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China/Japan) and Unext in Japan
C NTENT 15-28 June 2020 www.contentasia.tv l www.contentasiasummit.com Indonesia grabs streaming spotlight Disney+, Viu, iflix, GoPlay take centre stage in CONTENTASIA latest battles AWARDS Indonesia has taken centre stage in the re- gion’s streaming wars, with talk of Disney+’s imminent launch, new money for GoJek’s GoPlay, and a swirl of speculation around a possible buyer for iflix, which counts Indo- Entries now open nesia as its top market. At the same time, new research from Media Partners Asia www.contentasiaawards.com (MPA) subsidiary, AMPD, shows PCCW’s regional streaming platform Viu in second place in Indonesia after YouTube, with 247 minutes viewed a week. The full story is on page 3 q SBS’ Backstreet Rookie countdown A+E pins Korea drama hopes on new series A+E Networks Korea debuts its first Kore- an scripted drama – Backstreet Rookie – worldwide this Friday. The 16-episode series, based on a webtoon, airs simulta- neiously on Korean network SBS, on iQiyi global (ex China/Japan) and Unext in Japan. Lifetime Korea will follow. The full story is on page 4 q Plus... • Global condemnation heaped on Philippines after Ressa conviction • Exec movement across the region • Formats in Indonesia ... and more C NTENTASIA 15-28 June 2020 Page 2. Ressa conviction a “devastating blow” to Philippines’ freedom International condemnation of Manila court decision on 8-year-old story The Philippines grabbed global attention years in prison. Both have posted bail cut down press freedom in this way and yet again this week following the cyber- pending an appeal. -
The Reception of Thai Boys Love Series in China
The Reception of Thai Boys Love Series in China: Consumption, Imagination, and Friction Junqi Zhang Senior Honors Thesis Department of Asian and Middle Eastern Studies The University of North Carolina at Chapel Hill May 2021 Approved by Dr. Mark Driscoll, Thesis Advisor Dr. Lorraine Aragon, Reader Table of Contents Acknowledgements 1 Abstract 4 Notes on Romanizations, Names, and the Series 6 Chapter One: Introduction 9 Chapter Two: Censorship, Self-Censorship, and Carnival Under Censorship 31 Chapter Three: The Alternative World to Escape from the Reality 56 Chapter Four: Gay Paradise, Gay Archetype 80 Chapter Five: Vulnerability of the “Chinese-Thai Romance” 106 Chapter Six: Discussion 139 Appendix 154 Reference 159 Contact Me 165 Acknowledgements During the journey of completing this thesis, I am forever indebted to the kindest people who never ceased to motivate and inspire me. Their steadfast support and intellectual acumen meant a lot to this very first endeavor of mine to become a stellar scholar in Asian Studies. I would like to take this opportunity to express my appreciation to them. My heartfelt thanks go to my thesis committee, Dr. Mark Driscoll (thesis advisor) and Dr. Lorraine Aragon (second advisor, reader). Dr. Driscoll has been passionate and caring, and his instructions were well beyond this thesis itself and insightful. He always astutely (re)directed me to some aspects and pointed out a refreshing path for me, not only in academia but also in my personal life. I could still recall my excitement when I explored Boys Love for the first time in a course with him back in 2018 and my delight after he said he would be willing to be my advisor for this project. -
2020-11-27 Announcement of Business Partnership with GMMTV
November 27, 2020 Announcement of Business Partnership with GMMTV Thailand Tokyo (November 27, 2020) – Through its Bangkok Business Bureau established in 2015, which continues to be the only commercial broadcasters’ business office in Bangkok, Thailand, TV Asahi Corporation (“TV Asahi”) has focused on strengthening its business ties with Thailand through content production and cultural exchanges. TV Asahi hereby announces that it has entered into a business partnership with GMMTV Co., Ltd. (50 GMM Grammy Place, Sukhumvit 21 Rd., Khlongtoeinuea, Wattana, Bangkok 10110, Thailand), a subsidiary company of GMM Grammy Plc., and will promote GMMTV’s diverse and singular content in Japan, as well as jointly execute various peripheral