In 1911, the school organized its first to the Morris football team. The team was coached by J.S. Jackson and decide later D.H. Sims and the first Brown Campus team consisted of Nathaniel by Charlton Pharris Flipper, S.W. Prioleux, Willie crosses and crucifixes to rasping for the Ed Grant, Allen Cooper, Fred logos, they tangify the Wiley, Milton Carnes, meaning of symbols in intangible. They cast Community Americus Lee, David Gour lives is an elusive reach.thoughts and values into Townsley, and John Corley.
[Show full text]
Combined Guide for Web.Pdf
2015-16 American Preseason Player of the Year Nic Moore, SMU 2015-16 Preseason Coaches Poll Preseason All-Conference First Team (First-place votes in parenthesis) Octavius Ellis, Sr., F, Cincinnati Daniel Hamilton, So., G/F, UConn 1. SMU (8) 98 *Markus Kennedy, R-Sr., F, SMU 2. UConn (2) 87 *Nic Moore, R-Sr., G, SMU 3. Cincinnati (1) 84 James Woodard, Sr., G, Tulsa 4. Tulsa 76 5. Memphis 59 Preseason All-Conference Second Team 6. Temple 54 7. Houston 48 Troy Caupain, Jr., G, Cincinnati Amida Brimah, Jr., C, UConn 8. East Carolina 31 Sterling Gibbs, GS, G, UConn 9. UCF 30 Shaq Goodwin, Sr., F, Memphis 10. USF 20 Shaquille Harrison, Sr., G, Tulsa 11. Tulane 11 [*] denotes unanimous selection Preseason Player of the Year: Nic Moore, SMU Preseason Rookie of the Year: Jalen Adams, UConn THE AMERICAN ATHLETIC CONFERENCE Table Of Contents American Athletic Conference ...............................................2-3 Commissioner Mike Aresco ....................................................4-5 Conference Staff .......................................................................6-9 15 Park Row West • Providence, Rhode Island 02903 Conference Headquarters ........................................................10 Switchboard - 401.244-3278 • Communications - 401.453.0660 www.TheAmerican.org American Digital Network ........................................................11 Officiating ....................................................................................12 American Athletic Conference Staff American Athletic Conference Notebook
[Show full text]
Fascicule S4E5 Mai/Juin 2015 (Pdf, 7095Ko)
à découper et à mettre sur son frigo son sur à mettre et à découper AGENDA DE FRIGO AU DOS AU FRIGO DE AGENDA SOMMAIRE Agenda de Frigo................. 2 Edito.................................... 3 Le programme.................... 5 Le poster de Terreur Graphique............... 32 Les actions culturelles........ 34 Le centre ressource............ 37 Le coin des studios.................38 L’instant scientifique...............40 La fiche utile du Docteur Fred.................. 42 Rewind................................. 51 Chez les copains................; 63 Les infos très pratiques du Temps Machine................64 AGENDA DE FRIGO LE TEMPS MACHINE CooRdonnées EDITO Le Temps Machine Parvis Miles Davis BP 134 37301 JOUÉ-LÈS-TOURS CEDEX Tel : 02 47 48 90 60 Courriel : [email protected] www.letempsmachine.com www.facebook.com/letempsmachine DANS LES FAITS ! Horaires Les Bureaux Du lundi au vendredi : Le Temps Machine - l’Espace Musiques murs l’actualité musicale et l’avant-garde, nous 10h00 / 12h30 & 14h00 / 18h00 LE Centre Actuelles de l’Agglomération de Tours - s’inscrit changerons d’atmosphère. Du mardi au vendredi : 10h00 / 13h00 et 14h00 / 18h00 dans le réseau d’une ville, d’un territoire. Il Samedi (uniquement quand concert le soir) : 14h00 / 17h00 Dans les faits ! En juin. Place à un laboratoire ; est destiné au plus grand nombre, ouvert à Et les soirs de concerts de 20h30 à 21h30 à ciel ouvert. Quand les beaux jours arrivent, Les soirs de concerts tous, s’adresse à tous, se construit et s’alimente Ouverture du bar : 20h30 comme vous, Le Temps Machine a des envies Ouverture de la billetterie : 20h30 par l’action de tous. Nos missions d’intérêt d’évasion.
