DOCSLIB.ORG

British Drawings and Watercolours 2015 Guy Peppiatt Fine Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
British Drawings and Watercolours 2015 Guy Peppiatt Fine Art Cover 2015_18565 GP Covers Summer Catalogue FINAL 23/04/2015 12:01 Page 1 BRITISH DRAWINGS AND 2015 WATERCOLOURS BRITISH DRAWINGS AND WATERCOLOURS 2015 GUY PEPPIATT FINE ART FINE PEPPIATT GUY GUY PEPPIATT FINE ART LTD Riverwide House, 6 Mason’s Yard Duke Street, St James’s, London SW1Y 6BU GUY PEPPIATT FINE ART GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 1 BRITISH DRAWINGS AND WATERCOLOURS 2015 1 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 2 Guy Peppiatt started his working life at Dulwich Picture Gallery before joining Sotheby’s British Pictures department in 1993. He soon specialised in early British drawings and watercolours and took over the running of Sotheby’s Topographical sales. Topographical views whether they be of Britain or worldwide have remained an abiding passion. Guy left Sotheby’s in early 2004 and has worked as a dealer since then, first based at home, and now in his gallery on Mason’s Yard, St James’s, shared with the Old Master and European Drawings dealer Stephen Ongpin. He advises clients and museums on their collections, buys and sells on their behalf and can provide insurance valuations. Guy also vets a number of art fairs and is Chairman of the Vetting Committee for the Works on Paper Fair. 2 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 3 BRITISH DRAWINGS AND WATERCOLOURS 2015 Monday to Friday 10am to 6pm Weekends and evenings by appointment Guy Peppiatt Fine Art Ltd Riverwide House, 6 Mason’s Yard Duke Street, St James’s, London SW1Y 6BU Tel: +44 (0) 20 7930 3839 Mobile: +44 (0) 7956 968284 Fax: +44 (0) 20 7839 1504 [email protected] www.peppiattfineart.co.uk 3 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 4 1 William Burgess (1749-1812) Moulton Church from the South-West, Lincolnshire Signed on border lower right: WBurgefs Delin. Dec.r 28 1797, William Burgess was a conventional eighteenth century topographical artist working in pen and ink lower left: Sketch’d on the Spot by W. Burgefs and inscribed verso: and wash and also produced portraits in crayon. His father Thomas Burgess (c.1730-1791) was a Moulton Church/SW portrait painter and his sons Thomas, John Cart and Henry William were all artists. He ran a drawing Pen and grey ink and wash academy in Maiden Lane, London. The present drawings were both executed in December 1797 Sheet 21 by 32.5 cm., 8 ¼ by 12 ¾ in. and subsequently engraved for a publication on Lincolnshire and Cambridgeshire churches. Engraved: Moulton sits in the Fens in Lincolnshire, five miles east of Spalding. All Saints’ Church, Moulton was By W. and H. Burgess for Twelve views of Churches in Lincolnshire built in the late 12th century and rebuilt in the 1860s. Because of its tall steeple it is sometimes known and Cambridgeshire, 1800-1805 as ‘The Queen of the Fens.’ 4 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 5 2 William Burgess (1749-1812) Spalding Church from the South-West, Lincolnshire Signed on border lower right: Drawn by WBurgefs. Dec.r 21st Engraved: 1797. Finish’d and lower left: Sketch’d on the Spot by Wm & By W. and H. Burgess for Twelve views of Churches in Lincolnshire and H. Burgefs, Oct 4th 1797 and inscribed verso: Spalding Cambridgeshire, 1800-1805 Church/SW Pen and grey ink and wash Spalding stands on the river Welland in the Fens of South Lincolnshire. Sheet 21 by 32.4 cm., 8 ¼ by 12 ¾ in. The foundations of the Church of St Mary and St Nicholas, Spalding, were laid in 1284. The tower was built in 1360. 5 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 6 3 George Romney (1734-1802) Study of a Woman in profile Pencil on laid paper Sheet 19 by 12 cm., 7 ½ by 4 ¾ in. Provenance: Private Collection, London until 2014 See note to no. 5 6 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 7 4 George Romney (1734-1802) Study for ‘Lady Hamilton as a Bacchante’ Numbered 65 in pencil upper right, with a pencil landscape study verso Pen and brown ink on laid paper Sheet 18.7 by 11.3 cm., 7 ¼ by 4 ¼ in. Provenance: By descent to Miss Elizabeth Romney; Christie’s sale, 24-25 May 1894, unknown lot as part of an album; Alfred de Pass (1861-1952); By whom given to the Royal Institute of Cornwall, Truro in 1928; Their sale, Christie’s, 22nd February 1966, lot 25, part of a sketchbook, p.51; Private Collection, London until 2014 This drawing originates from one of the so-called Truro sketchbooks which dates from June 1784 and it is a study for an oil ‘Lady Hamilton as a Bacchante’, painted in 1784 and sent to Sir William Hamilton in Naples. Hamilton’s nephew Charles Greville wrote to him in October 1784: ‘Let me know how the Bacchante is to be paid. I will have it packed when an opportunity arises. The dog was ugly and I made him paint it again.’ It was finally paid for in September 1788. The portrait is said to have been lost at sea on its return to England but Greville presumably had a replica painted which was included in his Executor’s sale on 31st March 1810 and later recorded in the collection of Tankerville Chamberlayne. In the finished painting, Lady Hamilton’s arms are behind her back but the pose is otherwise the same. 7 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 8 5 George Romney (1734-1802) Study of a Nude Woman Pencil on laid paper Sheet 18.9 by 12 cm., 7 ½ by 4 ¾ in. Provenance: Private Collection, London until 2014 Nos. 3, 5 and 6 originate from an album of sketches by Romney dated to May 1777. Portraits he was working on at the time include ‘The Dancing Gower Children’ and ‘Catherine Vernon as Hebe’. Other intact sketchbooks from this period are in the Victoria and Albert Museum and the Fitzwilliam Museum, Cambridge. A sketchbook from late 1777/early 1778 is in the Walker Art Gallery, Liverpool (see Alex Kidson, George Romney, exhibition catalogue, 2002, p.140-1, no.77). 8 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 9 6 George Romney (1734-1802) Study of a Woman and Children Pencil on laid paper With a landscape study verso Sheet 19 by 12 cm., 7 ½ by 4 ¾ in. Provenance: Private Collection, London until 2014 See note to no.5 9 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:20 Page 10 7 John ‘Warwick’ Smith (1749-1831) The Temple of Sibyl, Tivoli Watercolour over pencil scenery attracted Northern European artists from the seventeenth century onwards. 31.7 by 42.5 cm., 12 ½ by 16 ¾ in. All British artists in the eighteenth century from Richards Wilson onwards visited and painted at Tivoli. ‘Warwick’ Smith here depicts the circular Temple of Sibyl which Provenance: stands at the north-east corner of the town. Below thunders the Cascatelle’ or Grand With Colnaghi, London, 1969; Cascade of the river Aniene, spray from which Smith depicts. A close-up view of the Private Collection until 2014 temple by ‘Warwick’ Smith is in the Tate Gallery (ex-Oppé collection) and a view from another angle is in the National Gallery of Canada, Ottawa. A watercolour of the Villa Exhibited: Maecenas, Tivoli showing the Cascatelle is in the Victoria and Albert Museum (see London, Colnaghi, 28 May – 13 June 1969, no. 116 Francis Hawcroft, Travels in Italy 1776-1783, 1988, p.52-53, no. 56, ill.). See note to no. 8 for more information on Smith in Rome. Tivoli stands dramatically on the lower slopes of the Sabine hills about fifteen miles east of Rome. It was a popular summer retreat during Imperial times and its beautiful 1 0 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:21 Page 11 8 John ‘Warwick’ Smith (1749-1831) Near Rome Inscribed with title on old backing, watercolour over pencil on laid paper fellow artists William Pars, Thomas Jones (who records some of Smith’s activities in his watermarked with a fleur de lys Memoirs) and Francis Towne with whom he returned to England via Switzerland in 24.4 by 34.5 cm., 9 ½ by 13 ¾ in. 1781. In January 1778 he was recorded as living in a house about two miles outside the Porta Pia, but in March of that year he set off for Naples where he spent sixteen John ‘Warwick’ Smith was born in Cumberland and studied under Sawrey months. He was back in Rome in July 1779 and left for home in August 1781. This is Gilpin. In 1776, he was sent to Rome by his patron George, 2nd Earl of likely to be a view of some of the many villas in the countryside outside Rome. Warwick and remained there for five years. His stay coincided with those of his 1 1 GP Summer 2015 22 4 15_Layout 1 23/04/2015 14:21 Page 12 9 John Laporte (1761-1839) View of Tivoli, Rome in the distance Watercolour over traces of pencil Laporte trained as an artist in London under John Melchior Barralet and became an 27.2 by 39.3 cm., 10 ½ by 15 ½ in. accomplished topographical artist working in watercolour and bodycolour.
