In Medias Res “In the Middle of Things” the Newsletter of the Media Ecology Association January, 2002 Vol
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The Missing Orientation
religions Article The Missing Orientation Paul Levinson Communication and Media Studies, Fordham University, Bronx, NY 10458, USA; [email protected] Abstract: Humans last walked on the Moon in 1972. We not only have gone no further with in-person expeditions to places off Planet Earth, we have not even been back to the Moon. The main motive for getting to the Moon back then, Cold War competition, may have subsided, but competition for economic and scientific advantage among nations has continued, and has failed to ignite further human exploration of worlds beyond our planet. Nor has the pursuit of science, and the pursuit of commerce and tourism, in their own rights. This essay explores those failures, and argues for the integration of a missing ingredient in our springboard to space: the desire of every human being to understand more of what we are doing in this universe, why we are here, our place and part in the cosmos. Although science may answer a part of this, the deepest parts are the basis of every religion. Although the answers provided by different religions may differ profoundly, the orientation of every religion is to shed some light on what part we play in this universe. This orientation, which also can be called a sense of wonder, may be precisely what has been missing, and just what is needed, to at last extend our humanity beyond this planet on a permanent basis. Keywords: philosophy; religion; sense of wonder; space exploration For, after all, what is man in nature? A nothing compared to the infinite, a whole compared to the nothing, a middle point between all and nothing, infinitely remote from an understanding of the extremes; and the end of things and their principles are unattainably hidden from him in Citation: Levinson, Paul. -
University Interscholastic League Literary Criticism Contest • Invitational a • 2021
University Interscholastic League Literary Criticism Contest • Invitational A • 2021 Part 1: Knowledge of Literary Terms and of Literary History 30 items (1 point each) 1. A line of verse consisting of five feet that char- 6. The repetition of initial consonant sounds or any acterizes serious English language verse since vowel sounds in successive or closely associated Chaucer's time is known as syllables is recognized as A) hexameter. A) alliteration. B) pentameter. B) assonance. C) pentastich. C) consonance. D) tetralogy. D) resonance. E) tetrameter. E) sigmatism. 2. The trope, one of Kenneth Burke's four master 7. In Greek mythology, not among the nine daugh- tropes, in which a part signifies the whole or the ters of Mnemosyne and Zeus, known collectively whole signifies the part is called as the Muses, is A) chiasmus. A) Calliope. B) hyperbole. B) Erato. C) litotes. C) Polyhymnia. D) synecdoche. D) Urania. E) zeugma. E) Zoe. 3. Considered by some to be the most important Irish 8. A chronicle, usually autobiographical, presenting poet since William Butler Yeats, the poet and cele- the life story of a rascal of low degree engaged brated translator of the Old English folk epic Beo- in menial tasks and making his living more wulf who was awarded the 1995 Nobel Prize for through his wit than his industry, and tending to Literature is be episodic and structureless, is known as a (n) A) Samuel Beckett. A) epistolary novel. B) Seamus Heaney. B) novel of character. C) C. S. Lewis. C) novel of manners. D) Spike Milligan. D) novel of the soil. -
Table of Contents Angel of Light by Joe Haldeman
Expanded Horizons Issue 1 – October 2008 http://www.expandedhorizons.net Table of Contents Angel of Light by Joe Haldeman...............................................................................................................1 The Seder in Space by Paul Levinson........................................................................................................7 Njàbò by by Claude Lalumière................................................................................................................12 A Different Breed of Cat by Toiya Kristen Finley...................................................................................24 Blue Hawk, Red Heart by Usiku..............................................................................................................33 Night Vaulting by Camille Alexa.............................................................................................................34 Fall of Snow by F. J. Bergmann...............................................................................................................36 Contributor Biographies...........................................................................................................................43 Joe Haldeman..................................................................................................................................43 Education...................................................................................................................................44 Teaching.....................................................................................................................................44 -
