DOCSLIB.ORG

Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody Click here if your download doesn"t start automatically Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody The Newmarket Shooting Script® Sets offer a value-priced opportunity for screenplay lovers to build their collection. Each book within the set includes a facsimile of the film’s actual shooting script, plus exclusive extras, such as introductions by or interviews with the filmmakers, notes on the film’s production, selected movie stills, and complete cast and crew credits. SCREENWRITER’S AWARD-WINNER SET, COLLECTION 7 (Three Volumes) Slumdog Millionaire, Juno, Little Miss Sunshine Slumdog Millionaire: Academy Award® winner for Best Picture and Best Adapted Screenplay. Features foreword by screenwriter Simon Beaufoy, introduction by and Q & A with director Danny Boyle, and full- color photo section. Juno: Academy Award® winner for Best Original Screenplay. Features introduction by screenwriter Diablo Cody, foreword by director Jason Reitman, and full-color photo section. Little Miss Sunshine: Academy Award® winner for Best Original Screenplay. Features notes by screenwriter Michael Arndt, foreword by directors Jonathan Dayton and Valerie Faris, humorous essay "How to Write a Sundance Hit in Nine Easy Steps," and full-color photo section. Download Screenwriter's Award-Winner Set, Collection 7: Slu ...pdf Read Online Screenwriter's Award-Winner Set, Collection 7: S ...pdf Download and Read Free Online Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody From reader reviews: Theresa Diaz: The book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) can give more knowledge and also the precise product information about everything you want. So why must we leave a good thing like a book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script)? Several of you have a different opinion about book. But one aim this book can give many data for us. It is absolutely proper. Right now, try to closer along with your book. Knowledge or data that you take for that, you can give for each other; you could share all of these. Book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) has simple shape but you know: it has great and massive function for you. You can seem the enormous world by open and read a guide. So it is very wonderful. Jeffrey Evans: Book is to be different per grade. Book for children right up until adult are different content. To be sure that book is very important for us. The book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) has been making you to know about other knowledge and of course you can take more information. It is extremely advantages for you. The book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) is not only giving you more new information but also to become your friend when you experience bored. You can spend your spend time to read your guide. Try to make relationship with all the book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script). You never feel lose out for everything should you read some books. Natalia Burton: The guide untitled Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) is the book that recommended to you to see. You can see the quality of the e-book content that will be shown to anyone. The language that publisher use to explained their ideas are easily to understand. The writer was did a lot of research when write the book, so the information that they share for you is absolutely accurate. You also could get the e-book of Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) from the publisher to make you much more enjoy free time. Audrey Spence: A lot of e-book has printed but it is unique. You can get it by internet on social media. You can choose the most beneficial book for you, science, comedy, novel, or whatever simply by searching from it. It is called of book Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script). You can add your knowledge by it. Without departing the printed book, it could possibly add your knowledge and make you actually happier to read. It is most crucial that, you must aware about book. It can bring you from one spot to other place. Download and Read Online Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) Simon Beaufoy, Diablo Cody #S32LW1E50QD Read Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody for online ebook Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody Free PDF d0wnl0ad, audio books, books to read, good books to read, cheap books, good books, online books, books online, book reviews epub, read books online, books to read online, online library, greatbooks to read, PDF best books to read, top books to read Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody books to read online. Online Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody ebook PDF download Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody Doc Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody Mobipocket Screenwriter's Award-Winner Set, Collection 7: Slumdog Millionaire, Juno, and Little Miss Sunshine (Newmarket Shooting Script) by Simon Beaufoy, Diablo Cody EPub.
