TEMPEST STORM: a Documentary
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Black Cowboys in the American West: on the Range, on the Stage, Behind the Badge
Civil War Book Review Spring 2017 Article 16 Black Cowboys In The American West: On The Range, On The Stage, Behind The Badge Jennifer Oast Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Oast, Jennifer (2017) "Black Cowboys In The American West: On The Range, On The Stage, Behind The Badge," Civil War Book Review: Vol. 19 : Iss. 2 . DOI: 10.31390/cwbr.19.2.21 Available at: https://digitalcommons.lsu.edu/cwbr/vol19/iss2/16 Oast: Black Cowboys In The American West: On The Range, On The Stage, B Review Oast, Jennifer Spring 2017 Glasrud, Bruce A. and Searles, Michael N. Black Cowboys in the American West: On the Range, On the Stage, Behind the Badge. University of Oklahoma Press, $24.95 ISBN 9780806154060 “Wait a minute. Blacks Helped Pioneer the West.” – Herb Jeffries Herb Jeffries, a Detroit jazz singer, was dismayed the first time he saw black audiences in the South lining up outside segregated theaters to watch all white casts in the popular cowboy films of the 1930s. He was inspired to create films that showed that black cowboys helped win the West, too. His story is one of many found in Bruce A. Glasrud and Michael N. Searles’s broad and fascinating collection of essays on African Americans’ experiences in the American West titled Black Cowboys in the American West: On the Range, On the Stage, Behind the Badge. The editors organize thirteen brief scholarly articles into three categories: “Cowboys on the Range,” “Performing Cowboys,” and “Outriders of the Black Cowboys.” Glasrud introduces the essays; Searles provides a “concluding overview” of many of the issues raised in the essays at the end. -
HGTV's Alison Victoria
Summer 2015 HGTV’s Alison Victoria crashing kitchens, saving lives Protect Your Pet The Next Step to Avoid these common a No Kill Chicago household risks Englewood door-to-door outreach North Shore Adoption Center Opens! ABOUT If we could, we’d give it a thumbs up. FREDRICK - Adopted May 2015 CLOVER - Adopted May 2015 PAWS CHICAGO MISSION IS TO BUILD NO KILL COMMUNITIES – STARTING WITH A NO KILL CHICAGO – WHERE PETS ARE NO LONGER DESTROYED JUST BECAUSE THEY ARE HOMELESS. Since our founding in 1997, a year in which a staggering 42,561 dogs and cats were killed in Chicago, the number of homeless dogs and cats euthanized annually has dropped significantly, down 77 percent by 2014. But this drop does not mean our work is done: In 2014, 9,817 animals were still killed in Chicago and nearly 60,000 animals were killed in the state of Illinois. When will Chicago be considered a No Kill city? When we are saving every healthy and treatable animal. To reach that goal, PAWS Chicago is implementing a comprehensive No Kill model to build a No Kill Chicago. COMMUNITY ENGAGEMENT HEALTH & BEHAVIOR Community is at the core of everything we do. Engaging the public Part of the commitment to guaranteeing life for all PAWS pets is in the cause of homeless animals and providing them with the keeping them happy, healthy and continually moving toward new information to make lifesaving choices, like adoption and spay/neuter, loving homes. In order to achieve this goal, we have built a is what has brought about such transformation in our 17 years. -
The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
Court Meets Twice Isds Report New Positive Cases
SERVING MONTAGUE COUNTY TEXAS THE BOWIE NEWS $1 © Vol. 98, No. 29 • 2 sections, 16 pages Published without fear or favor since 1922 Saturday, September 26, 2020 Texas Senate insidenews election weekend edition Obituaries - 5A Sept. 29 Your Cards -7A Voters in Texas Senate Our Community - 8A District 30 will go to the Sports - 1-3B, 8B polls on Sept. 29 to select Real Estate - 4B a person to fill the seat Classifieds - 5-7B vacated by Pat Fallon as he makes a congressional obituaries run. Voting locations Bowie: Sept. 29 Elaine Case, 80 Wanda Russell, 86 Bible Baptist Church, Tom Ballew, 75 Bowie Crowley: H.J. Justin Community Bill Schull, 71 Room, Nocona, Saint Jo Civic Center Montague County