[Show full text]
Sample Some of This
Sample Some Of This, Sample Some Of That (169) ✔ KEELY SMITH / I Wish You Love [Capitol (LP)] JEHST / Bluebells [Low Life (EP)] RAMSEY LEWIS TRIO / Concierto De Aranjuez [Cadet (LP)] THE COUP / The Liberation Of Lonzo Williams [Wild Pitch (12")] EYEDEA & ABILITIES / E&A Day [Epitaph (LP)] CEE-KNOWLEDGE f/ Sun Ra's Arkestra / Space Is The Place [Counterflow (12")] JOHN DANKWORTH & HIS ORCHESTRA / Bernie's Tune ("Off Duty", O.S.T.) [Fontana (LP)] COMMON & MARK THE 45 KING / Car Horn (Madlib remix) [Madlib (LP)] GANG STARR / All For Da Ca$h [Cooltempo/Noo Trybe (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Theme From "Return From The Ashes", O.S.T. [RCA (LP)] 7 NOTAS 7 COLORES / Este Es Un Trabajo Para Mis… [La Madre (LP)] QUASIMOTO / Astronaut [Antidote (12")] DJ ROB SWIFT / The Age Of Television [Om (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Look Stranger (From BBC-TV Series) [RCA (LP)] THE LARGE PROFESSOR & PETE ROCK / The Rap World [Big Beat/Atlantic (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Two-Piece Flower [Montana (LP)] GANG STARR f/ Inspectah Deck / Above The Clouds [Noo Trybe (LP)] Sample Some Of This, Sample Some Of That (168) ✔ GABOR SZABO / Ziggidy Zag [Salvation (LP)] MAKEBA MOONCYCLE / Judgement Day [B.U.K.A. (12")] GABOR SZABO / The Look Of Love [Buddah (LP)] DIAMOND D & SADAT X f/ C-Low, Severe & K-Terrible / Feel It [H.O.L.A. (12")] GABOR SZABO / Love Theme From "Spartacus" [Blue Thumb (LP)] BLACK STAR f/ Weldon Irvine / Astronomy (8th Light) [Rawkus (LP)] GABOR SZABO / Sombrero Man [Blue Thumb (LP)] ACEYALONE / The Hunt [Project Blowed (LP)] GABOR SZABO / Gloomy Day [Mercury (LP)] HEADNODIC f/ The Procussions / The Drive [Tres (12")] GABOR SZABO / The Biz [Orpheum Musicwerks (LP)] GHETTO PHILHARMONIC / Something 2 Funk About [Tuff City (LP)] GABOR SZABO / Macho [Salvation (LP)] B.A.
[Show full text]
COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA METROPOLITAN FILMEXPORT présente un film ROGUE PICTURES et BOB YARI PRODUCTIONS Une production PILOT BOY/KABUKI BROTHERS FILMS En association avec PARTIZAN FILMS un film de MICHEL GONDRY (DAVE CHAPPELLE’S BLOCK PARTY) Avec KANYE WEST, MOS DEF, TALIB KWELI, COMMON, THE FUGEES, DEAD PREZ, ERYKAH BADU, JILL SCOTT, THE ROOTS, DAVE CHAPPELLE Superviseur de la musique : COREY SMYTH Montage : SARAH FLACK, JEFF BUCHANAN Décors : LAURI FAGGIONI Directrice de la photographie : ELLEN KURAS, A.S.C. Un film produit par MUSTAFA ABUELHIJA, JULIE FONG et DAVE CHAPPELLE & BOB YARI Durée : 1 h 43 min SORTIE NATIONALE LE 6 SEPTEMBRE DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT MICHEL BURSTEIN / BOSSA NOVA 29, rue Galilée - 75116 Paris 32, boulevard Saint Germain - 75005 Paris Tél.: 01 56 59 23 25 E-mail : [email protected] Fax : 01 53 57 84 02 Tél.. : 01 43 26 26 26 - www.bossa-nova.info PROGRAMMATION PARTENARIATS RÉGION PARIS GRP-EST-NORD ET PROMOTION Tél.: 01 56 59 23 25 AGENCE MERCREDI RÉGION MARSEILLE LYON-BORDEAUX Tél.: 01 56 59 66 66 Tél. : 05 56 44 04 04 www.metrofilms.com Fax : 01 56 59 66 67 Vous allez vivre une journée à part. BLOCK PARTY est un événement musical unique autour d'une personnalité hors norme, dans un contexte historique filmé par l'un des visionnaires les plus atypiques de notre époque. Vous vous dites que ça fait beaucoup et pourtant, c'est vrai ! BLOCK PARTY est l'histoire d'un concert caméras sur les répétitions privées des mémorable organisé à Brooklyn à l'initiative musiciens, et suivi Dave Chappelle dans sa de l'humoriste américain Dave Chappelle.
