Bringing Zen Home the Healing Heart of Japanese Women’S Rituals

Total Page:16

File Type:pdf, Size:1020Kb

Bringing Zen Home the Healing Heart of Japanese Women’S Rituals BRINGING ZEN HOME THE HEALING HEART OF JAPANESE WOMEN’S RITUALS s* ■ ^ ; ZM*' * m %• Ikfa 'A ••K'C •*'/■• ->v ' ■■■ ' -'• ■.’ ' ■" ' *&*f .*v- j&T'L.:’'- :&{*S, £$£>; ■ ; vV-' ^ :0'i M'c: V s* * ‘ Vv^ r & 7M fiH? Hi' _mi_ m%rM : svvC " PAULA ARAI of Zen in 5fclies v. , at the heart ?abia Arai discovered in her ;erme research on the ritual lives of Ijist feywomen. She reveals a vital ..tream of religious practice that flourishes \ outside the bounds of formal institutions through sacred rites that women develop md transmit to one another. Everyday of beauty through the arts of tea ceremony calligraphy poetry, and flower arrange¬ ment becomes a rite of healing. Bringing Zen Home brings a fresh perspective to Zen scholarship by uncov¬ ering a previously unrecognized but none¬ theless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weav¬ ing tradition j*-wpij| asense of wholeness and midst of ill¬ ness, loss, and ai Bringing Zen Home * Bringing Zen Home The Healing Heart of Japanese Womens Rituals Paula Arai University of Hawai'i Press Honolulu © 2011 Paula Arai All rights reserved Printed in the United States of America 17 16 15 14 13 12 11 654321 Library of Congress Cataloging-in-Publication Data Arai, Paula Kane Robinson. Bringing Zen home : the healing heart of Japanese women’s rituals / Paula Arai. p. cm. Includes bibliographical references and index. ISBN 978-0-8248-3535-4 (hardcover : alk. paper) 1. Zen Buddhism—Japan—Rituals. 2. Buddhist women—Religious life—Japan. 3. Healing—Religious aspects—Zen Buddhism. 4. Zen funeral rites and ceremonies. I. Title. BQ9270.2.A73 2012 294.3’438—dc23 2011017005 All photographs are by the author. University of Hawai'i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by inari Printed by Sheridan Books, Inc. For Kenji, my beloved son, whose name means health and compassion Contents Foreword, by Nara Komyd Yasuaki ix Acknowledgments xi Prologue xiii Chapter i. Mapping the Terrain 1 Chapter 2. The Way of Healing: Yudd $®}1t 29 Chapter 3. Personal Buddhas: Living with Loss and Grief 65 Chapter 4. Domestic Zen: Living Esoteric Wisdom 108 Chapter 5. The Healing Power of Beauty 167 Chapter 6. Revealing the Healing Realm of Zen 204 Notes 217 Kanji Glossary 241 Bibliography of Sources Cited 245 Index 255 Foreword I first met Paula Arai in the winter of 1988 upon the introduction of Aoyama Shundo, a former student of mine who has now become a re¬ nowned abbess of the Zen nuns’ training monastery, Aichi Senmon Nisodo. At that time, Ms. Arai was a young rising scholar doing research for her first book on Zen nuns. She has kept me apprised of her work dur¬ ing engaging conversations in my offices and temple, and in coffee shops. Now Dr. Arai has fulfilled her promise by producing not only a singular volume on the history and practices of Soto Zen nuns, but also by writing this book in which she sheds further light on the practices and concerns of women, this time illuminating women in the home. Her original scholarly work makes an important contribution to our understanding of Japanese Zen Buddhist culture, especially in how traditions both continue and change in contemporary society. Bringing Zen Home provides a view of lay Buddhist practice in contem¬ porary Japan with a depth of ethnographic detail that will enable the readers to feel they are visiting a Japanese lay Buddhist home. Arai breathes life into practices that have not yet received scholarly attention. Her focus on domes¬ tic ikatei) Zen enables us to see distinct Buddhist expressions in Japanese culture. Her analysis of the healing paradigm in Zen is particularly insight¬ ful. It displays keen insight into Dogen’s teachings, and into how those teachings are lived out in ritualized activities in the home. A central ritual focuses on the home altar where ancestors are revered as enlightened. This is an important feature of Japanese Buddhist practice about which I have held particular interest from a comparative Buddhist perspective. Arai’s analysis of the practice of honoring ancestors as enlightened concludes that partici¬ pants experience the deceased as personal Buddhas: she has discovered how rituals help people cultivate intimate relationships with the enlightened X Foreword ancestors that foster their healing. This is a novel interpretation of Buddha nature, distinct to Japanese Buddhist practice. Establishing personal Bud¬ dhas reveals profound insight into the nature of grief and human relation¬ ships. No matter how technologically efficient we become, we must come to terms with death. We will never overcome the need for grieving. The wis¬ dom of how to grieve in a way that integrates death into life is encoded