Load more

Recommended publications
  • Family in Films
    Travail de maturité – ANGLAIS Sujet no 13 Family in Films “All happy families are all alike; every unhappy family is unhappy in its own way.” Anna Karenina, Leon Tolstoy. Whether dysfunctional, separated by exile, torn apart by history, laden with secrecy, crazy, loving, caring, smothering - and even perhaps happy, family is an endless source of investigation about human relations and social groups. In this research paper, you will be able to question Leon Tolstoy’s statement and explore how films envision new and older forms of families. Some examples of films relevant to this research paper: Festen (Thomas Vintenterberg, 1998) Parasite (Bong Joon-ho, 2019) L’Heure d’été (Olivier Assayas, 2008) Family Romance, LLC (Werner Herzog, 2019) Un conte de Noël (Arnaud Desplechin, Crooklyn (Spike Lee, 1994) 2008) Sorry, We Missed You (Ken Loach, 2019) La Fête de famille (Cédric Kahn, 2019) I, Daniel Blake ( Ken Loach, 2016) After the Storm (海よりもまだ深く, Umi yori Jungle Fever (Spike Lee, 1991) mo mada fukaku, Hirokazu Rodinný Film (Family Film, Olmo Omerzu, Kore-eda, 2016) 2015) Nobody Knows (誰も知らない, Dare mo So Long My Son (地久天长, Di jiu tian chang shiranai, Hirokazu Kore-eda, Wang Xiaoshuai, 2019) 2004) Still Life (三峡好人, Sānxiá hǎorén, Jia Like Father, Like Son (そして父になる, Zhangke, 2006) Soshite chichi ni naru, Hirokazu Amreeka (Cherien Dabis, 2009) Kore-eda, 2013) Tokyo Sonata (Kiyoshi Kurosawa, 2008) Our Little Sister (海街diary, Umimachi American Beauty (Sam Mendes, 1999) Diary, Hirokazu Kore-eda, 2015) The Royal Tenenbaums (Wes Anderson, Still Walking
    [Show full text]
  • Quiet and Melancholy. This MUSIC Plays Over All of the Opening Scenes
    We begin with MUSIC -- quiet and melancholy. This MUSIC plays over all of the opening scenes: EXTREME CLOSE UP The silent, slo-mo image of a Miss America being crowned. She cries and hugs the runners-up as she has the tiara pinned on her head. Then -- carrying her bouquet -- she strolls down the runway, waving and blowing kisses. INT. REC ROOM - DAY A six year old girl sits watching the show intently. This is OLIVE. She is big for her age and slightly plump. She has frizzy brown hair and wears black-rimmed glasses. She studies the show very earnestly. Then, using a remote, she FREEZES the image. Absently, she holds up one hand and mimics the waving style of the Miss America. She REWINDS the tape, and starts all over again. Again, Miss America hears her name announced, and once again breaks down in tears -- overwhelmed and triumphant. RICHARD (V.O.) There’s two kinds of people in this world: Winners...and Losers. INT. CLASSROOM - DAY RICHARD (45) stands in front of a white-board in a community college classroom. He wears khaki shorts, a golf shirt, sneakers. His peppy, upbeat demeanor just barely masks a seething sense of insecurity and frustration. There are eleven students in a room that could easily fit fifty. RICHARD If there’s one thing you take away from the nine weeks we’ve spent here together, it should be this: Winners and Losers. What’s the difference? 2. Richard turns with a pointer and enumerates his points, which are listed on the white board.
