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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
The Repeal of DADT
HOWARD BROWN MEETS GOAL PAGE 11 WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 DEC. 29, 2010 TIMES VOL 26, NO. 13 www.WindyCityMediaGroup.com Obama signs DADT repeal BY LISA KEEN RICK GARCIA OPENS KEEN NEWS SERVICE UP AGAIN ON FIRING Following a dramatic and eloquent speech, on Dec. 22 President Obama signed the legislation PAGE 12 that will launch the repeal of a 17-year-old law that prohibits openly gay people from serving in the military. “This is done,” he said, looking up and slap- ping his hand on the table, and the crowded auditorium of an Interior Department building in Washington, D.C., erupted with cheers and applause. The historic ceremony took place less than 24 hours after Republican Senate Minority Leader President Obama signs the DADT Repeal Act of 2010 during a ceremony at the Interior Depart- Turn to page 4 ment in Washington, D.C., on Dec. 22. Official White House photo by Chuck Kennedy LATIN STARS profiLED Doctors IN STEVE STARR BOOK united in PAGE 21 career and life BY ROSS FORMAN David Moore and David Blatt can appreciate the significance of Dec. 1 more than most in Illi- nois. It was, of course, World AIDS Day and also the day that the Illinois State Senate passed the Civil Union Act. Their lives, personally and professionally, are intertwined through their long medical fight against HIV/AIDS—and the fact they were mar- ried during the interval when gay marriages were TRANS WRESTLER legal in California in 2008. -
2016 Program Book
2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3). -
A STAND Talking with Queer Activist PAGE 6
Alice Cozad and Linda Young. Photos courtesy of the couple VOL 35, NO. 23 AUG. 5, 2020 PAGE 10 www.WindyCityMediaGroup.com KEN ILIO Gay-marriage pioneer dies at 63. Photo of Ilio, left, and husband Ron Dorfman by Hal Baim ETERNAL 5 MODEL CITIZEN Jay Manuel releases new book. FLAME Photo by Troy Word Lesbian couple together for 50 years 13 YVONNE ZIPTER TAKING Chicagoan on upcoming poetry collection. Book cover A STAND Talking with queer activist PAGE 6 Asha Ransby-Sporn Asha Ransby-Sporn. 16 Photo by Texas Isaiah @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com 2 Aug. 5, 2020 WINDY CITY TIMES PAGE 6 Chicago Pride Parade 2019. Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) "Kickoff," The Chicago Gay Pride Parade 1976. Diane Alexander White Photography TWO SIDES OF PAGE 20 YESTERDAY APRIL 29, 2020 VOL 35, NO. 20 Looking back at Pride memories of the past (above) WINDYJUNE 24, 2020 and this month’s Drag March for Change (below) PRIDEChicagoBuffalo Pridedrives Grove postponed; on Pride VOL 35, NO. 16 CITY www.WindyCityMediaGroup.com AND TODAY EDDIE TIMES HUNSPERGER PAGE 17 Activist and partner of Rick Garcia dies. Photo of Hunsperger (right) and Garcia courtesy of Garcia 4 Buffalo Grove Pride 2019. SEEING Tim Carroll Photography THE LIGHT Lighthouse Foundation prepares programming. Photo of Rev. Jamie Frazier by Marcel Brunious 8 PAGE 4 www.windycitymediagroup.com From the Drag March for Change. Photo by Vernon Hester @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com @windycitytimes FUN AND GUNN Tim Gunn on his new show, /windycitymediagroup 'Making the Cut'. Photo by Scott McDermott 13 @windycitytimes SUPPORT Photo by Tim Peacock VOL 35, NO. -
Checklist by Room
