DOCSLIB.ORG

The Path to the Oscar: Flowchart for Filmmakers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Path to the Oscar: Flowchart for Filmmakers The Path to the Oscar: Flowchart for Filmmakers Make a short film Rent a theatre for a *Short films qualifying (under 40 minutes) week in Los Angeles festival list (The list may change) 42. LEEDS INTERNATIONAL FILM FESTIVAL (U.K.) 1. ACADEMIA DE LAS ARTES Y LAS CIENCIAS CINEMATOGRAFICAS DE ESPAÑA (Spain) 43. LEIPZIG INTERNATIONAL FESTIVAL FOR DOCUMENTARY AND ANIMATED FILM (Germany) 2. ACADÉMIE DES ARTS ET TECHNIQUES DU CINÉMA [CÉSAR] (France) 44. LEUVEN INTERNATIONAL SHORT FILM FESTIVAL (Belgium) 3. ACADEMY OF CANADIAN CINEMA & TELEVISION [CANADIAN SCREEN AWARDS] (Canada) 45. LOCARNO INTERNATIONAL FILM FESTIVAL (Switzerland) 4. AFI FEST (California, USA) 46. LOS ANGELES FILM FESTIVAL (California, USA) 5. ANIMA, THE BRUSSELS ANIMATION FILM FESTIVAL (Belgium) 47. LA SHORTS FEST (California, USA) 6. ANIMA MUNDI (Brazil) 48. MELBOURNE INTERNATIONAL FILM FESTIVAL (Australia) Submit your film to **Screen your short 7. ANIMAFEST ZAGREB – WORLD FESTIVAL OF ANIMATED FILM (Croatia) 49. MONTREAL FESTIVAL DU NOUVEAU CINEMA (Canada) 8. ANN ARBOR FILM FESTIVAL (Michigan, USA) 50. MONTREAL WORLD FILM FESTIVAL (Canada) 9. ANNECY INTERNATIONAL ANIMATION FILM FESTIVAL qualified festivals* for a week (France) 51. MORELIA INTERNATIONAL FILM FESTIVAL (Mexico) 10. ASPEN SHORTSFEST (Colorado, USA) 52. NASHVILLE FILM FESTIVAL (Tennessee, USA) 11. ATHENS INTERNATIONAL FILM AND VIDEO FESTIVAL 53. NEW YORK INTERNATIONAL CHILDREN’S FILM (Ohio, USA) FESTIVAL (New York, USA) 12. ATLANTA FILM FESTIVAL (Georgia, USA) 54. NORDISK PANORAMA FILM FESTIVAL (Five Nordic Countries) 13. AUSTIN FILM FESTIVAL (Texas, USA) 55. OBERHAUSEN INTERNATIONAL SHORT FILM 14. BERLIN INTERNATIONAL FILM FESTIVAL (Germany) FESTIVAL (Germany) 15. BERMUDA INTERNATIONAL FILM FESTIVAL 56. ODENSE INTERNATIONAL FILM FESTIVAL (Denmark) (Bermuda) 57. OTTAWA INTERNATIONAL ANIMATION FESTIVAL 16. BILBAO INTERNATIONAL FESTIVAL OF (Canada) DOCUMENTARY AND SHORT FILM (Spain) Win an award by 58. PALM SPRINGS INTERNATIONAL SHORTFEST 17. BRITISH ACADEMY OF FILM AND TELEVISION ARTS (California, USA) [BAFTA] AWARDS (U.K.) 59. RAINDANCE FILM FESTIVAL (U.K.) 18. CANNES INTERNATIONAL FILM FESTIVAL (France) 60. RHODE ISLAND INTERNATIONAL FILM FESTIVAL a qualified festival 19. CARTAGENA INTERNATIONAL FILM FESTIVAL (Rhode Island, USA) (Colombia) 61. RIO DE JANEIRO INTERNATIONAL SHORT FILM 20. CHICAGOINTERNATIONALCHILDREN’SFILMFESTIVAL FESTIVAL (Brazil) (Illinois,USA) 62. RIVERRUN INTERNATIONAL FILM FESTIVAL (North 