    [Show full text]
  • Oscars and America 2011
    AMERICA AND THE MOVIES WHAT THE ACADEMY AWARD NOMINEES FOR BEST PICTURE TELL US ABOUT OURSELVES I am glad to be here, and honored. I spent some time with Ben this summer in the exotic venues of Oxford and Cambridge, but it was on the bus ride between the two where we got to share our visions and see the similarities between the two. I am excited about what is happening here at Arizona State and look forward to seeing what comes of your efforts. I’m sure you realize the opportunity you have. And it is an opportunity to study, as Karl Barth once put it, the two Bibles. One, and in many ways the most important one is the Holy Scripture, which tells us clearly of the great story of Creation, Fall, Redemption and Consummation, the story by which all stories are measured for their truth, goodness and beauty. But the second, the book of Nature, rounds out that story, and is important, too, in its own way. Nature in its broadest sense includes everything human and finite. Among so much else, it gives us the record of humanity’s attempts to understand the reality in which God has placed us, whether that humanity understands the biblical story or not. And that is why we study the great novels, short stories and films of humankind: to see how humanity understands itself and to compare that understanding to the reality we find proclaimed in the Bible. Without those stories, we would have to go through the experiences of fallen humanity to be able to sympathize with them, and we don’t want to have to do that, unless we have a screw loose somewhere in our brain.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Acknowledgements
    Acknowledgements Analysing scripts – A guide Document Image Acknowledgements Resource 1 Attack the Attack the Block Joe Cornish http://bit.ly/2uU3R6Y Block Script script by Joe Cornish pdf Resource 2: Label the Juno script by Diablo Cody http://bit.ly/2halRkW script elements in Juno Diablo Cody and Resource 3: Add shots and transitions to Juno Writing Openings Document Image Acknowledgements Resource 1: Effective Beasts of the Lucy Alibar and Benh Zeitlin opening techniques Southern Wild http://bit.ly/2uUTXBK script Resource 1: Effective Blade Runner Hampton Fancher and David Peoples opening techniques script http://bit.ly/2lgVOMj Resource 1: Effective Whiplash script Damien Chazelle http://bit.ly/14AgxBJ opening techniques Resource 1: Effective Rear Window John Michael Hayes based on a short story opening techniques script by Cornell Woolrich http://bit.ly/2whHBU3 Resource 1: Effective Raiders of the Lawrence kasdan and George Lucas opening techniques Lost Ark script http://bit.ly/2veMwrP Resource 1: Effective Apocalypse Now John Milius and Francis Coppola opening techniques script http://bit.ly/2whxwpZ Resource 2 Narrative The Hurt Locker Mark Boal and Kathryn Bigelow techniques script http://bit.ly/2vpfxle Resource 5 Writing the Images/stills from Seymour Films and Red & Black Films opening to a horror film Don't Knock twice 'Fair dealing' of third party materials is used for criticism and review purposes however if there are omissions or inaccuracies please inform us so that any necessary corrections can be made [email protected] Developing characters Document Image Acknowledgements Resource 1 Plutchik's Wheel Robert Plutchick Development dialogue of Emotion.
    [Show full text]
  • BEST PICTURE Director Actor in a Leading Role ACTRESS in A
    Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Lewisville ISD 2017​ ​Support Staff Summer Conference
    Lewisville ISD 2017​ Support Staff Summer Conference​ Friday, July 14 #​lisdlearns 7:45 a.m. – 8:00 a.m. Registration & Packet Pick-Up 8:00 a.m. – 8:10 a.m. Welcome 8:20 a.m. – 9:35 a.m. Session 1 9:45 a.m. – 11:00 a.m. Long Session 1 & 2 Session 2 11:00 a.m. – 11:35 a.m. Lunch & Door Prizes! 11:45 a.m. – 1:00 p.m. Session 3 1:10 p.m. – 2:25 p.m. Long Session 3 & 4 Session 4 2:25 p.m. – 2:30 p.m. Turn in Survey for Credit NOTES: * You must attend all day to receive credit. * If a session is full, you will need to find another session to attend. * You will receive a sticker for each session you attend. Place each sticker on your survey. * At the end of each session, fill out what you learned and that you will use moving forward on your notes sheet. * Turn in your finished survey to your last presenter before leaving the conference. Long Sessions: ​ ​2 hours 30 min Title Movie Inspired Title Handout Room # Battling Behavioral Issues The Good, the Bad and the Ugly Page 8 Library Google Drive & Docs DRIVING miss Google Page 6 E212- Cart G207- Cart Google Forms Lights, Camera, Action with Google Forms Page 7 E209- Cart Munis - Morning Only Show me the MONEY Page 7 E238-LAB NEW! Multi - Generations in the Back to the Future Page 6 F205 Workplace - Afternoon only ​ NEW! True Colors Inside Out Page 4 F211 Short Sessions: ​ ​1 hour 15 min Title Movie Inspired Title ​ Handout Room # NEW! Strategies for Student Success Subt​ itles are my Langua​ge Lifeline Page 5 E203 NEW! Hook kids into learning Pirates of the Classroom Page 5 E214 NEW! Keeping