[Show full text]
LSG Curious Mp3, Flac, Wma
LSG Curious mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Curious Country: US Released: 1998 Style: RnB/Swing MP3 version RAR size: 1379 mb FLAC version RAR size: 1462 mb WMA version RAR size: 1725 mb Rating: 4.7 Votes: 323 Other Formats: AHX AC3 ASF XM FLAC MP1 MIDI Tracklist 1 Curious (No Rap Version) 3:19 Companies, etc. Phonographic Copyright (p) – Elektra Entertainment Group Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Elektra Entertainment Group Copyright (c) – WEA International Inc. Made By – WEA Manufacturing Inc. Recorded At – Southern Tracks Recorded At – Tumblin' Dice Studios Mixed At – Tumblin' Dice Studios Published By – Hip Trip Music Published By – Mid-Star Music Credits Arranged By [Vocal Arrangements] – Keith Sweat, Tumblin' Dice Inc.* Backing Vocals [Background Vocals] – Gerald Levert, Johnny Gill, Keith Sweat Co-producer – Armondo Colon*, Keith Sweat Engineer – Karl Heilbron, Paul Gregory Engineer [Mixing Engineer], Mixed By – Lou Ortiz* Executive-Producer – Gerald Levert, Keith Sweat Executive-Producer [Co-Executive Producer] – Merlin Bobb Keyboards, Programmed By – Tumblin' Dice Inc.* Producer, Arranged By – Rashad Smith Tracking By – Paul Gregory Written-By – Bo Watson, Bobby Lovelace, Melvin Gentry Notes From the EastWest Records album Levert Sweat Gill #62125 available on cassette & cd. Barcode and Other Identifiers Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Levert Sweat EastWest UK & 7559-63841-0 Curious (12") 7559-63841-0 1998 Gill* America Europe Curious / My Body EastWest ED 6064 LSG (Remix) (12", Records ED 6064 US 1997 Promo) America Levert Sweat Levert Sweat Gill* Gill* Featuring Featuring L.L.
[Show full text]
Busta Rhymes When Disaster Strikes... Mp3, Flac, Wma
Busta Rhymes When Disaster Strikes... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: When Disaster Strikes... Country: Canada Released: 1997 MP3 version RAR size: 1937 mb FLAC version RAR size: 1563 mb WMA version RAR size: 1983 mb Rating: 4.7 Votes: 203 Other Formats: AIFF WAV AUD MP3 MIDI MP1 MPC Tracklist Hide Credits Intro 1 4:44 Voice [Uncredited] – Dolemite, Lord Have Mercy, Spliff Star 2 The Whole World Lookin' At Me 3:26 Turn It Up (Remix) Fire It Up 3 3:41 Co-producer – Spliff Star 4 When Disaster Strikes 3:25 So Hardcore 5 4:51 Producer – The Ummah 6 Get High Tonight 3:51 7 Turn It Up 4:11 Put Your Hands Where My Eyes Could See 8 3:11 Co-producer – EpitomeProducer – Buddah , Shamello It's All Good 9 5:03 Producer – Latief There's Not A Problem My Squad Can't Fix 10 5:56 Featuring – Jamal We Could Take It Outside 11 4:47 Featuring – Flipmode Squad Rhymes Galore 12 2:33 Producer – Rashad Smith Things We Be Doin' For Money Part 1 13 3:18 Producer – Easy Mo Bee Things We Be Doin' For Money Part 2 14 Co-producer – Clarence DorseyFeaturing – Anthony Hamilton, Rampage , The Chosen 4:56 GenerationProducer – 8-Off One 15 4:38 Featuring – Erykah BaduProducer – Rockwilder Dangerous 16 3:37 Producer – Rashad Smith The Body Rock 17 5:33 Featuring – Mase, Puff Daddy, Rampage Producer – Sean "Puffy" Combs* Get Off My Block 18 3:58 Featuring – Lord Have Mercy 19 Outro (Preparation For The Final World Front) 2:31 Companies, etc.
