Ndca Approved Figures, Elements & Restrictions
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Dancin' on Tulsa Time
Dancin’ on Tulsa Time Gonna set my watch back to it…. 42nd ICBDA Convention July 11-14, 2018 Renaissance Hotel & Convention Center Tulsa, Oklahoma ________________________________________________________________________ Table of Contents Welcome to the 42nd ICBDA Convention 2018 . 1 Welcome from the Chairman of the Board . 2 Convention 43 – Orlando, Florida . 3 Committee Chairs – Convention 42 . 4 2018 Week at a Glance . 5 Cuers and Masters of Ceremony . 9 ICBDA Board of Directors . .10 Distinguished Service Award . 11 Golden Torch Award . 11 Top 15 Convention Dances . .. 12 Top 15 Convention Dances Statistics . 13 Top 10 Dances in Each Phase . 14 Hall of Fame Dances . 15 Video Order Form . 16 Let’s Dance Together – Hall A . 18 Programmed Dances – Hall A . 19 Programmed Dances – Hall B . 20 Programmed Dances – Hall C . 21 Clinic and Dance Instructors . 22 Paula and Warwick Armstrong . 23 Fred and Linda Ayres . 23 Wayne and Barbara Blackford . 24 Mike and Leisa Dawson . 24 John Farquhar and Ruth Howell . 25 Dan and Sandi Finch . 25 Mike and Mary Foral . 26 Ed and Karen Gloodt . 26 Steve and Lori Harris . 27 John and Karen Herr . 27 Tom Hicks . 28 Joe and Pat Hilton . 28 George and Pamela Hurd . 29 i ________________________________________________________________________ Pamela and Jeff Johnson . .29 John and Peg Kincaid . 30 Kay and Bob Kurczweski. 30 Randy Lewis and Debbie Olson . .31 Rick Linden and Nancy Kasznay . 31 Bob and Sally Nolen . 32 J.L. and Linda Pelton . 32 Sue Powell and Loren Brosie . 33 Randy and Marie Preskitt . 33 Mark and Pam Prow . 34 Paul and Linda Robinson . 34 Debbie and Paul Taylor . -
DANCE STEPS Information Useful to Amateur Or Professional Dancers
DANCE STEPS Information useful to Amateur or Professional Dancers – Ballroom or Sequence TELEMARK: In ballroom dancing normally commenced diag. centre down LOD in Waltz, Quickstep or Foxtrot. Lady always finished square, usual amount of turn ¾ or less, can be danced. Underturned usually turning ½. OPEN TELEMARK: Man’s steps identical to above but Lady underturning to finish in Prom. Pos. In Sequence dancing alignment may vary considerably. IMPETUS TURN: In Ballroom dancing Man usually commences backing LOD with Heel Turn, turning ⅝ to R, Lady finishing square. OPEN IMPETUS TURN: Man turns R to finish in Prom. Pos. Lady’s steps similar to Impetus Turn. In Sequence dancing alignments can be taken in any direction. WING: Always commenced in Prom. Pos. Lady curving anticlockwise three steps round Man. Man very slight turn L, Lady ⅜ turn L on three curving steps. Man RF forward hesitating while Lady takes 3 steps. DOUBLE REVERSE WING: Man steps identical to Double Reverse Spin, Lady after Heel Turn takes 2 quick curving steps round Man on his L side. CLOSED WING: Commenced with partner on R side, Lady instead of curving L, steps back LF, side RF, forward LF on L side Man, Man RF forward hesitating while Lady takes the 3 steps. DOUBLE REVERSE SPIN: Man LF forward, RF to side, pivoting strongly L on toes, closing LF to RF without weight usually commenced down LOD or diag centre down LOD in Modern, amount of turn ¾ up to 1 complete turn – can vary. Lady, RF back closing LF to RF – Heel Turn, turning L, RF to side slightly back, crossing LF in front of RF, can be danced in Foxtrot, Waltz or Quickstep. -
UNIVERSITY of CALIFORNIA, IRVINE Analysis of the Crossover
