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1-4 Continuity Offense - Pg
1-4 Continuity Offense - pg. 1 1-4 Continuity Offense Table of Contents 1. Set-up Game 2 2. Wing Entry 3 3. Post Entry 5 4. Dribble Entry 6 All Contents Proprietary 1-4 Continuity Offense - pg. 2 Set-up Game 1-4 From Stack Alignment 2 3 2 and 3 Cross and Posts Flash to Elbow 4 5 Timing Critical 1 1-4 From Diamond Alignment 2 man go off either side and 3 goes opposite 3 5 4 2 1 1-4 From Box Set 3 2 Posts Downscreen and Flash to Elbow 5 4 1 All Contents Proprietary 1-4 Continuity Offense - pg. 3 Wing Entry Pass to either wing after set-up game to 1-4 2 3 5 4 1 Ball side post sprints to top of the key Weakside post cuts behind defense to 1st hash above block Point Guard cuts through the elbow and waits for ball reversal opposite wing cheats in for block to block screen 3 5 4 2 1 Key to the play is how quickly we can reverse the ball from wing to wing. The ball pust be passed from 2 to 1 as quickly as possible. 1 3 5 2 4 Small on Big Cross-Screen Post Player must wait to receive screen and will always go low off of the 3 5 screen. Guard then receives downscreen from post player 1 2 4 If a shot is not available, the posts immediately flash to elbows and offense resumes 5 4 2 1 3 All Contents Proprietary 1-4 Continuity Offense - pg. -
Man to Man Motion Offense Summary This Play Is Great to Use for Youth Coaches, Because It Is Very Simple to Teach, Yet Effective
Simple Baskeball Offenses Man to Man Motion Offense Summary This play is great to use for youth coaches, because it is very simple to teach, yet effective. You can also use this as a simple, continuity offense that you will run over and over. The offense starts in a basic 1-3-1 set. It will provide dribble-drive opportunities. Personnel You want Players 4 & 5 to be your post players. You want players 1, 2, & 3 to have good ball handling skills. Instructions 1. Player 1 can pass to either wing, Player 2 or 3. If the player is on the block on the ball side, he will cut to the opposite block to clear out the ball side. In this case, Player 4 goes to the opposite block for Player 1 to make a basket cut. It will also create an opportunity for Player 2 to dribble drive, if he/she sees an advantage. (Figure 1) 2. Player 1 fakes towards the opposite wing, then brushes his man off Player 5 as he cuts to the basket. (Figure 2) 3. When Player 1 reaches the block area, Player 5 flashes to the high post. Player 2 can pass to either Player 1 or Player 5. If Player 5 gets the ball in the high post, he can also dump the ball down to Player 1. If Player 1 can get the defensive player on his outside hip, he can get an easy score. (Figure 3) 4. If player 1 is not open, he/she cuts to the opposite wing, and Player 5 replaces him on the low block. -
Double / Triple Screen Offense Double / Triple Screen Continuity Offense
Newsletter Double / triple screen offense Double / Triple Screen Continuity Offense The Double / Triple Screen Offense is a "play call" for us. Our primary offense is the dribble motion, but we will mix in some sets and this continuity offense. I have chosen, for now, this Double / Triple Screen Continuity Offense. Our players run there normal lanes. #5 always runs down the middle of the court and then to the block away from the ball. We run to these alignments so that we can start our Dribble Motion....if not, we are able to begin our Double / Triple Screen Continuity Offense with a "play call". Double / Triple Screen Continuity Offense BASIC CONTINUITY #1 will dribble up into the right wing area. As #1 dribbles in... • #2 cuts to the ball side low block • #4 cuts to the FT line ball side elbow • #3 cuts to the back side FT line elbow • #5 steps out a few feet from the opposite block Double / Triple Screen Continuity Offense BASIC CONTINUITY From here, we will begin everybody's favorite..."America's Play", by screening across with #2 for #5. #5 has stepped out a few feet from the lane so that he will have more room to setup his defender. #3 and #4 are ready to set a double down screen for #2. Since #3 and #4 will be setting a triple screen immediately after this screen, we ask them to stay out of the lane until #5 comes off of the screen from #2. If #5 is open, #1 will deliver the ball to the low post. -
