DOCSLIB.ORG

Covid-19 Media Consumption

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

COVID-19 Television Online Video News Media MEDIA Broadcast Sponsorship CONSUMPTION Search Radio 1 October – 8 November Social Outdoor Cinema onecore.ie | +353 1 649 6316 | Executive Live TV viewership for all adults has increased by 6% year-on- Sporting fixtures, Level 5 restrictions and the US election year since Level 5 restrictions were introduced. For adults 15- dominated searches on Google in October and early November. Summary 34, viewership has increased by 9% year-on-year. Earlier than usual Christmas shopping searches are a key trend with retailers; local suppliers have also noticed a surge in Level 5 restrictions have had Sport and News dominated the Top 10 programming in recent searches. an impact on media weeks, with the France vs. Ireland rugby match achieving the highest viewership levels since lockdown. consumption. Latest figures from the JNLR show that time spent listening to radio has increased to 250 mins on an average weekday, up 5% VOD streaming levels increased again, up 30% compared to TV and VOD consumption are on 2019, with overall listenership remaining steady at 81% of previous weeks. ‘All 4’ reported a record month in October, up up year-on-year, reversing 64% year-on-year, due to the popularity of The Great British all adults. declines seen over the summer Bake Off. The return of sport (rugby in particular) significantly months. increased live streaming volumes on Virgin Media Player. The latest data also shows a shift from local stations to the national broadcasters. This is particularly driven by an increase Latest radio listenership While falling short of analyst estimates, Netflix added an in listenership to RTÉ Radio 1, which increased its market share figures give the first insight additional 2.2m global subscribers in Q3, although this is lower by 2% points year-on-year. into listening patterns in 2020. than the record growth in Q1 and Q2 2020. The further closure of cinemas has caused most major movie Taoiseach Micheál Martin said that media is crucial to Ireland’s launches to be put off until the new year. Titles delayed include Overall there has been a democracy at the inaugural meeting of The Future of Media James Bond No Time to Die, Ghostbusters Afterlife and migration to national and news Commission, which will advise the Government on how the Disney’s Ray and the Last Dragon. channels as audiences seek future of news outlets can be assured. information and comment. According to Apple, overall traffic across Ireland’s major cities Spike in social mentions of “Level 5 restrictions” on 5 October has declined by >50% since Level 5 restrictions were COVID-19 conversation is also reached 15k total mentions in 24 hours. introduced, compared to pre-Covid traffic levels. dominating social and search behaviours online. TV Live TV viewership increased by 6% year-on-year since Level 5 restrictions were introduced. For adults 15-34, year-on-year viewership has increased by 9%. Sport and News dominated Top 10 programming in recent weeks. The France vs. Ireland rugby match had the highest viewership since Level 5 restrictions were introduced. Television Live Minutes Viewed per Day All Adults (all adults) 2019 2020 Level 5 restrictions 200 introduced Adults now watch about 2 180 hours 44 minutes of live TV every day. 160 140 Year-on-year viewership 120 has increased by 6% since Level 5 restrictions were 100 introduced, reversing a 80 previous trend of declining 60 viewership year-on-year. 40 This is mainly driven by 20 increased consumption in 0 news and current affairs Week1 Week2 Week3 Week4 Week5 Week6 Week7 Week8 Week9 Week11 Week12 Week13 Week14 Week15 Week16 Week17 Week18 Week19 Week20 Week21 Week22 Week23 Week24 Week25 Week26 Week27 Week28 Week29 Week30 Week31 Week32 Week33 Week34 Week35 Week36 Week37 Week38 Week39 Week40 Week41 Week42 Week43 Week44 Week45 plus new schedules across Week10 all broadcasters. Source: Nielsen - All adults. Nielsen/TAM (Average Daily Live + VOSDAL Minutes per week) Television Live Minutes Viewed per Day Adults 15-34 (adults 15-34) 100 2019 2020 Level 5 Adults 15-34 now watch restrictions 90 73 minutes of live TV every introduced day. 80 70 Year-on-year viewership 60 has increased by 9% since Level 5 restrictions were 50 introduced. 