UNIVERSITY OF CALIFORNIA, IRVINE Analysis of the Crossover Between Ballroom and Ballet in Choreographic Works THESIS submitted in partial satisfaction of the requirements for the degree of MASTER FINE ARTS in Dance by Chanel Kostich Thesis Committee: Professor Alan Terricciano, Chair Associate Professor Tong Wang Assistant Professor Vitor Luiz 2020 © 2020 Chanel Kostich TABLE OF CONTENTS ACKNOWLEDGMENTS iii ABSTRACT OF THE THESIS iv INTRODUCTION 1 CHAPTER 1: Dance Autobiography 3 CHAPTER 2: Synopsis & Timeline of the Three Works 7 NYC Ballet: “Vienna Waltzes” 7 Grupo Corpo: “Grande Waltz” 11 Tango Pasión: “Argentine Tango Duet” 16 CHAPTER 3: Contextualizing the Interview with Rodrigo Pedernerias 20 CHAPTER 4: Heat of the Night: A Choreographic Thesis Film 22 Reflection of Thesis Project 30 Appendix 1: MethodoLogy Movement 32 American Smooth Tango Argentine Tango Ballet in Tango Pasión Bolero, Ballet, and Argentine Tango Viennese Waltz Appendix 2: Interview with Rodrigo Pederneiras 39 Appendix 3: Collaborative Design, Copyright Information, Contents of the Music 50 Works Cited 54 ii ACKNOWLEDGEMENTS I want to start by expressing immense gratitude for my thesis chair, Alan Terricciano. Thank you for your encouragement to experiment and be creative within this research process and for your continued patience as we worked through those choices together. Our discussions were always meaningful and impactful to this work, as weLL as to me as a graduate student. I appreciate your kindness, advice, and enthusiasm towards my creative work as we coLLaborated throughout this research process. I would like to thank my thesis committee members Professor Tong Wang and Professor Vitor Luiz for your encouragement and guidance. -
Vakiotanssit
Vakiotanssit STUL sallitut kuviot Valssi Peruskuviot WDSF IDTA ISTD 1 Natural Turn N (123) (123) x x x 2 Reverse Turn N (123) (123) x x x 3 Closed Changes N 123 x x x 4 Outside Change N, N-P 123 x x x 5 Whisk N-P 123 x x x 6 Chasse from PP P-N 12&3 x x x E-Luokka 7 Natural Spin Turn N 123 123 x x x 8 Telemark N 123 x x x 9 Open Telemark / Telemark to PP N-P 123 x x x 10 Cross Hesitation (from PP) P-N 123 x x x 11 Impetus Turn N 123 x x x 12 Open Impetus Turn / Impetus to PP N-P 123 x x x 13 Drag Hesitation N 123 x x x 14 Hesitation Change N (123) 123 x x x 15 Progressive Chasse to Right N 12&3 x x x 16 Back Lock / Backward Lock Step N 12&3 x x x 17 Basic Weave / (Weave in Waltz Time) N, N-P 123 123 x x x 18 Weave from PP P-N, P-N-P (123) 123 x x x 19 Back Whisk N-P 123 x x x D-Luokka 20 Turning Lock to Left / Reverse Turning Lock N, N-P 1&23 x x x 21 Outside Spin N 123 x x x 22 Turning Lock to Right / Natural Turning Lock N-P 1&23 x x x 23 Wing / Wing from PP P-N 123 x x x 24 Closed Wing / Wing N 123 x x x 25 Double Reverse Spin N 12&3, 123& (M: 123) x x x 26 Reverse (Slip) Pivot N & x x x 27 Reverse Corte N 123 x x Vakiotanssit STUL sallitut kuviot Valssi C-Luokka WDSF IDTA ISTD 22 Turning Lock to Right / Natural Turning Lock N 1&23 x x x 28 Fallaway Whisk N-F 123 ¤ x x 29 Left Whisk N, P-N 123 ¤ x x x 30 Fallaway Natural Turn P-F-N 123 123 x x x 31 Running Spin Turn / (123) 1&23, (123) 12&3, (123) (Quick Natural Spin Turn) N 12&3& x x x 32 Fallaway Reverse Slip Pivot N-F-N 123&, 1&23, 12&3 x x x 33 Contra Check N, N-P 1 to 3 bars of -
Appendix 1 ‑ Ndca Approved Figures, Elements
APPENDIX 1 ‑ NDCA APPROVED FIGURES, ELEMENTS & RESTRICTIONS - Revised January, 2019 The following is a list of the allowable figures, elements and or restrictions for the Closed Syllabus events at NDCA recognized Events. This list of allowable figures, elements, and restrictions was developed to ensure a fair and even playing field for anyone entering closed syllabus competitions. BRONZE American Style WALTZ Restrictions • ALL Couples must start in the traditional Ballroom closed hold, including the lady's left hand being placed on the man's right shoulder, and the first four bars they dance must be in this hold. Double Hand Hold and other Alternative Hand Holds do not count towards this requirement. For all Closed Syllabus Bronze and Silver levels an additional 8 bars must be danced in the traditional closed hold as defined at any time during the first minute of music. Viennese Waltz allows the traditional single curtsey before taking hold. No other entrances are allowed. • Posing or Poses prior to taking hold will be considered an entrance. • Couples must remain in a standing position at all times. Spirals are not permitted in the Bronze level. • Elements and figures unique to one dance or style may not be used in another dance, unless specified. • No embellishments of standard figures. No change of levels, head rolls, foot flicks, syncopations or delayed timings unless specifically approved. Partners may not completely separate. Open Work is limited to single or double hand holds, and may not No continuity style in Bronze Waltz, feet must be closed on three except on allowed last for more than eight (8) consecutive bars (24 beats). -
