DOCSLIB.ORG

Thomas Schütte CV 1954 Born November 16 in Oldenburg

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thomas Schütte CV 1954 Born November 16 in Oldenburg Thomas Schütte CV 1954 Born November 16 in Oldenburg, Germany, as second of five children. Father is an engineer, and the family moves every three years. 1970 Twice German high-school champion in coxed fours rowing (as a cox). Hitchhikes on his own through Europe (every summer till 1975). 1972 Visits documenta 5 in Kassel two times. Starts to draw. 1973 Enters Art Academy, Düsseldorf. Studies with Fritz Schwegler and with Gerhard Richter. Attends lectures and seminars by Benjamin H.D.Buchloh. 1975 - 76 One-year community service in a retirement home in the countryside. Becomes friends with fellow-students Thomas Ruff and Thomas Struth, who study photography with Bernd and Hilla Becher at the art academy, Düsseldorf. Starts to visit exhibitions by Bruce Nauman, Robert Ryman and others at Konrad Fischer, Düsseldorf. 1977 Produces Große Mauer (Great Wall) consisting of overpainted panels resembling the image of a brick wall. Regards this work as launching his independent artistic activity. Produces work for use and for decoration like wall paper and furniture. Tries to find a way out of the dominant minimal and conceptual tendencies in art. 1978 First 3-month stay in New York. 1979 Six months scholarship at the Cité des Arts, Paris. Meets Kasper König. 1980 First exhibition at Rüdiger Schöttle, Munich. Receives Jürgen Ponto Prize, Frankfurt. 1981 Graduates at Art Academy, Düsseldorf. Begins work with architectural models and stage scenery. Invited by Kasper König to the exhibition Westkunst, Cologne. First exhibition at Konrad Fischer, Düsseldorf. 1982 Models his first Mann im Matsch (Man in Mud), to be followed by subsequent versions up until 1985. 1983 Shares a studio building for five years at Hildebrandtstraße 13/15 in Düsseldorf with fellow artists Klaus Jung, Ludger Gerdes and Wolfgang Luy. Breakdown, poisoned by lacquer paint and heavy drinking. 1984 First exhibition at Philip Nelson, Villeurbanne, France; Produzentengalerie, Hamburg, Germany and at Jean Bernier, Athens, Greece. 1985 Teaches as guest professor at the Art Academy in Hamburg during winter term. KLEINERVONWIESE GALERIE | DOUGLASSTRASSE 28, 14193 BERLIN | CK FINE ART BERLIN GMBH | MULACKSTRASSE 33 | D-10119 BERLIN 1986 First solo museum exhibition at Museum Haus Lange, Krefeld, curated by Julian Heynen. 1987 Takes part in Skulptur. Projekte in Münster. Invites Mario Merz to contribute to the piece Ice Cream at Documenta 8, Kassel. Gives up painting for health reasons. Stops drinking. 1988 First exhibition at Tucci Russo, Torino, Italy and at Galleria Christian Stein, Milano, Italy. 1989 First exhibition at Marian Goodman Gallery, New York and at Galerie Pietro Sparta, Chagny, France. Starts working with clay at Niels Dietrich workshop, Cologne. 1990 An overview of his work is organized by curator Ulrich Loock for the Kunsthalle Bern, Switzerland. The exhibit travels to Musée d’Art Moderne de la Ville de Paris, France and to Stedelijk van Abbemuseum, Eindhoven, Netherlands. 1992 Exhibits Die Fremden (The Strangers), his first group of life-sized figures, at Documenta IX, Kassel, Germany. 1994 Birth of daughter, Carla. Starts to draw from real life. Concentrates on figures and watercolours. Solo exhibition Figur (Figure) travels from Hamburg to Stuttgart and to Nimes. 1995 Begins with Kleine Geister (Little Spirits). A series of these works is made for an exhibition at Lisson Gallery, London, in collaboration with the artist Richard Deacon. 1996 Birth of son, Henri. Begins with Große Geister (Big Spirits) made of cast polished aluminum, later also in steel and bronze 1997 Skulptur. Projekte in Münster 1997, Münster, and Documenta X, Kassel, Germany. 1998 Solo exhibition travels from London to Tilburg and to Porto. 1998 - 99 Trilogy of exhibitions at Dia Center for the Arts, New York, curated by Lynne Cooke. Most of the 120 Ceramic Sketches from 1997-99 and first female figures in steel are made for this occasion. 2001 Starts to make prints with the printer Till Verclas, Hamburg. 2003 - 04 Solo exhibition Kreuzzug (Crusade) travels from Winterthur to Grenoble and Düsseldorf. 2005 Receives Golden Lion Prize at the Venice Biennial, Italy. Thomas Schütte lives and works in Düsseldorf, Germany KLEINERVONWIESE GALERIE | DOUGLASSTRASSE 28, 14193 BERLIN | CK FINE ART BERLIN GMBH | MULACKSTRASSE 33 | D-10119 BERLIN .