David Bianculli / 14 Signal Hill Road / Cherry Hill, NJ 08003 / 856-424-6407
Curriculum Vitae 2020 David Bianculli [email protected] TV CRITIC National Public Radio’s Fresh Air with Terry Gross, 1987- present. Founder, editor and columnist, TVWorthWatching.com, 2007-present. TV Worth Watching, YouTube videos, 2019-present. TV Guide, 2017-2018. Multichannel News, 2011. Broadcasting & Cable, 2008-2009. New York Daily News, 1993-2007. New York Post, 1987-93. Philadelphia Inquirer, 1983-87. Akron Beacon Journal, 1980-83. Ft. Lauderdale News/Sun-Sentinel, 1977-80. Gainesville Sun, 1975-77. -- Articles, columns and commentary published in: The New York Times, CNN.com, TV Guide, Rolling Stone, Film Comment, The New York Times Book Review, London Independent, Variety, Boston Phoenix, Taxi, The Week, Family Life, Washington Journalism Review, Electronic Media, Channels of Communication, Television Business International, Parents’ Choice, Television Quarterly, Fame, Cinefantastique, Multichannel News, and hundreds of daily newspapers via syndication. AUTHOR The Platinum Age of Television: From ‘I Love Lucy’ to ‘The Walking Dead,’ How TV became Terrific. NY: Doubleday, 2016. Dangerously Funny: The Uncensored Story of ‘The Smothers Brothers Comedy Hour.’ NY: Touchstone/Simon & Schuster, 2009. Dictionary of Teleliteracy: Television’s 500 Biggest Hits, Misses, and Events. NY: Continuum Publishing Co., 1996. Syracuse University Press, paperback, 1997. Teleliteracy: Taking Television Seriously. NY: Continuum Publishing Co., 1992. Touchstone/Simon & Schuster, paperback, 1994. Graduate thesis: A Comparative Study of College Level CRT/VDT Computer Editing Teaching Methods. University of Florida, 1977. -- Contributed articles or chapters to: “Nichols” and “That Was the Week That Was,” Television Finales: From ‘Howdy Doody’ to ‘Girls.’ Co-edited, with Douglas L. Howard. Syracuse University Press, 2018. “Dossier: Dennis Potter in America,” in peer-reviewed Critical Studies in Television: The International Journal of Television Studies (8, 1), Spring 2013. -
Glossary of Literary Terms
Glossary of Critical Terms for Prose Adapted from “LitWeb,” The Norton Introduction to Literature Study Space http://www.wwnorton.com/college/english/litweb10/glossary/C.aspx Action Any event or series of events depicted in a literary work; an event may be verbal as well as physical, so that speaking or telling a story within the story may be an event. Allusion A brief, often implicit and indirect reference within a literary text to something outside the text, whether another text (e.g. the Bible, a myth, another literary work, a painting, or a piece of music) or any imaginary or historical person, place, or thing. Ambiguity When we are involved in interpretation—figuring out what different elements in a story “mean”—we are responding to a work’s ambiguity. This means that the work is open to several simultaneous interpretations. Language, especially when manipulated artistically, can communicate more than one meaning, encouraging our interpretations. Antagonist A character or a nonhuman force that opposes, or is in conflict with, the protagonist. Anticlimax An event or series of events usually at the end of a narrative that contrast with the tension building up before. Antihero A protagonist who is in one way or another the very opposite of a traditional hero. Instead of being courageous and determined, for instance, an antihero might be timid, hypersensitive, and indecisive to the point of paralysis. Antiheroes are especially common in modern literary works. Archetype A character, ritual, symbol, or plot pattern that recurs in the myth and literature of many cultures; examples include the scapegoat or trickster (character type), the rite of passage (ritual), and the quest or descent into the underworld (plot pattern). -
Study Guide Exam 3 - Heroes