The Canadian Dancesport
BALLROOM SYLLABUS STEP LIST, LISTE DES FIGURES, COMPETITIONS & MEDAL TEST WALTZ-VALSE TANGO FOXTROT QUICKSTEP Beginners - Débutants Beginners - Débutants Beginners - Débutants 1 Closed Changes 1 Walk 1 Quarter Turn to Right 2 Natural Turn 2 Progressive Side Step 2 Heel Pivot ( Quarter Turn to Left ) 3 Reverse Turn 3 Progressive Link 3 Progressive Chassé 4 Natural Spin Turn 4 Closed Promenade 4 Forward LoCk 5 Whisk 5 RoCk Turn 5 Natural Spin Turn 6 Chassé from Promenade Pre-Bronze – Pré-Bronze Pre-Bronze – Pré-Bronze Pre- Bronze - Pré- Bronze Pre-Bronze – Pré-Bronze 7 Closed Impetus 6 Open Reverse Turn, Lady Outside 1 Feather Step 6 Natural Turn 8 Hesitation Change 7 BaCk Corte 2 Three Step 7 Natural Pivot Turn 9 Outside Change 8 Open Reverse Turn, Lady in Line 3 Natural Turn 8 Natural Turn with Hesitation 9 Progressive Side Step Reverse Turn 4 Reverse Turn ( inCl. Feather Finish ) 9 Chassé Reverse Turn 5 Closed Impetus and Feather 10 Closed Impetus Finish 11 BaCk LoCk 12 Reverse Pivot 13 Progressive Chassé to Right Bronze Bronze Bronze Bronze 10 Reverse Corte 10 Open Promenade 6 Natural Weave 14 Tipple Chassé to Right 11 BaCk Whisk 11 Left Foot and Right Foot Rocks 7 Change of DireCtion 15 Running Finish 12 Basic Weave 12 Natural Twist Turn 8 Basic Weave 16 Zig-Zag BaCk LoCk & Running 13 Double Reverse Spin 13 Natural Promenade Turn Finish 14 Reverse Pivot 17 Cross Chassé 15 BaCk LoCk 18 Change of DireCtion 16 Progressive Chassé to Right 19 Natural Turn and BaCk LoCk 20 Double Reverse Spin Silver - Argent Silver - Argent Silver - Argent -
*5 & Under Figures
MEDALLIST RESTRICTED FIGURES 2018 Waltz Quickstep Foxtrot Tango 1.Below Bronze Closed Changes* Quarter Turn* Feather Step Walks Natural Turn* Progressive Chasse* Three Step Progressive Side Step Reverse Turn* Natural Turn* Reverse Turn Progressive Link Whisk & Chasse from PP* Natural Turn with Natural Turn Open Finish Hesitation* Hesitation Change* Chasse Reverse Turn* Reverse Wave Closed Finish Back Whisk Forward Lock* Weave Closed Promenade Reverse Corte Natural Spin Turn Natural Weave Reverse Turn Open & Closed Natural Spin Turn Natural Pivot Turn Change of Direction Rock Turn Weave Progressive Chasse to Open Telemark Right Prog Chasse to Right Reverse Pivot Back Lock Running Finish Forward Lock Change of Direction Reverse Pivot Open Telemark 2. Bronze Plus Section 1 Double Reverse Spin Tipple Chasses to R Hover Feather Open Promenade Closed Telemark Quick Open Rev Turn Natural Telemark Progressive Side Step Reverse Turn Open Telemark Cross Swivel Natural Twist Turn Back Corte Cross Hesitation Fish Tail Hover Telemark Rocks LF/RF Wing 4 Quick Run Top Spin Natural Promenade Turn Closed Impedus V – 6 Closed Impedus Natural Twist Turn Open Impedus Zig Zag Back Lock Weave from PP Four Step Running Finish Four Step Change Outside Spin Running Right Turn Closed Telemark Back Open Promenade Turning Lock to L Double Reverse Spin Open Telemark O/s Outside Swivel swivel Feather ending Weave from PP Fallaway Promenade Brush Tap 3. Silver/Gold Plus Sections 1&2 F/away Natural Turn 6 Quick Run Bounce Fallaway Fallaway Four Step Turning Lock to -
Waltz Foxtrot