Load more

Recommended publications
  • Articled to John Varley
    N E W S William Blake & His Followers Blake/An Illustrated Quarterly, Volume 16, Issue 3, Winter 1982/1983, p. 184 PAGE 184 BLAKE AN I.D QlJARThRl.) WINTER 1982-83 NEWSLETTER WILLIAM BLAKE & HIS FOLLOWERS In conjunction with the exhibition William Blake and His Followers at the California Palace of the Legion of Honor, Morton D. Paley (Univ. of California, Berkeley) delivered a lecture, "How Far Did They Follow?" on 16 January BLAKE AT CORNELL 1983. Cornell University will host Blake: Ancient & Modern, a symposium 8-9 April 1983, exploring the ways in which the traditions and techniques of printmaking and painting JOHN LINNELL: A CENTENNIAL EXHIBITION affected Blake's poetry, art, and art theory. The sym- posium will also discuss Blake's late prints and the prints We have received the following news release from the of his followers, and examine the problems of teaching Yale Center for British Art: in college an interdisciplinary artist like William Blake. The first retrospective exhibition in America of the Panelists and speakers include M. H. Abrams, Esther work of John Linnell will open at the Yale Center for Dotson, Morris Eaves, Robert N. Essick, Peter Kahn, British Art on Wednesday, 26 January. Karl Kroeber, Reeve Parker, Albert Roe, Jon Stallworthy, John Linnell was born in London on 16 June 1792. He and Joseph Viscomi. died ninety years later, after a long and successful career The symposium is being held in conjunction with two ex- which spanned a century of unprecedented change in hibitions: The Prints of Blake and his Followers, Johnson Britain.
    [Show full text]
  • Guy Peppiatt Fine Art British Portrait and Figure
    BRITISH PORTRAIT AND FIGURE DRAWINGS 2020 BRITISH PORTRAIT AND FIGURE DRAWINGS BRITISH PORTRAIT AND FIGURE DRAWINGS 2020 GUY PEPPIATT FINE ART FINE GUY PEPPIATT GUY PEPPIATT FINE ART LTD Riverwide House, 6 Mason’s Yard Duke Street, St James’s, London SW1Y 6BU GUY PEPPIATT FINE ART Guy Peppiatt started his working life at Dulwich Picture Gallery before joining Sotheby’s British Pictures Department in 1993. He soon specialised in early British drawings and watercolours and took over the running of Sotheby’s Topographical sales. Guy left Sotheby’s in 2004 to work as a dealer in early British watercolours and since 2006 he has shared a gallery on the ground floor of 6 Mason’s Yard off Duke St., St. James’s with the Old Master and European Drawings dealer Stephen Ongpin. He advises clients and museums on their collections, buys and sells on their behalf and can provide insurance valuations. He exhibits as part of Master Drawings New York every January as well as London Art Week in July and December. Email: [email protected] Tel: 020 7930 3839 or 07956 968 284 Sarah Hobrough has spent nearly 25 years in the field of British drawings and watercolours. She started her career at Spink and Son in 1995, where she began to develop a specialism in British watercolours of the late 18th and early 19th centuries. In 2002, she helped set up Lowell Libson Ltd, serving as co- director of the gallery. In 2007, Sarah decided to pursue her other passion, gardens and plants, and undertook a post graduate diploma in landscape design.