Women's Basketball Award Winners
WOMEN’S BASKETBALL AWARD WINNERS All-America Teams 2 National Award Winners 15 Coaching Awards 20 Other Honors 22 First Team All-Americans By School 25 First Team Academic All-Americans By School 34 NCAA Postgraduate Scholarship Winners By School 39 ALL-AMERICA TEAMS 1980 Denise Curry, UCLA; Tina Division II Carla Eades, Central Mo.; Gunn, BYU; Pam Kelly, Francine Perry, Quinnipiac; WBCA COACHES’ Louisiana Tech; Nancy Stacey Cunningham, First selected in 1975. Voted on by the Wom en’s Lieberman, Old Dominion; Shippensburg; Claudia Basket ball Coaches Association. Was sponsored Inge Nissen, Old Dominion; Schleyer, Abilene Christian; by Kodak through 2006-07 season and State Jill Rankin, Tennessee; Lorena Legarde, Portland; Farm through 2010-11. Susan Taylor, Valdosta St.; Janice Washington, Valdosta Rosie Walker, SFA; Holly St.; Donna Burks, Dayton; 1975 Carolyn Bush, Wayland Warlick, Tennessee; Lynette Beth Couture, Erskine; Baptist; Marianne Crawford, Woodard, Kansas. Candy Crosby, Northern Ill.; Immaculata; Nancy Dunkle, 1981 Denise Curry, UCLA; Anne Kelli Litsch, Southwestern Cal St. Fullerton; Lusia Donovan, Old Dominion; Okla. Harris, Delta St.; Jan Pam Kelly, Louisiana Tech; Division III Evelyn Oquendo, Salem St.; Irby, William Penn; Ann Kris Kirchner, Rutgers; Kaye Cross, Colby; Sallie Meyers, UCLA; Brenda Carol Menken, Oregon St.; Maxwell, Kean; Page Lutz, Moeller, Wayland Baptist; Cindy Noble, Tennessee; Elizabethtown; Deanna Debbie Oing, Indiana; Sue LaTaunya Pollard, Long Kyle, Wilkes; Laurie Sankey, Rojcewicz, Southern Conn. Beach St.; Bev Smith, Simpson; Eva Marie St.; Susan Yow, Elon. Oregon; Valerie Walker, Pittman, St. Andrews; Lois 1976 Carol Blazejowski, Montclair Cheyney; Lynette Woodard, Salto, New Rochelle; Sally St.; Cindy Brogdon, Mercer; Kansas. -
Pre-Ncaa Women's Basketball Records
PRE-NCAA WOMEN’S BASKETBALL RECORDS Pre-NCAA Statistical Leaders 2 AIAW Results 5 INDIVIDUAL RECORDS The following women played all or most of their collegiate careers before the Player, Team Seasons G Pts. era of official NCAA women’s basketball statistics, which began in 1981-82. Queen Brumfield, Southeastern La. 1976-79 133 2,986 Before becoming members of the NCAA in 1981-82, most women’s programs Lusia Harris, Delta St. 1974-77 115 2,981 were under the auspices of the Association of Intercollegiate Athletics for Women (AIAW). Pam Kelly, Louisiana Tech 1979-82 153 2,979 Wanda Hightower, UAB 1979-82 111 2,855 The NCAA would like to thank the University of Maryland libraries for their Jill Rankin, Wayland Baptist/Tennessee 1977-79, 80 146 2,851 assistance in sharing the AIAW Archive information: Betty Booker, Memphis 1977-80 137 2,835 “AIAW Archives, Special Collections, University of Maryland Libraries.” Valerie Still, Kentucky 1980-83 119 2,763 If you have information that can be utilized in expanding/completing any por- Tina Gunn, BYU 1977-80 101 2,759 tion of this section, please send supporting documents to ncaastats@ncaa. Kathy Miller, Weber St. 1976-79 100 2,746 org. Anne Donovan, Old Dominion 1980-83 136 2,719 Cindy Stumph, Weber St. 1980-83 122 2,690 Ann Meyers, Dayton 1977-80 126 2,672 Inge Nissen, Old Dominion 1977-80 135 2,647 Jerilyn Harper, Tennessee/Tennessee Tech 1979, 80-82 129 2,603 CAREER RECORDS Anne Gregory, Fordham 1977-80 127 2,548 Sharon Upshaw, Drake 1977-80 127 2,513 Scoring Average Julie Gross, LSU 1977-80 131 2,488 (Minimum 2,000 Points) Peggie Gillom, Mississippi 1977-80 144 2,486 Nancy Lieberman, Old Dominion 1977-80 134 2,430 Player, Team Seasons G FG FT Pts. -
Campbellsville University's Donna Wise Receives WBCA's Jostens-Berenson Lifetime Achievement Award
