DOCSLIB.ORG

Livestream Program + Library of Digital Assets

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Livestream Program + Library of Digital Assets DIGITAL PORTAL PROGRAM VERSION 5, APRIL 2021 www.dramaqueensland.org.au/pd/conference/ CONFERENCE VENUE PARTNERS DIGITAL PORTAL REGISTRATION We are pleased to be able to change over your In-Person registration to a Digital Portal registration for our Drama Australia National Conference - 2020VISION in 2021. This will provide you access to the Livestream Program and the Digital Library of Assets provided by our generous Presenters, from the 9 April, 2021. You will be provided with a link and password via email closer to the event to be able to access these digital resources, all of which will be available to access throughout Term 2, 2021. DRAMA AUSTRALIA NATIONAL CONFERENCE 2021 LIVESTREAM PROGRAM & LIBRARY OF DIGITAL ASSETS PAG E 2 LIVESTREAM PROGRAM @ A GLANCE FRIDAY 9 APRIL LIVESTREAM PROGRAM – STREAM # 1 Session 1 Session 9:00 – 10:00am Acknowledgement of Country Welcome from QUT Bree Hadley President’s Welcome and Address Dana Holden and John Nicholas Saunders (30 mins) Keynote Presentation #1 – ‘You Can’t Be What You Can’t See’ – Representation, Diversity and being a Brown Kid in Toowoomba Ari Palani, La Boite Theatre (30 mins) LIVESTREAM PROGRAM – 10:00 – 10:30am MORNING TEA (30 mins) STREAM # 2 Session 2 Session 10:30 – 11:30am Standing on the shoulders of Theatrical Giants: Contemporary Political Theatre QCAA Workshop Tricia Clark-Fookes. Featuring Grin and Tonic’s Kellie Lazarus and Jason Klarwein Michelle Vendy and Ange Pratt (60 mins) (60 mins) Session 3 Session 11:40am – 12:40pm Keynote Presentation #2 – In Conversation: Meet and Greet our Living Archives Has Not Yet Mastered Headstands and Other Accidents in Learning Facilitated by John O’Toole and featuring Adrianne Jones, Professor Sandra Gattenhof, QUT (30 mins) Madonna Stinson and Debb Wall (60 mins) Keynote Presentation #3 – Dramatic Interventions: The impact of drama‑rich pedagogy in primary literacy classrooms John Nicholas Saunders, Drama Australia President, Sydney Theatre Company and Ambrose Treacy College (30 mins) 12:40 – 1:20pm LUNCH (40 mins) Session 4 Session 1:20 – 2:50pm Keynote Presentation #4 – Fusion 2019: An aesthetic and social experiment Acting for Resilience: Using Drama and Theatre to Build Engaging Young People with Contemporary Performance Making Resilience in Adolescents Alison Easton and Sharon Hogan (90 mins) Cindy Sykes and Bruce Burton (90 mins) Session 5 Session 3:00 – 4:30pm Devising Performance with First Nations Content and Producing Contemporary Brecht: But It’s Easy Indigenous Theatre in School Settings Mashed Theatre’s Matthew Caffoe (90 mins) Andrew Byrne, Danielle Hradsky and Jane Carter (90 mins) Session 6 Session 4:40 – 4:50pm Close of Conference Dana Holden and John Nicholas Saunders (10 Mins) Conference Partners: LIBRARY OF DIGITAL ASSETS @ A GLANCE Tried and tested techniques for written external FAQS: Transforming Shakespeare with shake & stir assessment shake & stir theatre co Hannah Brown On Demand Plus – A complete package of Bringing stories to life through games, elements of multi‑week units on areas of the primary curriculum, drama and dramatic conventions taught through drama and literacy strategies Joan Cassidy and Jenny Boyne ATYP – Jacqui Cowell Directing a scene – tools for spatial awareness, Recreating the Fairytale: Theatrical drama in the action and character primary school Andrea Moor, QMF Elizabeth Chamberlain and Belinda Eracleous A Brief Guide to Queer Drama Texts A step by step approach to monologues Queensland Ballet LearningHUB Bradley Chapman Jackson McGovern for Queensland Theatre Queensland Ballet Stand up for Literature: Dramatic Approaches in the Whole School Arts Schools engagement programs designed for Secondary Classroom Carolyn Stuart and Grace Davidson secondary students to maximise their creative John O’Toole and Julie Dunn university experience QUT Professional Development Workshop: Video The Well – a process drama Devising Performance with First Nations Content Documentation Creation Best Practice Highlights and reflections from a year 7/8 classroom and Producing Contemporary Indigenous Theatre in Juliet Cottrell and Faye Taylor Tony Kishawi School Settings – Accompanying Resources Andrew Byrne, Danielle Hradsky and Jane Carter Drama Teacher Education – a long view perspective Acting for Resilience Program/Teaching Plan Robin Pascoe Cindy Sykes and Bruce Burton Group‑devising in immersive spaces Katy Walsh Extended Play (Improvisation) resource Funny Business: Teaching Improvisation and Tavia Seymour Comedy to Primary Age Performers Acting Green Guidelines – Teaching Sustainability Alastair Tomkins and Sustainable Drama Practice Drama Australia Drama warm up activities linked to general QUT Professional development for teachers and capabilities in the Australian