    [Show full text]
  • 1 STANFORD FALL 2012 COURSE INFO/SYLLABUS: Thatʼs A
    STANFORD FALL 2012 COURSE INFO/SYLLABUS: Thatʼs a Great Idea for a Movie: The Making of a Strong Screenplay Required Texts: 1. Robert McKee Story: Substance, Structure, Principles 2. Lajos Egri The Art of Dramatic Writing 3.Linda Seger Making a Good Script Great 4. Michael Arndt Little Miss Sunshine Shooting Script 5. David Small Imogeneʼs Antlers 6. Annie Proux, Larry McMurty, Diana Ossana Brokeback Mountain: Story to Screenplay 7.Screenwriting software. Final Draft is considered the standard in screenwriting software, but retails for $150 or more. Celtx is an open-source program that is free and recommended. It can be found online at versiontracker.com. Note: Other materials will include a combination of online resources and uploaded reading, such as scripts. The films assigned for viewing are available on demand at either Amazon.com or Netflix. Note on the required texts: I will select excerpts from each text. You will not be required to read the above texts in anything close to their entirety (with the exception of the scripts and short stories). They are, however, a good foundation for your screenwriting instruction library and will be useful to you as you continue your journey beyond our ten weeks. Supplemental Reading: Each week, Iʼll provide additional reading or viewing related to the topic at hand. These selections are totally optional, and only in case youʼve finished the assignments and have the time or desire to explore further. 1 Syllabus In Brief: Week One: Screenplays & Ice Breakers: Introductions (10/01-10/07) Lajos Egri on Premise: The Art of Dramatic Writing pgs.
    [Show full text]
  • "Little Miss Sunshine"
    FOX SEARCHLIGHT PICTURES In association with Big Beach Present A Dayton/Faris Film A Big Beach/Bona Fide Production GREG KINNEAR TONI COLLETTE STEVE CARELL PAUL DANO with ABIGAIL BRESLIN and ALAN ARKIN Directed by...................................................................JONATHAN DAYTON & .....................................................................................VALERIE FARIS Written by ....................................................................MICHAEL ARNDT Produced by .................................................................ALBERT BERGER & .....................................................................................RON YERXA .....................................................................................MARC TURTLETAUB .....................................................................................DAVID T. FRIENDLY .....................................................................................PETER SARAF Executive Producers.....................................................JEB BRODY .....................................................................................MICHAEL BEUGG Director of Photography ..............................................TIM SUHRSTEDT, A.S.C. Production Design by...................................................KALINA IVANOV Edited by......................................................................PAMELA MARTIN Costumes Designed by.................................................NANCY STEINER Music Composed by ....................................................MYCHAEL
    [Show full text]
  • Jim Gianopulos
    JAMES N. GIANOPULOS Chairman and Chief Executive Officer, Fox Filmed Entertainment James N. Gianopulos is Chairman and Chief Executive Officer of Fox Filmed Entertainment, a position he has held since July 2000. He oversees all feature film and television production for the Fox studios, and the marketing and global distribution of Fox’s wide variety of content through all windows and platforms spanning the theatrical, broadcast, cable, home entertainment, digital and mobile markets. Mr. Gianopulos has been involved in the music, film, and television business for more than 30 years, and is considered one of the entertainment industry’s leading executives in the field of media and new technologies. In a business known for its many changes of management, the team led by Mr. Gianopulos and his colleagues has been the longest at the helm of any major Hollywood studio, and 20th Century Fox is widely regarded as the most profitable and effectively managed studio of its peers. During his tenure, the studio has released a broad range of successful films including the Star Wars trilogy, Titanic, the highest grossing movie of all time, Independence Day, Live Free Or Die Hard, Night at the Museum, The Simpson Movie, Borat, the X-Men Series, The Day After Tomorrow, The Devil Wears Prada, Walk The Line, Minority Report, Moulin Rouge, and Taken, to name just a few. Under his leadership the studio’s digital animation division Blue Sky Studios produced the Ice Age series, Dr. Seuss’ Horton Hears a Who, and Robots, among others. This year, the 3D film Ice Age: Dawn of the Dinosaurs, became the highest grossing animated feature of all time internationally, earning more than $870 million in theaters worldwide.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]