[Show full text]
The Acoustics and Performance of DJ Scratching. Analysis and Modelling
The acoustics and performance of DJ scratching Analysis and modeling KJETIL FALKENBERG HANSEN Doctoral Thesis Stockholm, Sweden 2010 TRITA-CSC-A 2010:01 ISSN 1653-5723 KTH School of Computer Science and Communication ISRN KTH/CSC/A–10/01-SE SE-100 44 Stockholm ISBN 978-91-7415-541-9 SWEDEN Akademisk avhandling som med tillst˚andav Kungl Tekniska högskolan framlägges till offentlig granskning för avläggande av teknologie doktorsexamen i datalogi Fredagen den 12 februari 2010 klockan 10:00 i F2, Kungl Tekniska Högskolan, Lindstedtsvägen 26, Stockholm. © Kjetil Falkenberg Hansen, February 2010 Tryck: Universitetsservice US AB iii Abstract This thesis focuses on the analysis and modeling of scratching, in other words, the DJ (disk jockey) practice of using the turntable as a musical instru- ment. There has been experimental use of turntables as musical instruments since their invention, but the use is now mainly ascribed to the musical genre hip-hop and the playing style known as scratching. Scratching has developed to become a skillful instrument-playing practice with complex musical output performed by DJs. The impact on popular music culture has been significant, and for many, the DJ set-up of turntables and a mixer is now a natural instru- ment choice for undertaking a creative music activity. Six papers are included in this thesis, where the first three approach the acoustics and performance of scratching, and the second three approach scratch modeling and the DJ interface. Additional studies included here expand on the scope of the papers. For the acoustics and performance studies, DJs were recorded playing both demonstrations of standard performance techniques, and expressive perfor- mances on sensor-equipped instruments.
[Show full text]
December 2018 Program
142ND ANNUAL COMMENCEMENT DECEMBER 15, 2018 CEREMONIAL MACE The ceremonial mace, a decorated staff carried in the commencement procession, is a symbol within a symbol. It denotes the right of the university administration to confer degrees on its graduates. The presence of a mace in ceremonial processions dates to the Middle Ages. The earliest maces were practical items, carried by sergeants-at-arms as part of the royal bodyguards’ means of protecting the king and as a symbol of his authority. In time, the mace was adapted to civic use and represented leadership. No longer a weapon, the mace became a work of art, decorated with precious metals and often bearing the seal of the city or university it represented. Universities began incorporating a mace into their ceremonies as early as the 15th century. In the United States, most universities continue the tradition and incorporate a ceremonial mace into commencement exercises. At SIU, the mace is very much a product of the university as well as representative of it. Professor Richard Smith, blacksmith and faculty member in the School of Art and Design, was commissioned to create a mace to debut in 2013. He turned to professor emeritus Richard Mawdsley, silversmith, to complete the project. He also enlisted the assistance of alumna Erin Dixon; assistant professor Sun Kyoung Kim; graduate student Patrick Quinn; and undergraduate students Timothy Schaeffer and Daniel Widolff – all from the School of Art and Design. The mace, constructed of Damascus steel and silver, is 42 inches tall and 1¼ inches wide at its widest point. Design elements incorporate architectural references to Old Main – a campus building when SIU was the brand-new Southern Illinois Normal University, a teachers college, in 1874.
[Show full text]
Mt-Djing: Multitouch Djing Table
Mt-Djing: Multitouch DJing Table Pedro Lopes Dissertation for the degree of Master in Information Systems and Computer Engineering Júri Chairman: Professor Doutor JoséManuel Nunes Salvador Tribolet Adviser: Professor Doutor Jo~aoAntónioMadeiras Pereira Co-adviser: Professor Doutor Alfredo Manuel dos Santos Ferreira Junior Jury Member: Professor Doutor Nuno Manuel Robalo Correia October 2010 Acknowledgements As DJ history itself, this thesis has been a long journey, full of turning points and milestones. The astonishing number of people I would like to acknowledge shows how numerous were the dark alleys and obstacles I had to transpose during this last year. Firstly, to my father and mother for outstanding support, not only through this work but for the two decades before. To my advisor and co-advisor, Prof. Jo~aoMadeiras Pereira and Prof. Alfredo Ferreira Jr., for strong belief on Mt-Djing from square one. Moreover I kindly acknowledge the contribution of my colleague Diogo Mariano, whom I thank for all the support given, endless brainstorming sessions and late work nights. A word of appreciation to Ricardo Jota and Bruno de Araújo,for the interest and support to this work, shown in the form of the many conversations exchanged upon this subject. Other colleagues have their place within this thank-you note, namely Tiago Ribeiro and Guilherme Fernandes, for their help in reviewing and discussing the contents. And at last, but (definitely) not least, to all DJs and accompanying group, that took the time and effort to contribute so much to this work - that ultimately is theirs more than it is mine - specially: Pedro Farinha, Pedro Sousa (aka Alfredo Carajillo), Jo~aoGomes (aka Mush Von Namek), Igor Sousa and Nuno Moita.
[Show full text]