curriculum educators Australian Curriculum: The Arts – Drama, in review Dr Linda Lorenza QUT Education Helen Champion Rethinking Drama Curriculum ‑ Documentation A Breakdown: Writing a Scene in 20 minutes Sylvia Morris Matt Caffoe, Mashed Theatre Conference Partners: LIVESTREAM SESSION INFORMATION PAG E 5 Livestream Session 1 – Stream #1 Friday 9 April, 10:00 – 10:30am Keynote Presentation #1 ‘You Can’t Be What You Can’t See’ – Ari Palani is a passionate director, producer, community Representation, Diversity and being a engagement specialist and theatre maker, who has recently relocated Brown Kid in Toowoomba from regional Queensland to Presented by Ari Palani, La Boite Theatre Brisbane. He has worked across many communities in Australia facilitating creative outcomes As the son of migrants and refugees displaced by war and politics, growing that advocate for youth voice, up confusingly multilingual, tremendously brown, fabulously queer and kinda accessibility, and social cohesion. regional... it wasn’t always smooth sailing. Contemporary identity and its Ari is internationally focused on building cultural economies, representation are a complex system of hybridity, resistance and insistence and humanitarian responses and increasing the discussion our drama classrooms, rehearsal rooms and mainstages are some of the most around displaced communities. He has worked extensively important platforms in this conversation. Making and taking space involves all of in South Korea and Malaysia developing innovative programs highlighting the interconnectedness of the Arts us and the emergent aspects of decentralisation, digital access and diversity are in contemporary STEM education and translating these into landmarks along this journey from Being to Seeing. hybrid models of cultural engagement in the vast Australian landscape. For the past 7 years he had been the Director of Youth Arts at the Empire Theatre in Toowoomba, and has directed outcomes for Queensland Theatre, La Boite Theatre Company, QUT, USQ and in 2018 was the Finalist for the Queensland Multicultural Outstanding Individual Achiever Award. Ari is currently in his final year as part of the acclaimed Masters of Fine Arts in Cultural Leadership at NIDA and is now the Youth and Education Producer at La Boite Theatre Company. It is his desire to build the capacity of industries, facilitate cohesion and promote the joy of collaborative practice. DRAMA AUSTRALIA NATIONAL CONFERENCE 2021 LIVESTREAM PROGRAM & LIBRARY OF DIGITAL ASSETS PAG E 6 Livestream Session 2 – Stream #1 Friday 9 April, 10:30 – 11:30am Standing on the shoulders of Theatrical Giants: Contemporary Political Theatre Presented by Tricia Clark-Fookes Featuring Grin & Tonic’s Kellie Lazarus and Jason Klarwein We all know the work of Brecht, but how has political theatre evolved and why Tricia Clark-Fookes is a lecturer in Arts curriculum at is it relevant to young people? This session will examine Contemporary Political Queensland University of Technology. She has a particular Theatre’s inheritances and emerging practices. interest in Drama education and has worked as a Secondary teacher, head of department, curriculum writer and teaching Join us as we interrogate Contemporary Political Theatre through the lens of artist for over 22 years. Tricia is a passionate advocate for both teaching-artists and theatre makers. Drama education, drawing on her experiences across education sectors and work in industry. Kellie Lazarus is the General Manager of Grin & Tonic Theatre Troupe. Her career in the performing arts is diverse and includes performing leading roles with Queensland Theatre, working as a teaching-artist with Grin&Tonic and Bell Shakespeare Company, and primary arts specialist with Education Queensland. Jason Klarwein is the Artistic Director of Grin & Tonic Theatre Troupe. He is an award winning actor, playwright and director whose credits include companies such as Sydney Theatre Company, Bell Shakespeare Company, Queensland Theatre Company, Belvoir, Malthouse, LaBoite and Black Swan. His work has been seen internationally, including in New York, London and Los Angeles. DRAMA AUSTRALIA NATIONAL CONFERENCE 2021 LIVESTREAM PROGRAM & LIBRARY OF DIGITAL ASSETS PAG E 7 Livestream Session 2 – Stream #2 Friday 9 April, 10:30 – 11:30am QCAA Workshop Presented by Michelle Vendy and Ange Pratt The QCAA will be running a session that provides teachers with the most The Queensland Curriculum and Assessment Authority up to date information about the new senior syllabus with subject-specific (QCAA) is a statutory body of the Queensland Government information for teachers relating to Drama. The session will address frequently and plays a critical role in the design and delivery of education in Queensland. The QCAA
Load more

Recommended publications
  • Annual Report 2015 LETTER to MINISTER
    Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison.
