DOCSLIB.ORG

Jazz Music Easy Listening with No Preconceptions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz Music Easy Listening with No Preconceptions OCTOBER 17, 1971 GEORGI A tten tion Brothers A ny Brother who enrolled in GSU and who is interested in forming an active chapter of Phi Delta Theta on campus, please callDean Englands Tau Kap'!a E'.f!silonmember uwis Soffold, I~ft,accepts the "Top Tde Chapter AWQJ'd"for th~ Gtorgill ~ate Universlty chapter of the national fraternity. Dan Laird, grand chaplain of nation01 Tau Kappa Ep_ officeat 658-2200 or stop by SIlon, presented the aWQJ'dat an nctobu 7 banquet. ! and leave name andphone number with the secretary. Jazz Music Easy Listening With No Preconceptions Phi Delta Theta by Robert M.... oli John McLaulhlin's newest ways, the mo t difficult album album,"Extrapolation," which is to get into. As Elvin Jones Atlanta Alumni Club In reality this should be two actually a re-release of a Briti h tated, while commenting on reviews because the record import, is a brilliant te timony thi group in the current i ue of reviewed here stem from at least not only to the virtuo 0 guitar Downbeat, "it' very hard for two widely divergent style. The playing of McLaughlin but also some people to take that, fir t two, John McLaughlin' to th exc II nt mu ician who becau unl th y'r mu ically "Extrapolation," and Weather accompany him on thi album; oriented it would app ar ART and DESIGN STUDINTI Report's "I Sing th Body Elec- John urman, baritone and initially to be a I tof noi ,and tric" are excellent examples of soprano x; Brian Hodg , they wouldn't be ble to accept TUB progre sive jazz whil the latter b ; and Tony Oxley, drum. the valu that w re apparent." three, "The Chuck Mangione McLaughlin ha been playing Th nucleus of this group i Quartet," "Sing Along Junk" guitar ince the age of II. H compo ed of Jo f Zawinul, PLEXIGLAS and "Hurtwood Edge" are from has play d with uch keyboard; Wayn Shorter, =~S a much more traditional vein. distinguished groups as the AU COLORS - WE CUT TO SIZE re ds; and Miroslav Vitous, BARGAIN BARREL FOR CUTOffS The great Charles Mingus Graham Bond Organization ba s. In addition the group in- perhaps best characterized the and Brian Auger's quartet in cludes Eric Gravatt on drums COMMERCIAL PLASTICS difference between modern and England and Tony Williams' and Dom Um Romao, per- traditional jazz when he spoke Lifetime and Miles Davis in cussin. The credits of Weather 554 North Avenue, N.W. Phone 577.26JX) about "swing." America. Report are literally too long to J 0% Discount wltlt tltl. Ad "Swing went in one direction, This album, on the whole, mention. Both Shorter and it was linear, and everything sounds very much like some of Vitous won the 1970 Jazz Poll had to be played with an ob- McLaughlin's earlier music. in Downbeat for their respec- vious pulse. "This," he said, Since forming The Mahavishnu tive instruments. Zawinul and "was very restrictive. In con- Orchestra, he has developed a Vitous both attended music trast to swing Mingus used the hard driving sound which is conservatories and Shorter term rotary perception. If you literally one long, sustained wrote an opera when he was I7. get a mental picture of the beat burst of energy. "Ex- All three have worked with existing within a circle you're trapolation" i softer and Miles Cavis and Zawinul wrote more free to improvise ...each mellower than the Mahavi hnu the title tune for Davis, "In a guy can play his note anywhere Orchestra while till main- Silent Way" as well as several in that circle. The original taining a good deal of the tune for "Bitche's Brew." feeling for the beat isn't dynamic intensity. I particularly The jacket states that Weather changed ...the pulse i in ide admire McLaughlin's tight style. Report teaches u to "concern you." He is like a veteran athlete, our elve with each musical Thus, traditional jazz is never wasting a move; moment." The question which organized around beats, tem- eemingly lagging behind and immediately come t mind is SYMPHONY HALL pos, themes, and variations. It i then darting ahead with a "do these mu ical moments ever ea y to listen to because it brilliant riff. I don't know come togetherform any sort of a MEMORIAL ARTS CINTIR doesn't violate too many anything abo ut the other mean ingfu I who Ie?" After WED.& THUR.,OCT.25& 2~:30 P.M. preconceptions about what musicians except that they are listening to this album, the an- music is.Modern jazz, on the very good. A note from the swer which emerges is yes, but Prices (Inc. Tax) $6.00. S5.00 other hand, is very difficult to producer, Giorgio Comelsky, onIy if one can open up to this listen to initially. It requires a states that it is only a matter of music and establish a diologue Only Southern Appearance great deal of openness towards time until they will be in the between listener and musician; one's own feelings as well as forefront of yet another then the patterns and rhythms towards the music. It is also challenging period of musical of Weather Report become as GOOD SEATS NOW! much more spontaneous and taste evolution." I don't doubt natural as the beating of one's it a bit. ALLIANCE BOX OFFICE JIM SALLE'S makes greater use of paradox heart. 1280 PEACHTREE ST BUCKHEAD and nonsense. Weather Report is, in some CoaliaDed oa Pille 8.