21. CHICAGO INTERNATIONAL FILM FESTIVAL (Illinois, Carolina, USA) USA) 63. ST. KILDA FILM FESTIVAL (Australia) 22. CINEQUEST FILM FESTIVAL (California, USA) 64. ST. LOUIS INTERNATIONAL FILM FESTIVAL (Missouri, 23. CLERMONT-FERRAND INTERNATIONAL SHORT FILM USA) FESTIVAL (France) 65. SAN FRANCISCO INTERNATIONAL FILM FESTIVAL 24. CLEVELAND INTERNATIONAL FILM FESTIVAL (Ohio, (California, USA) USA) 66. SANTA BARBARA INTERNATIONAL FILM FESTIVAL 25. CORK FILM FESTIVAL (Ireland) (California, USA) Submit to the 26. DAVID DI DONATELLO AWARD [ACCADEMIA DEL 67. SEATTLE INTERNATIONAL FILM FESTIVAL CINEMA ITALIANO] (Italy) (Washington, USA) 27. DUBAI INTERNATIONAL FILM FESTIVAL (U.A.E.) 68. SHORT SHORTS FILM FESTIVAL (Japan) 28. ENCOUNTERS SHORT FILM AND ANIMATION 69. SHOW ME SHORTS FILM FESTIVAL (New Zealand) Academy Awards FESTIVAL (U.K.) 70. SIGGRAPH (USA) 29. FLICKERFEST INTERNATIONAL SHORT FILM FESTIVAL (Australia) 71. SITGES INTERNATIONAL FANTASTIC FILM FESTIVAL **The screening of your OF CATALONIA (Spain) 30. FLORIDA FILM FESTIVAL (Florida, USA) 72. SLAMDANCE FILM FESTIVAL (Utah, USA) 31. FOYLE FILM FESTIVAL (Ireland) film must charge 73. SOUTH BY SOUTHWEST (Texas, USA) 32. GALWAY FILM FLEADH (Ireland) 74. STUTTGART FESTIVAL OF ANIMATED FILM (Germany) 33. GERMAN SHORT FILM AWARD (Germany) admission, be open to 75. SUNDANCE FILM FESTIVAL (Utah, USA) 34. GIJON INTERNATIONAL FILM FESTIVAL (Spain) 76. SYDNEY FILM FESTIVAL (Australia) the general public and 35. GUADALAJARA INTERNATIONAL FILM FESTIVAL (Mexico) 77. TAMPERE FILM FESTIVAL (Finland) 36. HAMPTONS INTERNATIONAL FILM FESTIVAL (New 78. TRIBECA FILM FESTIVAL (New York, USA) York, USA) run for at least three 79. UPPSALA INTERNATIONAL SHORT FILM FESTIVAL Win the Oscar! 37. HEARTLAND FILM FESTIVAL (Indiana, USA) (Sweden) consecutive days with 38. HIROSHIMA INTERNATIONAL ANIMATION FESTIVAL 80. URBANWORLD FILM FESTIVAL (New York, USA) (Japan) 81. VENICE INTERNATIONAL FILM FESTIVAL (Italy) 39. HUESCA INTERNATIONAL FILM FESTIVAL (Spain) minimum two 82. WARSAW FILM FESTIVAL (Poland) 40. JERUSALEM FILM FESTIVAL (Israel) 83. WINTERTHUR INTERNATIONAL SHORT FILM FESTIVAL screenings per day 41. KRAKOW FILM FESTIVAL (Poland) (Switzerland) .
Load more

Recommended publications
  • 19.05.21 Notable Industry Recognition Awards List • ADC Advertising
    19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio
    [Show full text]
  • 10 –19 January
    29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world.
    [Show full text]
  • Short Film Marketing Guide
    SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit………………………………………………………………………………………………….