    [Show full text]
  • Annual Report 2014 1
    Annual Report 2014 1 2 3 4 6 5 7 Cover photographs 1 Paul Bishop in Australia Day 2 Candy Bowers in The Mountaintop 3 Jason Klarwein and Veronica Neave in Macbeth 4 Anna McGahan in The Effect 5 Christen O’Leary in Gloria 6 Promotional photograph for Black Diggers 7 Steven Rooke in Gasp! Photography: Aaron Tait, Branco Gaica (Black Diggers) Illustration: Lauren Marriott (The Mountaintop) Letter to Minister 27 March 2015 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2014 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this annual report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely, Professor Richard Fotheringham Chair Queensland Theatre Company Queensland Theatre Company Annual Report 1 2 Queensland Theatre Company Annual Report Contents Contents .......................................................................................................................................................... 3 Introduction ....................................................................................................................................................
    [Show full text]
  • Annual Report 2014 1
    Annual Report 2014 1 2 3 4 6 5 7 Cover photographs 1 Paul Bishop in Australia Day 2 Candy Bowers in The Mountaintop 3 Jason Klarwein and Veronica Neave in Macbeth 4 Anna McGahan in The Effect 5 Christen O’Leary in Gloria 6 Promotional photograph for Black Diggers 7 Steven Rooke in Gasp! Photography: Aaron Tait, Branco Gaica (Black Diggers) Illustration: Lauren Marriott (The Mountaintop) Letter to Minister 27 March 2015 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2014 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this annual report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely, Professor Richard Fotheringham Chair Queensland Theatre Company Queensland Theatre Company Annual Report 1 2 Queensland Theatre Company Annual Report Contents Contents .......................................................................................................................................................... 3 Introduction ....................................................................................................................................................
    [Show full text]
  • Annual Report 2013 Letter to Minister
    Annual Report 2013 Letter to Minister 21 March 2014 The Honourable Ian Walker MP Minister for Science, Information Technology, Innovation and the Arts Level 5, Executive Building 100 George Street BRISBANE QLD 4000 Dear Minister I am pleased to present the Annual Report 2013 and financial statements for the Queensland Theatre Company. I certify that this annual report complies with: ¾ the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and ¾ the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found at page 99 of this annual report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely, Professor Richard Fotheringham Chair Queensland Theatre Company Cover photographs, Top - Bottom: L-R: Hugh Parker in The Pitch. Barbara Lowing in The China Incident. Christen O’Leary in End of the Rainbow. Colin Friels in Red. Ursula Yovich in Mother Courage and Her Children. Libby Munroe in Venus in Fur. Robert Coleby in Other Desert Cities. L-R: Tama Matheson, Kellie Lazarus, Jason Klarwein in Design for Living. Photography: Elouise van Reit-Gray Queensland Theatre Company Annual Report 1 Contents Contents ...................................................................................................................................................................................................3 Introduction .............................................................................................................................................................................................4
    [Show full text]
  • Matilda Award Nominations Shine a Light on Queensland Talent
    9/33 Vulture Street West End QLD 4101 (07) 3036 2000 ABN 38 618 965 594 aruga.com.au MATILDA AWARD NOMINATIONS SHINE A LIGHT ON QUEENSLAND TALENT Actors, designers, directors, playwrights, companies and members of the creative team are centre stage this month with nominees for the prestigious 2019 Matilda Awards announced on Thursday 16 January. The Matilda Awards – Queensland’s premier awards for performing arts – honour and celebrate excellence in the Queensland theatre industry with winners crowned in 19 categories, including the new Creative Industries Backstage Award, at a star-studded ceremony on February 17 at Brisbane Powerhouse. Matilda Awards Executive Committee chairperson Deb Wilks said the event invests back into the state’s theatre community, with tickets on sale now for a small donation. “The Matilda Awards are a highly-anticipated part of the Queensland and Brisbane theatre scene,” Ms Wilks said. “From physical theatre, musical and cabaret triumphs, to the best in costume, lighting and performance, the awards are a fantastic opportunity to celebrate the incredible array of talent we are lucky enough to have here in the sunshine state. “2019 was a huge year for the arts, and our list of nominees certainly reflect this. While every nominee is worthy, we’re excited to make some big announcements, of the recipients of the awards in each category, at the ceremony,” she said. Leading the charge with five nominations each is Shake & Stir Theatre Company’s stage adaptation of Fantastic Mr Fox, in collaboration with QPAC, and smash hit musical Fangirls, which premiered at Queensland Theatre as part of Brisbane Festival in September 2019.
