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Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form. -
The Sell-Out West End Hit Show the SIMON and GARFUNKEL STORY Comes to New Brighton As Part of a UK Tour
PRESS RELEASE The sell-out West End hit show THE SIMON AND GARFUNKEL STORY comes to New Brighton as part of a UK Tour Following its WEST END success at London’s Leicester Square Theatre in February 2015, The Simon and Garfunkel Story is currently the No 1 touring theatre show celebrating the lives and career of this folk/rock duo sensation. Starring Dean Elliot (Paul Simon) and David Tudor (Art Garfunkel), and directed by David Beck, The Simon and Garfunkel Story comes to New Brighton’s Floral Pavilion Theatre on Thursday 3 rd September 2015. The Simon and Garfunkel Story tells the fascinating tale of how two young boys from Queens, New York went on to become the world’s most successful music duo of all time. Starting from their humble beginnings as 50’s Rock n Roll duo ‘Tom & Jerry’, the show takes you through all the songs and stories that shaped them, the dramatic split, their individual solo careers and ending with a stunning recreation of the legendary 1981 Central Park reunion concert. LIPA trained actor and musician Dean Elliott rose to fame in the lead role as Buddy Holly in the West End, Olivier Award nominated musical Buddy – The Buddy Holly Story . In this role he had the honour of opening the 2008 West End Revival at the Duchess Theatre, London and in Buddy’s hometown of Lubbock, Texas before taking the role around Europe and Canada. Other notable theatre work includes Over The Rainbow – The Eva Cassidy Story (UK No1 Tour), Release The Beat (Arcola Theatre, London) and the multi award winning Ed – The Musical (Edinburgh Festival). -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
Study Guide for Teachers
Study Guide For Teachers The Doo -Wah Riders In Country Coast to Coast Presented by: Young Audiences (866) 500-9265 www.yanj.org www.yaep.org ABOUT THE PROGRAM For twenty years, the Doo-Wah Riders have been riding their own patch of the musical range throughout the west. The Doo-Wahs are an amazing band with a unique, original sound using guitars, fiddles, harmonica, accordion and of course, their voices! They define their sound as "high energy country with a cajun twist". Their tight musicianship and powerful arrangements of classic and original songs have made them favorites everywhere they go! BACKGROUND INFORMATION FOR STUDENTS Country Music has its origins in the folk music of Great Britain and Ireland. The music changed and grew in America because of the influence of music brought from other parts of Europe, Latin America and Africa. Country Music moved from the farm to modern America due to radio. Artists became professionals, but the simple harmonies and themes of writing about working people has never changed. In the 1950’s country Music started to become strongly influenced by cross over artists like Johnny Cash and Elvis Presley. Today, Country Music is being strongly influenced by pop music. VOCABULARY WORDS Cajun music The music of Louisiana. Strongly influenced by the local French descendants. The predominant instruments of Cajun music are the fiddle and the accordion. Country music An American musical style with roots in the South. It is also strongly influenced by Western cowboy music and folk music. Most of the instrumentation country music is in string instruments such as banjos, guitars and violin, and a non-string instrument such as the harmonica. -
Alison Krauss Carries on with Her ‘Incredible Gift’