in domestic rituals. Arai’s book provides a rich view of Zen Buddhist values, practices, and wisdom, especially in the home where daily activities make up the fabric of life. Arai’s research on domestic rituals is a timely and welcome develop¬ ment, for Japan has been rapidly and steadily changing. Wisdom culti¬ vated over centuries is documented in this volume, which helps preserve the knowledge. Perhaps sharing these gifts of healing wisdom with the English-speaking world also will give rise to innovative practices that will transform in culturally adaptive ways. Nara Komyo Yasuaki Former Chancellor of Komazawa University Former President of Komazawa University Professor of Buddhist Studies Head Priest of Hosei-ji Temple Tokyo,Japan Acknowledgments It is a joy to express my deep gratitude for the large circle of people in¬ volved in this book. First, to the twelve women whose wisdom and spiritual practices fill these pages, I offer my work as tribute and thanks. Although I cannot mention them by name, each one is written on my heart. I owe infinite homage to two female leaders of the Nagoya Zen community who con¬ tributed unstintingly to my development as a scholar and a person: Aoyama Roshi illumined my work and my life with her blazing wisdom; and Kito Sensei, my personal bodhisattva, has been an enduring source of guidance and radiant compassion. An ocean of thanks to Miranda Shaw for her peerless editorial skills and for her paradigm-shifting scholarship on Buddhist women. Her opus on Buddhist goddesses opens a landscape of gender discourse and devo¬ tional healing practices that has helped me view the women in my study in a broad, cross-cultural context. A mountain of gratitude to Ines Talaman- tez for her nonpareil mentoring and the model of her pioneering work on Mescalero Apache culture and groundbreaking theoretical work on the ethnography of indigenous peoples. No project can come to fruition without the kindness of others. For assistance in Japan, I am indebted to the Yanai family and the Skrzypczak family, especially to Mari for her babysitting. The Sugiura family wel¬ comed me and my son Kenji into their home in Nagoya, making it possible for me to conduct my field research for the past twelve years. Their gener¬ osity of heart supported me through many challenges, and this book could not have become a reality without their profound support. Robin Morgan and Hideko Shimizu also offered invaluable spiritual counsel and suste¬ nance over the years. XII Acknowledgments I received indispensable institutional and financial support from Aichi Senmon Nisodo, Nanzan University, the Fulbriglit Foundation, the Ameri¬ can Council of Learned Societies, Vanderbilt University, Carleton College, the Mellon Foundation, and Louisiana State University Board of Regents. For lending insights on Japanese Buddhism that honed my study in fruitful ways, I give nine bows of deep respect to Nara Komyo Yasuaki, Fujii Masao, and Victor Hori. Special thanks are due to Nara Yasuaki for gra¬ ciously writing the Foreword. To Sascha duLac for her expertise in neuro¬ psychobiology, I bow in heartfelt thanks. Jess Lionne, Paul Ramsour, Anne Dutton, Laurie Pullen, Dee Doochin, and Beth Conklin brought the schol¬ arly eye of their respective fields to bear on the manuscript, improving the clarity of style and refinement of content. Their friendships place the aca¬ demic work in a meaningful and humanitarian context that makes each step along the way an opportunity for deepening our connections. Thanks to edi¬ tor Patricia Crosby for her invaluable support. I thank my sisters—artist Lucy and weaver Wendy—for sharing the journey of our family, which provides a well of experience and insight from which I draw deeply. My father’s fascination with the human condi¬ tion and kindness of heart inspire and guide me, especially now that he has become one of my personal Buddhas. This book began amid the sublime experience of giving birth to Kenji while caring for my dying mother. Living in that space between birth and death opened me to the depths of sorrow and heights of joy that inhabit the realm of healing. My mother blessed me with unconditional love, while Kenji buoyed me with his purity of spirit throughout the fourteen years it took to complete this book. I cannot thank him enough for the patience, understanding, strength, and good humor he exhibited as he learned to do laundry, sweep floors, cook, take out the trash, mow the lawn, and tend to his own needs at a tender age. The poignant image of him at Logan Airport pulling a wheeled suitcase twice his weight at the age of two is seared into my heart. Too, I’ll never forget the evening when, at the age of seven, he scrambled eggs for our dinner when I was exhausted. I am honored, Kenji, that you chose to share the healing journey of this lifetime with me.