Campbellsville University's Donna Wise Receives WBCA's Jostens-Berenson Lifetime Achievement Award ATLANTA - Donna Wise, the all-time winningest coach at Campbellsville (Ky.) University, will receive the 2011 Jostens-Berenson Lifetime Achievement Award in recognition of her lifelong commitment of service to women's basketball, the Women's Basketball Coaches Association (WBCA) announced today. "It gives me great pleasure to announce Donna Wise as the winner of the Jostens- Berenson Lifetime Achievement Award," said WBCA CEO Beth Bass. "This award, which is named for the mother of the women's game, is the highest honor the WBCA can bestow on an individual." Wise compiled a 661-283 record in her 32-year career at Campbellsville. Her teams made 16 NAIA National Tournament appearances, reaching the Elite Eight five times. Under her direction, the Lady Tigers won 20 Mid-South and KIAC Conference regular season championships and 15 NAIA conference championships. Wise's program produced 23 All-Americans. She was named NAIA Coach of the Year three times and received conference coach of the year honors seven times. Wise previously has been recognized for her lifetime achievement with induction into the NAIA Basketball Hall of Fame in 2000 and the Kentucky Athletic Hall of Fame in 2010. Wise retired as women's basketball coach in 2007. She remains at Campbellsville as head of the university's Department of Human Performance. "We are thrilled to recognize Donna Wise with the Jostens-Berenson Lifetime Achievement Award," said Nicole Ellos, Manager Jostens Championship Sports Marketing "It is an honor to help recognize such an amazing career filled with accomplishments and to celebrate Coach Wise's commitment to her players, her university and to women's basketball." Wise will be formally recognized during the WBCA Awards Show, which will be held at 6 pm EDT Monday, April 4, in the Indianapolis Convention Center's Sagamore Ballroom. -
CHARLES R. SMITH, JR. Story & Libretto
Our missions is: • to create new operas that enchant, challenge, and inspire our diverse global community & encourage new ways of seeing our world; • to make opera relevant to our 21st century world, nation, and communities We do this: • by engaging new audiences & new generations in the process and the performance of the opera; • by partnering with producers and community organizations to extend our reach both within and far outside the walls of the opera house. Opera was first created as a theatrical form for the people. Our mission is to help keep it that way. Ardea Arts, Inc. is a not-for-profit 501(c)(3) corporation. All donations are tax-deductible to the full extent allowed by law. [email protected] // 463 BROOME ST, NEW YORK, NY 10013 // TEL 212.431.7039 ARDEAARTS.COM WWW.ARDEAARTS.COM/BOUNCE Promo Pack: www.artistecard.com/bounce Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com ABOUT THE SHOW BOUNCE Promo Kit: www.artistecard.com/bounce “...a new form of Opera and a cast of wonderful young people...” From an Audience Member at our March Presentation 2017 Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com CREDITS BOUNCE THE BASKETBALL OPERA Concept & Direction: Grethe Barrett Holby Story & Libretto: Charles R. Smith, Jr. Lead Composer: Glen Roven Additional Music: Tomás Doncker Basketball EDM Tracks: Ansel Elgort aka DJ Ansolo Co-Producer & Conductor: Everett McCorvey Location: Basketball courts or large flexible theatrical space. -
John Calipari Dribble Drive Motion 5 Offense