    [Show full text]
  • William Blake Large Print Guide
    WILLIAM BLAKE 11 September 2019 – 2 February 2020 LARGE PRINT GUIDE Please return to the holder CONTENTS Room 1 ................................................................................3 Room 2 ..............................................................................44 Room 3 ............................................................................ 105 Room 4 ............................................................................ 157 Projection room ............................................................... 191 Room 5 ............................................................................ 195 Find out more ..................................................................254 Credits .............................................................................256 Floor plan ........................................................................259 2 ROOM 1 BLAKE BE AN ARTIST Entering the room, clockwise Quote on the wall The grand style of Art restored; in FRESCO, or Water-colour Painting, and England protected from the too just imputation of being the Seat and Protectress of bad (that is blotting and blurring) Art. In this Exhibition will be seen real Art, as it was left us by Raphael and Albert Durer, Michael Angelo, and Julio Romano; stripped from the Ignorances of Rubens and Rembrandt, Titian and Correggio. William Blake, ‘Advertisement’ for his one-man exhibition, 1809 4 WILLIAM BLAKE The art and poetry of William Blake have influenced generations. He has inspired many creative people, political radicals
    [Show full text]
  • William Turner of Oxford (1789-1862)
    William Turner of Oxford (1789-1862) By LUKE HERRMANN HE working life of William Turner of Oxford was immediately preceded T by the most vital period in the emergence of the English water-colour school, and coincided exactly with the most revolutionary years in the history of English landscape painting. But in these stirring movements William Turner played no part, and there was no great originality in his painting and drawing. He was one of many competent and skilful artists whose work provided the backcloth of tradition and solid achievement against which the more gifted artists could develop. Constable, De Wint, Girtin, J. M. W. Turner and John Varley were all between ten and twenty years older than William Turner, who was born in 1789. Other artists born in the 1780's includeJ. S. Cotman, David Cox, Copley Fielding and Samuel Prout. William Turner was considerably influenced by several of these men, but it is unlikely that he in his turn had any influence on them. He ranks as a pleasing minor artist, whose work in water-colours occasionally, especially in his early years, rose to considerable heights. Among the artists who Bved and worked ill Oxford, of whom there are relatively few, he is certainly the best-knowll ; and, of course, the fact that he has always been known as Turner of Oxford, to distinguish him from his great contemporary, J. M. W. Turner, who was fourteen years his senior, has meant that his Oxford associations have never been forgotten. Thus it is fitting that the centenary of his death should be marked in this journal.
    [Show full text]
  • William Blake's Visions and the Unio Artistica1
    William Blake's Visions and the Unio Artistica1 By BO LINDBERG Early writers on William Blake were very much attracted by his visions. They presented the sensational stuff with remarkable dramatic skill, using it as evidence of Blake's being either eccentric, insane or divine.2 Modern scholars, on the other hand, refuse to take the visions seriously, explaining away Blake's descriptions of them as "poetic language" and rejecting the visionary heads as a hoax, with which Blake amused himself at the expense of credulous friends.3 The present article forms part of a work in progress, dealing with William Blake's illustrations for the Book of Job. 2 Cf. "Nativity of Mr. Blake The Mystical Artist", Urania, or, The Astrologer's Chronicle, No. I, London, Dec. 20th, 1825, p. 71. John Varley, A Treatise of Zodiacal Physiognomy, London 1828, gives a detailed account of the apparition of the Ghost of a Flea, cf. below, p. 244, note 1. In the Revue Britannique, Juillet 1833, appeared an interview with Blake "le Voyant" in the Bedlam Madhouse "Statistique. Hôpital des fous à Londres". Blake was never in Bedlam, and the interview is altogether false. It was quoted as fact by A. Brierre de Boismont, Des Hallucinations, Paris 1845 (Engl. transl. London 1859, pp. 83-85), and by John Timbs, English Eccentrics and Eccentricities, London 1866, I, pp. 67-69, 2nd ed., 1875, p. 346. The article in the Revue Britannique is compiled and distorted from a sensational but correct notice, "Bits of Biography, Blake, the Vision Seer, and Martin, the York Minster Incendiary", The Monthly Magazine, March 1833.
    [Show full text]
  • Lowell Libson Ltd Lowell Libson
    LOWELL LIBSON LTD BRITISH WATERCOLOURS AUTUMN 2014 British Watercolours 11–21 November 2014 LOWELL LIBSON LTD 3 Clifford Street · Londonw1s 2lf Telephone: +44 (0)20 7734 8686 Fax: +44 (0)20 7734 9997 Email: [email protected] Website: www.lowell-libson.com British Watercolours 2014 Index of Artists References are to page, not catalogue, numbers All the works in the catalogue are for sale George Barret 16 John Linnell 71–74 and are sold mounted and framed. Charles Richard Bone 76 John Martin 80, 81 All works will be for sale prior to the opening of the exhibition. William Callow 88, 89 James Miller 10 John Sell Cotman 58 Jacob Moore 14 During this exhibition our opening times David Cox 64 Algernon Cecil Newton 92 will be: Monday to Friday 10am–5pm; Joshua Cristall 56, 57 Saturday 15 November 10am–4pm William Payne 34 Nathaniel Dance 46 Nicholas Pocock 36 Edward Dayes 27, 28 Please contact us for further details. Samuel Prout 68 Heneage Finch 60 Lowell Libson Reeves & Inwood 48 [email protected] Albert Goodwin 90 George Fennel Robson 66 Jonny Yarker Sir George Hayter 62 [email protected] Thomas Rowlandson 38–42 Thomas Hearne 31, 32 Deborah Greenhalgh Paul Sandby 30 Robert Hills 54 [email protected] James Holland 87 John ‘Warwick’ Smith 22–26 John Hoppner 44 Thomas Sunderland 18, 20 William Henry Hunt 70, 78 Cornelius Varley 50, 52 Edward Lear 84, 86 James Ward 82 LOWELL LIBSON LTD John Frederick Lewis 77 Francis Wheatley 12 3 Clifford Street · Londonw1s 2lf Telephone: +44 (0)20 7734 8686 Fax: +44 (0)20 7734 9997 Email: [email protected] Website: www.lowell-libson.com Collecting British Watercolours Whilst it is acknowledged that one of the (who were later to become delightful friends greatest contributions that the British have to me).