Recommended publications
  • HONEN SHONIN and the PURE LAND MOVEMENT by Edmund Theron Gilday B.A., University of Wisconsin, 1973 a THESIS SUBMITTED in PARTIA
    HONEN SHONIN AND THE PURE LAND MOVEMENT by Edmund Theron Gilday B.A., University of Wisconsin, 1973 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF RELIGIOUS STUDIES UNIVERSITY OF BRITISH COLUMBIA We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA March, 1980 (c) Edmund Theron Gilday, 1980 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be al1 owed without my written permission. Department of Religious Studies The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 ii ABSTRACT In this study of Honen Shonin and his relation to the institutionali• zation of an independent Japanese Pure Land school, I have attempted to isolate the religious and doctrinal issues which affected the evolution of Pure Land salvationism in general and Japanese Buddhism in particular. The background for this:analysis is provided in Part One, which is a discussion of the religious background to Honen and his ideas, and a summary.of the immediate historical and religious circumstances, put of which Honen's Pure Land soteriology emerged. Part Two consists of a detailed analytical description of the Senchaku^shu (jff/jf )? Honen's major dissertation on Pure Land doctrine.
    [Show full text]
  • Nichiren Shu News Published by the Head Office of Nichiren Shu Buddhism & NOPPA
    Nichiren Shu News Published by the Head Office of Nichiren Shu Buddhism & NOPPA No. 187 December 1, 2011 1 Inauguration of Renkoji Temple Clockwise from upper left: group photo in front of the Hondo, Rev. Tarabini with Mayor Tribocco at the banquet, banquet at the local restaurant, Rev. Yoneda officiating the ceremony, banners decorating the front of Renkoji Temple, inauguration celebration cake made for Renkoji By Sandra Seki Gyojun Tsujimura. Bishop Shokai Kanai, be a wine cellar, the voices of the attend- in front of the hondo, he decided that this and Rev. Chishin Hirai attended from ees resounded beautifully. was the ideal location for Renkoji Temple. The inauguration ceremony for Renkoji the U.S.A., Rev. Kanto Tsukamoto from Rev. Shoryo Tarabini found this spot After the inauguration ceremony, a Temple was held on Saturday, September London and Rev. Morioka from Germany. one day while he was traveling through banquet was held at the only restaurant 10, 2011 in Cereseto, Italy. The temple ac- The hondo (main prayer hall) which used the countryside. He had had a dream in in town. Followers and friends of Renkoji tually opened last year in this small town to be a wine cellar in the Middle Ages was which Nichiren Shonin appeared and Temple gathered for a warm celebration. located in the Piedmonte region between renovated and converted into a cozy prayer pointed out an area where cherry blos- The Mayor of Cereseto, Mr. Renato Tri- Torino and Milan in northern Italy. Due to hall with the Itto Ryoson Shishi (sacred soms bloomed and rolling hills extended bocco, attended both the service and the preparations and procedures, the inaugura- Buddhist statues) surrounding Nichiren endlessly.
