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A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Download Sherlock Series 1 Boxed Set Pdf Book by Steven Moffat
Download Sherlock Series 1 Boxed Set pdf book by Steven Moffat You're readind a review Sherlock Series 1 Boxed Set book. To get able to download Sherlock Series 1 Boxed Set you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this ebook on an database site. Ebook File Details: Original title: Sherlock Series 1 Boxed Set Series: Sherlock (Book 1) 688 pages Publisher: Titan Comics (December 4, 2018) Language: English ISBN-10: 1785868780 ISBN-13: 978-1785868788 Product Dimensions:5.7 x 2.2 x 8.9 inches File Format: PDF File Size: 3675 kB Description: Adapting the first series of the smash-hit TV series into the manga format, collected together in this fantastic Slipcase Edition! Including Art Cards featuring the cover art from the individual books.Includes A Study In Pink, The Blind Banker and The Great Game... Review: ... Book File Tags: Sherlock Series 1 Boxed Set pdf book by Steven Moffat in Comics and Graphic Novels Comics and Graphic Novels pdf books Sherlock Series 1 Boxed Set sherlock boxed series 1 set fb2 set 1 sherlock series pdf sherlock 1 set boxed series book sherlock 1 series boxed set ebook Sherlock Series 1 Boxed Set Recommend this boxed for anyone who wants perspective line drawing clearly explained. In this second installment of the adventures of Set. Prison has hardened him, and boxed with feelings of betrayal, Jenna is in for Set a surprise. -
Conan Watson Og Strand Magazine Antikvarboghandleren Slaget Ved
“I hear of Sherlock everywhere” “Supermoderne, updated Sherlock med sjælen i behold” Læs side 20 Nr. 2 * 2011 * 57. Aargang * ISSN 0902-0330 Conan Doyle’s Djævelens Doktrinside 22 Slaget ved Maivand side 26 Watson og Strand Magazine side 15 Antikvarboghandleren side 21 Side 14 Sherlockiana * Nr. 2 * 2011 Leder Af Bjarne Rother Jensen Sherlock Holmes igen i år var flere besøgende end de år havde banen indkøbt Deerstalkers Klubbens fotoarkiv foregående år, og dermed også flere til personalet og afholdte en sherlocki- der besøgte klubbens stand. Flere ansk konkurrence for publikum, hvor Sherlock Holmes klubben har også i viste betydelig interesse, og fik selv- vinderen fik et weekendophold. Sher- 2011 haft en stand på Krimimessen i følgelig lidt materiale med hjem. Som lock Holmes Klubbens medlemmer Horsens. I år var klubben repræsen- bekendt, rides de to galopløb galopløb deltog ikke i konkurrencen. teret ved Bjarne Nielsen, Nils Nor- Silver Blaze Sweepstakes og Profes- På grund af tekniske problemer, vil berg og Bjarne Rother Jensen. Mes- sor Moriarty Memorial hvert år på Sherlockiana denne gang kun være sen har udvidet sit areal gevaldigt, og Aalborg Væddeløbsbane. De to løb på 12 sider. Dobbeltnummeret er så har således været nød til at flytte nogle er for længst blevet en tradition i Aal- udskudt til næste udgivelse. Skulle af aktiviteterne til områder udenfor borg, og selv om banen gennem tiden medlemmerne således, få en ledig det gamle statsfængsel. Derfor havde har skiftet ledelse, er vi hvert år ble- stund her i sommerferien, er der plads Sherlock Holmes Klubben i år stand i vet kontakten for deltagelse ved ar- i bladet. -
Sherlock III Ep3 FINAL Shooting Script
SHERLOCK III Episode 3 FINAL SHOOTING SCRIPT by STEVEN MOFFAT 09.09.13 EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 1 BLACK SCREEN 1 A voice. Female, refined. LADY SMALLWOOD Mr. Magnussen, please state you full name for the record. MAGNUSSEN Charles Augustus Magnussen. Fading in on ... 