40 30 Similar to all adults, this is 20 mainly driven by increased consumption of news and 10 current affairs plus new 0 schedules across all Week1 Week2 Week3 Week4 Week5 Week6 Week7 Week8 Week9 Week11 Week12 Week13 Week14 Week15 Week16 Week17 Week18 Week19 Week20 Week21 Week22 Week23 Week24 Week25 Week26 Week27 Week28 Week29 Week30 Week31 Week32 Week33 Week34 Week35 Week36 Week37 Week38 Week39 Week40 Week41 Week42 Week43 Week44 Week45 broadcasters. Week10 Source: Nielsen - All adults. Nielsen/TAM (Average Daily Live + VOSDAL Minutes per week) Live Viewership of Nine O’Clock News on RTÉ 1 Viewership RTÉ Nine O’Clock (000’s) Taoiseach 1400 Broadcast News #2 Taoiseach Level 5 Broadcast Lockdown #1 Live viewership of RTÉ’s 1200 Nine O’Clock News Level 3 Lockdown continues to grow year-on- 1000 year. General Election Coalition 2020 Announced Audience levels have 800 increased by 31% year-on- year since Level 5 600 restrictions were introduced. 400 This growth is consistent across the week. 200 Viewership 2020 Weekdays and weekends Viewership 2019 0 showed similar viewership 01-Jan-20 01-Feb-20 01-Mar-20 01-Apr-20 01-May-20 01-Jun-20 01-Jul-20 01-Aug-20 01-Sep-20 01-Oct-20 01-Nov-20 growth year-on-year. Source: Nielsen - All adults. Nielsen/TAM (Average Daily Live + VOSDAL Minutes per week) Top 10 Programmes 22 October-3 November (All Adult viewership) Top 10 programmes Position Station Programme Audience since Level 5 1. Virgin Media 1 Six Nations France versus Ireland 788,440 2. RTÉ 1 Six One News 689,020 Sport and News dominate 3. RTÉ 1 The Late Late Show 637,470 the Top 10 programming 4. RTÉ 1 DIY SOS 587,830 charts since Level 5 restrictions were 5. RTÉ 1 Nine O’Clock News 538,290 introduced. 6. Virgin Media 1 Six Nations Ireland versus Italy 508,203 Both of Ireland’s Six 7. RTÉ 1 Reeling in the Years 498,060 Nations games appear on 8. RTÉ 1 Dermot’s Incredible Homes 444,660 the charts, reinforcing the 9. RTÉ 1 Home Rescue 399,010 importance of sport for broadcasters. 10. Virgin Media 1 Coronation Street 383,960 Source: Nielsen - All adults. Nielsen/TAM (Average Daily Live + VOSDAL Minutes per week) advertising year number of brands had on minimal impact the Level 5restrictions have week. 2019 308 average of each brand count now above the bounced back with the In recent has months, this Covid the immediate of impact in Q2 dramatically due to advertising onTV declined The number of brands v 20202019 CountBrandTV - 19. - on - year. brands brands air on Number Number Source: Nielsen Source: 100 150 200 250 300 350 400 50 0 Week1 Week2 Week3 Week4 Week5 Week6 Week7 Week8 Week9 Week10 Week11 Week12 Number of Brands on air per per Week on of BrandsairNumber Week13 Week14 Week15 Week16 Week17 Week18 Week19 Week20 Television Week21 Week22 Week23 Week24 Week25 Week26 Week27 308 = Count Brand Weekly 2019 Average Week28 Week29 Week30 Week31 Week32 Week33 Week34 Week35 Week36 Week37 Week38 Week39 Week40 Week41 Week42 Week43 Week44 Week45 VirginMedia Player. on volumes streaming live increasedrugby, particular in The sport, return of Bake Off. British of The Great popularity year month in October, up64% 4’ reported arecord‘All player. dominant the still PlayerRTÉ weeks,the six previous with 30% compared the to to increase with up volumes levels continue Streaming streaming Television - on - year, due year,to the 1,000,000 1,500,000 2,000,000 2,500,000 volume of streamsofvolume Source: Broadcasters’ Broadcasters’ Source: data 500,000 0 Pre-Covid Avg 08-Mar 15-Mar 22-Mar 29-Mar 05-Apr 12-Apr Broadcast VOD Streams per per Week VOD Streams Broadcast 19-Apr 26-Apr 03-May 10-May 17-May 24-May RTE 31-May 07-Jun VMS 14-Jun 21-Jun 28-Jun All All 4 05-Jul 12-Jul 19-Jul 26-Jul 02-Aug 09-Aug 16-Aug 23-Aug 30-Aug 06-Sep 13-Sep 20-Sep 27-Sep 04-Oct 11-Oct 18-Oct 25-Oct Share of Broadcast VOD Television Streams per Week streaming (cont.) % of streams viewed RTE VMS All 4 100% While RTÉ’s share of 90% streaming remains highest, 80% there has been a steady increase on ‘All 4’ and Virgin 70% Media Player. 60% 'All 4’ consistently averages 50% 18% of total streams 40% viewed. 30% The week of Ireland vs. Italy 20% in the Six Nations saw Virgin Media’s share increase to 10% 35%. 0% 08-Mar 08-Apr 08-May 08-Jun 08-Jul 08-Aug 08-Sep 08-Oct Source: Broadcasters’ data Top 10 Streamed Programmes Top 10 streamed October 2020 programmes RTÉ Player All 4 Virgin Media Player News dominated streamed Nine O'Clock News The Great British Bake Off Des programming on the RTÉ Six One News Malcolm in the Middle Coronation Street Player after the introduction Gogglebox of Level 5 restrictions. Home and Away Gogglebox Ireland EastEnders Made in Chelsea Emmerdale The popularity of ‘The Great Love/Hate Scrubs Champagne Football British Bake Off’ was again noticeable on ‘All 4’, as was The Late Late Show Hollyoaks Lodging With Lucy the return of ‘Malcolm in the Fair City Married at First Sight Australia 15 Days Middle’. Neighbours Married at First Sight UK The Million Pound Cube ‘Des’ was the most viewed Slovakia v Republic of Ireland ER Big Year in Big School programme on the Virgin Media Player in October.
Recommended publications
  • UCC Library and UCC Researchers Have Made This Item Openly Available