Study Guide Exam 3 - Heroes Know the following terms archetypes exemplar menin secondary epic aretê hamartia mimesis Seige Perilous até hubris nemesis thespian catharsis in medias res primary epic tragos epic kleos rhapsode Know in detail the theories of the following: Joseph Campbell, Carol Pearson, Vladimir Propp, Lord Raglan Know thoroughly Guerrin’s examples of archetypes and the hero archetypes, especially those of Pearson and Propp. Know word for word the definition of epic. Know also the definitions of primary and secondary epics as well as examples of each. Know in detail the characteristics of Greek heroes Know significant differences between the Iliad and the Odyssey (chart) Know specific epic heroes and their importance Achilles Beowulf Odysseus Aeneas Hector Rama Arthur Gilgamesh Seigfried Know the authors of the following epics: Aeneid, Iliad, Odyssey Know the plots of the following epics (While I hit most of the high points in class, be sure to study the summaries of each epic available on our course site): Arthurian cycle Nibelungenleid Beowulf Ramayana Epic of Gilgamesh Know the origins and characteristics of Greek drama and Aristotle’s ideas about drama Be able to identify specific stages of the ORIAS monomyth (11 stages) within specific myths From Hamilton’s Mythology, Parts III and IV, know in detail the exploits of Herakles, Theseus, and Perseus (Hamilton Part III). Know in great detail the Iliad, the Odyssey, and the Aeneid (Hamilton Part IV) Module IV: 32 multiple choice questions (94 points total) Hamilton, Part III and Part IV: 28 multiple choice questions (56 points total). -
In Medias Res
2 0 . 2 ] Editor’s Column: In Medias Res HAT HAVE I LEARNED DURING MY YEAR AND A HALF AS EDI- tor of PMLA? Now, at the midpoint of my term, I thought WI might reflect on some of my hopes and hesitations about the editorship and think about what, from the submissions to PMLA and from the process of its publication, we might glean about impor- tant trends in literary studies and the humanities more broadly. Two things have delighted and frustrated me, in particular: the workings of the peer review process, on the one hand, and the disciplinary and subdisciplinary boundaries that inform our writing and teaching, on the other. On these issues and on their relation, I have some good news and some less good news to report. When Rosemary Feal called me two years ago to ask whether I would be interested in serving as the editor of PMLA, my first reac- tion was trepidation. How could I ever feel qualified to evaluate es- says representing the enormous range of fields and approaches in our profession? Why would I even want to spend so much time reading essays that in no way related to my own work? I had edited and co- edited several collections and special issues of professional journals, and each time I vowed “never to do it again,” to spend the time and energy on my work instead. At the time of this invitation, moreover, I was nearing the end of a leave year and far from finished with my project. And, being absorbed in my own work, I had developed just enough psychic distance from the institution to be able to interro- gate the standards I and others were applying. -
KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W. -
Volume 1 Full Text Update Order
FORESEEABLE PAUL LEVINSON They sometimes call bathrooms washrooms, right? Anyway, I went into the bathroom – the men's room – in Saggio's just to wash my hands and face. It was a hot July day in the city, I'd walked from the train at 181st Street, and I wanted to be as fresh as possible for Jenny. We'd known each other for a while, ever since the Psych Class we’d taken at NYU almost a year ago, but this was just our second date, and I very much wanted everything to go right. I got back to our table. I’d arrived at the restaurant about ten minutes early – unusual for me – and kept my eye on the door for Jenny. I realized I couldn't see that clearly--Of course not, stupid me, I’d left my glasses in the washroom. I got up and rushed back in. Ah, there they were! Right on the nice marbled sink, where I'd left them. I had a pair of black horn-rimmed glasses – what can I tell you – and they were right there. I picked them up and knew that they weren't mine a split second later. A little heavier, the black was a subtler shade, I don't know. But they weren't mine. I dashed out of the washroom and looked around the restaurant. It wasn't that big. Most of the tables were filled. A few guys had on glasses, but none were even remotely like mine. Several were wire rimmed. One was like Buddy Holly's, black, but otherwise not like mine. -