2 INT. ENQUIRY ROOM - DAY 2 A government Enquiry. The strip-lit room, the horse-shoe table of MPs, facing the accused. The speaker is Lady Smallwood - fifties, wiry, sharp-eyed. The accused - calmly folded hands on a table top. Next to them, a pair of gold-rimmed spectacles. Magnussen. His voice is soft, reasonable, a Danish accent. LADY SMALLWOOD Mr. Magnussen, how would you describe your influence over the Prime Minister? MAGNUSSEN The British Prime Minster? LADY SMALLWOOD Any of the British Prime Ministers you have known. MAGNUSSEN I never had the slightest influence over any of them. Why would I? Lady Smallwood is consulting some notes. LADY SMALLWOOD I notice you’ve had seven meetings at Downing Street this year. Why? MAGNUSSEN Because I was invited. LADY SMALLWOOD Can you recall the subjects under discussion. MAGNUSSEN Not without being more indiscreet than I believe is appropriate. One of the MPs round the table - Garvie, bullish, self- righteous. (CONTINUED) 1. EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 2 CONTINUED: 2 GARVIE Do you think it’s right that a newspaper proprietor - a private individual and in fact a foreign national - should have such regular access to our Prime Minister? On Magnussen’s clasped hands. -
The Baker Street Roommates: Friendship, Romance and Sexuality of Sherlock Holmes and John Watson in the Doyle Canon and BBC’S Sherlock
The Baker street roommates: Friendship, romance and sexuality of Sherlock Holmes and John Watson in the Doyle canon and BBC’s Sherlock. Riku Parviainen 682285A Bachelor’s Seminar and Thesis English Philology Faculty of Humanities University of Oulu Spring 2020 Table of Contents Abstract .......................................... ................................................................................... 1 1. The Meeting ................................................................................................................... 2 1.1 The doctor and the detective ......................................................................................... 3 1.2 The detective’s past ....................................................................................................... 5 1.3 The meeting re-envisioned ....... ................................................................................... 7 2. Bachelor life at Baker street .......................................................................................... 9 2.1 Victorian friendship ...................................................................................................... 9 2.2 Watson: the incompetent partner?................................................................................. 11 2.3 Conflict at Baker street ................................................................................................. 14 3. Romance at Baker street ................................................................................................ -
Spoilercast 11: Hallelujah! August 4, 2013
Spoilercast 11: Hallelujah! August 4, 2013 (Intro music) Emma: Hi, and welcome to this meeting of Setlock addiction group therapy. I'm Emma, and I will be moderating the meeting today. All: Hi Emma! Emma: It's great to see all of you here. Again. Who would like to go first today? Geny: I guess I will. Hi, my name is Geny, and I am a Setlock addict. All: Hi Geny! Geny: (crying) It's just, you know, the loss. Temporary, I know, but so mocking me. I get up in the morning, and I go to check the Setlock tag, and nothing! Nothing! (sobbing) I was not prepared for this break. I wasn't ready. (more sobbing) Dixie: I'll go next. Hi, my name's Dixie... Geny: (crying) ...I just want more Setlock..... Dixie: ...and I have an addiction to Setlock too. All: Hi Dixie! Dixie: (crying) I keep seeing those horrible, horrible pictures of John. And Mary. Getting married. Shannon: Oh for god's sakes, the Johnlock addict's meeting's next door! Dixie: (still crying) She has to die. Don't you people understand? It's canon, okay? Canon! You don't fuck with canon, Moffat! Oh! I'm going to be fine. But she's still going to die. Emma: Okay, okay, okay. Let's just all calm down. Shannon, go ahead. Shannon: Right. So, I'm Shannon, and I don't really know why I'm here. All original content: Copyright By Fans 4 Fans, LLC. Promotional graphics were created by Fox Estacado. See our Terms for details on use. -
Telling the True Story