Load more

Recommended publications
  • Stephan Balkenhol
    Stephan Balkenhol Born: Fritzlar, Germany, 1957 Lives and works Meisenthal, France Professor at Akademie für Bildende Künste, Karlsruhe, Germany, since 1992 Education 1976-1982 Hochschule für Bildende Künste, Hamburg, Germany Solo Exhibitions (selected) 2019 Stephan Balkenhol, Museum of Sepulchral Culture, Kassel, Germany 2018 Stephan Balkenhol, Kunsthalle Emdem, Germany Stephan Balkenhol Fabula, Galerie Thaddaeus Ropac, Paris, France 2017 30 Years Stephan Balkenhol, Deweer Gallery, Brussels Stephan Balkenhol, Galerie Rüdinger Schöttle, Munich, Germany 2016 Moscow Museum of Modern Art, Palais Gogolevski, Moscow, Russia Stephan Balkenhol and Philippe Cognée, Fondation Fernet-Branca, Saint-Louis, France Nosbaum Reding Gallery, Luxembourg Stephan Balkenhol, Mai 36 Galerie, Zurich, Switzerland 2015 New Sculptures, Akinci, Amsterdam, The Netherlands Mai 36 Galerie, Zurich, Switzerland Stephan Balkenhol, Galerie Rüdinger Schöttle, Munich, Germany 2014-2015 Stephan Balkenhol, Landes Museum, Linz, Austria 2014 Stephan Balkenhol, Nosbaum & Reding, Luxembourg, Luxeumbourg Stephan Balkenhol, Deweer Gallery, Otegem, Belgium Stephan Balkenhol, Kunstmuseum Ravensburg, Germany Stephan Balkenhol - Skulpturen, Skulpturenpark Waldfrieden, Wuppertal, Germany 2013 Universe, Galerie Thaddaeus Ropac, Salzburg, Austria alles gut!, Holger Priess Galerie, Hamburg, Germany Stephan Balkenhol, Galleria Monica De Cardenas, Milan, Italy Stephan Balkenhol, Galerie Jochen Hempel, Leipzig, Germany Stephan Balkenhol, Galerie Rüdiger Schöttle, Munich, Germany Stephan Balkenhol,
    [Show full text]
  • INDEX Press Release
    INDEX Press release ....................................................................................... 1 Artists of Skulptur Projekte Münster 2017................................................ 4 Curator‘s biographies ........................................................................... 6 Team of Skulptur Projekte Münster 2017 ................................................. 7 Art Education ....................................................................................... 8 Disruption and Continuity – Kasper König, Britta Peters and Marianne Wagner about Skulptur Projekte Münster 2017 .......................... 11 History of Skulptur Projekte - 1977, 1987, 1997, 2007 ................................ 19 Partners Träger Hauptförderer Institutions Main Sponsors Finanzgruppe Stiftung LWL-Museum für Kunst und Kultur 9 June 2017 PRESS RELEASE You’re in Münster. It’s pouring with rain. You have to take cover to study the map. Oh, good, the nearest project seems to be inside a building. North, south, east, west. That’s another project we wanted to see. A kilometre or two by bike shouldn’t be a problem. The sun’s coming out. Every ten years since 1977, the Skulptur Projekte have been offering a special exhibition experience: Artists develop site-specific works for Münster—sculptures, but also video installations or perfor- mances. These projects inscribe themselves in the city’s structural, historical and social contexts while at the same time pointing beyond its boundaries. The artistic explorations are as much con- cerned with
    [Show full text]
  • Jeff Wall Biography