    [Show full text]
  • Disaster Prevention Map for Akasaka and Aoyama, Minato City Disaster
    To Yotsuya To Yotsuya Wakaba Shinanomachi 3-chome Local Disaster Wakaba 1-chome Local Meeting Place ( ・・・Local Meeting Place) To Sendagaya Prevention Councils No. Town/Community Association Name Local Meeting Place DisasterDisaster PreventionPrevention MapMap forfor Name 201 Moto-akasaka Denmacho Town Council Toyokawa-inari Grounds Sophia University Shinanomachi StationShinjuku City Akasaka Tunnel 202 Akasaka Omoteichini Town Council Toyokawa-inari Grounds Gaien Aoyama District Disaster Prevention Council Minamimotomachi JR Chuo Line 203 Moto-akasaka 2-chome Town Council Minami Children's Park Akasaka and Aoyama, Minato City Akasaka District Disaster Prevention Network Akasaka and Aoyama, Minato City Akasaka Palace 204 Akasaka Tameike Town Council Near Tameike intersection (Akasaka 1-chome side) 205 In front of the Orix Bldg and Akasaka Intercity Public Art Museum Akasaka Higashi 1/2-chome Town Council Metropolitan Expressway Route 4 Tokyo Metro Marunouchi Line Sendagaya Minami Children's Park Samegahashi-zaka e 206 Josai University n Reinan-zaka Town Council Yosen-ji Temple Grounds New National Stadium i 1-chome Imperial Guard L (Under Construction) Legend Embassy of Bangladesh o 207 Akasaka Fukuyoshi Town Council Parking lot in front of Akasaka Fukuyoshi Kaikan Gaien Akasaka Palace h Kinokuni-zaka c Gaien-Higashi-doriAve. Shimizudani u 208 Park k Akasaka Mitsuke Association Akasaka Regional City Ofce (parking lot) City boundary Tsunami evacuation building 203 Akasaka Palace Nihonkaku a r Kioicho u 209 Akasaka Tamachi 3/4/5-chome Town Council Open space next to the Hie Jinja Shrine escalator AED station Meiji Kinenkan Y Cho boundary 203 o r 210 Disaster announcement system Togu Palace t Akasaka Shinsan Town Council Ikoi Open Space (on TBS premises) Chome boundary e Security Outpost M City hall (Regional city ofce) 211 Anchin-zaka o Akasaka Shinni Town Council Akasaka Kinryu Parking Lot Railroad y Police station Meiji Jingu Gaien The Akasaka Imperial Residence k Gaien-Nishi-doriAve.
    [Show full text]
  • Principle of Attaining Buddhahood with the Present Body Sokushin-Jobutsu-Gi by Kukai
    Principle of Attaining Buddhahood with the Present Body Sokushin-Jobutsu-Gi by Kukai translated by Hisao Inagaki INTRODUCTION Chinese esoteric Buddhism entered a new epoch in the eighth century when Shubhakarasimha (善無畏 Zenmui, 637-735) and Vajrabodhi (金剛智 Kongochi, 671-741) produced Chinese translations of the Mahavairocana Sutra and the Diamond Peak Sutra, respectively, thereby promulgating what is called "genuine esotericism" (純密 junmitsu) as distinguished from "mixed esotericism" ( 雑密 zomitsu). Furthermore, Amoghavajra (不空金剛 Fukukongo, 705-74), Vajrabodhi's disciple, actively engaged in the dissemination of the teaching while translating a large number of esoteric texts which he had brought from India. It was his disciple Hui-kuo (恵果 Keika, 746-805) who transmitted the teaching to Kukai when the latter visited China. Kukai (774-835), popularly known by the name of Kobo Daishi, after returning to Japan, propagated the esoteric teaching in Kyoto and elsewhere while writing a number of works. Being a faithful follower of the esoteric tradition, he based his system of thought on the teachings of Indian and Chinese masters and attached especially great importance to the sutras of genuine esotericism and two treatises attributed to Nagarjuna, namely, Treatise on Bodhi-Mind (菩提心論 Bodaishinron) and Commentary on the Treatise on Mahayana (釋摩訶衍論 Shakumakaenron). He further developed and systematized the doctrine with his extensive knowledge and religious ingenuity. Thus, the system of the Shingon sect which he founded represents the apex of Buddhist esotericism. Of all the works of Kukai, the following six considered the most important in the Shingon sect: (1) Ben-kenmitsu-nikyo-ron (辯顯密二教論), 2 fascicles, T.T.No.2427, a treatise which compares exoteric and esoteric teaching and shows that the latter is superior because it was expounded by the Dharmakaya Buddha.