    [Show full text]
  • Film Festival Rankings Compiled by Stephen W. Davega by ATTENDANCE 01 Tribeca Film Festival 465,000 02 Rotterdam International
    Film Festival Rankings Compiled by Stephen W. DaVega BY ATTENDANCE 01 Tribeca Film Festival 465,000 02 Rotterdam International Film Festival 355,000 03 Montreal World Film Festival 350,000 04 Toronto International Film Festival 340,843 05 Berlin Int'l Film Festival 340,000 06 Buenos Aires Int'l Indy Film Festival 260,700 07 Rio De Janeiro Int'l Film Festival 223,000 08 Festival of Deauville American Cinema 200,000 09 Pan African Film Festival 200,000 10 San Sebastian Int'l Film Festival 200,000 11 Shanghai International Film Festival 200,000 12 Pusan International Film Festival 198,603 13 Locarno Int'l Film Festival 192,600 14 Sao Paulo Int'l Film Festival 180,000 15 Kerala International Film Festival 175,000 16 Melbourne Int'l Film Festival 170,000 17 Seattle International Film Festival 160,000 18 Mar del Plata Film Festival 150,000 19 Short Shorts Film Festival 150,000 20 Sitges Int'l Film Festival Catalonia 150,000 21 Vancouver Int'l Film Festival 148,360 22 Karlovy Vary Int'l Film Festival 135,759 23 Sydney Film Festival 132,500 24 Clermont Ferrand Short Film Festival 132,000 25 Int'l Doc Film Festival Amsterdam 131,214 26 Fantasporto Oporto Int'l Film Festival 130,000 27 Goteborg Film Festival 122,400 28 Belgrade Int'l Film Festival 120,000 29 Comic Con Int'l San Diego 120,000 30 Molodist Film Festival of Kiev 120,000 BY MEDIA ATTENDANCE 01 Cannes Film Festival 4,376 02 Berlin Int'l Film Festival 3,696 03 Generation 3,600 04 Venice Film Festival 3,500 05 Clermont Ferrand Short Film Festival 2,000 06 Moscow Int'l Film Festival 2,000
    [Show full text]
  • Wed 18 Feb 2009 Response from Sydney Film Festival to Screen
    Suite 102/59 Marlborough St. Surry Hills NSW 2010 Australia PO Box 96 Strawberry Hills NSW 2012 Tel +61 2 9318 0999 Fax +61 2 9319 0055 www.sff.org.au ABN: 84 000 233 74 Wed 18 Feb 2009 Response from Sydney Film Festival to Screen Australia Stage 2 Review The Sydney Film Festival welcomes the opportunity to contribute to the public consultation process being undertaken by Screen Australia and looks forwarded to additional consultation on the Stage 2 Review. Sydney Film Festival - a gateway to the best in film Sydney Film Festival is Sydney and New South Wales' pre-eminent showcase for contemporary cinema from Australia and around the world. Established in 1954, Sydney Film Festival is a major cultural event on the city's social cultural calendar, one of the world's longest running film festivals and the only Australian film festival to present an international competition that is FIAPF* accredited. We have been extending our reach to audiences in regional centres with the Travelling Film Festival since 1974 with screenings and events in regional New South Wales, Queensland and the Northern Territory. Audience engagement The Sydney Film Festival plays an active role in connecting films and the film industry with audiences and provides a context for the discovery, exposure, marketing and promotion of emerging and established filmmakers both locally and internationally. Like many of our peer organisations funded under Screen Australia's Industry and Cultural Development Program, audience and industry development are at the core of our business. Industry development Sydney Film Festival has played a vital role in establishing the profiles of some of Australia's greatest filmmakers, and many of our patrons - Gillian Armstrong, Cate Blanchett, Jane Campion, Nicole Kidman, Baz Luhrmann, Dr.
    [Show full text]
  • Lynn Hershman-Leeson Papers M1452M1452
    http://oac.cdlib.org/findaid/ark:/13030/kt7k4039hc Online items available Lynn Hershman-Leeson Papers M1452M1452 Finding aid prepared by Crystal Rangel and Bill O'Hanlon Department of Special Collections and University Archives 2010 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Lynn Hershman-Leeson Papers M145213265 1 M1452M1452 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Lynn Hershman-Leeson Papers Creator: Hershman-Leeson, Lynn Identifier/Call Number: M1452 Identifier/Call Number: 13265 Physical Description: 155 Linear Feet(100 manuscript boxes, 90 record storage containers) Date (inclusive): 1976-2004 Abstract: A collection of archival papers, audio-visual media, publications, artifacts, photographs, letters, and other documents connected to Hershman-Leeson's art works and projects created since the 1970s and through 2003. Related Collections Women art revolution : videotape interviews by Lynn Hershman-Leeson for film, 1990-2008, M1639. A digital collection containing the video interviews, as well as transcripts, is available online at http://lib.stanford.edu/women-art-revolution. Biographical Note Lynn Hershman Leeson (b. 1941) is a performance artist and filmmaker who, in various media, has investigated the idea of selfhood and what establishes an individual as a sentient, gendered, unique person. Between the years of 1974 and 1978, Hershman Leeson spent much of her time performing as an alter ego, the character Roberta Breitmore. Much of the work--drawings, photographs, clothing, medical records, letters, etc.--Hershman Leeson produced during the Breitmore years related to the character's emotional and practical existences. Hershman Leeson seemed to be demonstrating that the two existences could and should not be easily separated--nor should the artist herself be easily separated from the character she created.