    G A G O S I A N Jeff Wall Biography Born 1946, Vancouver, Canada. Lives and works in Vancouver. Education: 1970 M.A., Art History, University of British Columbia, Vancouver, British Columbia. 1973 Doctoral Research, Courtauld Institute, University of London, London, England. Solo and Two Person Exhibitions: 2019 Jeff Wall. George Economou Collection, Athens, Greece. Jeff Wall. Gagosian, West 21st Street, New York, NY. 2018 Jeff Wall: MEN. MARe - Muzeul de Artă Recentă, Bucharest, Romania. Jeff Wall: Appearance. Kunsthalle Mannheim, Mannheim, Germany; traveled to the Musée d’Art Moderne Grand Duc-Jean, Luxembourg. Jeff Wall. Mudam Luxembourg, Luxembourg. 2015 Jeff Wall: Tableaux, Pictures, Photographs 1996-2013. Louisiana Museum, Humlebaek, Denmark. Jeff Wall. Fondation Henri Cartier-Bresson, Paris, France. Jeff Wall. Marian Goodman Gallery, New York, NY. Jeff Wall. Marian Goodman Gallery, London, England. Jeff Wall. Pérez Museum, Miami, FL. Figure on Display: Jeff Wall and Stephan Balkenhol. Leopold-Hoesch-Museum, Duren, Germany. Jeff Wall. White Cube, London, England. Jeff Wall. Canada House Gallery, London, England. 2014 Jeff Wall: Tableaux, Pictures, Photographs 1996-2013. Stedelijk Museum, Amsterdam; Kunsthaus Bregenz, Bregenz, Austria. 2013 Jeff Wall Photographs. National Gallery of Victoria, Melbourne, Australia; traveled to the Museum of Contemporary Art Australia, Sydney, Australia. Jeff Wall: Actuality. PAC Padiglione d’Arte Contemporanea, Milan, Italy. Jeff Wall: Visibility. Tel Aviv Museum of Art, Tel Aviv, Israel. Jeff Wall In München. Pinakothek der Moderne, München, Germany. 2012 Jeff Wall: In light, black, colour, white, and dark. Pinchuk Art Centre, Kyiv, Ukraine. Jeff Wall Photographs. Art Gallery of Western Australia, Perth, Australia; traveled to the National Gallery of Victoria, Melbourne, Australia.
    [Show full text]
  • The Dorothee and Konrad Fischer Collection Exhibition Booklet
    The Dorothee and Konrad Fischer Collection Exhibition Booklet Düsseldorf www.kunstsammlung.de previous pages Konrad Lueg in his studio, 1967 (photo: Konrad Introduction Fischer Galerie) 4 5 The Dorothee and Konrad Fischer Collection work after having seen it at the second was born out of the close relationships bet- Documenta in Kassel in 1959. Through Pollock ween the Fischers and the artists they have exhi- and his fellow Abstract Expressionists in the bited in their gallery. The collection thus reflects US, New York had become a new center of not only the gallery’s development, but also visual art. This fulfilled Schmalenbach’s guideline the friendships the gallerist couple shared with of not acquiring works from current artistic many of their artists. The selection includes all movements until they had become established. of the big names in Conceptual Art, Italian Arte Povera artists, and major German sculptors− Schmalenbach’s successor, Armin Zweite, from the generation of artists born after 1950, also collected paintings, but he expanded the to younger artists pursuing a conceptual collection of the Kunstsammlung to include approach. sculptures as well. He thus acquired important works by Joseph Beuys, as well as such Mini- When the Kunstsammlung Nordrhein- mal and Conceptual artworks as 48 Roaring Westfalen recently acquired the Dorothee and Forties, 1988, by Carl Andre and Serial Project Konrad Fischer Collection, a large number of No.1: B 2, 5, 8, 19 67, by Sol LeWitt. works and the gallery’s comprehensive archive were also donated to the museum. This selec- Konrad Fischer initially began his career as tion of Conceptual artworks has considerably a painter under his mother’s maiden name expanded the museum’s collection, because Lueg after graduating from the Kunstakademie the majority of the artists were not represented (Academy of Art) Düsseldorf.