businesses with GMMTV. TV Asahi will also leverage its position as a leading broadcaster to launch the world’s first “GMMTV EXHIBITION In JAPAN 2021” which will showcase the breadth of GMMTV’s unique artists and world of entertainment. Plans are also underway to produce “Thai Language and culture business (tentative).” TV Asahi looks forward to working closely with GMMTV to deliver fresh and stellar Thai content to the Japanese market and further unlock the great potential “Thai Style” entertainment holds. Sataporn Panichraksapong(Mr.), Chief Executive Officer of GMMTV, said: GMMTV Co., Ltd. is honored and excited about this collaboration, as this is the first time we’re officially partnering with a leading and well-established Japanese television network. We believe that this collaboration is an important opportunity to promote Thai content and actors to a wider audience, and we hope that this partnership is only the beginning of our journey to take Thailand’s and Japan’s entertainment industry to new horizons together. -
GMM Grammy Public Company Limited Minutes of the 2016 Annual General Meeting of Shareholders on Friday, April 29, 2016, at 02.32 P.M
GMM Grammy Public Company Limited GMM Grammy Public Company Limited Minutes of the 2016 Annual General Meeting of Shareholders On Friday, April 29, 2016, at 02.32 p.m. At Ballroom 2, Pullman Bangkok Grande Sukhumvit Hotel, 4th Floor, Soi Sukhumvit 21 (Asoke), Sukhumvit Road, Khlong Toei Nuea Subdistrict, Wattana, District, Bangkok Mr. Paiboon Damrongchaitham, Chairman, appointed Ms. Boosaba Daorueng, Vice Chairman of the Board of Directors as the Chairman of the Meeting (the “Chairman”). The Chairman delegated the role to Mrs. Somsuda Ruampumsuk, the Company Secretary, to conduct the Meeting (the “Conductor”). Quorum Announcement The Moderator announced the statistic of the 2016 Annual General Meeting (the “Meeting”) of GMM Grammy Public Company Limited (the “Company”) that there were total of 105 shareholders attending in person, representing 397,378,186 shares, and 189 by proxy, representing 102,962,112 shares. There were 5 shareholders attending the Meeting by proxy granted to the Company’ s Independent Director, representing 2,129,168 shares. The total number of attendants who were shareholders and proxy holders was equal to 294 persons, representing 500,340,298 shares or 61.02% of total 819,949,729 subscribed shares. The quorum was thereby constituted according to the Company’s Articles of Association. Thereafter, the Moderator informed the Meeting about the security of the building that in case of conflagration or emergency alarm, shareholders should get to an emergency exits as shown in the monitor. Meeting Commencement After explaining the quorum of the meeting the safety procedures, the Moderator invited the Chairman to welcome all shareholders and declared the commencement of the 2016 Annual General Meeting of Shareholders. -
MUSIC CD in DEVELOPMENT and CONSUMER VALUE in the THAI MUSIC INDUSTRY by PHUNPITI BHOVICHITRA a Thesis Submitted for the Degree
MUSIC CD IN DEVELOPMENT AND CONSUMER VALUE IN THE THAI MUSIC INDUSTRY BY PHUNPITI BHOVICHITRA A thesis submitted for the Degree of Doctor of Philosophy to The Faculty of Management, University of Stirling, Scotland August, 2017 1 2 ABSTRACT While the digital market, especially the music streaming market, has rapidly grown in recent years, however the physical music segment still remains relevant in the Thai market. The Thai music market has inimitable characteristics within the market in terms of the physical music record offers, recorded musical works, and a growth trend in physical sales. Moreover, the behaviour in physical music consumption is opposite to that in world markets. Music consumption practices in the Thai market and why physical music, and CDs in particular, remain relevant to the Thai music industry are an enigma. The music industry itself has suggested that the physical music market needs to be revamped and its physical products redeveloped. In addition, the major record companies have also refocused into developing physical markets. However, precisely how this is to be achieved has not been specified. The twin aims of this study are to more fully comprehend Thai music consumption practices in today’s market and to examine how the concepts of product development could be effective in responding to consumer needs and desires. Consumer-led product development is the main concept of this study used to create ideas to enhance music CDs. This study combined many perspectives related to consumer-led product development and then applied them to construct the conceptual framework named “The Seminal Framework for CD Development”. -