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[email protected] : . : . ( ) . ( ) . : . Paul Levinson. : . ( ) . .( : ) . .( ) . .( ) . .( ) [ ] . [ ] . [ ] ( ) . ) . ( . ( ) . : . .( ) . [ ] . ) . : ( . .( ) . ) . ( . ( ) . ( ) ( ) . ( ) . ( ) ( ) .( ) . ( ) . ) . ( .( ) [ ] . - . .( ) .( ) . Bi , Your Tweets are in the Library of Congress , Entertainment Weekly, April. Available on: -library-of-congress-archives/. , Big Amazon will give you back your copies of , annotations won t be sent into the chute , September. Available on: -amazon-will-give-you-back-your-copies-if- - annotations-wont-be-sent-into-the-chute/. , Twitter Reaches Tweets Per Second , y. Available on: -platform-reaches- -tweets-per-second/ . , Haiti Fundraising Speeds Up With Twitter, Facebook , January. Available on: - - -fundraising-speeds-up-with-twitter- facebook- -.html. , Blogs move from monitors to TV and movie screens, Los Angeles Available on: http://www.latimes.com/entertainment/news/la-ca-bloggers-movies- . , Social Media Count , Available on: http://www.personalizemedia.com/garys-social-media-count/. , Betty White in the Mother of All Saturday Night Live Episodes, The Available on: - white-in-the-mother-of-all-saturday-night-live-episodes/. , Facebook hits m Zuckerberg Introduces Stories , Available on: -facebook-hits- -zucker. , Fox News Extends Lead, But All Cable News Networks See Ratings Decline , une. Available on: http://www.mediaite.com/tv/fox-news-extends-lead-as-all- cable-news-networks-see-ratings-decline/. New New Media. New York: Pearson/Penguin. , Facebook s Founders Talk About the Facebook Movie , Available on: -movie-moscovitz-zuckerburg/. , Updating Renoir: Young Woman With Laptop, anybody? , Broad Street Available on: http://www.broadstreetreview.com/index.php/main/article/late_renoir_at_the_art_museum_ th_r eview. , New York Times Layoffs Begin Available on: -york-times-layoffs- . , Just Released: Oxford Bibliographies Online Goes Live; First Online Only Resource from Oxford Online , Available on: . -
The Short Story – Genre Conventions
English: The Short story. 1.x/ fall 2002/lm 1/5 ANALYSING THE SHORT STORY CONTENTS THE SHORT STORY GENRE CONVENTIONS: 2 In medias res beginning: 2 A limited number of characters. 2 Limited character description: 2 Limited description of the setting: 2 Often only one plot and often a simple one: 2 A GUIDE TO STEP-BY-STEP ANALYSIS AND INTERPRETATION 3 Rule of thumb:: 3 Analysis: 3 Composition and development of the plot: 3 The setting: 3 The time: 3 The characters: 4 Point of View: (P.O.V) 4 Interpretation: 4 Rule of thumb: 4 Perspectives: 5 English: The Short story. 1.x/ fall 2002/lm 2/5 The Short Story Genre conventions: - The short story is a type of fiction which above all is characterised by its limited length (surprise!) This means that in the short story every detail is designed to carry the utmost significance in short, every detail is important. The most typical genre conventions of the short story are consequences of its limited length: In medias res beginning: The term in medias res is latin and means: in the middle of things. Because of the brevity of the short story, the author usually eliminates as much detailed background information on time, place characters etc. as possible, and we, the readers, are thrown right into a situation without any ideas of what has happened before. A limited number of characters. Limited character description: Normally, the author leaves it up to the reader to form his or her impression of the characters in a short story. -
“Dude, Totally!” in Your Own Novel, You Might Think About the Ways an Accent, Some Slang, Or Funny Quirks of Speech Can Real
Creative Writing J. James April 20 - the end of the school year Creative Writing J. James April 20 - the end of the school year Here's a couple of example exchanges to illustrate each: “Dude, totally!” ialogue a reveal araer rai In your own an relaioni novel, you might think about the What's the capital of pain? erry ways an accent, asked, pausing over his crossword pule. some slang, or usan looked up from her book and funny quirks rolled her eyes. adrid, duh. of speech can Why are you so sarcastic all the time? really work to erry slammed his pencil on table. e enhance and looked like he was going to cry. I don't define your think I can take much more of this. characters. A character that says "Shiver me It's clear from this exchange that erry and usan have timbers!" all the some issues. aybe usan was playing around, or time is certainly maybe she wanted to provoke erry. errys reaction to a different usan shows that he's got some negative emotions person than a bubbling up. aybe he's feeling sensitive, or maybe character that they've got a history we don't know yet. We've learned says "Dude, about how these two characters interactand a lot about totally!" who they areall through a few simple lines of dialogue. Dialogue that moves the story forward: The phone rang, and erry picked it up. ello? There was a moment of silence on the other end. Is this erry immons? a female voice asked.