    [Show full text]
  • Trading Between Architecture and Art Editors Wouter Davidts Susan Holden Ashley Paine
    Trading between Architecture and Art Editors Wouter Davidts Susan Holden Ashley Paine With contributions by Angelique Campens Guy Léon Châtel Wouter Davidts Mark Dorrian Susan Holden John Körmeling Maarten Liefooghe Mark Linder John Macarthur Philip Metten Sarah Oppenheimer Ashley Paine Léa-Catherine Szacka Annalise Varghese Stefaan Vervoort Stephen Walker Rosemary Willink Valiz Trading between Architecture and Art Strategies and Practices of Exchange Studies in Art and Architecture Contents 9 The Terms of Trade of Architecture and Art Wouter Davidts, Susan Holden, Ashley Paine 17 Art/Architecture/Concept Mark Dorrian 27 Pardo’s Plumbing Relational Art and Architec tural Pavilions John Macarthur 40 Open John Körmeling 51 Assemble’s Turner Prize Utility and Creativity in the Cultural Economy Susan Holden 65 Jacques Moeschal, Signal Angelique Campens 75 Failed and Fantastic Frederick J. Kiesler’s Imaging Practices Mark Linder 86 Projects 2013–2015 Philip Metten 97 Warren & Mosley: Within and Beyond Rogue Game Stephen Walker 109 The Follies of Conceptual Architecture at Osaka’s Expo ’90 Biwako Otsu Folly, Bolles+Wilson Annalise Varghese 121 Massimo Scolari’s Ali and the Institutional Reframing of the Venice Biennale Léa-Catherine Szacka 133 Rooms and Clouds Gerhard Richter and Architecture Guy Léon Châtel and Wouter Davidts 145 ‘Breuer Revisited’ Creating Value at The Met Breuer Rosemary Willink 158 us 10,139,046 b2 Sarah Oppenheimer 181 Spencer Finch’s Windows Authenticity and the Reconstructed Interior Ashley Paine 193 Mies en Abyme Architecture and Institutional Critique in Ludger Gerdes' Bau-Bild Krefeld, Gartenfragment Stefaan Vervoort 207 On the Art/Architecture of Reframing an Industrial Site Rotor’s ‘Grindbakken’ Exhibition Maarten Liefooghe 221 About the Authors 229 Index 235 Acknowledgments The Terms of Trade of Architecture and Art Wouter Davidts, Susan Holden, Ashley Paine An artist appears in a photograph.
    [Show full text]
  • KUNST AM BAU Dokumentation Band IV
    Bundesministerium der Verteidigung KUNST AM BAU Dokumentation Band IV Graphik - Bundeswehrzentralkrankenhaus Koblenz Graphik - Standortverwaltung Unna HERAUSGEBER Bundesministerium der Verteidigung WV II 1 REDAKTION Prof. Dr. Stephan Schmidt-Wulffen FOTOS Mühlensiep, Ulm COPYRIGHT Bundesministerium der Verteidigung HERSTELLUNG Bundesministerium der Verteidigung - ID (T 4) - Graphiksammlung der Bundeswehr Bundeswehrzentralkrankenhaus Koblenz Standortverwaltung Unna Das Bundesministerium der Verteidigung ist dem kulturpolitischen Auftrag des Deutschen Bundestages, bei allen Bauvorhaben des Bundes, so auch der Bundeswehr, eine Beteiligung bildender Künstler vorzusehen, durch die Ergänzung der Graphiksammlung nachgekommen. Eine Beteiligung bildender Künstler ist vorgesehen, wenn Zweck und Bedeutung der Baumaßnahme dies rechtferti- gen. Das Zentralgebäude des Bundeswehrzentralkrankenhauses Koblenz wurde von 1987 bis 1996 mit einem Kosten- volumen von ca. 88 Mio DM saniert. Der Mensch mit seinen Gebrechen, der dort Heilung an Körper/Seele erfahren soll, steht im Mittelpunkt des Geschehens. Da das Wohlbefinden jedoch nicht ausschließlich von der medizinischen Versorgung, sondern auch von der Umwelt abhängig ist, galt der künstlerischen Ausgestaltung besondere Aufmerksamkeit. Um die Kunst an möglichst vielen Orten innerhalb des Krankenhauses zur Geltung kommen zu lassen, wurden unter fachkundiger Leitung von dem Kunsthistoriker Herrn Prof. Dr. Stephan Schmidt-Wulffen Graphiken aus den 80'er Jahren erwor- ben. Damit wurde die bereits bestehende Graphiksammlung der Bundeswehr, die bislang in der Hauptsache aus Werken aus den 70'er Jahren besteht und in den Universitäten der Bundeswehr in Hamburg und München sowie dem Bundeswehrkrankenhaus Ulm untergebracht ist, wesentlich bereichert. Eine weitere Ergänzung der Graphiksammlung gelang im Zuge des Neubaues des Verwaltungsgebäudes der Standortverwaltung Unna mit den dazugehörigen Nebengebäuden. Die Baumaßnahme hatte ein Gesamtvolumen von ca. 14 Mio. DM.