    [Show full text]
  • QTC Season 13 Brochure
    WELCOME TO SEASON Wesley Enoch 2013 Artistic Director Welcome back to QTC. In 2013 Queensland Theatre Company Season 2012 proved to be such a success will help you plan your theatrical - 1000 new subscribers, 10 000 more adventure with a range of works that tickets sold, a 13% increase in box office take you around the world, show you revenue and a range of new works that our home-grown talents and bring challenged, entertained and enlightened. you theatrical moments of national importance. 2012 has been a big year and 2013 is going to be even bigger. Let the artists of QTC lead you on an adventure of storytelling, showing you You are the true Cultural Adventurer. You the world through our eyes. A world of seek out interesting stories, engage in Love, Art, Laughter, Drama, Catharsis, discussion and debate, step out of your Glamour, Song and Adventure. comfort zones, get excited by artistic daring and genuinely want to get more out of life. Love, 1 Queensland Theatre Company presents The Pitch Director: Catarina Hebbard Designer: Simone Romaniuk Cast: Hugh Parker Down-and-out film writer Walter Weinermann is psyching himself up for the biggest pitch meeting of his life with a panel of powerful producers. He has an epic idea; he has a dream cast, including flint-eyed assassin Clint Eastwood, loudmouthed sidekick Chris Tucker and relentless nemesis Jet Li. He has cameos from Sean Connery and Robert De Niro. The one thing he doesn’t have is a decent ending. After moving to Hollywood in the 1920s, screenwriter Herman J.
    [Show full text]
  • Annual Report 2018 Image Matthew Backer and Rhys Muldoon in Nearer the Gods Photographer Rob Maccoll
    Company Creation of the new Bille Brown Theatre Another 20 year high in season ticket holders Multiple sold out shows 4 world premieres (one in regional Queensland) Highest selling new Australian play in 50 years – Nearer the Gods 25% Queensland stories – 50% Queensland exclusives 6 new Australian stories Gender parity of writers and directors Major capital campaign – 138% increase in donations Queensland works in Sydney and Melbourne Festivals London season for The Wider Earth for the year ended 31 December 2018 annual report 2018 Image Matthew Backer and Rhys Muldoon in Nearer the Gods Photographer Rob Maccoll 2 Letter to Minister 28 February, 2019 The Honourable Leeanne Enoch MP Minister for Environment and the Great Barrier Reef Minister for Science Minister for the Arts 1 William Street BRISBANE QLD 4000 Dear Minister I am pleased to present the Annual Report 2018 and audited financial statements for Queensland Theatre Company. I certify that this annual report complies with: • the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and • the detailed requirements set out in the Annual Report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 102 of this Annual Report. Yours sincerely Ms Elizabeth Jameson Chair Queensland Theatre Company 3 Contents Introduction ........................................................................................................................................................................
    [Show full text]
  • Rice-Prog.Pdf
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Brumpton, Tony (2017) Rice - Sound design and Composition. [Performance] This file was downloaded from: https://eprints.qut.edu.au/114330/ c Anthony Brumpton This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.queenslandtheatre.com.au/ Shows/ Rice QUEENSLAND THEATRE Queensland Theatre, Queensland Government and Griffin Theatre Company present Michele Lee's L-R: Hsiao-Ling Tang, Kristy Best. Rice by Michele Lee Cast VENUE Kristy Best .................................................... Nisha 24 June — 16 July Bille Brown Studio, Hsiao-Ling Tang ...........................................Yvette Queensland Theatre Creatives ATTENDANCE INFORMATION Lee Lewis ..................................................