    UCC Library and UCC Researchers Have Made This Item Openly Available

    UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Life on-air: talk radio and popular culture in Ireland Author(s) Doyle-O'Neill, Finola Editor(s) Ní Fhuartháin, Méabh Doyle, David M. Publication date 2013-05 Original citation Doyle-O'Neill, F. (2013) 'Life on-air: talk radio and popular culture in Ireland', in Ní Fhuartháin, M. and Doyle, D.M. (eds.) Ordinary Irish life: music, sport and culture. Dublin : Irish Academic Press, pp. 128-145. Type of publication Book chapter Link to publisher's http://irishacademicpress.ie/product/ordinary-irish-life-music-sport-and- version culture/ Access to the full text of the published version may require a subscription. Rights © 2013, Irish Academic Press. Item downloaded http://hdl.handle.net/10468/2855 from Downloaded on 2021-09-30T05:50:06Z 1 TALK RADIO AND POPULAR CULTURE “It used to be the parish pump, but in the Ireland of the 1990’s, national radio seems to have taken over as the place where the nation meets”.2 Talk radio affords Irish audiences the opportunity to participate in mass mediated debate and discussion. This was not always the case. Women in particular were excluded from many areas of public discourse. Reaching back into the 19th century, the distinction between public and private spheres was an ideological one. As men moved out of the home to work and acquired increasing power, the public world inhabited by men became identified with influence and control, the private with moral value and support.
  • Essential Media Lists for Your Team Brought to You by Mediahq