The Yaoi Phenomenon in Thailand and Fan/Industry Interaction Natthanai Prasannam
The Yaoi Phenomenon in Thailand and Fan/Industry Interaction Natthanai Prasannam This article aims to explore yaoi phenomenon in Thailand particularly during the 2010s at the height of the industry involvement with yaoi fandom. The article draws on Paul Booth’s (2015) study of fan/ industry interaction to expand existing scholarship on yaoi phenomenon in Thailand which tends to focus on textual readings linking back to the Japanese cultural origin, ethnographic research, and the aspect of queer cultural politics. The study also draws attention to GMMTV Company Limited, a key player in expanding the yaoi industry in Thailand and growing the fandom of Thai yaoi stars in different countries in Asia. The article discusses the way GMMTV expands yaoi industry through connections with the local book industry as well as its own star and music making divisions. It pays close attention to fan/ industry interactions rooted in the industry-led mimetic practices inspired by yaoi fan culture. These practices include the act of “shipping” (pairing yaoi couples) through what fans referred to as Official Promotional Videos (OPVs) and television shows. The article then discusses the way GMMTV employs fan nostalgia to create memory-driven activities. The highly commercialized industry-led fan meeting also offers an interesting site to explore fan/industry interactions where fan-led practices were reenacted by the industry yet consumed by fans themselves. Keywords: fandom, fan/industry interaction, yaoi, Boys’ love (BL), Thai popular culture Introduction In the beginning of the 2010s, visitors exploring university campuses in different parts of Thailand or travelling around Bangkok by sky train were likely to encounter pictures of “cute boy” couples.1 Cute boys include beautiful young male celebrities featured in various publicity campaigns, advertisements, and television commercials. -
Behind Online Y Counterculture
Behind online Y counterculture: The role fansubbing groups and social actors play in driving online Y counterculture เบื้องหลังวัฒนธรรมปรปักษ์วายออนไลน์ : บทบาทของกลุ่มแฟนซับและนักแสดงทาง สังคมในการขับเคลื่อนวัฒนธรรมปรปักษ์วายออนไลน์ Received: July 22, 2020 Revised: September 9, 2020 Accepted: February 17, 2021 Jooyin Saejang จูยิน แซ่จาง Language Institute, Burapha University, Thailand สถาบันภาษา มหาวิทยาลัยบูรพา ประเทศไทย [email protected] Jooyin Saejang Abstract In recent years, Y series and BL series have gained popularity in both Thailand and China, respectively. The Thai and Chinese offshoots of the same Japanese subculture constitute a counterculture as defined by Bennett (2014). When Y series have become subject to much more vigorous scrutiny due to their oftentimes problematic messages including their romanticisation of sexual abuse and fetishisation of homerotic relationships, the Thai Y fandom has instead gravitated towards Chinese BL content, which has earned more positive reception for the latter’s more nuanced portrayals of gay characters thanks, ironically, to China’s ban on queer representation on screen. In light of the burgeoning demand for Chinese BL, communities of Thai fansubbers – a portmanteau word made up of “fan” and “subtitling” – devoted to translating Chinese BL series gratis have surfaced. These fansubbing groups mostly operate on social media platforms which over the decade have been employed in the spirit of socio-political activism. Apart from Chinese Y series and Thai Y fans of Chinese Y series that have played a part in driving this Y counterculture, other social actors including Thai fansubbing groups, Thai Y audiovisual productions and their Chinese counterparts, Y novels, critical Y fans as well as Y publishing houses have also contributed instrumentally to spurring the Y counterculture on social media by stimulating public conversation about LGBTQ+ related issues that might subsequently effect social change. -