    [Show full text]
  • View Julia's Resume
    Julia Kim Smith juliakimsmith.com [email protected] Education University of Michigan, M.F.A. Visual Communication, Rackham Fellowship Recipient Screenings The Real Wi-Fi Of Baltimore 2017 Official Selection of Slamdance Film Festival, Park City, UT 2017 Official Selection of Cinequest Film Festival, San Jose, CA 2017 Official Selection of Calgary Underground Film Festival, Calgary, Canada 2017 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Vimeo Curated Collection: Comedy Cylburn Park 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Official Selection of Brooklyn Film Festival, Brooklyn, NY Why 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2017 Feminist Art Conference, OCAD University, Toronto, Canada 2016 Gold + Beton, Cologne, Germany Exquisit Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2015 Fuse Art Space, Bradford, UK Exquisite Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2014-2015 Institute for Women and Art, Rutgers University, MTV: Momentum Technology Video and Momentum: Women/Art/Technology 2014 Official Selection of Center For Asian American Media CAAMFest, San Francisco, Berkeley, Oakland, San Jose, CA 2013 DUMBO Arts Festival, Brooklyn, NY 2013 Washington Project for the Arts, Experimental Media: Cyber In Securities, Washington, DC Curator: Lisa Moren, Professor of Visual Art, University of Maryland, Baltimore County 2013 Baltimore Artscape, Slippage, Center for the Arts Gallery, Towson University, Towson, MD Curator: Daniel Belasco, Curator, Samuel Dorsky Museum of Art, State University of New York 2013 The White Building, Public Assembly: An Alternative Summer Show, London, UK Organized by Free Cooper Union (UK) and Lawrence Lek.
    [Show full text]
  • Stu D Y Ab Ro Ad G U Id E
    sydney.edu.au Guide Abroad Study edition2016 The University of Sydney Contact us sydney.edu.au/sydney-abroad 1800 SYD UNI 864) (1800 793 1444 2 8627 +61 Australia) (outside CRICOS 00026A Discover Welcome to the University of Sydney Sydney is Australia’s most exciting, dynamic and stunningly beautiful city, and the University of Sydney reflects every aspect of that excitement, dynamism and beauty. Australia’s oldest University, our principal campus overlooks the city, right next to vibrant shopping and eating areas. Campus life here is outstanding — there are a great many Guide Abroad Study edition2016 clubs and societies you can join during your stay with us that will enable you to make lifelong friends and to discover all that Sydney has to offer. Discover Then, of course, there’s the study… world-class facilities, Why Study Here? ........................... 2 An Unconventional Heritage .......... 4 inspirational academics, and a team of support staff dedicated The heart of Sydney ...................... 6 to assisting you to make the most of your semester here. Sydney Events Calendar ................10 Study The University of Sydney is a vibrant community and a place Contact us sydney.edu.au/sydney-abroad 1800 SYD UNI 864) (1800 793 1444 2 8627 +61 Australia) (outside Our Teachers and Researchers ����� 16 where dreams come true. Come and experience it for yourself. Coursework .................................18 Discipline Areas .......................... 20 Research .................................... 22 Sydney Abroad Internships .........
