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Deutsche Nationalbibliografie 2013 T 09
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2013 T 09 Stand: 18. September 2013 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2013 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2013-6 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Justice of God in Damnation
THE JUSTICE OF GOD IN THE DAMNATION OF SINNERS “That every mouth may be stopped” (Romans 3:19). By Jonathan Edwards Online Edition by: International Outreach, Inc. PO Box 1286, Ames, Iowa 50014 (515) 292-9594 THE JUSTICE OF GOD IN THE DAMNATION OF SINNERS By Jonathan Edwards "That every mouth may be stopped." (Romans 3:19) The main subject of the doctrinal part of this epistle, is the free grace of God in the salvation of men by Christ Jesus; especially as it appears in the doctrine of justification by faith alone. And the more clearly to evince this doctrine, and show the reason of it, the apostle, in the first place, establishes that point, that no flesh living can be justified by the deeds of the law. And to prove it, he is very large and particular in showing, that all mankind, not only the Gentiles, but Jews, are under sin, and so under the condemnation of the law; which is what he insists upon from the beginning of the epistle to this place. He first begins with the Gentiles; and in the first chapter shows that they are under sin, by setting forth the exceeding corruptions and horrid wickedness that overspread the Gentile world: and then through the second chapter, and the former part of this third chapter, to the text and following verse, he shows the same of the Jews, that they also are in the same circumstances with the Gentiles in this regard. They had a high thought of themselves, because they were God's covenant people, and circumcised, and the children of Abraham. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Purgatory--Purification After Death by Fire Heb. 12:29
Purgatory--Purification After Death By Fire Heb. 12:29 - God is a consuming fire (of love in heaven, of purgation in purgatory, or of suffering and damnation in hell). 1 Cor. 3:10-15 - works are judged after death and tested by fire. Some works are lost, but the person is still saved. Paul is referring to the state of purgation called purgatory. The venial sins (bad works) that were committed are burned up after death, but the person is still brought to salvation. This state after death cannot be heaven (no one with venial sins is present) or hell (there is no forgiveness and salvation). 1 Cor. 3:15 – “if any man’s work is burned up, he will suffer loss, though he himself will be saved, but only as through fire.” The phrase for "suffer loss" in the Greek is "zemiothesetai." The root word is "zemioo" which also refers to punishment. The construction “zemiothesetai” is used in Ex. 21:22 and Prov. 19:19 which refers to punishment (from the Hebrew “anash” meaning “punish” or “penalty”). Hence, this verse proves that there is an expiation of temporal punishment after our death, but the person is still saved. This cannot mean heaven (there is no punishment in heaven) and this cannot mean hell (the possibility of expiation no longer exists and the person is not saved). 1 Cor. 3:15 – further, Paul writes “he himself will be saved, "but only" (or “yet so”) as through fire.” “He will be saved” in the Greek is “sothesetai” (which means eternal salvation). -
Entertainment Erleben Und Shoppen in Berlin MAGIE UND ROCK'n'roll KONZERT DES MONATS
[05] 2019 Entertainment erleben und shoppen in Berlin MAGIE UND ROCK'N'ROLL KONZERT DES MONATS LITTLE STEVEN AND THE DISCIPLES OF SOUL 28.05.2019 – Huxleys (Berlin) © Bjorn Olsson Mit der „Summer of Sorcery Tour 2019“ seine Protestsongs wie „Sun City“, bei dem Browne, Pearl Jam und Jimmy Cliff dargebo- kommt Steven van Zandt alias Little Steven unter anderem Bob Dylan mitwirkte, oder der ten. mit den Disciples of Soul für eine Show zurück „International Peace Day“, den er mit Peter Mit Gitarre, Mantel und Piratentuch, begleitet nach Berlin. Gabriel ins Leben rief, brachten ihm mehrere von einem großen Ensemble feuern Little Ste- *** INNOCENT AWARD - BEST YOUNG TALENT 2018 *** Nachdem der Ausnahmemusiker bereits 2018 Ehrungen durch die United Nations ein. Das ven und die Disciples of Soul ein musikalisches Fans und Presse mit seiner Tour begeisterte, neueste Herzensprojekt von Steven van Zandt Feuerwerk ab, das es in sich hat. Wer diese Untätigkeit kann man der Band nicht vorwerfen. Eher das Gaspedal durchgetreten oder nach Ihrem letzten die ganz im Zeichen des Albums „Soulfire“ ist die Teachrock Foundation, die Musiklehrer Praline der Musik nicht verpassen möchte, stand, kommt Little Steven nun zurück unter und Musiklehrende unterstützt und die „Little sollte sich schnell Tickets sichern! Album "Fly With Me" besser gesagt - ready for take-off" - die Jungs lassen die Turbinen ordentlich dröhnen. dem Motto „Summer of Sorcery“. Steven’s Underground Garage“ die aufstre- Bekannt geworden als Gitarrist in Bruce benden Bands eine Plattform bietet und somit Tickets gibt es ab 40€ (zzgl. Gebühren!) und ab Springsteens E Street Band und dort maßgeb- einen wichtigen Beitrag für die musikalische dem 17.01.2019 unter www.pa-co.eu, www.ad- Zuletzt im Februar 2019 wurden BOOL mit dem INNOCENT AWARD (Publikums Preis) als - BEST YOUNG TALENT lich mitverantwortlich für den Rocksound die- Zukunft leistet. -
44-How Can Ye Escape the Damnation of Hell?