Bachelor Thesis Telling The True Story Queerbaiting, representation, and fan resistance in the BBC Sherlock fandom Suzanne Frenk 613191 Algemene Cultuurwetenschappen (Culture Studies) School of Humanities Tilburg University Supervisor: Dr. P. K. Varis Second Reader: Dr. I. E. L. Maly August 18, 2017 Synopsis In this thesis, I follow an online community on Tumblr revolving around a self- proclaimed conspiracy theory called TJLC. This group is part of the broader community of fans of the BBC TV show Sherlock, and is focused on ‘The Johnlock Conspiracy’: the belief that the two main characters of the show, John and Sherlock, are bisexual and gay, respectively, and will ultimately end up as a romantic couple, which would make Sherlock a mainstream TV show with explicit and positive LGBTQIA+ representation. This visibility is especially important to LGBTQIA+ individuals within the TJLC community, who want to see their identities more often and more accurately represented on television. The fact that the creators of Sherlock, as well as several of the actors in the show, are either part of the LGBTQIA+ community themselves or known supporters, works to further strengthen TJLC’ers’ trust in the inevitable unfolding of the story into a romantic plot. The fact that the TJLC community is based on a conspiracy theory not only makes it a remarkable example of fan culture, but has also led to many close readings of the show and its characters – from the textual level to symbolism to the musical score – on a level that can often be seen as close to academic. These pieces of so-called ‘meta’ have led to many predictions about the direction of the show, such as the strong belief that ‘Johnlock’ would become real in season four of the series. -
Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations. -
Journal of Popular Television
1 ‘Sex doesn’t alarm me’: Exploring heterosexual male identity in BBC’s Sherlock. Ashley Morgan, Cardiff Metropolitan University Abstract Using the character of Sherlock Holmes in the recent BBC’s Sherlock (2010– present), this article explores the challenges posed to masculine identity through ascetic behaviour. Asceticism is usually associated with abstinence from food and sexual behaviours for religious purposes, but is used on this occasion to describe a person who has little interest in sexual relationships of any kind. A preoccupation with working life, in this instance, detection, replaces the desire for sexual relationships. Sexual behaviours contribute greatly to masculine, heteronormative identity (Connell 1992) and men are often depicted on television engaging in sexual relationships, or desiring to do so. In Sherlock, Holmes’s lack of interest in sex, despite many opportunities, is of interest as it fails to detract from his strong masculine identity. This article explores Holmes’s homosocial relationship with John Watson, and suggests that an uneven sexual binary occurs when one character is resolutely straight and the other appears as pansexual. Holmes’s masculinity is further ratified through his clothing, drug use, demonstrations of hyper-intellect and narcissism. While sex might be largely absent from this particular portrayal, masculinity is accounted for in these behaviours, which proposes that masculinity need not be predicted in overtly sexual behaviours and that asceticism is a viable form of sexual identity. Keywords: masculine identity, sexuality, asceticism, Sherlock Holmes, hegemonic masculinity, detectives, Sherlock 2 Introduction The BBC version of Sherlock (201-present) has been broadcast in 200 countries around the world (Batty 2015), and theepisode, ‘The Abominable Bride’, which aired in the United Kingdom and the United States simultaneously between 30 December 2015 and 1 January 2016, was the most viewed programme on all channels in the United Kingdom, with an audience of 11.6 million (BBC 2016)1. -
Fanfiction and the Author