    [Show full text]
  • Annual Report 2012/2013
    ANNUAL REPORT 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 Table of Contents Statement of Compliance .......................................................... 2 Notes to the Financial Statements ........................................... 44 Overview of the Agency ............................................................. 4 Additional Key Performance Indicator Information ................... 84 Executive Summary ................................................................... 4 Key Efficiency and Effectiveness Indicators.................................85 Operational Structure ................................................................11 Appendix 1.0 Assessment Meetings and Members 2012/2013.........................................................................................100 Agency Performance ............................................................... 21 Significant Issues Impacting the Agency ................................. 31 Appendix 2.0 Productions with ScreenWest funding 2012/2013.........................................................................................107 Disclosures and Legal Compliance.......................................... 32 Independent Auditor’s Report .................................................. 33 Appendix 3.0 Funding Commitments 2012/2013.......................122 Statement of Comprehensive Income ...................................... 37 Statement of Financial Position................................................ 39 Statement of
    [Show full text]
  • Contact FIAPF Accredited Film Festivals
    | Contacts As of end of 2018 Antalya, Turkey Astana, Kazakhstan Berlin, Germany October. July. February. www.antalyaff.com www.eurasiafestival.kz www.berlinale.de [email protected] [email protected] [email protected] International Antalya {T} +90 (242) 248 90 22 Eurasia International {T} +7 701 252 02 15 Berlin International {T} +49 30 25920-0 Film Festival {F} +90 (242) 243 92 82 Film Festival Film Festival {F} +49 30 25920-299 Competitive feature film festival c/o Anset ** Meltem Mahallesi Competitive feature film festival Eurasia Astana IFF Directorate Competitive feature film festival. Potsdamer Straße 5 specialised in new currents in Sakıp Sabancı Bulvarı specialised in films produced in 7/4 Kumsuat St. 10785 Berlin contemporary cinema. Atatürk Kültür Parkı içi – Europe, Central-Asia and Asia. Saryarka district Germany AKM N°: 7 ** 07030 010000 Astana City Muratpasa, Antalya - Turkey Republic of Kazakhstan Menderes Türel Aiman Mussakhajayeva Dieter Kosslick (Festival President) (President) (Director) Mike Downey (Artistic Director) © Ali Ghandtschi Bilbao, Spain Busan, Korea Cairo, Egypt November. October. November. www.zinebi.eus www.biff.kr www.ciff.org.eg [email protected] [email protected] [email protected] {T} Zinebi International Festival {T} +34 94 424 86 98 Busan International {T} +82 51 709 2110 Cairo International +202 23923562 {F} of Documentary and Short Film {F} +34 94 424 56 24 Film Festival {F} +82 51 709 2299 Film Festival +202 23938979 Competitive feature film festival. of Bilbao Colón de Larreategui, Competitive feature film festival 3rd Floor, BIFF HILL, 17 Kasr El-Nil St. Documentary and short film festival. 13 – 3º Iz specialised in first and Busan Cinema Center, Cairo 11111 48001 Bilbao – España second feature films.
    [Show full text]
  • History Sydney Film Festival
    HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World.
    [Show full text]
  • Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY
    Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY Blade Runner 2049 To be released October 6, 2017 Feature film Director Dune in development Feature film Director The Son in development Feature film Director Arrival 2016 Feature film Director AWARDS Academy Awards - Won Oscar Best Achievement in Sound Editing Sylvain Bellemare - Nominated Oscar Best Motion Picture of the Year Shawn Levy, Dan Levine, Aaron Ryder, David Linde/ Best Achievement in Directing Denis Villeneuve/ Best Adapted Screenplay Eric Heisserer/ Best Achievement in Cinematography Bradford Young/ Best Achievement in Film Editing Joe Walker/ Best Achievement in Sound Mixing Bernard Gariépy Strobl, Claude La Haye/ Best Achievement in Production Design Patrice Vermette (production design), Paul Hotte (set decoration), 2017, USA BAFTA Awards - Won, BAFTA Film Award Best Sound Claude La Haye, Bernard Gariépy Strobl, Sylvain Bellemare/ Nominated BAFTA Film Award Best Film Dan Levine, Shawn Levy, David Linde, Aaron Ryder/ Best Leading Actress Amy Adams/ Nominated David Lean Award for Direction Denis Villeneuve/ Nominated, BAFTA Film Award Best Screenplay (Adapted) Eric Heisserer/ Best Cinematography Bradford Young/ Best Editing Joe Walker/ Original Music Jóhann Jóhannsson/ Best Achievement in Special Visual Effects Louis Morin, UK, 2017 AFI Awards – Won AFI Awards for Movie of the Year, USA, 2017 ARRIVAL signals cinema's unique ability to bend time, space and the mind. Denis Villeneuve's cerebral celebration of communication - fueled by Eric Heisserer's monumental script - is grounded in unstoppable emotion. As the fearless few who step forward for first contact, Amy Adams, Jeremy Renner and Forest Whitaker prove the imperative for finding a means to connect - with awe- inspiring aliens, nations in our global community and the knowledge that even the inevitable loss that lies ahead is worth living.
    [Show full text]