inserts News photo by Jordan Neal Courthouse Annex MORNING ACCIDENT Community Room A volunteer inside the Bowie Mission at 201 E. Greenwood was injured when this pickup driven by James Davis, Bowie, struck the building at 10 a.m. Thursday. The police report states Davis was about to park at the mission when he unintentionally hit the accelerator causing the pickup to go forward into the building about 24 inches. Lee Polls will be open from Wayne Jones was inside stocking items when the truck hit with such a force that it caused a freezer to move across 7 a.m. to 7 p.m. on Tues- the room and strike Jones, who was pinned between the freezer and a work station bench. Jones was transported day with locations set to Wise Regional for examination and treatment. up at the same places as early voting: Bowie Bible Baptist Church, H.J. -
Soundies Research
Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus. -
Rose La Rose and the Re-Ownership of American Burlesque, 1935-1972
TAUGHT IT TO THE TRADE: ROSE LA ROSE AND THE RE-OWNERSHIP OF AMERICAN BURLESQUE, 1935-1972 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Wellman Graduate Program in Theatre The Ohio State University 2015 Dissertation Committee: Jennifer Schlueter, Advisor Beth Kattelman Joy Reilly Copyright by Elizabeth Wellman 2015 ABSTRACT Declaring burlesque dead has been a habit of the twentieth century. Robert C. Allen quoted an 1890s letter from the first burlesque star of the American stage, Lydia Thompson in Horrible Prettiness: Burlesque and American Culture (1991): “[B]urlesque as she knew it ‘has been retired for a time,’ its glories now ‘merely memories of the stage.’”1 In 1931, Bernard Sobel opined in Burleycue: An Underground History of Burlesque Days, “Alas! You will never get a chance to see one of the real burlesque shows again. They are gone forever…”2 In 1938, The Billboard published an editorial that began, “On every hand the cry is ‘Burlesque is dead.’”3 In fact, burlesque had been declared dead so often that editorials began popping up insisting it could be revived, as Joe Schoenfeld’s 1943 op-ed in Variety did: “[It] may be in a state of putrefaction, but it is a lusty and kicking decomposition.”4 It is this “lusty and kicking decomposition” which characterizes the published history of burlesque. Since its modern inception in the late nineteenth century, American burlesque has both been framed and framed itself within this narrative of degeneration. -
Behind the Burly Q
BEHIND THE BURLY Q A film by Leslie Zemeckis HDCAM SR, 98 minutes, 2010 First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 [email protected] (212) 243-0600 PRAISE FOR BEHIND THE BURLY Q “Utterly entertaining Behind the Burly Q is a painstakingly researched love letter to the women and men who once made up the community of burlesque performers…its treasure trove of vintage photographs and performance footage is enough to make historians and fans of classic erotica swoon…insightful, fascinating.” –Ernest Hardy, The Village Voice CRITICS’ PICK! “Intriguing…fans of theatrical history are well advised to check it out” -New York Magazine “Charming, entertaining…a delight!” –Manohla Dargis, Behind the Burly Q “Provides a privileged front-row seat to sample several of the form's most memorable practitioners… stories run from raunchy to touching to funny to flat-out incredible.” –Ronnie Scheib, Variety “Affectionate and engaging…wonderful vintage footage, a fascinating glimpse into a corner of American history.” –New York Daily News “Fascinatingly strips away at the myths surrounding the most popular American entertainment form of the first half of the 20th century.” –Michael Musto, The Sundance Channel “Quickly paced, absorbing.” –Kyle Smith, The New York Post “History done right: informative, entertaining, funny and finally rather moving…jam-packed with juicy detail, and most of that jam is tasty indeed.”-James van Maanen, Trustmovies “Delightful, engaging…A veritable who's who of the grande dames of the burlesque stage…for -
Plants for a Busy Gardener