John Calipari Dribble Drive Motion 5 Offense It's been a while since I've revisted the dribble drive offense with any depth and since John Calipari's DVDs have finally debuted, I thought I would release the hounds with Calipari's version of Walberg's system. There a few continuity-based halfcourt sets that Calipari has added to the system while at Memphis and will likely use at Kentucky. It will take a few posts to get them all through, but this is the first one. Motion 5 To preface the diagrams, remember that at all times the goal of the offense is to get to the rim. Once a player gets into the 'rack zone', DDM terminology for 'in the key', the goal is to dunk it (or layup). Ordinarily, O5 is down low, but in this case O4 is down low and O5 is up top. The continuity starts with O1 trying to beat his defender off the dribble. If he cannot get past, he passes to O2 who comes straight up from the corner. O1 loop cuts to the corner after the pass O2 attempts to take his defender off the dribble by turning the corner with a middle drive. O5 relocates cross the lane up top. O3 steps up out of the corner to the opposite free- throw line extended. O4 relocates block to block. If O2 is unable to turn the corner, he can find O4. If O4 is not open, then the pass goes to O3, The same action repeats except with O3 driving and O1 in the opposite corner coming up to the opposite free-throw line extended, Now, you can run that action over and over again, just like any traditional continuity offense like a flex, etc. -
New Jersey State Interscholastic Athletic Association Route 130, P.O
New Jersey State Interscholastic Athletic Association Route 130, P.O. Box 487 Robbinsville, New Jersey 08691 COMPILATION AWARD of HONOR/SPORTS AWARD RECIPIENTS NJSIAA '89 - Anthony S. Bocchieri AWARD OF HONOR RECIPIENTS Richard Luttrell '77 - Robert F. Dotti '90 - Jerome D. Greco James G. Growney Granville V. Magee* '91 - Norman C. VanArsdalen William J. Palese* Dr. Eugene Westlake Walter E. Short T. Ralph Williams '92 - Florence K. Peragallo '78 - Phillips R. Brooks* '93 - Robert F. Kanaby Robert L. Duncan* Howard T. Irvine* '94 - Robert Hopek K. Kiki Konstantinos David Swetnam Eugene C. Littler Edward G. Myer '95 - Roy Schleicher Virgil Sasso '96 - Dr. Sam Crosby '79 - Gerald Hopkins William "Mickey" Corcoran Reverend Angelo Palermo Albert "Chet" Redshaw* ‘97 - Frank J. Cicarell Claude Schmitt ‘98 - Msgr Michael E. Kelly '80 - Richard C. Mirshak Abner West ‘99 - Arthur R. Smith '81 - Douglas King 2000 - Rich Kane Virginia B. Whitaker 2001 - Paul McInnis '82 - Dr. C. Joseph Martin 2002 - James H. Bathurst '83 - Joseph P. Irvin Leonard A. Westman 2003 - Kim DeGraw-Cole '84 - Joseph Coviello 2004 - Michael Ritacco Boyd Sands 2005 - Msgr. Kieran McHugh '85 - Nicholas Gusz Dr. Tim Hosea James Mogan 2006 - Fr. Luke Travers '86 - John A. Dorsey 2007 - Wakefern/Shop Rite '87 - Marge Giles Jack Speary 2008 - Dr. Philip W. Heery '88 - Frank Baldachino 2009 - Michael Zapicchi Joseph T. Cancellieri 2010 - Carol Parsons *Posthumously Award of Honor Recipients (Continued) 2011 – Michael J. Herbert, Esq.* 2012 - Tom Bowe 2013 - Gary Dorfman 2014 - Wilson Sporting Goods 2015 - Don Danser 2016 - Bill Edelman 2017 - Steve Goodell (Parker McKay) 2018 - Gregory Bailey *Posthumously ATHLETIC TRAINER '91 - Edward Koehler, No. -
The NCAA News
The NCAA December 14,1983, Volume 20 Number 44 Official Publication of the ational Collegiate Athletic Association ~~- John Frank Elizabeth Heiden Terry Hoage !<fan Humphries Sieve Young TpI oaay1 / s T I op l-0mve award winners selected Three National Football Founda- awards. and quarterback Steve Young, nounced in the December 2 I issue of of ceremonies for the event. tion and Hall of Fame scholar-ath- The student-athletes selected are Brigham Young University. The NCAA News. The Today’s Top Five awards are letes, an academic a&America selec- tight end John Frank, Ohio State These current student-athletes will The awards will be presented at presented to student-athletes who tion with medical-school aspirations, University; three-sport star Elizabeth join five former varsity letter winners the 19th annual NCAA honors have achieved athletic success, shown and a three-sport standout who has Heiden, University of Vermont; de- who will receive Silver Anniversary luncheon, to be held January 9, leadership qualities and displayed won an NCAA cross country