TRANSMEDIA Judith May Fathallah Fanfiction and the Author How Fanfic Changes Popular Cultural Texts Fanfiction and the Author Transmedia: Participatory Culture and Media Convergence The book series Transmedia: Participatory Culture and Media Convergence provides a platform for cutting-edge research in the field of media studies, with a strong focus on the impact of digitization, globalization, and fan culture. The series is dedicated to publishing the highest-quality monographs (and exceptional edited collections) on the developing social, cultural, and economic practices surrounding media convergence and audience participation. The term ‘media convergence’ relates to the complex ways in which the production, distribution, and consumption of contemporary media are affected by digitization, while ‘participatory culture’ refers to the changing relationship between media producers and their audiences. Interdisciplinary by its very definition, the series will provide a publishing platform for international scholars doing new and critical research in relevant fields. While the main focus will be on contemporary media culture, the series is also open to research that focuses on the historical forebears of digital convergence culture, including histories of fandom, cross- and transmedia franchises, reception studies and audience ethnographies, and critical approaches to the culture industry and commodity culture. Series editors Dan Hassler-Forest, Utrecht University, the Netherlands Matt Hills, University of Aberystwyth, United Kingdom Editorial -
The Empty Hearse S
1 EXT. CEMETERY. DAY. 1 A stark black gravestone. Dead flowers wilted round the base, messages scrawled on damp cards. The ink has run. It’s like a shrine. The stone’s a bit grubby but the name in gold letters is unmistakable - SHERLOCK HOLMES A shadow falls across it... JOHN (V.O.) Sherlock!! CUT TO: 2 EXT. BART’S HOSPITAL ROOF. DAY. 2 ...flashback... SHERLOCK, phone in hand, stands on the roof of Bart’s. Below him, PASSERS-BY, a red phone-box, a parked laundry van... SHERLOCK (into phone) It’s a trick, John. Just a magic trick. CUT TO: Behind him, the dead body of JIM still lies, blood pooling around his shattered head. CUT TO: JOHN Stop it! John takes a step into the road. SHERLOCK Don’t! Don’t move. Stay right where you are. Keep your eyes fixed on me. I need you to do this for me. JOHN Do what? SHERLOCK This phone call. It’s my note. That’s what people do, isn’t it? Leave a note? 2. JOHN Leave a note when? SHERLOCK Goodbye, John. JOHN No - ! And Sherlock throws himself from the roof... JOHN (CONT’D) Sherlock!! John rushes across the street - and a CYCLIST slams into him. John’s hurled to the tarmac. The cyclist doesn’t stop. John doesn’t see what happens next... CUT TO: 3 INT. BART’S HOSPITAL. DAY. 3 Two MEN in black fatigues manhandle JIM’s corpse into a lift. Fast, ‘Mission Impossible’ style cuts. CUT TO: CLOSE on a contact lens holder. -
Crime Solving As Self-Defense Mechanism of Sherlock
CRIME SOLVING AS SELF-DEFENSE MECHANISM OF SHERLOCK HOLMES IN BBC TV SERIES SHERLOCK A Thesis Submitted to Faculty of Letter and Humanities in Partial Fullfillment of the Requirements for the Degree of Strata One (S1) SARAH MAWARNI 1111026000083 ENGLISH LETTERS DEPARTMENT FACULTY OF LETTERS AND HUMANITY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2016 ABSTRACT Sarah Mawarni. Crime Solving as Self-Defense Mechanism of Sherlock Holmes in BBC TV Series SHERLOCK. A Thesis. English Letter Department, Faculty of Adab and Humanities, State Islamic University Syarif Hidayatullah, Jakarta 2016. The writer uses nine episodes of SHERLOCK BBC TV series which is written by Mark Gatiss as unit analysis in this research. In addition, this TV series is a worldwide prominent adaptation of Sir Arthur Conan Doyle‟s work of Sherlock Holmes. This research emphasizes on character analysis of the main character, Sherlock Holmes and examine the psychological problem in his self psyche, id, ego and superego that is portrayed by his obsession with crime solving. Thus, the writer collects the data from dialogues in the series and takes screenshots of several scenes related with the analysis, then examines them using psychoanalysis theory established by Sigmund Freud. The result of this research is that Sherlock Holmes suffers anxiety as result of his traumas and unpleasing childhood experience, which are losing his Pomeranian dog pet when he was child, his mother‟s position in his family and being underestimated by his older brother as stupid boy. Consequently, his id has strong demand to prove that he is smart and control his superego to be passive.