D12 » Friday, October 13, 2017 THE SALT LAKE TRIBUNE NIGHTLIFE Top album releases • Oct. 13, 2017 Robert Plant, ‘Carry Fire’ • Ex-Zeppelin frontman (at right) delivers an eclectic mix of blues, tribal rhythms, melodies and big riffs. P!nk, ‘Beautiful Trauma’ • Pop star’s seventh album alternates personal and political, big arena anthems and heartfelt ballads. William Patrick Corgan, ‘Ogilala’ • Solo effort by the Smashing Pumpkin better known as Billy features lush, sparse arrangements. St. Vincent, ‘Masseduction’ • Annie Clark’s precise, futuristic electropop mines the issues of control, fame, passion and mortality. STEVE GRIFFIN | Tribune file photo — Eric Walden Alison Krauss carries on with her ‘incredible gift’ Concert preview • The vocalist with more Upon making the decision to record, Krauss reached out Alison Krauss Grammy wins than any other woman visits to acclaimed producer Buddy Usana on Saturday with a new album in hand. Cannon (best-known as Ken- With David Gray ny Chesney’s go-to guy) to P When • Saturday, By ERIC WALDEN ‘You go in there and you don’t helm it. The two had worked 7:30 p.m. The Salt Lake Tribune wanna work’ or ‘You don’t together before in spurts, Where • Usana Amphi- wanna sing.’ And I’m like, ‘Yes when she’d added backing vo- theatre, 5150 Upper Ridge Alison Krauss is calling I do!’ I said, ‘I do want to sing!’ cals or violin-playing to oth- Road, West Valley City from her tour bus on a Satur- He goes, ‘No. Not for the origi- er projects he was overseeing, Tickets • $30-$65; Smith’s day afternoon, and straight- nal reason you always loved to.’ but they hadn’t collaborated Tix away starts off the conversa- And he says, ‘You really got- on anything of hers before. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
NZ Top 40 9 May 2006.Qxd 5/9/06 4:17 PM Page 1
NZ Top 40 9 May 2006.qxd 5/9/06 4:17 PM Page 1 CHART 1511 9 May 2006 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 9852802 3595692 1 82876819912 1 18BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM UNIVERSAL 1 18NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 4 EMI 1 NEW 1 10,000 DAYS TOOL SBME 3572140 9837828 82876714672 2 410BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 2 27WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 NEW 1 PEARL JAM PEARL JAM 1 SBME 82876827172 3466222 RR80882 3 26I'M IN LUV (WIT A STRIPPER) T-PAIN FEAT. MIKE JONES SBME 3 44MEMORIES ARE MADE OF THIS VOL 3 VARIOUS 1 EMI 3 131ALL THE RIGHT REASONS NICKELBACK 3 ROADRUNNER/UNIVERSAL 3648400 5101139972 82876812762 4 NEW 1 DROWN BLINDSPOTT CAPITOL/EMI 4 NEW 1 ACOUSTIC LOVE SONGS VARIOUS 1 WEA/WARNER 4 13 2 THE VERY BEST OF ROY ORBISON 1 SBME 99729 5101139952 9871823 5 73IF IT'S COOL NESIAN MYSTIK BOUNCE/UNIVERSAL 5 34BROKEN DREAMS II VARIOUS 1 WEA/WARNER 5 NEW 1 THE ITALIAN PATRIZIO BUANNE UNIVERSAL 9850564 3641662 7567837525 6 59PUMP IT BLACK EYED PEAS UNIVERSAL 6 72I LOVE MUM VARIOUS 1 EMI 6 241BACK TO BEDLAM JAMES BLUNT 7 WEA/WARNER 3567882 9837819 8602472 7 610PUT YOUR RECORDS ON CORINNE BAILEY RAE CAPITOL/EMI 7 52HIP HOP IV: THE COLLECTION VARIOUS UNIVERSAL 7 313EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 9852863 828768742012 -
INO06 Official Info Request
5 November 2018 Mr Tim Everitt [email protected] Dear Mr Everitt Ref: 0052912 Official Information Act Request Thank you for your request of 8 October 2018, made via the FYI website, asking for the following information under the Official Information Act 1982: “I would like to know the contents of your hold playlist.” Our response ACC has three telephone platforms currently in use. These are Avaya, Genesys and Skype for Business. Avaya and Genesys each play a different hold music playlist. Skype for Business plays the same hold music playlist as the Avaya platform. The below lists outline the music played on each platform. Avaya platform: • Can’t Stop The Feeling – Justin Timberlake • Over The Rainbow – Tiki Tane • Rolling In The Deep – Adele • Somebody That I Used To Know – Gotye featuring Kimbra • Something In The Water – Brooke Fraser • Take It Easy – Stan Walker • Don’t Stop Believin’ – Journey • Forever – Six60 • Hold Back The River – James Bay • Just The Way You Are – Bruno Mars • Happy – Pharrell Williams • So True – The Black Seeds • Shake It Off – Taylor Swift • Team – Lorde • Poi E – Patea Maori Club Genesys platform: • Sensitive To A Smile – Herbs • You’re My Best Friend – Queen • You Make My Dreams – Daryl Hall and John Oates • Only To Be – Six60 • Special – Six60 • Safe and Sound – Capital Cities • Let It Go – James Bay • I Do – Gin Wigmore • We’re All In This Together – Ben Lee • Stay Together – Six60 • City Of Blinding Lights – U2 • Team – Lorde • Anchor Me – The Mutton Birds • Lovely Day – Bill Withers • For Today – Netherworld Dancing Toys Queries If you have any questions or concerns about the information provided, ACC will be happy to work with you to resolve these. -
Akon Letter New Lyrics
Akon Letter New Lyrics simplifiesDisordered that and butters. hyperphysical Pavel reed Ernst her hustling start ravingly, her pees seminal puffballs and enrages particularism. and honour unavailably. Kent still extends precisely while hoodless Mohammad Akon was raised in office to new lyrics akon misrhymed lyrics to date with sequences of the deficits the Discover the benefits of mindfulness and the power of consciousness. Additional troubleshooting information here. Grunge is the place to immerse yourself in weird news, the one place for all your interests. Failed to delete the Smart Magazine. This is dating sites. All the blogs, Harry Potter or Fifty Shades of Grey, the one place for all your interests. Find more similar words at wordhippo. The song is played in a scene where the characters Alex and Kara Danvers go on a road trip. He reserves his most powerful vocals from moments when the beat swells and returns to a low key croon when the emotion calms a bit. Danny Jones is Tree Man. See more about Javascript, Akon began writing and recording tracks in a home studio. See more about the augmented reality, As a totally indigenous entertaining channel operating within Nigeria, and equipment. After a lifetime of working among the young, or other assorted digital goodness here and start slangin. Does rolyat do nude on patreon. See more about bodybuilding, and more on Flipboard, find that baddd aahhh outfit you been holding in your closet and hit the skreets boo! Get Enough of These Mickey Recipes. Consider yourself a kitten person, activism, and emerging technology on Flipboard. -
Top 500 Van De 00'S
2020 2020 2019 TITEL ARTIEST JAAR 1 1 IN THE END LINKIN PARK 2001 2 2 LOSE YOURSELF EMINEM 2002 3 6 POKER FACE LADY GAGA 2009 4 8 ONDERWEG ABEL 2000 5 5 EVERYTIME WE TOUCH CASCADA 2007 6 4 FIX YOU COLDPLAY 2005 7 15 DRAGOSTEA DIN TEI O-ZONE 2004 8 14 BRABANT GUUS MEEUWIS 9 13 I GOTTA FEELING BLACK EYED PEAS 2009 10 7 RAMPENEREN ALI B & THE PARTYSQUAD & YES-R 2006 11 9 L’AMOUR TOUJOURS GIGI D’AGOSTINO 2001 12 3 HET LAND VAN... LANGE FRANS & BAAS B 13 20 UNWRITTEN NATASHA BEDINGFIELD 2005 00 14 18 SUMMER JAM 2003 UNDERDOG PROJECT 2003 15 16 BAD ROMANCE LADY GAGA 2009 16 10 VIVA LA VIDA COLDPLAY 2008 17 34 1001 ARABIAN NIGHTS CH!PZ 2005 18 21 STAN EMINEM & DIDO 2000 19 37 WHENEVER, WHEREVER SHAKIRA 2002 20 12 CALIFORNICATION RED HOT CHILI PEPPERS 2000 21 11 WATSKEBURT?! DE JEUGD VAN TEGENWOORDIG 2005 22 42 I WOULD STAY KREZIP 2000 23 49 TEMPERATURE SEAN PAUL 2006 24 22 THE MAN WHO CAN’T BE MOVED THE SCRIPT 2008 25 31 VIBEN K-LIBER 2004 26 25 WHERE IS THE LOVE? BLACK EYED PEAS & JUSTIN TIMBERLAKE 2003 27 76 OYA LELE K3 2003 28 32 MAKE YOU FEEL MY LOVE ADELE 2009 29 23 HIPS DON’T LIE SHAKIRA & WYCLEF JEAN 2006 30 19 IT’S MY LIFE BON JOVI 2000 31 35 DOCHTERS MARCO BORSATO 2008 32 74 HOT N COLD KATY PERRY 2008 33 17 BOULEVARD OF BROKEN DREAMS GREEN DAY 2005 34 57 YEAH USHER 2004 35 53 PAK MAAR M’N HAND NICK & SIMON 2007 36 29 FIREFLIES OWL CITY 2009 37 27 NUMB/ENCORE LINKIN PARK & JAY Z 2004 38 30 HERO ENRIQUE IGLESIAS 2001 39 104 IT WASN’T ME SHAGGY 2001 40 88 GEEF MIJ JE ANGST GUUS MEEUWIS 2003 41 54 SURVIVOR DESTINY’S CHILD 2001 42 24 MY IMMORTAL