Radio 3 Listings for 1 – 7 January 2011 Page 1
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Tomaschek Goethe Lieder
tomaschek goethe lieder ildikó raimondi leopold hager johann wenzel tomaschek goethe lieder 3 Johann Wenzel Tomaschek (1774–1850) Johann Wolfgang von Goethe (1749–1832) 1 2:06 An Linna 2 2:02 Wanderers Nachtlied 3 3:27 An den Mond 4 1:35 Auf dem See 5 3:05 Erlkönig 6 2:51 Der König von Thule 7 2:54 Der Fischer 8 2:29 Heidenröslein 9 1:31 An die Entfernte 10 2:57 Nähe des Geliebten 11 1:54 Die Spröde 12 2:12 Die Bekehrte 13 1:31 Vorschlag zur Güte 14 2:52 Die Spinnerin 15 2:31 Das Veilchen 16 2:11 Erster Verlust 17 4:08 Schäfers Klagelied 18 1:12 Sorge 19 2:23 Frühzeitiger Frühling 20 4:00 Mignons Sehnsucht 21 2:18 Das Geheimnis 22 0:53 Rastlose Liebe 4 Ildikó Raimondi, soprano Leopold Hager, piano 5 “You have understood the poem […] in gratitude Because there was no piano at the „Goldene Sonne“, and to remember enjoyable hours” (Johann Wolfgang where Goethe was residing, a time was arranged to von Goethe to Johann Wenzel Tomaschek in Cheb, meet at the flat of the advocate Frank. Goethe’s and on 6 August 1822) Tomaschek’s notes now do not match, as Tomaschek says 41 of Tomaschek’s 63 Lieder are based on poems by that this concert took place on the following day, whereas Johann Wolfgang von Goethe (1749–1832), the rest are Goethe claims that everything took place on one day. poems by Heinrich Heine, Friedrich von Schiller and some However, the composer accompanied himself from mem- Bohemian poets. -
Dec 21 to 27.Txt
CLASSIC CHOICES PLAYLIST Dec. 21 - 27, 2020 PLAY DATE: Mon, 12/21/2020 6:02 AM Antonio Vivaldi Concerto, Op. 3, No. 10 6:12 AM TRADITIONAL Gabriel's Message (Basque carol) 6:17 AM Francisco Javier Moreno Symphony 6:29 AM Heinrich Ignaz Franz Biber Sonata No.4 6:42 AM Johann Christian Bach Sinfonia Concertante for Violin, Cello 7:02 AM Various In dulci jubilo/Wexford Carol/N'ia gaire 7:12 AM Wolfgang Amadeus Mozart Piano Sonata No. 7 7:30 AM Georg Philipp Telemann Concerto for Trumpet and Violin 7:43 AM Franz Joseph Haydn Concerto 8:02 AM Henri Dumont Magnificat 8:15 AM Johann ChristophFriedrich Bach Oboe Sonata 8:33 AM Franz Krommer Concerto for 2 Clarinets 9:05 AM Joaquin Turina Sinfonia Sevillana 9:27 AM Philippe Gaubert Three Watercolors for Flute, Cello and 9:44 AM Ralph Vaughan Williams Fantasia on Christmas Carols 10:00 AM Wolfgang Amadeus Mozart Prelude & Fugue after Bach in d, 10:07 AM Wolfgang Amadeus Mozart Piano Sonata No. 9 10:25 AM Wolfgang Amadeus Mozart Symphony No. 29 10:50 AM Wolfgang Amadeus Mozart Prelude (Fantasy) and Fugue 11:01 AM Mily Balakirev Symphony No. 2 11:39 AM Georg Philipp Telemann Overture (suite) for 3 oboes, bsn, 2vns, 12:00 PM THE CHRISTMAS REVELS: IN CELEBRATION OF THE WINTER SOLSTICE 1:00 PM Richard Strauss Oboe Concerto 1:26 PM Ludwig Van Beethoven String Quartet No. 9 2:00 PM James Pierpont Jingle Bells 2:07 PM Julius Chajes Piano Trio 2:28 PM Francois Devienne Symphonie Concertante for flute, 2:50 PM Antonio Vivaldi Concerto, "Il Riposo--Per Il Natale" 3:03 PM Zdenek Fibich Symphony No. -
Leopold Hager Director Duración Total Aproximada: 80´