    [Show full text]
  • Thomas Cole on Architecture
    THOMAS COLE ON ARCHITECTURE: PICTURING THE GOTHIC by Rebecca Ayres Schwartz A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History Spring 2016 © 2016 Rebecca Ayres Schwartz All Rights Reserved THOMAS COLE ON ARCHITECTURE: PICTURING THE GOTHIC by Rebecca Ayres Schwartz Approved: ______________________________________________________________ Lawrence Nees, Ph.D. Chair of the Department of Art History Approved: ______________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: ______________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: _________________________________________________________________ Bernard L. Herman, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ________________________________________________________________ Wendy Bellion, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ________________________________________________________________ J. Ritchie Garrison, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy.
    [Show full text]
  • Old Master Paintings New Bond Street, London | 5 December 2018
    Old Master Paintings New Bond Street, London | 5 December 2018 Specialists for this auction Europe Andrew McKenzie Director, Head of Department, London Caroline Oliphant Group Head of Pictures, London Lisa Greaves Department Director and Head of Sale, London Poppy Harvey-Jones Specialist, London Bun Boisseau Junior Cataloguer, London Brian Koetser Consultant, London North America Mark Fisher Director, European Paintings, Los Angeles Madalina Lazen Senior Specialist, European Paintings, New York Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, Old Master
    [Show full text]
  • LOWELL LIBSON LTD 2 016 • New York · Annual Exhibition British Art: Recent Acquisitions at Stellan Holm · 1018 Madison Avenue 23–30 January 2016
    LOWELL LIBSON LTD 2 016 • New York · annual exhibition British Art: Recent Acquisitions at Stellan Holm · 1018 Madison Avenue 23–30 January 2016 Maastricht TEFAF: The European Fine Art Fair 11–20 March 2016 LONDON MASTERPIECE LONDON 30 June–6 July 2016 London LONDON ART WEEK 1–8 July 2016 [ B ] LOWELL LIBSON LTD 2016 • Agostino Aglio 80 Catherine Andras 54 Mary Black 38 Adam Buck 56 3 Clifford Street · London w1s 2lf Edward Burch 64 Telephone: +44 (0)20 7734 8686 John Constable 84, 88 Email: [email protected] Website: www.lowell-libson.com Richard Cosway 68 John Robert Cozens 28 Lowell Libson [email protected] Sir Nathaniel Dance 18 Jonny Yarker [email protected] John Downman 42 Deborah Greenhalgh [email protected] Richard Eurich 106 Thomas Gainsborough 26 Cressida St Aubyn [email protected] Benjamin Robert Haydon 74 John Hoppner 48 Thomas Hudson 14 James Jefferys 58, 62 Louis Laguerre 9 Lady Mary Lowther 34 Samuel Palmer 98 George Richmond 77 Thomas Rowlandson 32 John Russell 50 We are delighted to be supporting the following exhibitions in 2016: Archibald Skirving 45 NEW YORK Michael Henry Spang 64 Pierre-Jean Mariette and The Art of Collecting Drawings George Stubbs 22 The Morgan Library & Museum, New York, Henry Tonks 102 22 January – 1 May William Turner of Oxford 94 LONDON Light, time, legacy: Francis Towne’s Benjamin West 70 watercolours of Rome The British Museum, Rex Whistler 104 21 January – 14 August Matthew Cotes Wyatt 72 This catalogue presents some of the remarkable acquisitions that we have made over the last year.