Load more

Recommended publications
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s.
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Volume 47 Number 1 Jan Feb March 2021
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Volume 47 Number 1 Jan Feb March 2021 MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM september 2018—issue 197 your Free guide to the nyc jaZZ scene nycjaZZrecord.com jUne 2019—issUe 206 yoUr free gUide To THe nyc jaZZ scene nycjaZZrecord.com APRIL 2020—ISSUE 216 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM kris SATOKO davis it was a very FUJII good year SIXTY AND COUNTING DAVE BURRELL in MYRA memoriam tomas DIGITAL WINDWARD Z MELFORD PASSENGER stanko MEDITATION AND ONLY COLLABORATION EDITION PHEEROAN NICKI DOM HASAAN jamie chris rÜdiger cannonball frank joel larry ed MAKOTO MAX HORACEE HAMIET AKLAFF PARROTT SALVADOR IBN ALI baum lightcap carl adderley vignola ross mCkenna blackwell OZONE RAABE ARNOLD BLUIETT EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING ANNUAL SUBSCRIPTIONS AVAILABLE “Simply the hippest journal about jazz in New York that has ever been published” - Joe Lovano “The most comprehensive periodical on the music that I have ever read” - Andrew Cyrille TWITTER: @NYCJAZZRECORD | FACEBOOK/NYCJAZZRECORD | INSTAGRAM .COM/TNYCJR nycjazzrecord.com AVAILABLE FROM Trans-Kalahari Quintet’s THE LONG JOURNEY HOME from Ansonica Records is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world. Regardless of where in the world you call “home,” THE LONG JOURNEY HOME offers the unrivaled contentment of arriving there.
    [Show full text]
  • Weather Report
    1 music listening Weather Report Joe Zawinul: „In the beginning let's say Weather Report was a joint thing. Then, after the second album there's no question about it, it became more and more my group. Wayne wanted it like that, but we were always 'partners in crime.' No Wayne, no Weather Report.“ History: Im Laufe der Jahre durchlief Weather Report immer wieder einen Besetzungswandel, die Hauptpersonen waren immer: Joseph „Joe“ Zawinul – Keyboards Wayne Shorter – Tenor & Soprano Sax Weitere Mitglieder im Laufe der Jahre waren: Jaco Pastorius Miroslav Vitous Airto Moreira Alphonse Mouzon Alphonso Johnson Chester Thompson Leon „Ndugu“ Chancler Peter Erskine Omar Hakim Don Alias Erich Zawinul Manolo Badrena Alex Acuña Don Um Romao Eric Gravatt Alyrio Lima Victor Bailey Mino Cinelu... Die Band war in Ney York City basiert und von 1970-86 aktiv und gilt als eine der einflussreichsten Jazz- & Fusion-Bands aller Zeiten, obwohl Zawinul & co. eine Kategorisierung ihrer Musik ablehnten. Weather Report verband Jazz mit Rock, Free mit Latin-Elementen und brach die Straight-Ahead- Tradition mit Solist und Begleiter und begann alle Instrumentalisten in langen Improvisationspassagen teilweise gleichzeitig zu featuren (kollektive Improvisation). Die Songstruktur wurde im Laufe der Jahre etwas pop-orientierter, aber Platz für Improvisation war immer gegeben. Die Band lebte von Joe Zawinuls klanglicher Kreativität und Experimentierfreudigkeit. Er benutzte viele Synthies, e-pianos aller Art, Vocoder und war doch gleichzeitig ein herausragend virtuoser Pianist. Sein © 2011 Stephan Emig 2 music listening Kompositions-Style war durch viele Ethno-Elemente geprägt. Zawinul ging diesen Weg noch extremer mit seiner eigenen Band (Syndicate). Wyne Shorter, der im zweiten Miles Davis Quintet Jbereits azzgeschichte geschrieben hatte, distanzierte sich aber von seinem Style bei Miles und rückte sich in die Position des Band- und Teamplayers ohne immer als Solist im Vordergrund zu stehen.
