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Courtesy of Guruji Sri KP Shenoy Rangaraj M Rangayyan Bansuri

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Courtesy of Guruji Sri KP Shenoy Rangaraj M Rangayyan Bansuri Courtesy of Guruji Sri KP Shenoy Rangaraj M Rangayyan Bansuri Notes Bansuri-1: • Introduction • Bansuri Exercises with the Notes of Yaman • Introduction to Ragas o Lakshan Geet or Sargam in Yaman, Hindol, Hamsadhvani, Bhupali • Cheeza, Gat, and Taan in o Yaman o Hindol o Hamsadhvani o Bhupali o Maru Bihag • Practice Playing with Tabla • Composition for SILPA Graduation Bansuri-2: • Repeat Bansuri Exercises with the Notes of Bilaval and Khamaj • Introduction to Ragas o Lakshan Geet or Sargam in Durga, Bihag • Cheeza, Gat, and Taan in o Kedar o Nand o Hamir o Hamsadhvani o Durga o Bihag o Khamaj o Brindavani Sarang o Bhinna Shadja o Mand o Mishra Mand (Dhun) • Practice Playing with Tabla • Composition for SILPA Graduation Bansuri-3: • Repeat Bansuri Exercises with the Notes of Marva • Cheeza, Gat, and Taan in o Puriya o Sohini o Shankara o Shankara (Bhajan) o Shuddha Sarang o Tilak Kamod o Kalavati o Ahir Bhairav o Deshkar o Durga (Bhajan) o Maru Bihag (Bhajan) o Yaman (Bhajan) • Introduction to Alap and Improvisation • Practice Playing with Tabla • Composition for SILPA Graduation 1 Courtesy of Guruji Sri KP Shenoy Rangaraj M Rangayyan Bansuri Notes Bansuri-4: • Repeat Bansuri Exercises with the Notes of Bhairav and Kafi • Alap, Jod, Jhala, Cheeza, Gat, Taan, and Improvisation in o Vibhas o Vairagi o Bhairav o Shri o Madhuvanti o Malhar o Dhani o Jog o Durga o Kirvani o Kirvani (Dhrut) o Patdip o Yaman Kalyan (Bhajan) • Incorporation of Alap, Vistar, Jod, and Jhala into Compositions • Practice Playing with Tabla • Composition for SILPA Graduation Bansuri-5: • Repeat Bansuri Exercises with the Notes of Purvi and Asavari • Alap, Jod, Jhala, Cheeza, Gat, Taan, and Improvisation in o Abhogi o Puriya Kalyan o Bhimpalas o Bageshri o Gorakh o Narayani o Megh o Bahar o Des o Shri (Bhajan) o Ahir Bhairav (Bhajan) o Bihag o Shivaranjani o Bageshri (Bhajan) • Incorporation of Alap, Vistar, Jod, and Jhala into Compositions • Practice Playing with Tabla • Composition for SILPA Graduation 2 Courtesy of Guruji Sri KP Shenoy Rangaraj M Rangayyan Bansuri Notes Bansuri-6: • Repeat Bansuri Exercises with the Notes of Todi and Bhairavi • Alap, Jod, Jhala, Cheeza, Gat, Taan, and Improvisation in o Lalit o Bhatiyar o Todi o Komal Rishabh Asavari o Bhupali Todi o Gunakari o Bhairavi o Multani o Sarasvati o Darbari Kanada o Puriya Dhanashri o Marva o Kirvani o Basant o Bageshri (Bhajan) • Incorporation of Alap, Vistar, Jod, and Jhala into Compositions • Detailed Elaboration and Exploration with Ragas • Practice Playing with Tabla • Composition for SILPA Graduation Bansuri-7: • Vilambit Gat (Masit Khani Style), Dhrut Gat (Reza Khani Style), Cheezas, and Elaboration in o Malkauns o Chandrakauns o Madhukauns o Kalavati o Lalit o Bhatiyar o Nat Bhairav o Basant Mukhari • Compositions in Ati Vilambit Ektal and Detailed Elaboration in o Yaman o Bhupali o Durga o Darbari Kanada o Puriya o Puriya Kalyan o Shuddha Sarang o Todi o Bilaskhani Todi o Lalit • Incorporation of Alap, Vistar, Jod, and Jhala into Compositions • Detailed Elaboration and Exploration with Ragas • Practice Playing with Tabla • Composition for SILPA Graduation 3 .
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