    Essential Media Lists for Your Team Brought to You by Mediahq

    Essential Media lists for your team Brought to you by MediaHQ 1 Introduction Thank you for downloading this guide. We are fortunate that Ireland has amazing journalistic talent, however it can be hard to keep track of all that talent. With budding journalists entering the ring, and seasoned professionals getting called up to the major leagues, as well as the creation of new media opportunities it’s difficult to ensure that all your media lists are up-to-date. We wanted to provide a concise guide of media contacts for you and your team, some recent media moves and a few handy little pitching tips. We also provided details on sports and features journalists for the summer ahead. Remember, all of these lists are available on MediaHQ.com with full bio’s, pitching tips and contact details. The MediaHQ team. WHAT IS MEDIAHQ.COM? MediaHQ.com is Ireland’s leading media directory. With contact details for over 8,000 journalists listed on our system, our media intelligence is unrivalled. We have helped hundreds of brands including Paddy Power, daa and Fáilte Ireland share their stories through our database and press release distribution hub. Your story, further, faster. To find out more about the system, email us, [email protected] or call 01 473 2050. 2 Radio Heroes Mary O’Hagan, RTÉ, Drivetime Mary O’Hagan is now a producer on RTÉ Drivetime. She was previously a producer on Today FM’s Last Word with Matt Cooper. During her time in Today FM she has produced programmes covering major events in Irish public life.
  • How Irish Radio Made Strides for Women's Rights

    How Irish Radio Made Strides for Women's Rights

    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-11-2020 Her Voice on Air: How Irish Radio Made Strides for Women's Rights Emilie R. Hines Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the English Language and Literature Commons, European History Commons, Film and Media Studies Commons, Women's History Commons, and the Women's Studies Commons Her Voice on Air: How Irish Radio Made Strides for Women’s Rights By Emilie Hines Prepared for Dr. Madeleine Esch Department of English, Communications and Media Salve Regina University May 11, 2020 Hines 1 Her Voice on Air: How Irish Radio Made Strides for Women’s Rights ABSTRACT: Radio is the voice of the people; this is no less true in Ireland, a nation that prefers talk radio and phone-ins. These formats were popular from 1970-2000, formative years for the feminist movement. Scholarship suggests a correlation between radio and women’s issues in Ireland but does not answer what elements create this. Here, I analyze 10 archival radio clips from Ireland’s national public service broadcaster, RTÉ, looking at how women’s issues are framed. After analyzing these clips, I found that Irish identity embedded in the shows allows for the discussion of controversial ideas. Radio promotes an inclusive environment, by dispelling shame and encouraging political conversation among women. This allows women to hear and be heard, creating a space for equal representation. Introduction As I was sitting on a bus from Dublin airport back to my apartment in Cork City, I heard a late-night radio show playing on the bus speakers.
  • Broadcasting Services Strategy

    Broadcasting Services Strategy

    Broadcasting Services Strategy October 2018 Broadcasting Services Strategy Contents 1. Foreword .............................................................................................................. 3 2. Introduction to the Broadcasting Services Strategy ......................................... 4 3. Context for the Broadcasting Services Strategy ............................................... 6 4. BAI’s Vision ........................................................................................................ 14 5. Realising that Vision.......................................................................................... 16 www.bai.ie 2 Broadcasting Services Strategy 1. Foreword The broadcasting sector in Ireland may sometimes appear like a small boat adrift in an unsettled ocean, such have been the global challenges in recent years. However, the wise sailor knows that in a tempest one must first find a fixed point to navigate by. That is the ultimate purpose of a Broadcasting Services Strategy. The BAI Strategy Statement for 2017-19 committed the Authority to ‘develop and implement a revised Broadcasting Services Strategy that continues to facilitate dynamic licensing policies and plans, and promotes quality programming in the Irish language’. This BSS document delivers on that commitment. The first BSS, which was published in March 2012, anticipated change and evolution in the media landscape. However, the degree of the change since then has been significant and, in particular, the pace of change accelerated exponentially
  • Statement to the Oireachtas Committee of Inquiry Into the Banking Crisis in Ireland Ed Mulhall

    Statement to the Oireachtas Committee of Inquiry Into the Banking Crisis in Ireland Ed Mulhall