    [Show full text]
  • Stephan Balkenhol Cv
    L A R S B O H M A N G A L L E R Y Stephan Balkenhol Born1957 in Germany Lives and works in Meisenthal, France Stephan Balkenhol attracted attention in 1987 with his contribution to Skulptur Projekte in Münster. He placed a sculpture of a male figure in a green shirt and white trousers on an exterior wall over a tobacconist ’s shop. In the art scene of the 1980s, conditioned by the influence of minimal art and conceptual art, this switch to the figurative came as a surprise. Balkenhol´s wooden sculptures re-evaluate human representation on the basis of Modernism, and at the same time they are differentiated from its self-imposed limitations. In contradistinction to classical, neo-expressionist or abstract sculpture with its typical idealisation, emotionalism and fragmentation, Balkenhol’s colourfully painted wood sculptures and reliefs show people in mundane everyday guise - young men and women in stereotyped dress, with relaxed and somewhat bored expressions, without any explicit reference to profession, function or social status. The attempt to avoid narrative references is emphasized through descriptive titles and the seemingly casual display of the sculptures in architechtural niches or in crudely carved pedestals. In spite of individual characteristics, his figures become types through repetition. Balkenhol’s unconcern with meticulous realism is corroborated by his emphasis on the production process, which can be perceived in the evidence of a usually hasty handling of the surface. Moreover, since 1990 a surrealistic element has been introduced in his juxtapositions of a small male figure with animals of approximately the same size.
    [Show full text]
  • Skulptur Projekte Archiv Title Works Public Collection %
    Skulptur Projekte Archiv https://www.skulptur-projekte-archiv.de title works Public Collection % 1977 Skulptur Ausstellung in Münster 1977 July 03 – November 13 8 3 37.5% Klaus Bußmann Kasper König Norbert Nobis Brigitte Kühn, Petra Haufschild Sculpture Exhibition in Münster, 1977 exhibition director projects exhibition assistant exhibition office 1987 Skulptur Projekte in Münster 1987 June 14 – October 04 53 21 39.6% Klaus Bußmann Kasper König Friedrich Meschede, Ulrich Wilmes Sculpture Projects in Münster, 1987 concept and exhibition director concept and exhibition director exhibition office and project support 1997 Skulptur. Projekte in Münster 1997 June 22 – September 28 66 9 13.6% Klaus Bußmann Kasper König Florian Matzner Ulrike Groos Claudia Büttner, Barbara Engelbach, Martina Ward Sculpture. Projects in Münster 1997 director, Landesmuseum curator project director exhibition office, manager exhibition office 2007 skulptur projekte münster 07 June 17 – September 30 33 8 24.2% Kasper König Brigitte Franzen, Carina Plath Christine Litz sculpture projects muenster 07 curator curator project management 2017 Skulptur Projekte Münster 2017 June 10 – October 01 35 6 17.1% Kasper König Britta Peters, Marianne Wagner Imke Itzen Sculpture Projects Münster 2017 artistic director curator managing director 195 47 24.1% https://www.skulptur-projekte- Skulptur Ausstellung in Münster 1977 archiv.de artist title title (English) year material Location Owner artist Concrete sculpture Outer ring: height 0.9 m, width 0.6 m, diameter 15 Lake Aa meadows
    [Show full text]
  • Trading Between Architecture and Art Editors Wouter Davidts Susan Holden Ashley Paine