Proceedings-9.Pdf
PROCEEDINGS CHALLENGES IN THE 21st CENTURY : SUSTAINABLE DEVELOPMENT IN MULTICULTURAL SOCIETIES #9 9th International Conference on Humanities and Social Sciences. thICHiSS May 26 2017, Prince of Songkla University, Hat Yai, Songkhla, Thailand Proceedings The 9th International Conference on Humanities and Social Sciences “Challenges in the 21st Century: Sustainable Development in Multicultural Societies” May 26th, 2017 The 60th Anniversary of His Majesty the King’s Accession to the Throne International Convention Center, Prince of Songkla University, Hat Yai, Songkhla, Thailand The 9th International Conference on Humanities and Social Sciences Co-Organizers: Faculty of Liberal Arts, Prince of Songkla University Faculty of Defence Studies and Management, National Defence University of Malaysia, Malaysia Faculty of Humanities and Social Sciences, Khon Kaen University Faculty of Liberal Arts, Mahidol University Faculty of Humanities,Chiang Mai University Committee: Prof. Dr.Peter Burns University of Bedfordshire, United Kingdom Asst. Prof. Dr. Alejandro Azocar University of Wisconsin–Madison, USA Assoc. Prof. Ron Fischer Victoria University of Wellington, New Zealand Assoc. Prof. Dr. Paul Gruba The University of Melbourne, USA Assoc. Prof. Dr. Shin, Keun Hye Hankuk University of Foreign Studies, Korea Dr.Mark W. Neal University of London, United Kingdom Asst.Prof.Dr.Mladen Pecujlija University of novi sad, Novi Sad Assoc.Prof. Dr. Jessica Ong Hai Liaw National Defence University of Malaysia Lt Col Zamri bin Ismail National Defence University of Malaysia Mrs. Norlaila Mazura bt. Mohaiyadin National Defence University of Malaysia Major Wong Wai Loong National Defence University of Malaysia Dr.Amnah Saayah bt. Ismail National Defence University of Malaysia Ms. Khairunnisa bt. Mardzuki National Defence University of Malaysia Asst. -
Mr. Paiboon Damrongchaitham Miss Boosaba Daorueng Chairman Group Chief Executive Officer
16 Mr. Paiboon Damrongchaitham Miss Boosaba Daorueng Chairman Group Chief Executive Officer We emphasize on human resource development plan and good corporate governance Message from Chairman and Group Chief Executive Officer Dear Shareholders, In 2018, GMM Grammy successfully achieved strategy implementation to deliver remarkable content to global market as well as strategy to strengthen its music business by gaining more views and subscribers across all platforms. Doubled subscribers on “Grammy Gold Official” Channel, achievement of 50 million subscribers on all Grammy Group Channels, collaboration with digital platforms to expand customer base, and quick sold-out tickets of Grammy’s concerts were reported this year. Investments business in Digital TV One31 and GMM25 demonstrated their talents to create quality contents for both of Thai and global audiences. They received many awards locally and internationally. As for movie business, GDH’s films has always been well-received and has expanded its audience across Asia and other regions. Home shopping business, which was in high growth industry that attracted new players in the market, can maintain market share with its strong online customer base. The operating results of the Company improved in terms of income and profits, which resulted from successful profitability improvement plan. We also put more emphasize on human resource development plan since human capital is cornerstone of this business. Supported by a recent survey, GMM Grammy is one of the most attractive workplaces for young people. Additionally, we are committed to good corporate governance and sustainable development. It has been a great pleasure that Thai Institute of Directors (IOD) awarded the company the ‘Five Stars’ rating which represents the ‘highest rank of excellence’ from good governance assessment of the listed company in 2018 which continued for eighth consecutive years so far.