    Statement to the Oireachtas Committee of Inquiry into the Banking Crisis in Ireland Ed Mulhall The starting premise for a discussion of RTÉ's editorial policy on the coverage of any area of public interest is that there is no single expression of it. RTÉ's output is based on a set of principles which are derived from its statutory obligations. These principles form the framework for editorial decision making and there is an editorial structure in place to monitor, discuss and challenge the editorial selections being made so as to ensure they are being adhered to. In addition, all RTÉ's activities are subject to a regulatory structure to ensure that the organisation is meeting its public service obligations. Those working in editorial roles in RTÉ operate under a shared understanding of RTÉ’s obligations under various statutes, notably the 1976 Broadcasting Act as amended and the 2009 Broadcasting Act. In RTÉ News, this translates into a very simple premise: inform the audience in the public interest. The political scientist Jean Blondel - in an essay written in honour of the late RTÉ broadcaster Brian Farrell - calls the role to inform the noblest of tasks because it is the most difficult. It requires the reporting of facts, sometimes the establishment of facts, their selection according to their importance and the presentation of them with related material to allow their meaning or significance to be understood. What is important to report in the public interest is a constantly evolving question that is impacted on by events and does not adhere to any fixed state of national consensus.
  • Attitudes and Behaviour in the Second Referendum on the Treaty of Lisbon

    Attitudes and Behaviour in the Second Referendum on the Treaty of Lisbon

    Attitudes and Behaviour in the Second Referendum on the Treaty of Lisbon Richard Sinnott and Johan A. Elkink Geary Institute and School of Politics and International Relations University College Dublin Report prepared for the Department of Foreign Affairs July 2010 Introduction Twice within the last decade, Irish government proposals to ratify new EU treaties have been defeated by referendum (the referendum on the Treaty of Nice in 2001 and that on the Treaty of Lisbon in 2008). Both outcomes were reversed in follow-on referendums within a year or so of the defeat. Although the net outcome in each case was that Ireland could proceed to ratify the EU treaties in question, the experience was not one that any Irish government would wish to repeat. In this context, our report on attitudes and behaviour in the first Lisbon referendum concluded by noting the “undeniable need” to address the issue of public support for the process of European integration “not just now and not just in the run-up to a referendum but on an on-going and long-term basis”. 1 Our ability to analyse Irish attitudes to European integration and the behaviour consequent on such attitudes has been significantly enhanced by the decision to conduct a post- referendum poll not just after the 2008 referendum NO but also after the 2009 referendum YES. Beginning with a summary of the main trends in voting in Irish EU referendums, this report analyses the sources of the YES and NO votes and of abstention in the 2009 Lisbon referendum. Fieldwork for the poll was conducted by Millward Brown Lansdowne between 20 th and 23 rd November 2009.
  • Explanatory Note

    Explanatory Note

    Public Consultation on the Regulation of Harmful Content on Online Platforms and the Implementation of the Revised Audiovisual Media Services Directive Explanatory Note Context On Monday 4th March 2019, Minister Bruton made a key note speech at St. Brigid's GNS, Glasnevin, in which he said that he would introduce a new law to regulate harmful online content. The Minister stated that “Digital technology is transforming the world in which we work and live and learn. This provides huge opportunities for us all. It has been central to our economic and social development as a country for three decades. However, the digital world also presents new risks which did not exist previously.” “The situation at present where online and social media companies are not subject to any oversight or regulation by the state for the content which is shared on their platforms is no longer sustainable. I believe that the era of self regulation in this area is over and a new Online Safety Act is necessary.” “I will bring forward an Online Safety Act which sets out how we can ensure children are safe online. This will involve, for the first time, setting a clear expectation for service providers to take reasonable steps to ensure the safety of the users of their service. A Regulator, an Online Safety Commissioner, would oversee the new system.” “Today I am putting forward a number of options for how a new Online Safety Commissioner can do this important work.” 1. Purpose of the Consultation The consultation aims to seek the views of citizens and stakeholders as to an achievable, proportionate and effective approach to regulating harmful content, particularly online, following the speech made by Minister Bruton where he outlined that he intended to introduce new regulation in this area.
  • Zero-Rating Practices in Broadband Markets