skiing fensive backTerry Hoage, tlniversity awards to become the College Ath- 1984, in conjunction with the NCAA academic prowess. Only seniors from title have been named recipients of of Georgia; offensive lineman Stefan letics Top Ten for 1983. The Silver Convention. CBS news correspondent the current calendar year are eligible. the Association’s Today’s Top Five Humphries, University of Michigan, Anniversary winners will be an- Charles Kuralt will serve as master John Frank The Ohio State tight end has averaged more than I I yards per NCAA Award of Valor will go fo ]oe Delaney reception during his career. -
Women's Basketball Award Winners
WOMEN’S BASKETBALL AWARD WINNERS Division I All-America Teams 2 Division II All-America Teams 9 Division III All-America Teams 11 National Award Winners 15 Coaching Awards 21 Other Honors 24 First Team All-Americans By School 27 First Team Academic All-Americans By School 37 NCAA Postgraduate Scholarship Winners By School 42 DIVISION I ALL-AMERICA TEAMS 1983 Anne Donovan, Old Dominion; Valerie Still, 1992 Shannon Cate, Montana; Dena Head, Kentucky; LaTaunya Pollard, Long Beach Tennessee; MaChelle Joseph, Purdue; WBCA St.; Paula McGee, Southern California; Rosemary Kosiorek, West Virginia; Tammi First selected in 1975. Voted on by the Wom en’s Cheryl Miller, Southern California; Janice Reiss, Virginia; Susan Robin son, Penn Basket ball Coaches Association. Was sponsored Lawrence, Louisiana Tech; Tanya Haave, St.; Frances Savage, Miami (FL); Dawn by Kodak through 2006-07 season and State Tennessee; Joyce Walker, LSU; Jasmina Staley, Virginia; Sheryl Swoopes, Texas Farm through 2010-11. Perazic, Mary land; Priscilla Gary, Kansas Tech; Val Whiting, Stanford. St. 1993 Andrea Congreaves, Mercer; Toni Foster, 1975 Carolyn Bush, Wayland Baptist; Marianne 1984 Pam McGee, Southern California; Cheryl Iowa; Lauretta Freeman, Auburn; Heidi Crawford, Immaculata; Nancy Dunkle, Cal Miller, Southern California; Janice Gillingham, Vanderbilt; Lisa Harrison, St. Fullerton; Lusia Harris, Delta St.; Jan Lawrence, Louisiana Tech; Yolanda Tennessee; Katie Smith, Ohio St.; Karen Irby, William Penn; Ann Meyers, UCLA; Laney, Cheyney; Tresa Brown, North Jennings, Nebraska; Sheryl Swoopes, Brenda Moeller, Wayland Baptist; Debbie Carolina; Janet Harris, Georgia; Becky Texas Tech; Milica Vukadinovic, California; Oing, Indiana; Sue Rojcewicz, Southern Jackson, Auburn; Annette Smith, Texas; Val Whiting, Stanford. -
Buffalo Continuity This Continuity Offense Was Developed from a Set Play Ran by Buffalo High School in Minnesota
Buffalo Continuity This continuity offense was developed from a set play ran by Buffalo high school in Minnesota. I was an assistant coach for a team that played them in the playoffs and this was one of the set plays our scouts sent to us. I really liked the action and just tweaked it to make it a continuity offense. In all reality, I am a motion offense guy through and through. But I’m not against using set plays or simple continuity offenses from time to time. This is one I feel I could implement easily and employ if need be. I’m going to add some thoughts and notes in on the possible little things you could add here and there. Take what you want, throw what you don’t! Make this offense your own. Basic Overview For the diagrams, the offense starts out in a 1-2-2 look. I will have a section in the end on getting into it out of different alignments. The point guard brings the down and picks a side by dribbling at one of the wings. As the wing sees that they are being dribbled at, they should cut to the basket, across the lane and to the opposite corner of the floor. The backside post player can set a flair screen initially for him if you desire, especially if he is a shooter. The post player on the back side should flash up to the back side high post as should the ball side post player. The ball side post player, however, can wait a second or two and look for a post up if you desire.