VALLADOLID ABONO OSCYL 3 JUEVES 13 Y VIERNES 14 DE NOVIEMBRE DE 2014 20.00 H · SALA SINFÓNICA CENTRO CULTURAL MIGUEL DELIBES LEOPOLD HAGER DIRECTOR DuraciÓN total AProXimada: 80´ LA OSCYL Y loS INTÉRPRETES Leopold Hager es la primera vez que dirige a la OSCyL Editado por Junta de Castilla y León · Consejería de Cultura y Turismo CENTRO CULTURAL MIGUEL DELIBES / ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 · 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com www.facebook.com/auditoriomigueldelibes www.twitter.com/AMDValladolid EDITA © Junta de Castilla y León. Consejería de Cultura y Turismo Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores © Foto de Portada Josep Molina La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) La Orquesta Sinfónica de Castilla y León y el Centro Cultural Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. Imprime: Gráficas Angelma D.L.: VA 722-2014 Valladolid, España 2014 leoPold HAGer DIRECTOR VALLADOLID ABONO OSCYL 3 — JUeves 13 Y vierNes 14 de NoviemBre de 2014 20.00 H · sala siNFÓNica CENTRO CUltURAL MIGUEL DELIBES PROGRAMA AntOn BruCkner (1824–1896) Sinfonía nº 8 en Do menor* Allegro moderato Scherzo (Allegro moderato) – Trio (Langsam) – Scherzo da capo Adagio (Feierlich langsam; doch nicht schleppend) Finale (Feierlich, nicht schnell) * Primera vez por esta orquesta BELLEZA NUEVA, MOLDES VIEJOS AntOn BruCkner (Ansfelden, Austria, 9-ix-1824 – Viena, 11-x-1896) Sinfonía nº 8 en Do menor La Sinfonía nº 8 en Do menor de Anton Bruckner, compuesta entre 1884 y 1892, constituye la cima absoluta y liminal de este género y, en consecuencia un giro decisivo en la historia de su desarrollo durante el romanticismo germano tardío. -
Biography - Paul Armin Edelmann
Biography - Paul Armin Edelmann Paul Armin Edelmann's association with music began at an early age as the second son of the internationally renowned singer Otto Edelmann. As a child, he was a member and soloist of the famous Vienna Boys’ Choir. Later on he reinforced his musical studies by studying voice with his father at the University of Music and Performing Arts in Vienna. Shortly after completing his studies he became a member of the Opera Theatre in Koblenz in Germany, where he sang over 30 roles. In 1998, Mr.Edelmann went freelance and moved back to Vienna. Since then he has sung at: the Vienna State Opera, Vienna Volksoper, Theater an der Wien, Teatro Real Madrid, Komische Oper Berlin, Théâtre Royal de la Monnaie Brussels, San Diego Opera, New National Theatre in Tokyo, Opéra de Rouen, Lincoln Center Festival New York, the state theatres in Darmstadt and Wiesbaden, the opera houses in Cologne, Frankfurt, Leipzig and Düsseldorf, Opera Ireland Dublin and the Israeli Opera in Tel Aviv, as well as the Palau de les Arts Valencia, the San Sebastian Festival, Hongkong Opera, Center of the Performing Arts Beijing, Opera National de Montpellier, Czech National Theatre Prague, Prinzregentheater Munich, Staatsoper Stuttgart, Teatro de la Maestranza Sevilla, Teatro Massimo Catania, Opera National du Rhin Strasbourg, Palacio de Bellas Artes Mexico City, the Bregenz Festival, Theatro Municipal Rio de Janeiro and the Opera National de Paris. 2014 – 2016 Edelmann´s albums “ Schumann- Selected Songs” and “ Die schöne Magelone” with pianist Charles Spencer, the album “Max Reger- Orchestral Songs” with the Deutsche Staatsphilharmonie Rheinland Pfalz and his “Schubert Album”(2018) has been released on the label Naxos/Capriccio. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Boston Symphony Orchestra Concert Programs, Season 32,1912