    [Show full text]
  • Annual Report 2019 2 Peter Kowitz in Death of a Salesman Photographer Dylan Evans 28 February, 2020
    Company for the year ended 31 December 2019 annual report 2019 2 Peter Kowitz in Death of a Salesman Photographer Dylan Evans 28 February, 2020 Hon Leeanne Enoch MP Minister for Environment and the Great Barrier Reef, Minister for Science and Minister for the Arts GPO Box 5078 BRISBANE QLD 4001 Dear Minister, I am pleased to present Queensland Theatre Company’s 2019 annual report and audited financial statements. I certify that this annual report complies with:- • the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and • the detailed requirements set out in the Annual Report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 86 of this annual report. Yours sincerely, Elizabeth Jameson Chair Queensland Theatre Company 3 Contents Introduction 6 Vision 6 Purpose 6 Values 6 Goals 6 Artistic Vision 6 Queensland Theatre Company 7 Chair’s Overview 9 Directors’ Overview 10 Highlights and Achievements 11 Background 12 Outcomes - Strategic Objectives 14 Strategic Plan / Key Measures 15 Goal One: To create theatre experiences of the highest quality 16 The year in review 18 Mainstage season 20 Touring season 24 National and International presentations 24 Awards 27 Goal Two: To reach as many people as possible 28 Strengthen our brand identity 30 Attract and retain a wider audience 30 Increase audience accessibility 30 Broaden the Company’s geographic reach 30 Grow the Company’s digital footprint 31
    [Show full text]
  • Company B Annual Report 2006
    company b 2006 annual report contents Company Staff 2006 ...................................................... 2 Key Performance Indicators ............................................. 30 Core Values & Principles and Mission ................................ 3 Financial Report ............................................................. 32 Chair’s Report ............................................................... 4 Directors’ Report ....................................................... 32 Artistic Director’s Report ................................................ 6 Directors’ Declaration ................................................. 35 General Manager’s Report ............................................... 8 Income Statement ...................................................... 36 Farewell from Rachel Healy .............................................. 10 Balance Sheet ........................................................... 37 Season 2006 ................................................................. 14 Cash Flow Statement ................................................. 39 Touring 2006 ................................................................ 21 Statement of Changes in Equity ................................... 39 B Sharp 2006 ................................................................ 22 Notes to the Financial Statements .............................. 40 Education ..................................................................... 24 Independent Audit Report .........................................
    [Show full text]
  • Annual Report 2015 Cover Photographs, Top – Bottom: 1
    Annual Report 2015 Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccoll. 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Country Song, Michael Tuahine. Photography by Rob Maccoll. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. Photography by Stephen Henry. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. Photography by Stephen Henry. 9. Brisbane, Lucy Coleby, Dash Kruck. Photography by Rob Maccoll. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein, Tama Matheson. Photography by Joseph Byford. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. 13. Ladies in Black, Kate Cole, Lucy Maunder. Photography by Rob Maccoll. 14. Grounded, Libby Munro. Photography by Stephen Henry. 15. The Seagull, Emily Burton. Photography by Stephen Henry. 16. The Seagull, Nicholas Gell. Photography by Stephen Henry. 17. Happy Days, Carol Burns. Photography by Rob Maccoll. 18. Mother and Son, Rob Carleton, Noeline Brown, Darren Gilshenan. 19. The Seagull, Brian Lucas. Photography by Stephen Henry. 20. Ladies in Black. Christen O’Leary. Photography by Rob Maccoll. 2 QUEENSLAND THEATRE COMPANY ANNUAL REPORT 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company.
    [Show full text]
  • Annual Report 2017 Image Ben Winspear and Marta Dusseldorp in Scenes from a Marriage Photographer Rob Maccoll 2 3 Letter to Minister
    Company Biggest audience ever - 188,450 20 year subscriber high Highest selling show ever 55 theatres around world 12 regional QLD venues First Torres Strait Island show Gender parity writers directors 9631 young people 50 young actors in Logan 53% increase in donations 24,268 paid hours for actors for the year ended 31 December 2017 annual report 2017 Image Ben Winspear and Marta Dusseldorp in Scenes from a Marriage Photographer Rob Maccoll 2 3 Letter to Minister 23rd February, 2018 The Honourable Leeanne Enoch MP Minister for Environment and the Great Barrier Reef Minister for Science Minister for the Arts 1 William Street BRISBANE QLD 4000 Dear Minister I am pleased to present the Annual Report 2017 and audited financial statements for Queensland Theatre Company. I certify that this annual report complies with: • the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and • the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 96 of this Annual Report. Yours sincerely Ms Elizabeth Jameson Chair Queensland Theatre Company 2 3 Contents Introduction ..............................................................................................................................................................6 Vision: .................................................................................................................................................................................
    [Show full text]