FOR IMMEDIATE RELEASE Updated Oct. 21, 2009 CONTACT: Thea Page, 626-405-2260 or @huntington.org Lisa Blackburn, 626-405-2140 or @huntington.org EXHIBITION EXPLORES AFRICAN AMERICAN RENAISSANCE IN LOS ANGELES “Central Avenue and Beyond: The Harlem Renaissance in Los Angeles” displays materials from the Mayme A. Clayton collection for the first time On view in the Library West Hall Oct. 24, 2009–Feb. 8, 2010 Press Preview: Friday, Oct. 23, 2009, 10 a.m.–noon Promotional print for the film Harlem on the Prairie (1937), directed by Sam Newfield and Jed Buell, and starring Herb Jeffries. Mayme A. Clayton Library. SAN MARINO, Calif.—African American arts and culture exploded in early 20th century America, and the Harlem neighborhood of New York City was Ground Zero. Not as well known is what played out in Los Angeles at the same time—a flowering of African American arts, literature, and culture along Central Avenue. A new exhibition at The Huntington Library, Art Collections, and Botanical Gardens explores the Harlem Renaissance in Los Angeles, drawing on materials from The Huntington as well as items from the Mayme A. Clayton Library, which never before have been on public display. The exhibition, “Central Avenue and Beyond: The Central Avenue Page 2 Harlem Renaissance in Los Angeles,” is on view Oct. 29, 2009–Jan. 4, 2010, in the Library West Hall at The Huntington Library, Art Collections, and Botanical Gardens. “People tend to think the Harlem Renaissance took place in one spot,” says Sara “Sue” Hodson, curator of literary manuscripts at The Huntington and co-curator of the exhibition. -
Fang Family San Francisco Examiner Photograph Archive Negative Files, Circa 1930-2000, Circa 1930-2000
http://oac.cdlib.org/findaid/ark:/13030/hb6t1nb85b No online items Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Bancroft Library staff The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2010 The Regents of the University of California. All rights reserved. Finding Aid to the Fang family San BANC PIC 2006.029--NEG 1 Francisco examiner photograph archive negative files, circa 1930-... Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Collection number: BANC PIC 2006.029--NEG The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Bancroft Library staff Finding Aid Encoded By: GenX © 2011 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Fang family San Francisco examiner photograph archive negative files Date (inclusive): circa 1930-2000 Collection Number: BANC PIC 2006.029--NEG Creator: San Francisco Examiner (Firm) Extent: 3,200 boxes (ca. 3,600,000 photographic negatives); safety film, nitrate film, and glass : various film sizes, chiefly 4 x 5 in. and 35mm. Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Local news photographs taken by staff of the Examiner, a major San Francisco daily newspaper. -
Temecula Theater Your Experiences, Your Memories
TEMECULA THEATER YOUR EXPERIENCES, YOUR MEMORIES 2019 - 2020 SEASON #ExperienceTemeculaTheater Reasons we all #LOVETemecula! The City of Temecula celebrates 30 years of incorporation on Sunday, SUBSCRIBE & SAVE December 1, 2019. Temecula’s commitment to providing world-class, affordable, and accessible cultural experiences is evidenced by 2019-2020 Season Package Pricing offers music, dance, and Temecula Theater’s 15th Season offering music, dance, and theater theater lovers the opportunity to experience extraordinary lovers extraordinary experiences at memorable live performances, so evenings at your favorite series performances at a significant close to home. savings. Buy Series Packages and receive the deepest discount or Create Your Own Series by selecting five or more shows to Love builds communities and we are grateful for all the love and get the Pick 5 rates. As a Season Subscriber, you will be set for support from our talented artists, generous volunteers, dedicated the Season without worrying about sold-out performances or staff, and loyal patrons. Temecula’s Theater is dedicated to waiting in line to purchase tickets. encouraging, inspiring, and developing the next generation of performers, producers, presenters, and patrons. BENEFITS The Old Town Temecula Community Theater has entertained • Best Value over 700,000 visitors since opening in 2005. Temecula Presents • Preferred Seating continues the tradition by curating various genres for all ages on • Advance Purchase multiple stages, reflecting the diversity of our growing community by • Prior Notices showcasing legendary heroes and rising stars. • Free Ticket Delivery Temecula’s Theater Foundation, Resident Companies, and community performance partners show love by providing traditional and GROUP SALES contemporary experiences through musical theater, chorus, dance, speakers, and all our @ The Merc Series’. -
