Artl@s Bulletin Volume 10 Issue 1 Images in Circulation Article 5 The Copy & The Real Thing: Changing Perceptions Between the Rubens Centennials in 1877 and 1977 Griet Bonne Ghent University, Belgium,
[email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Fine Arts Commons, History of Art, Architecture, and Archaeology Commons, Photography Commons, Television Commons, and the Visual Studies Commons Recommended Citation Bonne, Griet. "The Copy & The Real Thing: Changing Perceptions Between the Rubens Centennials in 1877 and 1977." Artl@s Bulletin 10, no. 1 (2021): Article 5. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact
[email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Images in Circulation The Copy & the Real Thing: Changing Perceptions Between the Rubens Centennials in 1877 and 1977. Ghent University Griet Bonne Abstract In this paper I examine the changing relationship between mechanical reproductions and the original artwork in the context of the Rubensdouble centennials logic of image in 1877 perception and 1977. Drawing on theorists such as Walter Benjamin, Dean MacCannell, Hans Belting and Boris Groys, I argue that the mechanism of copying generates a : a simultane- ous centrifugal and centripetal circulation of images that affects how people perceive art in modern society.