Waltz PRE-BRONZE 1. Closed Changes 2. Natural Turn 3. Reverse Turn 4. Natural Spin Turn 5. Whisk 6. Chasse from PP BRONZE 7. Closed Impetus 8. Hesitation Change 9. Outside Change 10. Reverse Corte 11. Back Whisk 12. Basic Weave 13. Double Reverse Spin 14. Reverse Pivot 15. Back Lock 16. Progressive Chasse to R SILVER 17. Weave from PP 18. Closed Telemark 19. Open Telemark and Cross Hesitation 20. Open Telemark and Wing 21. Open Impetus and Cross Hesitation 22. Open Impetus and Wing 23. Outside Spin 24. Turning Lock xx. Drag Hesitation GOLD 25. Left Whisk 26. Contra Check 27. Closed Wing 28. Turning Lock to R 29. Fallaway Reverse and Slip Pivot 30. Hover Corte xx. Fallaway Whisk Foxtrot PRE-BRONZE 1. Feather 2. Three Step 3. Natural Turn 4. Reverse Turn with Feather Finish 5. Closed Impetus with Feather Finish BRONZE 6. Natural Weave 7. Change of Direction 8. Basic Weave SILVER 9. Closed Telemark 10. Open Telemark and Feather Ending 11. Top Spin 12. Hover Feather 13. Hover Telemark (and to PP) 14. Natural Telemark 15. Hover Cross 16. Open Telemark, Natural Turn, Outside Swivel, Feather Ending 17. Open Impetus 18. Weave from PP 19. Reverse Wave xx. Natural Weave from PP GOLD 20. Natural Twist Turn 21. Curved Feather to Back Feather 22. Natural Zig Zag from PP 23. Fallaway Reverse and Slip Pivot 24. Natural Hover Telemark 25. Bounce Fallaway with Weave Ending Quickstep PRE-BRONZE 1. Quarter Turn to R 2. Natural Turn 3. Natural Turn with Hesitation 4. Natural Pivot Turn 5. -
Wdsf/Syllabus
Invigilation Guidance/ WDSF/SYLLABUS/ Current'as'of'June'1,'2016' Extracted'from: USA$Dance$Syllabus$Guidebook,/ Edition/2016A/ Revised/May/12,/2016 Invigilation Guidance/ INTERNATIONAL)STANDARD) / 3.1 International Style WALTZ WDSF Waltz BRONZE Additional Notes Applicable to WDSF Waltz 1 CLOSED CHANGE ON RIGHT FOOT Syllabus: 2 CLOSED CHANGE ON LEFT FOOT 3 NATURAL TURN 4 REVERSE TURN The following figures that are described in other 5 PROGRESSIVE CHASSE TO RIGHT dances that may also be used in Waltz: 6 WHISK 7 BACK WHISK BRONZE 8 OUTSIDE CHANGE ñ Running Finish 9 BASIC WEAVE ñ Progressive Chasse 10 CHASSE FROM PP 11 BACKWARD LOCKS SILVER 12 OPEN NATURAL TURN ñ Outside Swivel SILVER ñ Quick Open Reverse 13 HESITATION CHANGE 14 NATURAL SPIN TURN GOLD 15 DOUBLE REVERSE SPIN ñ Bounce Fallaway Weave Ending 16 TELEMARK ñ Curved Feather 17 TELEMARK TO PP 18 WEAVE FROM PP 19 IMPETUS 20 IMPETUS TO PP 21 DRAG HESITATION 22 OUTSIDE SPIN 23 NATURAL TURNING LOCK 24 REVERSE TURNING LOCK GOLD 25 WING 26 WING FROM PP 27 CROSS HESITATION FROM PP 28 REVERSE PIVOT 29 FALLAWAY NATURAL TURN 30 RUNNING WEAVE FROM PP 31 RUNNING SPIN TURN 32 OVERTURNED RUNNING SPIN TURN 33 RUNNING CROSS CHASSE 34 FALLAWAY REVERSE AND SLIP PIVOT 35 LEFT WHISK 36 CONTRA CHECK 37 HOVER CORTE USA Dance University © 2016 – Syllabus Guidebook / Page 22 3.2 International Style TANGO WDSF Tango BRONZE 1. TAP - ALTERNATIVE ENTRIES TO PP 2. PROGRESSIVE SIDE STEP 3. BRUSH TAP Additional Notes Applicable to WDSF Tango 4. PROGRESSIVE LINK Syllabus: 5. -
General Sequence Dance Information
What is in this file. If you havent started dancing see Section 5 Sections: 1 Some general knowledge for new dancers and perhaps some for dancers with some experience. 2 Types of dances with common music. 3. Some additional descriptions about comments in Section 1 4 Some information which I am considering including but still working on. 5. Thinking about dancing? –some of my thoughts may help. Section 1. I have a list of various documents and information you can ask for (including this one) that I have produced, some of which comes off the internet. The following information I have put together with my limited knowledge and should not be taken as 100% accurate. ( work in progress –any suggestions to improve it will be considered ). My contact details at the end of this section. For a list of Australian Dance Venues search for “ Sequence Ballroom dances victoria Australia “ copy & paste on your web browser. OR . http://www.ballroomdancing.sportingpulse.net/ On the above website go to `Victoria` link on the menu , then into Mebourne & Metro dances. There are many sources of information and purchases on the internet and also many free dance demonstrations many of which are on Youtube. There is an item below on how to download these free dance demonstrations off the internet (. See Section 3 ). I may be able to provide you with a list of those dances I have found. Some dance types are: Cha,Cha ; Modern Waltz ; New Vogue Waltz; Foxtrot; Salsa; Rock & roll; Rumba; Quickstep; Jive; Blues; Tango; Saunter; There are several variations of each of these types of dances (ie for rumba there is Charisma rumba and Queen of hearts rumba etc). -