    Trading between Architecture and Art Editors Wouter Davidts Susan Holden Ashley Paine With contributions by Angelique Campens Guy Léon Châtel Wouter Davidts Mark Dorrian Susan Holden John Körmeling Maarten Liefooghe Mark Linder John Macarthur Philip Metten Sarah Oppenheimer Ashley Paine Léa-Catherine Szacka Annalise Varghese Stefaan Vervoort Stephen Walker Rosemary Willink Valiz Trading between Architecture and Art Strategies and Practices of Exchange Studies in Art and Architecture Contents 9 The Terms of Trade of Architecture and Art Wouter Davidts, Susan Holden, Ashley Paine 17 Art/Architecture/Concept Mark Dorrian 27 Pardo’s Plumbing Relational Art and Architec tural Pavilions John Macarthur 40 Open John Körmeling 51 Assemble’s Turner Prize Utility and Creativity in the Cultural Economy Susan Holden 65 Jacques Moeschal, Signal Angelique Campens 75 Failed and Fantastic Frederick J. Kiesler’s Imaging Practices Mark Linder 86 Projects 2013–2015 Philip Metten 97 Warren & Mosley: Within and Beyond Rogue Game Stephen Walker 109 The Follies of Conceptual Architecture at Osaka’s Expo ’90 Biwako Otsu Folly, Bolles+Wilson Annalise Varghese 121 Massimo Scolari’s Ali and the Institutional Reframing of the Venice Biennale Léa-Catherine Szacka 133 Rooms and Clouds Gerhard Richter and Architecture Guy Léon Châtel and Wouter Davidts 145 ‘Breuer Revisited’ Creating Value at The Met Breuer Rosemary Willink 158 us 10,139,046 b2 Sarah Oppenheimer 181 Spencer Finch’s Windows Authenticity and the Reconstructed Interior Ashley Paine 193 Mies en Abyme Architecture and Institutional Critique in Ludger Gerdes' Bau-Bild Krefeld, Gartenfragment Stefaan Vervoort 207 On the Art/Architecture of Reframing an Industrial Site Rotor’s ‘Grindbakken’ Exhibition Maarten Liefooghe 221 About the Authors 229 Index 235 Acknowledgments Rooms and Clouds G e r h a r d R i c h t e r a n d Architecture Guy Léon Châtel and Wouter Davidts 1 Gerhard Richter, ‘From a I look for the object and the picture: not for painting or letter to Benjamin H.D.
    [Show full text]
  • Trading Between Architecture and Art Editors Wouter Davidts Susan Holden Ashley Paine
    Trading between Architecture and Art Editors Wouter Davidts Susan Holden Ashley Paine With contributions by Angelique Campens Guy Léon Châtel Wouter Davidts Mark Dorrian Susan Holden John Körmeling Maarten Liefooghe Mark Linder John Macarthur Philip Metten Sarah Oppenheimer Ashley Paine Léa-Catherine Szacka Annalise Varghese Stefaan Vervoort Stephen Walker Rosemary Willink Valiz Trading between Architecture and Art Strategies and Practices of Exchange Studies in Art and Architecture Contents 9 The Terms of Trade of Architecture and Art Wouter Davidts, Susan Holden, Ashley Paine 17 Art/Architecture/Concept Mark Dorrian 27 Pardo’s Plumbing Relational Art and Architec tural Pavilions John Macarthur 40 Open John Körmeling 51 Assemble’s Turner Prize Utility and Creativity in the Cultural Economy Susan Holden 65 Jacques Moeschal, Signal Angelique Campens 75 Failed and Fantastic Frederick J. Kiesler’s Imaging Practices Mark Linder 86 Projects 2013–2015 Philip Metten 97 Warren & Mosley: Within and Beyond Rogue Game Stephen Walker 109 The Follies of Conceptual Architecture at Osaka’s Expo ’90 Biwako Otsu Folly, Bolles+Wilson Annalise Varghese 121 Massimo Scolari’s Ali and the Institutional Reframing of the Venice Biennale Léa-Catherine Szacka 133 Rooms and Clouds Gerhard Richter and Architecture Guy Léon Châtel and Wouter Davidts 145 ‘Breuer Revisited’ Creating Value at The Met Breuer Rosemary Willink 158 us 10,139,046 b2 Sarah Oppenheimer 181 Spencer Finch’s Windows Authenticity and the Reconstructed Interior Ashley Paine 193 Mies en Abyme Architecture and Institutional Critique in Ludger Gerdes' Bau-Bild Krefeld, Gartenfragment Stefaan Vervoort 207 On the Art/Architecture of Reframing an Industrial Site Rotor’s ‘Grindbakken’ Exhibition Maarten Liefooghe 221 About the Authors 229 Index 235 Acknowledgments The Terms of Trade of Architecture and Art Wouter Davidts, Susan Holden, Ashley Paine An artist appears in a photograph.