    Zero-Rating Practices in Broadband Markets

    Zero-rating practices in broadband markets Report by Competition EUROPEAN COMMISSION Directorate-General for Competition E-mail: [email protected] European Commission B-1049 Brussels [Cataloguenumber] Zero-rating practices in broadband markets Final report February 2017 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE The information and views set out in this report are those of the author(s) and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. Les informations et opinions exprimées dans ce rapport sont ceux de(s) l'auteur(s) et ne reflètent pas nécessairement l'opinion officielle de la Commission. La Commission ne garantit pas l’exactitude des informations comprises dans ce rapport. La Commission, ainsi que toute personne agissant pour le compte de celle-ci, ne saurait en aucun cas être tenue responsable de l’utilisation des informations contenues dans ce rapport. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2017 Catalogue number: KD-02-17-687-EN-N ISBN 978-92-79-69466-0 doi: 10.2763/002126 © European Union, 2017 Reproduction is authorised provided the source is acknowledged.
  • Hearing Women's Voices?

    Hearing Women's Voices?

    Hearing Women’s Voices? Dr. Kathy Walsh, Exploring women’s underrepresentation Dr. Jane Suiter & in current affairs radio programming at Orla O’Connor peak listening times in Ireland National Womens Council of Ireland Comhairle Náisiúnta Institute for Future na mBan in Éirinn Media & Journalism Published November 2015 by National Women’s Council of Ireland and Dublin City University ISBN 978-0-9926849-4-5 FUNDED BY Hearing Women’s Voices? Exploring women’s underrepresentation in current affairs radio programming at peak listening times in Ireland Dr. Kathy Walsh, Dr. Jane Suiter & Orla O’Connor Acknowledgments National Women’s Council of Ireland and Dublin City University would like to thank the Broadcasting Authority of Ireland for funding this research. We would like to thank Aileen O’Driscoll, Kristy Park and Joe Breen for their work in relation to monitoring the radio programmes. At RTÉ Radio 1 we would like to thank Vincent Murphy and the team at Morning Ireland, Kevin Bakhurst and Tom McGuire for giving their time and for giving us access to the behind the scenes production at Morning Ireland. At Newstalk we would like to thank Garrett Harte, Rebecca Meehan and the team at Newstalk Breakfast for giving us access to the behind the scenes production at Newstalk Breakfast. We would also like to thank Cliona Barnes who put significant work into the establishment and development of this project and Margaret Ward from Clear Ink and founder of Women on Air, for her contribution. Dr Kathy Walsh, Dr Jane Suiter and Orla O’Connor, Director NWCI. Contents 1.
  • Virgin Media Television

    Virgin Media Television

    Virgin Media Television Ad Copy Technical Specifications TV & VOD Ad Copy Technical Specifications TV & VOD TV Specifications To include all TV advertising and sponsorship copy. Overview Commercial copy is to be delivered to Virgin Media One, Two, Three and Sport via one of the approved digital delivery providers. This document outlines the specifications set by Virgin Media Television for com- mercials and sponsorship content delivered for transmission. Commercials that fail to comply with this specification may be rejected. Where the failure relates to loudness Virgin Media Television reserves the right to effect an overall level correction to the commercial in order to bring the audio within the defined specification. 2 Ad Copy Technical Specifications TV & VOD Video Video Format Standard Definition Commercials must comply fully with the 625/50 digital component video standard conforming to ITU-R BT.601 (Rec. 601) and will be compatible with the relevant sections of the EBU document “EBU Tech 3267”. Illegal Colours Due care should be taken to avoid illegal colours (gamut errors), particularly in relation to captions and graphics included in the commercial. Tolerances are outlined in EBU document R103 - 2000. Safe Area Commercials will be delivered in 16:9 full height anamorphic format. Images including Graphic and Text content will be framed to protect the central 4:3 zone (i.e. “4:3 safe”). Line 23 WSS data (widescreen signalling) should not be present on line 23. Conversions Where content has been converted from another standard, the converter used should be of a quality to minimise conversion. Text Height Text height on commercials should be at least 16 lines artifacts.
  • Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision

    Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision

    Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision CTAM Europe OTT Symposium 2019 CTAM Europe OTT Symposium 2019 Growing complexities Media Direct to SVOD Short Form & Content AVOD Consolidation Consumer Growth Social Market 2 CTAM Europe OTT Symposium 2019 Media Consolidation AT&T Walt Disney Discovery Comcast & Time Warner & 21st Century Fox & Scripps & Sky $85 billion $72 billion $15 billion $39 billion Mergers March 2019 March 2019 March 2018 October 2018 Discovery, ProSieben TF1, M6 BBC Studios TBS, TV Tokyo, & additional partners & France Television & ITV WOWOW & others 7TV Salto Britbox Paravi Alliances Launched but rebuilding Launch date tbc UK launch date tbc Launched April 2018 3 CTAM Europe OTT Symposium 2019 Direct to Consumer Disney+ Unnamed Shudder Disney NBCU AMC Launching globally US & UK & others tbc US, Canada, UK & Germany SVOD AVOD on Pay TV, SVOD OTT SVOD HBO Hayu Crackle WarnerMedia NBC Universal Sony US, ESP, Nordics & others UK, Nordics, US only SVOD Australia & Canada AVOD Starz Play Hulu Eurosport Starz/Lionsgate Disney, Comcast/NBCU, Discovery US, Canada, UK & Germany WarnerMedia Europe SVOD US SVOD & VMVPD SVOD Britbox Epix Now Zee5 BBC & ITV MGM Zee Ent. Enterprises US with UK coming US Global SVOD SVOD SVOD & linear channels 4 CTAM Europe OTT Symposium 2019 SVOD Global Growth Global SVOD Growth 600 50 546 520 490 451 450 38 405 Subscribers (Millions) Subscribers 344 (US$ Billions) Revenues 300 262 25 Revenues (US$B) 179 Subscribers (M) 150 121 13 82 54 27 35 '- 0 0 2010 2011 2012 2013 2014
  • La Rochelle Vs Toulouse 22Th May 2021

    La Rochelle Vs Toulouse 22Th May 2021

    *streaming-live!* - La Rochelle vs Toulouse 22th May 2021 La Rochelle vs Toulouse Starting XI Live Video result for La Rochelle vs Toulouse Live120 La Rochelle vs Toulouse Live Stream HD VCU vs Video result for La Rochelle vs Toulouse Live4231 La Rochelle vs Toulouse PreMatch Build Up Ft James Video result for La Rochelle vs Toulouse Live WATCH ONLINE La Rochelle vs Toulouse Live Online La Rochelle vs Toulouse Live European Rugby Champions Cup Final 2021 European Rugby Champions Cup Final 2021 2021 Live Streams La Rochelle vs Toulouse Live op tv La Rochelle vs Toulouse Live Reddit La Rochelle vs Toulouse Live 2021European Rugby Champions Cup Final 20212021 Strean La Rochelle vs ToulouseLive 25 November 2021 Broadcast Today USTV Live op tv La Rochelle vs Toulouse Free On Tv Strean La Rochelle vs ToulouseLive score AEK Athens vs VCU Live La Rochelle vs Toulouse Live Update Score La Rochelle vs Toulouse Live AEK Athens vs La Rochelle vs Toulouse Live La Rochelle vs Toulouse Live La Rochelle vs Toulouse Live on radio 2021 La Rochelle vs Toulouse Live Start Time Today La Rochelle vs Toulouse LIVE Latest team news lineups standardcouk › Sport › European Rugby Champions Cup Final 2021 12 mins ago — La Rochelle vs Toulouse LIVE The Gunners return to college European Rugby Champions Cup Final 2021 action this evening looking to bounce back from last weekends defeat Lewis Hamilton asserted his supremacy by passing Max Verstappen on his way to a comfortable win in Portugal and he's not - so to speak - letting his foot off the gas in Spain this weekend.