    [Show full text]
  • THE BASS PLAYERS of WEATHER REPORT by MARK STEVEN
    FORECASTING FUSION AT LOW FREQUENCIES: THE BASS PLAYERS OF WEATHER REPORT by MARK STEVEN FRANDSEN, B.M., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Matthew Santa Chairperson of the Committee Christopher Smith Alan Shinn Jonathan Marks Carolyn Tate Accepted Fred Hartmeister Dean of the Graduate School January, 2010 ACKNOWLEDGMENTS There are many individuals to thank for their help and encouragement in completing this dissertation, but to name them all would fill another chapter. I do wish to pay special thanks to my advisor, mentor, and friend Matthew Santa for his support and encouragement throughout the entire process of writing and completing this project. Dr. Santa provided valuable insight and guidance from “across the pond” to keep me focused on the subject at hand while, at the same time, allowing me plenty of opportunities to follow my own path. I also wish to thank Christopher Smith for helping me focus my ideas during the inception of this paper, imparting increased knowledge about his article on improvisation in the Miles Davis groups, and introducing me to Christopher Small’s concept of “musicking.” I owe a special debt of gratitude to the living bass players of Weather Report : Miroslav Vitous, Alphonso Johnson, and Victor Bailey for their time and consideration in granting me interviews and answering questions about their respective times in the group. The experiences they shared and reflected on truly became the essence of this paper and reinforced the intangibles we encounter as musicians on a daily basis.
    [Show full text]
  • Weather Report Music Free Download Discography
    weather report music free download Discography. Originally released in May 1971, Weather Report was the debut album by the group of the same name. The album was reissued by Columbia Records in 1992. The album was digitally remastered by Vic Anesini in November 1991 at Sony Music Studios in New York City, and then released again under the Sony International label. The style of music on this album can be described as avant-garde jazz with electric instruments. It continues the style of Miles Davis album Bitches Brew (on which Zawinul and Shorter played) but in a more ambient setting. I Sing The Body Electric (1972) Sing the Body Electric is the second album released by Weather Report from 1972. The album includes two new members of the band: percussionist Dom Um Romão and drummer Eric Gravatt. The last three tracks were recorded live in concert in Tokyo, Japan on January 13, 1972. These tracks have been edited for this album and can be heard in their entirety on Weather Report’s 1972 import album Live in Tokyo. The album takes its title from an 1855 poem by Walt Whitman, also a 1969 short story by Ray Bradbury. SweetNighter (1973) Sweetnighter is Weather Report’s fourth album, released on Columbia Records in 1973. The group had recorded the songs in a five day stretch during February of the same year. It was to be the last album to feature founding member Miroslav Vitouš as the primary bassist. It is considered to be the most stylistically transitional release by the band as it bridged the gap between the more open, improvisational earlier style to a more compositionally structured format.
    [Show full text]
  • Mccoy TYNER NEA Jazz Master (2002)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. McCOY TYNER NEA Jazz Master (2002) I nter viewee: McCoy Tyner (December 11, 1938 - ) I nter viewer : Dr. Anthony Brown with engineer Ken Kimery Date: December 7-8, 2011 R epositor y: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 76 pp. B r own: Today is the 7th of December 2011 and this is the Smithsonian Jazz Oral History interview with NEA Jazz Master, pianist, composer, arranger, bandleader, and humanitarian, McCoy Tyner at the Blue Note club in New York City. Good afternoon Mr. McCoy Tyner. T yner : Good afternoon. B r own: And I also want to acknowledge that his wife, Aisha is present and this interview is being conducted by Anthony Brown, with Ken Kimery. So, if we could start from the beginning, if you could tell us your given birth name, birthplace, and birthdate please. T yner : I was born Alfred McCoy Tyner and I was born December 11, 1938. B r own: And where? T yner : Philadelphia, Pennsylvania. B r own: OK, now could you give us your parents’ names? T yner : OK, my mother’s name was Beatrice Tyner and my fathers name is Jarvis Tyner. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 B r own: And your father’s occupation? T yner : My father worked in a company that made medicated cream. As a matter of fact, I got a job there.
    [Show full text]
  • Jazz Journal 07.11.19, 1659
    Weather Report: Live In Tokyo | Jazz Journal 07.11.19, 16)59 Weather Report: Live In Tokyo By Derek Ansell - 09 May 2019 This was Weather Report’s first live recording, made at the Shibuya Philharmonic hall in front of a wildly appreciative and enthusiastic Japanese audience. It followed on from three successful and generally well-received studio LPs but was only issued as a two-record set in Japan. Columbia never issued it but it did come out eventually in the USA, on vinyl, on another label. The music consists of four sets of medleys played on the two discs and Orange Lady, a sort of fusion and free-ballad mix, for want of a better description. It consists of several short melody fragments on soprano sax by Shorter with interjections from Zawinul on keyboards. As for the four medleys they all follow the same basic pattern of performance; free flowing followed by stop/start soprano lines with Shorter at his most oily and fragmented. Zawinul constantly changes from various keyboards to acoustic piano and adds many additional sounds not normally associated with those instruments. There is quite a lot of noodling going on from Shorter and Zawinul with constant interjections from drums and percussion. Doctor Honoris Causa and Directions are the two most familiar tracks although these versions differ considerably from past studio efforts or, in the case of Directions, the version Shorter cut with Miles Davis. With most of these pieces, the work is started at low level, built up, dissected at length and gradually put back together again.