Brown Cowboys on Film: Race, Heteronormativity and Settler Colonialism
BROWN COWBOYS ON FILM: RACE, HETERONORMATIVITY AND SETTLER COLONIALISM BEENASH JAFRI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN GENDER, FEMINIST & WOMEN’S STUDIES YORK UNIVERSITY TORONTO, ONTARIO JULY 2014 © Beenash Jafri, 2014 ii ABSTRACT This dissertation analyzes minority-produced westerns as examples of settler cinemas. Though they are produced by subjects at the margins of settler society, I argue that settler colonialism is, nonetheless, a significant cultural context shaping these films. The dissertation intervenes into existing film studies scholarship, which has tended to frame settler colonialism as the historical context structuring the racial oppression of Native Americans, rather than as a constitutive feature of all forms of racial subjugation. As a result, the connections and investments of other racialized subjects within the dynamics of settler colonialism have received limited attention. Drawing on queer, race and Native American/Indigenous studies, the dissertation develops and deploys an intersectional framework for examining film that illuminates the fraught relationship between racialized minorities, Indigenous peoples and settler colonialism. To make its argument, the dissertation examines three sets of films: black westerns, South Asian diaspora films, and Jackie Chan’s martial arts westerns. In each chapter, I consider how existing film scholarship has read these respective films before offering an alternative interpretation that draws attention to their settler colonial contexts. For example, black westerns have been interpreted in terms of anti-racist historical revisionism; South Asian diasporic films have been analyzed in terms of their liminal position between Hollywood and Bollywood film industries; and Jackie Chan’s western parodies have been interpreted in terms of postmodern mimicry. -
San Diego's Bygone Burlesque: the Famous
San Diego’s Bygone Burlesque: The Famous Hollywood Theatre1 Winner of the Joseph L. Howard Memorial Award by Jaye Furlonger Burlesque, one of America’s most significant contributions to popular entertainment in the pre-radio and television era, played an important role in San Diego’s social and cultural history. The legendary Hollywood Theatre put the city on the map as one of the best places in the entire country to find “big time” burlesque, often referred to as the “poor man’s musical comedy.”2 During the 1940s and 1950s, it became a major stopping point on the West Coast circuit for such big-name striptease artists as Tempest Storm, Betty Rowland, and Lili St. Cyr.3 The 1960s, however, brought an end to its “golden era,” and by 1970 the Hollywood was the last great burlesque palace to close on the West Coast. The construction of Horton Plaza in the 1980s eliminated any visible trace of the colorful, bygone world that existed at 314-316 F Street. People now park their cars where the Hollywood once stood and look to shopping and movies for entertainment, not musical comedy. The glamorous headlining striptease artists seductively advertised on the marquee and the droves of young sailors who crowded the sidewalk lining up to see pretty girls and comics have faded into the past. Early burlesque takes root in San Diego: 1880s – 1920s The first American burlesque shows developed in eastern metropolitan centers during the late nineteenth century. The shows played on people’s desires to laugh and lust, the key factors that helped spread its popularity to the far reaches of the country, despite its perceived threat to the social and moral order.