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY !00fom g>gmpljmttj ©rrliestra Thirty-second Season* 1912— J9J3 Dr. KARL MUCK, Conductor Programme nf % SEVENTH CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 27 AT 8.00 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Shown EXCLUSIVELY at Steinert Hall and our stores throughout New England STEINWAY Grand and Upright pianos in all regular models, and PIANOS in special designs of distinctive architectural styles. PIANOLA Steinway,Weber and other makes of Pianos, in 88-note PLAYER-PIANOS styles with all the exclusive Pianola features, including the Metrostyle and The- modist, at prices as low as $550. THE NEW ENGLAND- A series of quality pianos MADE PIANOS of distinctive musical char- acteristics—superb values THE HUME at their respective prices, THE JEWETT from $275 up. THE WOODBURY M. STEINERT & SONS CO. Steinert Hall, 162 Boylston Street New England's Largest Piano House SANDERS THEATRE .... CAMBRIDGE HARVARD UNIVERSITY Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor SEVENTH CONCERT THURSDAY EVENING, MARCH 27 AT 8.00 PROGRAMME Beethoven .... Symphony in D major, No. 2, Op. 36 I. Adagio molto; Allegro con brio. IE. Larghetto. III. Scherzo: Allegro; Trio. IV. Allegro molto. Mozart Three German Dances (K. 605) Schumann . Concerto in A minor, for Pianoforte and Orchestra, Op. 54 I. Allegro affettuoso. II. Intermezzo: Andantino grazioso. III. Allegro vivace. Haydn . Symphony in G major (Breitjgopf and Hartel, No. 13) I. Adagio; Allegro. II. Largo. III. Menuetto; Trio. IV. Finale, Allegro con spirito. soloist/ Mr, NORMAN WILKS The Mason & Hamlin Pianoforte used There will be an intermission of ten minutes after the Beethoven symphony 3 : Miss Maggie Teyte THE DISTINGUISHED PRIMA DONNA Writes as follows of the fltemt&I|antlut PIANO Mason & Hamlin Co., Gentlemen The Mason & Hamlin Piano blends with the voice re- markably,—its singing quality and its carrying musical tone unite in making it unrivaled. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
MA Biography Template
Aleksandar Markovic Conductor Aleksandar Markovic has established himself as a charismatic and inspiring symphonic and operatic conductor who has enjoyed highly successful tenures as Chief Conductor of the Tiroler Landestheater & Orchester in Innsbruck, Music Director and Principal Conductor of the Brno Philharmonic Orchestra, and Music Director of Opera North. In January 2020, Aleksandar Markovic made his US debut at Seattle Opera conducting Eugene Onegin. In autumn 2019 he conducted Sinfonia Varsovia at the Folle Journee festival in Warsaw, receiving an immediate reinvitation for March 2020. He returned to Croatian Radio Symphony Orchestra, and will be reappearing with Silesian Philharmonic in Katowice and NOMUS festival in Novi Sad. In June 2020 Alekandar will conduct Strauss’s Elektra with Slovenian Philharmonic in Cankarjev Dom, Ljubljana. Born in Belgrade, and a graduate of Leopold Hager’s conducting class at the Universität für Musik und darstellende Kunst Wien, Aleksandar Markovic also attended masterclasses at the Accademia Musicale Chigiana in Siena, where he was awarded a Diploma d’onore. He gained a scholarship from the Herbert von Karajan Foundation Berlin, and won First Prize at the 7th “Gregorz Fitelberg” International Conducting Competition in Katowice, Poland. Aleksandar Markovic commands a wide range of symphonic and operatic repertoire, ranging from Classic and Romantic to contemporary styles. His keen interest in 20th-century and avant- garde music has led to performances of works by the likes of Hartmann, Schiske, Istvan, Rozsa, Ligeti, Lutoslawski, Glass, D’Ase, Pintscher, Larcher, Tüür, Yusupov, Salonen and MacMillan. At the onset of 2018 he recorded Kasyan Goleizovsky ballet “Scriabiniana” and Lorenz Dangel’s ballet “Satori” for Sergey Polunin’s dance company. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Orchestra Repertoire by Composer