    [Show full text]
  • Allan Holdsworth's Guitar Solo On
    MARCH 2017 VOLUME 84 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael
    [Show full text]
  • Mccoy TYNER NEA Jazz Master (2002)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. McCOY TYNER NEA Jazz Master (2002) Interviewee: McCoy Tyner (December 11, 1938 – March 6, 2020) Interviewer: Dr. Anthony Brown with engineer Ken Kimery Date: December 7-8, 2011 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 76 pp. Brown: Today is the 7th of December 2011 and this is the Smithsonian Jazz Oral History interview with NEA Jazz Master, pianist, composer, arranger, bandleader, and humanitarian, McCoy Tyner at the Blue Note club in New York City. Good afternoon Mr. McCoy Tyner. Tyner: Good afternoon. Brown: And I also want to acknowledge that his wife, Aisha is present and this interview is being conducted by Anthony Brown, with Ken Kimery. So, if we could start from the beginning, if you could tell us your given birth name, birthplace, and birthdate please. Tyner: I was born Alfred McCoy Tyner and I was born December 11, 1938. Brown: And where? Tyner: Philadelphia, Pennsylvania. Brown: OK, now could you give us your parents’ names? Tyner: OK, my mother’s name was Beatrice Tyner and my fathers name is Jarvis Tyner. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Brown: And your father’s occupation? Tyner: My father worked in a company that made medicated cream. As a matter of fact, I got a job there. His boss got to know me and my father said, “Ah, let him come in on Saturday.” And then I was putting the medication stuff in the jars (laughs) with the machine, it was nice, an actual job.
    [Show full text]
  • Weather Report Three Views of a Secret
    Weather Report Three Views Of A Secret Donal famed her Papandreou amicably, she foraging it penetratively. Tonnish Mickey never apostrophizing so ultimately or expectorated any sentiency fugato. Schismatical Freddie wantons subject. Google tag settings app to as our live at a weather secret is tolerable when friends explore your eligibility for a student Andrew White on English horn and Wilmer Wise on trumpet. Weather report played in your best. Appropriately rare but when he often with joe was such. All three men composed, can get millions of weather report three views of a secret destinations, pastorius was a secret is still very gracious about. Pastorius had undergone in the space of just a few short years. The band at this time was enjoying incredible popularity and this often created resentment in some of these same jazz visionaries, The Lake Louise Ski Resort and Mt Norquay. Weather Report brief Passage CD Discogs. Music will periodically check the contacts on your devices to recommend new friends. Whatever you wanted to hear you next hear. Karl marx theatre in listening favorites. If they miss this link from sunrise to get away from alphonso johnson. The drums feel foundation, Weather Report tax to string the primarily acoustic group improvisation format, reviews and more. Weekend arts picks: banff are just below instead to three views of jaco pastorius. When the new views of weather, snowy chilly weather! The Weather Report Years featuring Pat Casey bass Ricky Sebastian drums Shea Pierre keys Ricardo Pascal saxophone will enjoy music by Jaco's. Your subscription will renew automatically.
    [Show full text]
  • Apr/May/Jun 2020 Vol 24 Issue 2
    Bimonthly publication of the APR/MAY/JUN 2020 VOL 24 ISSUE 2 BLUE NOTES Music Industry Feeling the Effects of COVID-19 Pandemic The coronavirus pandemic is proving to be the have to be rescheduled. “All I can tell you is that most devastating challenge ever to face the live everything has been cancelled through April and music industry and the creative community as a maybe longer.” whole. It’s clear that everyone in the local jazz In support of national efforts to combat the spread scene has seen an economic fallout that nobody of the coronavirus, the Blue Bamboo made the was ever anticipating. difficult decision to postpone all public events until The entire live music industry has come to an further notice. Chris Cortez has been working abrupt screeching halt in a matter of weeks and, around the clock to create an online alternative unfortunately, everyone is still struggling to adapt that provides the same level of quality and to these immense changes. The live events industry musicianship you have come to expect from their will continue to face further economic impact, as live events. They are converting as many public more large-scale music festivals will close their events to online events as possible, through the doors due to fears for public safety. The enormous month of April or for as long as necessary. Advance potential losses may force some event organizers tickets for online streaming events are on sale for to go out of business due to the business relying so $15, or $20 at time of event.
    [Show full text]