Introduction to International Waltz
International Waltz Introduction to International Waltz General - The waltz is a dance for couples in 3/4time. The dance was developed from the Weller, a German peasant dance and the Laendler , an Austrian dance. The two most danced forms of the waltz are the Viennese Waltz and the Slow Waltz. The International waltz is a structured form of the Slow waltz and is in the smooth category of ballroom dances. The character of International Waltz is that it has a late rise over the basic three steps which can be described as “step,” “balance” and “elevation.” This is also further described as “down,” “down,” “up,” to contrast it with “down,” “up,” “up” as used in American style. Timing - The timing for International Waltz is 3/4, or three beats to each standard measure (bar) of music. The BPM, or bars per minute, used can vary from 29 to 31. Although there is an accent on the first beat, the most important consideration is the long 2 count (2 & 5 on standard weaves) which allows for a momentary suspension of the body flight where most adjustments in direction are made. Rhythm - The normal rhythm of the waltz is 1, 2, 3. Each number represents a beat in a bar (measure) of music. Frequently, however, there will be figures with more than three steps taken over one measure. Where there are more than three steps taken, there will be syncopation. This syncopation can be on any beat of the measure. In describing the figures, in this manual, each beat in the measure will have an equal amount of time associated with it. -
WDC Examination Ballroom Syllabus
WDC Examination Board Ballroom Dances It is mandatory that every candidate for each oft he four following examinations has full knowledge of the general history oft The five Ballroom dances, how to use the charts and Precedes and Follows. It is also importend to note that in every level of examination the figures of all previous examinations will be asked to demonstrate! Student Teacher Waltz: Closed Changes, Natural Turn, Reverse Turn, Natural Spin Turn, Whisk, Chasse from PP. Tango: Walks, Progressive Side Step, Progressive Link, Closed Finish, Open Finish, Closed Promenade, Open Promenade, Open Reverse Turn Lady outside, Back Corté, Rock Turn. Slow Foxtrot: Types of Feather Steps, Feather Step, Three Step, Reverse Turn including Feather Finish, Natural Turn, Closed Impetus. Quickstep: Quarter Turn to R, Progressive Chasse, 1-3 of Natural Turn, Natural Spin Turn, Natural Pivot, Forward Lock, Backward Lock. Viennese Waltz: Natural Turn, Reverse Turn, Forward and Backward Changes from R to L and L to R. Associate Waltz: Outside Change, Outside Change ended in PP, Closed Impetus, Open Impetus, Hesitation Change, Back Whisk, Weave from Promenade Position turning to L, Weave from Promenade Position turning to R, Progressive Chasse to R, Back Lock. Tango: Progressive Side Step Reverse Turn, Back Rock RF, Back Rock LF, Natural Twist Turn, Natural Promenade Turn, Basic Reverse Turn. Slow Foxtrot: Open Impetus, Natural Weave including Natural Weave from PP, Weave from PP turning to L, Hover Telemark, Reverse Wave, Hover Telemark to PP, Closed Telemark, Open Telemark, Natural Telemark, Open Natural Turn from PP, Basic Weave. Quickstep: Closed Impetus, Open Impetus, Quick Open Reverse Turn, Chassé Reverse Turn, Natural Turn and Back Lock, Running Finish, Natural Turn at a Corner, Four Quick Run, Progressive Chasse to R.