    [Show full text]
  • Der Künstler Ludger Gerdes
    Gefördert durch die www.digiporta.net Der Künstler Ludger Gerdes Porträtierte Person: Gerdes, Ludger Die Wiedergabe der Abbildung ist aus Kurzbiografie: rechtlichen Gründen bis 31.12.2018 gesperrt www.digiporta.net Seite 1 von 4 Ludger Gerdes wurde am 10. April 1954 in Lastrup bei Linden (Kreis Cloppenburg) geboren. Nach dem Zivildienst an der Universitätsklinik Göttingen studierte er Malerei zwischen 1975 und 1982 an der Kunstakademie Düsseldorf, zunächst bei Lothar Baumgarten und Timm Ulrichs und ab 1977 bis 1982 bei Gerhard Richter, dessen Meisterschüler er war. Er nahm an der documenta 7 in Kassel teil. 1983 bekam er das Karl-Schmidt-Rottluff- Stipendium und ein Arbeitsstipendium des Kunstfonds Bonn 1986 erhielt er den Förderpreis des Kulturkreises im BDI und 1987 den Kunstpreis der Stadtsparkasse Düsseldorf 1994 bekam er den Sprengel-Preis in Hannover. 1990 bis 1993 lehrte Gerdes an der Städelschule in Frankfurt am Main. Seit 1995 war er Gastdozent an der Hochschule für Gestaltung Karlsruhe, zwischen 1998 und 2004 hatte er dort eine Professur und seit 2005 eine Professur an der Muthesius Kunsthochschule in Kiel inne. Parallel dazu lehrte er 2003 - 2004 als Dozent an der Hochschule der Medien in Stuttgart. Gerdes schloß vielfältige Kunstgattungen in seine Arbeit ein: Malerei, Objekte, Architektur-Entwürfe, Landschaftsmarkierungen, Video- und Fotoarbeiten. Hiermit und in theoretischen Texten thematisierte er die Rolle von Kunst in der Gesellschaft. Seine Konzeptkunst, die er aus der in den 1970er Jahren proklamierten Krise der Moderne und dem forcierten Ausstieg aus dem Bild entwickelt hatte, bleibt dabei sinnlich erfahrbar. Für Gerdes signifikant erwies sich der Begriff des "Modells", welches die utopische Vorstellung wie auch den (maßstabsgerechten) Entwurf von Architektur beinhaltete.
    [Show full text]
  • 50. Grimme- Preis 201448
    AGP_2014 Extra_Cover RZ_04 22.03.14 15:57 Seite 1 grimmegrimme 50. Grimme- Preis 201448. Grimme-Preis 2012 Jury-Einblicke • Die Preise Die Inhalte • Begründungen Porträts • Trends Hintergrund • Die Künstler Qualität kennt keine Zeit. Aber einen Sender: ZDF. Wir gratulieren allen Preisträgern. 14032-00-130 | ZDF | Anzeige Grimmepreis 2014, Motiv „Uhr“ Format 210 x 297 mm, 3 mm Beschnitt | 11.03.14 | jk | Grimme-Preis 2014 50. Jubiläum --- 2. US ---, Farbprofi l: ISOCoatedV2.eci, ET 04.04.14 LfM_Anzeige_GrimmePreis_2014_RZ_. 18.03.14 15:47 Seite 1 Ima Agustoni · Miguel Alexandre · Götz Alsmann · Michael Althen · Diana Amft · Niko Apel · Reinhard Appel · Jo Baier · Michelle Barthel · Rolf Basedow · Marie Bäumer · Jurek Becker · Bibiana Beglau · Iris Berben · Edward Berger · Senta Berger · Hans-Jürgen Bersch · Brigitte Maria Bertele · Frank Beyer · Josef Bierbichler · Ariela Bogenberger · Susanne Bormann · Matthias Brandt · Katharina Brauren · Nadeshda Brennicke · Christian Brückner · Katrin Bühring · Alexander Buresch · Inga Busch · Ralph Caspers · Aurore Clément · Gunnar Dedio · Gerhard Delling · Ebbo Demant · Joachim Dennhardt · Julia Dingwort-Nusseck · Olli Dittrich · Doris Dörrie · Hans-Josef Dreckmann · Andreas Dresen · Ken Duken · Karoline Eichhorn · Hannelore Elsner · Anke Engelke · Annette Ernst · Max Färberböck · Burkhard Feige · Arne Feldhusen · Veronica Ferres · Florian David Fitz · Nina Franoszek · Peter Freiberg · Thomas Freundner · Christoph Fromm · Friedemann Fromm · Hans Fromm · Michael Gantenberg · Bruno Ganz · Johanna Gastdorf
    [Show full text]