More About Jesus #44 (9/25/16) Bible Bap3st Church, Port Orchard, WA — Dr. Al Hughes “How Can Ye Escape the Damnation of Hell?” Matthew 23:33 Matthew 23 is one of the least preached passages in the New Testa- ment. It would be classified as “hate literature” by the media today. This was the last public sermon Jesus preached before He was arrested and delivered up to be crucified. The setting is the Temple in Jerusalem (21:23 cf. 24:1). This scathing sermon is filled with warnings of judgment, woes upon hypocrisy, and dripping with sarcasm. Nothing like this would ever be preached in Joel Osteen’s church. READ MATTHEW 23. It is no wonder that after Jesus finishes this sermon, the Pharisees plot to kill Him (26:1-4). It is fitting that the last message Jesus preached on earth would be cli- maxed with an admonition about hell (v. 33). Strong language similar to the preaching of John the Baptist (Mt. 3:7). I. The PREACHING on hell. Not much preaching on hell today. A. The PREACHER—Most of what we know about hell, we learn from the teaching of Jesus. He preached more about hell than He did heaven! Jesus was a “hell-fire and damnation” preacher. • Mt. 5:22–…in danger of hell fire. (from Sermon on the Mount) • Mt. 5:29–…thy whole body should be cast into hell... • Mt. 16:18–…the gates of hell… • Mt. 23:15–…the child of hell… • Mt. 23:33–…how can ye escape the damnation of hell? • Mk. -
Underground Power Records List 4 -2020.P[...]
This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M. -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
Program Book Final 1-16-15.Pdf
4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Engelstalig Alan Parsons Old and Wise Andrea Bocelli the Power Of
Engelstalig Alan Parsons Old and Wise Andrea Bocelli The Power of Love Andrea Bocelli Time To Say Goodbye Anouk One World Arthur Young We'll Meet Again Bernie Williams Dust In The Wind Bette Midler The Rose Bette Midler Wind Beneath My Wings Black Wonderful Life Boyz II Men It's So Hard To Say Goodbey Cat Stevens Morning has broken Celin Dion My Heart Will Go On City To City The road ahead Crowded House Don't Dream It's Over Diana Ross You Are Everything Dido Thank You Dolly Parton I Will Always Love You Dolly Parton, Loretta Lynn, Tammy Wynette Wings of a Dove Doors Down Here Without You Elton John Candle In the Wind Elvis Presley Pledging My Love Elvis Presley If We Never Meet Again Elvis Presley Always on My Mind Elvis Presley Amazing Grace Elvis Presley You'll Never Walk Alone Eric Carmen All By Myself Eric Clapton Tears in Heaven Eva Cassidy Over the Rainbow Frank Sinatra My Way George Michael Jezus To A Child Gerry & the Pacemakers You'll Never Walk Alone Guns N' Roses November Rain Il Divo Ave Maria Il Divo I Believe In You (with Celine Dion) IL Divo The Lord's Prayer Il Divo You'll Never Walk Alone.org James Blunt Goodbye My Lover Jeff Buckley Hallelujah Joe Cocker Everybody Hurts John denver & placido domingo Perhaps Love John Mayer Dreaming With a Broken Heart Kansas Dust in the Wind Lamb Gabriel Laura Jansen Use somebody Led Zeppelin Stairway to Heaven Les Paul & Mary Ford Vaya Con Dios Lionel Richie Hello Live Overcome Liverpool F.C.7677 Squad You'll never walk alone Louis Armstrong What a Wonderful World Lucie Silvas Nothing -
Master Henrik Pagan Forside
Emnekode: MUV450_1 Navn på kandidat: Henrik Straumsnes Myrbakken “Under Bergets Rot”: Identitetskonstruksjoner i Pagan Metal Dato: 31.05.2017 Totalt antall sider: 89 Innholdsfortegnelse Innholdsfortegnelse…………………………………………………………………….…… s.1 Motivasjon og bakgrunn for oppgaven…………………………………………………..….s.4 1.0 Innledning…………………………………………………………………………..……s.6 1.1 Metal og identitet……………………………………………………………..…s.6 1.2 Pagan Metal…………………………………………………………………..…s.8 1.3 Begrepsavklaring………………………………………………………….……s.10 1.3.1 Pagan…………………………………………………………..….…s.10 1.3.2 Pagan Metal………………………………………………………….s.11 1.4 Kultur og miljø……………………………………………………………..…..s.12 1.5 Identitet……………………………………………………………………..…..s.13 1.6 Hva er folk i ´Folk´ Metal?……………………………………………….……s.15 1.7 Hvordan avgrense sjangeren?……………………………………………..……s.17 1.8 Sentrale tema…………………………………………………………….…..…s.19 2.0 Teori og metode…………………………………………………………………………s.21 2.1 Prosjektets metodiske forankring………………………………………………s.22 2.2 Subkultur, neo-stamme og milieu………………………………………………s.23 2.3 Tolkning………………………………………………………………….….…s.26 2.4 Bourdieu……………………………………………………………..…………s.27 2.4.1 Habitus…………………………………………………………..…..s.27 2.4.2 Felt………………………………………………………………..…s.28 2.4.3 Kapital…………………………………………………………..…..s.29 2.5 Habitus, felt og kapital i Pagan Metal……………………………………..…..s.30 !1 3.0 Kvinner i Metal……………………………………………………………………..…..s.37 3.1 Fravær av kvinnelige instrumentalister…………………………………..…….s.38 3.2 Kvinnelige tilhengere………………………………………………………..…s.40 3.3 Kjønnsrelaterte restriksjoner…………………………………….………..……s.42 3.4 Problemer