    [Show full text]
  • The Shingon Ajikan, Meditation on the Syllable ‘A’: an Analysis of Components and Development
    The Shingon Ajikan, Meditation on the Syllable ‘A’: An analysis of components and development. Ronald S. Green This paper examines what has been described as the most basic and essential element of Kūkai’s (774-835) religio-philosophical system (Yamasaki 1988:190), meditation on the Sanskrit syllable ‘A’. According to Shingon Buddhist tradition, Kūkai introduced the meditation on the syllable ‘A’ (hereafter referred to as the Ajikan) into Japan in the early 9th century, at the time he transmitted the Shingon Dharma to that country from China. Materials clearly showing the origin and development of the Ajikan before Kūkai’s time have either not been discovered or have not been analyzed in relationship to the Ajikan. Indeed, some researchers have argued that the use of ‘A’ as a device for meditation arose as either a Chinese or a Japanese mistranslation of the Mahavairocana-sūtra.1 The present paper is an attempt to contribute to research on the development of the Ajikan by pointing to related references in writings typically associated with earlier traditions. First, by examining Kūkai’s own writings as well as those most important for Shingon, it will be shown that the Ajikan is part of the Tantric system believed to set Shingon apart from other traditions of Buddhism. Materials examined below suggest Kūkai believed that by means of the Ajikan meditation one could become a Buddha within this very lifetime. However, it will be noted that while Kūkai mentions the related Meditation on the Six Elements (rokudai enyū) of the Mahāvairocana-sūtra, which includes the syllable ‘A’, he makes no mention per se of the 1 T.18, 848.
    [Show full text]
  • Vairocana in Tathgata Aform Shuyu Kanaoka
    Vairocana in TathgataaForm Shuyu Kanaoka I With regrd to the Bodhisattva form of Vairocana in the Esoteric Buddhism who has a laymen's topknot (sikhavandha) and dress, without having monk's hair and kasaya, which represents an appearance of Sakya- muni after his getting enlightenment, the Mahavairocana-sutra states as (1) follows: “With sikhavandha, (2) make a crown”(髪 髪 以 爲 冠). “On his head, holds a topknot crown(jatamukuta)”(首 持 髪 髪 冠).(3) The latter jata-mukuta means a coiffure makes a hair like a crown, which is drawn in the“Tai-zo-zu-zo”(胎 藏 圖 像 or garbhadhatu illus- (4) tration) These correspondences in Tibetan is as follows: "(He) has a sikhavandha and a crown (mukuta)" (thor-tshugs dan ni dbu- (5) rgyan hcan). "(He)has a flame-light and jata-mukuta" (hbar-bcas thor-tshugs-dbu-rgyan can). As it will be easily distinguished, the former states topknot (sikha- vandha) and crown (mukuta) separately, while the latter explains a cr- own made of hair, i, e. jata-mukuta which coincide with the statements (1)Both in the second chapter(i. e., 入 曼 茶 羅 具 縁 眞 言 品 第 二). (2) Taisho, XVIII, 5a. (3) ibid., 5c. (4) Taisho Illustration, vol. II. (5) Hattori ed., p. 51,-1.1. (6) ibid., p. 66, 1.1. Rev. Kawagnchi translated this part as follows: "(His) head is ornamented brilliantly (Kawaguchis tr., p. 54). But I agree with Dr. Toganos translation in his "Research on Mandala, p. 134. -821- (36) Vairocana in Tathagata Form (Shuyu Kanaoka) of Chinese texts.
    [Show full text]
  • The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J
    The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J. Igarashi Submitted in Partial Fulfillment of the Prerequisite for Honors in Religion April 2012 Copyright 2012 Kyomi J. Igarashi ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Kodera for his guidance and all that he has taught me throughout my four years at Wellesley College. I could not have written this thesis or taken on this topic of my interest without his encouragement and words of advice. I would like to acknowledge the Religion Department for funding me on my trip to Japan in December 2011 to do research for my thesis. I would also like to thank Reverend Ekyo Tsuchida for his great assistance and dedication during my trip to Japan in finding important information and setting up interviews for me, without which I could not have written this thesis. I am forever grateful for your kindness. I express my gratitude to Reverend Ryotoku Miyagawa, Professor Akira Masaki and Professor Daijo Takamori for kindly offering their expertise and advice as well as relevant sources used in this thesis. I would also like to acknowledge Reverend Honyo Okuno for providing me with important sources as well as giving me the opportunity to observe the special treasures exhibited at the Kuonji Temple in Mount. Minobu. Last but not least, I would like to extend my appreciation to my father, mother and younger brother who have always supported me in all my decisions and endeavors. Thank you for the support that you have given me. ii ABSTRACT While the historical and religious roots of kaji kito (“ritual prayer”) lay in Indian and Chinese Esoteric Buddhist practices, the most direct influence of kaji kito in Nichiren Shu Buddhism, a Japanese Buddhist sect founded by the Buddhist monk, Nichiren (1222-1282), comes from Shingon and Tendai Buddhism, two traditions that precede Nichiren’s time.