    [Show full text]
  • The Old Watercolour Society 18041904
    PR E F A T OR Y N OTE The reproduction of water- colours in monotint is so un satisfactory that in dealing with this important subject the Editor has decided h a to include in t is work only coloured reproductions . In m king the selection his endeavour has been to render it as representative s an d i for as po sible, while regrett ng the inevitable necessity many f ffi of omissions rom the list, he hopes that a su cient number drawings have been presented to afford an insight into the evolution of water art r of colour during the histo y the Society . The thanks of the Editor are due to those ladies and gentlemen who have been so good as to assist him in the preparation of this work a f by the lo n o original drawings . In this connection he desires to a s a . n me Mis C rlisle, Mrs Todd, General Sir Henry Smyth, Mr . a a l H rold Hartley, Mr . Alex nder T. Ho lingsworth, Mr. Frederick i . l MacD on ald ff Macm llan , Dr Grevi le , Mr . Edward Cli ord, Mr . a N cwall . as McL ean . Willi m , Mr Thom , Mr Charles Dowdeswell, . M an d Messrs Thomas Agnew and Sons and essrs . Ernest Brown Phillips . L IST OF REPROD UCTION S IN COL OUR PLA T E rn in . r e arret I . E arly Mo g By Geo g B i I row an e . e er dc n t I . C l d Abb y By P t W III hi .
    [Show full text]
  • BRITISH Drawings and Watercolours 2019
    BRITISH DRAWINGS AND WATERCOLOURS 2019 GUY PEPPIATT FINE ART BRITISH DRAWINGS AND WATERCOLOURS 2019 1 Guy Peppiatt started his working life at Dulwich Picture Gallery before joining Sotheby’s British Pictures Department in 1993. He soon specialised in early British drawings and watercolours and took over the running of Sotheby’s Topographical sales. Guy left Sotheby’s in 2004 to work as a dealer in early British watercolours and since 2006 he has shared a gallery on the ground floor of 6 Mason’s Yard off Duke St., St. James’s with the Old Master and European Drawings dealer Stephen Ongpin. He advises clients and museums on their collections, buys and sells on their behalf and can provide insurance valuations. He exhibits as part of Master Drawings New York every January as well as London Art Week in July and December. Email: [email protected] Tel: 020 7930 3839 or 07956 968 284 Sarah Hobrough has spent nearly 25 years in the field of British drawings and watercolours. She started her career at Spink and Son in 1995, where she began to develop a specialism in British watercolours of the late 18th and early 19th centuries. In 2002, she helped set up Lowell Libson Ltd, serving as co- director of the gallery. In 2007, Sarah decided to pursue her other passion, gardens and plants, and undertook a post graduate diploma in landscape design. She established a landscape design company, which she continues to run, alongside her art consultancy practise. She has consulted for dealers and auction houses, helping Christie’s watercolour department for a number of years, as well private clients, helping them research and develop their collections.
    [Show full text]
  • Occult Review
    THE OCCULT REVIEW EDITED BY RALPH SHIRLEY “ irCIXTOB ADDICTÜ 8 JURARE IN VERBA KA 0 I8 C R I ” VOL. X X X V I JULY—DECEMBER 1922 LONDON WILLIAM RIDER & SON, LIMITED CATHEDRAL HOUSE, PATERNOSTER ROW, E.C.4 Original from Digitized by Google UADUADn IIMH/CDCITV Printed in Gnat Britain by Butler & Tuner, Frame aW Linden Original from Digitized by Google UADUADn IIMH/CDCITV CONTENTS JULY. PAGE Motes of th e Month : P hilo J^d d a u s and h is R elatio n to Christianity . The Editor . 1 J ohn V a k l e y : Artist and Astrologer . H. Stanley Redgrove . 12 T he Mysticism of S h e l l e y ........................... • 24 T h e Dev a s ........................................................... Irene Hay . 28 A Note on A utomatic W ritin g .... H. Ernest Hunt . • 3 5 T h e S k e le t o n ........................................................... Katherine Godefroi . • 39 A bsolution (V e rse )....................................... Teresa Hooley. , 42 R o yal He a l e r s ..................................................... William Gillespie . • 43 R eflectio n s on R eincarnation .... J . Scott Bottoms . • 47 Qu iet u d e (Verse)............................................ Frederick Nicholls . • 50 H aunted H ouses and E xorcism . Constance Frost . • 5 * Correspondence ..................................................... - 54 P erio d ical L it e r a t u r e ........................................ • 57 R e v i e w s .................................................................. 61 AUGUST. N otes of the Month : T he Misu se of L an­ guage in R elation to Psych ical R e ­ search ........................................................... The Editor . 65 T h e S ym bols of Al c h e m y ..........................
    [Show full text]