Concord Orchestra (1969-2019 seasons) –– Richard Pittman, 50th season as conductor by Composer Compiled by Grant Anderson, June 2019 1 Concord Orchestra Repertoire by Composer (1969-2019 seasons) — Richard Pittman, conductor Composer Composition Composed Soloists Groups Concert Adams John (1947 – ) Nixon in China: The Chairman Dances 1985 May 2000 Adams John (1947 – ) ShortA Short Ride in a Fast Machine (Fanfare for 1986 December 1990 Great Woods) Adams John (1947 – ) AShort Short Ride in a Fast Machine (Fanfare for 1986 December 2000 Great Woods) Adler Samuel (1928 – ) TheFlames Flames of Freedom: Ma’oz Tzur (Rock 1982 Lexington High School December 2015 of Ages), Mi y’mallel (Who Can Retell?) Women’s Chorus (Jason Iannuzzi) Albéniz Isaac (1860 – 1909) Suite española, Op. 47: Granada & Sevilla 1886 May 2016 Albert Stephen (1941 – 1992) River-Run: Rain Music, River's End 1984 October 1986 Alford, born Kenneth, born (1881 – 1945) Colonel Bogey March 1914 May 1994 Ricketts Frederick Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 July 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 2003 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 1998 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2007 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2011 Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954 Norman Plummer, April 1971 Thomas Taylor, Stanley Schultz trumpet Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954f John Ossi, James May 1979 Dolham, -
Mozart's Piano Concertos, K. 413, 414, 415: Their Roles
l79C I " MOZART'S PIANO CONCERTOS, K. 413, 414, 415: THEIR ROLES IN THE COMPOSITIONAL EVOLUTION OF HIS PIANO CONCERTOS: A LECTURE RECITAL: TOGETHER WITH THREE OTHER RECITALS DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS by Judith Gebhardt-Schoepflin, B. M. , M. M. Denton, Texas December, 1981 Gebhardt- Schoepflin, Judith A. , Mozart's Piano Concertos, KL. 413, 414, 415: Their Roles inthe Compositional Evolution of His Piano Concertos: A Lecture Recital; Together with Three Other Recitals, Doctor of Musical Arts (Piano Performance), December, 1981, 34 pp., 14 illustrations, 35 titles. The lecture, given on August 3, 1981, consisted of a discussion of the circumstances surrounding the composition of K. 413, 414, and 415 ; of specific compositional characteristics pertaining to each; and of their relationship to Mozart's later piano concertos. Additionally, their orchestration, effect with string quartet, idiomatic piano writing, considerations for amateurs, and passages for connoisseurs were explored. The Concerto K. 413, in F Major was performed with string quartet. In addition to the lecture recital, three other public recitals were given. They consisted of two solo recitals, and one chamber music recital. The first recital was given on June 19, 1973, and included works for clarinet and piano by Gunter Raphael, Claude Debussy, and Johann Wanhal, in addition to the Trio in A Minor, Op. 114 by Johannes Brahms. The second recital, on August 14, 1973, presented the Sonate in G Major, _p. 7_8 by Franz Schubert, and le Tombeau de Couperin by Maurice Ravel. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.