    [Show full text]
  • Kitō Jiin in Contemporary Japanese Sōtō Zen Buddhism
    Brands of Zen: Kitō jiin in Contemporary Japanese Sōtō Zen Buddhism Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Heidelberg, vorgelegt von: Tim Graf, M.A. Erstgutachterin: Prof. Dr. Inken Prohl Zweitgutachter: Prof. Dr. Harald Fuess Datum: 07.07.2017 Table of Contents Introduction ........................................................................................................................................... 6 Research Questions and Goals for This Study ................................................................................ 7 A Theory of Religious Practice ......................................................................................................... 9 Towards a Working Definition of kitō ....................................................................................... 13 Material Religion ......................................................................................................................... 16 Religion and Marketing .............................................................................................................. 17 Methods ............................................................................................................................................ 19 Chapter Outlines ............................................................................................................................. 23 Chapter One: Historical Perspectives on ‘Zen’ and kitō ................................................................
    [Show full text]
  • Shinto Deities Are Believed to Be Present In
    Shinto Deities Are Believed To Be Present In Forrest flecks out-of-hand. Hyperaesthetic and body-line Townsend alternating meltingly and counterpoints his albumen transcontinentally and impassibly. Affectedly interclavicular, Clarence persecutes givings and gloss trier. The teachings and are believed to ensuring purity and japan was shunned by Buddhism, virtuous, this may your be so. On to be displayed. Third case there are left a few exceptions the mosque or deities in. There are the pastor holds a divine status that can do not necessarily on future lives, deities are believed to be shinto present in fact that holds her. For sitting of understanding, it fly very difficult to untangle Shinto and Buddhist beliefs about if world. To be tolerant and be in japanese culture, people is from tenrikyo. Although they are kept open your hands with the gods of amaterasu and stabilize the face various occasions, bows twice to ensure we seek more or be shinto deities are believed to present in india by the! Other notable Shinto deities are Tsukuyomi the community god Izanami and. Shinto Research defend the Humanities in Japan. Assyria and Persia but accomplish the biblical cultures and teachings that had near to those nations, ancestors, and prosperity in work coming year. The Yamato dynasty also enshrined Amaterasu, after the arrival of Buddhism in Japan, one does with need to publicly profess belief in Shinto to personnel a believer. Being is worshipped unlike polytheism in which concept are multiple deities all worthy or. Although Shinto the essence of kami gods is believed to decorate an indigenous.
    [Show full text]
  • Soto Zen and the Inari Cult: Symbiotic and Exorcistic Trends in Buddhist and Folk Religious Amalgamations
    Soto Zen and the Inari Cult: Symbiotic and Exorcistic Trends in Buddhist and Folk Religious Amalgamations Steven Heine Pennsylvania State University We revere the Dharma, whether manifested in a round pillar, a garden lantern, a buddha, a fox, a demon or a deity, a man or a woman. Dogen, ShobIJgenzo '"Raihaitokuzui"l FOLK RELIGIOUS AND BUDDHIST INARI IMAGES This paper investigates the historical and ideological roots of the syncretism between Soto Zen and the cult of Inari, which venerates the god of the rice harvest and fertility often represented by its chief mes­ senger and avatar, the fox (kitsune). This example of Buddhist-folk re­ ligious syncretism is most evident in a small network of branch temples of So to which, although affiliated with one of the sect's two main temples at Eiheiji, has its own main temple in Toyokawa city in Aichi prefecture southeast of Nagoya and several subsidiary temples, including one in Tokyo Akasaka. This institution is referred to simultaneously, or at times interchangeably, as Myogonji temple (the Buddhist name) and Tokoyawa Inari, and it enshrines at least three forms of the fox/rice deity which are considered mutually supportive as protector deities for the temple-shrine complex and its followers: the Buddhist deity Dakini­ shinten depicted as a female bodhisattva astride a flying white fox en­ shrined in the dharma-hall; the indigenous Inari fertility deity known here as Toyokawa Inari in a shrine hall; and a variety of small fox icons which are guardians of these images. 76 Pacific World, New Series, No. 10, 1994 Although Dakini-shinten is labeled Buddhist, the formation ofits imagery and iconography has little precedent in Indian or Chinese mod­ els and seems to reflect a prior syncretism with the native god.
    [Show full text]
  • Fudo Myoo's Independent Cult in Japan: an Analysis of Its Evolution and Value
    FUDO MYOO'S INDEPENDENT CULT IN JAPAN: AN ANALYSIS OF ITS EVOLUTION AND VALUE. A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Dorothy Jean Sutton, B.A., B.F.A. ***** The Ohio State University 2006 Master's Examination Committee: Dr. John C. Huntington Dr. Julia Andrews Graduate Program in History of Art ABSTRACT This thesis is a collection of information on the Fudō Myōō cult in Japan and aims to create a diverse and complete historical analysis. Academic works by scholars such as Michael Saso, Adiran Snodgrass, Richard Karl Payne, Elizabeth ten Grotenhuis and Ulrich Mammitzsch are examined and their similarities and misconceptions explored. The aim of this thesis, then, is to create a solid base of understanding of the Fudō cult. This study begins with an introduction to the history of Esoteric Buddhism in Japan including a serious study of Kukai. Though his introduction of the Taizo-kai and Kongo-kai mandalas, the Godai Myōō became understood in Japan. Also from these mandalas, Fudō Myōō began to develop as an independent Buddhist cult image. The goma fire ritual was established in Japanese Shingon sects and was widely practiced. Thoughout this evolution of Esoteric Buddhism, images of Fudō Myōō remained important. Referenced images include wooden sculptures as well as paintings. These come from temples such as the To-ji, Todai-ji, Koyasan as well as in foreign collections. One specific piece of interest is the Fudō Myōō in the collection at the Chicago Arts Institute.
    [Show full text]
  • Acontecimientos Y Lugares Del Japón Clásico
    JAPÓN DESCONOCIDO ACONTECIMIENTOS Y LUGARES II DEL JAPÓN CLÁSICO LOS OTROS MONTES FUJI El monte Fuji es el símbolo más importante de Japón. Es un pico de casi cuatro mil metros de altitud que está situado entre las prefecturas de Shizuoka y Yamanashi, y que es considerado sagrado desde la antigüedad. Retratado infinidad de veces por Katsushika Hokusai, se le considera un volcán activo de poca actividad —entró en erupción por última vez en 1707—. Ascenderlo es algo que pretenden la mayoría de los japoneses. Su importancia espiritual es tan grande que incluso dio lugar al nacimiento de una especie de secta denominada Fuji-ko, formada por los seguidores de un místico Hasegawa Kokugyo, el cual, dice la leyenda, llegó a ascender hasta la cima del monte más de cien veces antes de fallecer en 1646. Los adoradores Fuji-ko se encargaron de levantar muchos templos a lo largo de la ladera, algunos de los cuales pueden ser visitados ahora por los excursionistas que deciden tomar una de las cuatro rutas principales que llevan hasta el punto más alto de la montaña. El monte Fuji es Patrimonio de la Humanidad desde el 2013 y es por lo tanto difícil que un turista que viaja a Japón no se decida a visitarlo para fotografiarlo, estudiando primero las condiciones meteorológicas o cuáles son los lugares precisos desde donde sacar la ins- tantánea perfecta. De todos modos, hay quien decide no emprender la escalada y quedarse en la zona bautizada como la región de los cinco lagos, un paraíso natural que con Hakone ha acabado siendo otro de los lugares turísticos por antonomasia del país, en el cual los viajeros pueden disfrutar de estupendos balnearios, paisajes repletos de flores de cerezo o impresio- nantes riachuelos.
    [Show full text]