FRONT DESK COPY Checklist - Fallen Fruit “Empire”, NewcomB Art Museum Listed clockwise per room Entrance Room: The Gateway to Cultural Mythology 1 Artist Unknown Harriott Sophie Newcomb, 1855-1870 Late 19th century to mid 20th century Watercolor, gouache on paper Courtesy of Newcomb Art Museum of Tulane University Gift of Josephine Louise Newcomb 2 Fallen Fruit (David Allen Burns and Austin Young) The French Quarter — New Orleans 2018 wallpaper pattern, variable dimensions created for the exhibition project EMPIRE for Newcomb Art Museum Courtesy of the artists 3 Randolph Rogers Atala and Chactas 1854 Marble Newcomb Art Museum of Tulane University, Gift of Virginia C. Montgomery in memory of her husband R. W. Montgomery 4 Imitation Maya Stela, No. 1 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 5 Imitation Maya Stela, No. 2 c. 1930 Plaster cast inspired by Mayan monuments at Uxmal, Yucatan, Mexico Created for display in M.A.R.I.'s exhibit at the 1933 Chicago World's Fair Courtesy of The Latin American Library 6 After Giovanni Bologna Mercury c. 1580 Bronze cast reproduction Newcomb Art Museum of Tulane University, Gift of the Linton-Surget Collection 7 Designer unknown Hilma Burt House Gilded Mantel Piece c. 1906 This gilded mantelpiece adorned the parlor of the notorious Hilma Burt House, where Jelly Roll Morton reportedly played his “first piano job in the District.” Courtesy of the Al Rose Collection, Hogan Jazz Archive, Tulane University 8 Casting by the Middle American Research Institute Cast inspired by architecture of the Governor’s Place of Uxmal, Yucatán, México c.1932 Plaster, created for A Century oF Progress Exposition (also known as The Chicago World’s Fair of 1933), M.A.R.I. -
“If Music Be the Food of Love, Play On
La Belle Creole “La Belle Creole” would be an apt sobriquet for one of those “Creole babies with flashing eyes” (or perhaps some other “Pretty Baby” in the Big Easy), but it was instead the name of a popular item produced in the city over a century ago. Simon Hernsheim, born in New Orleans March 4, 1839, to Joseph Hernsheim and Ricka Katzenstein, entered a lucrative business in 1857. He began supplying the tobacco leaf for the European market, but soon the Civil War began and he enlisted in the Confederate Army. La Belle Creole cigar box cover There were numerous cigar factories in the French Quarter, and after Reconstruction New Orleans was the nation’s cigar capital. During this golden period (1880s to 1930s), 80% of the nation’s male population smoked a cigar. But no competitor had the output of S. Hernsheim Brothers & Co. In 1882, the cigar tycoon and his brothers erected the immense five-story La Belle Creole Cigar & Tobacco Factory on the corner of Magazine and Julia Streets in what is today the city’s Arts District. The factory employed over a thousand workers, and women outnumbered the men by two to one. The Hernsheim factory was the largest in the country at that time, and in 1892 they rolled 40 million cigars. “La Belle Creole” cigar factory, 1892 (left) and today (right) Cuban tobacco came into the Port of New Orleans, and exports went out to Europe, Mexico and Central America. The most popular brands, “La Belle Creole”, “Jackson Square” and “El Belmont” gained international renown for their quality. -
GLSTN) Chicago Papers, 1995 – 2004 Accession Number: 2005-1 Fonds/Provenance: Matthew Stuczynski
Gerber/Hart Library and Archives 6500 N Clark St, Chicago, IL 60626 [email protected] (773) 381-8030 Gay, Lesbian, and Straight Teachers Network (GLSTN) Chicago Papers, 1995 – 2004 Accession Number: 2005-1 Fonds/Provenance: Matthew Stuczynski Series Number: - Title: Gay, Lesbian, and Straight Teachers Network (GLSTN) Chicago Papers Date Range: 1995 – 2004 Extent: 1 linear foot (1 box) Location: C2F (Row C, Bay 2, Shelf F) Collection History: The Gay, Lesbian & Straight Education Network (GLSTN) was formed in 1990 to work with educators, policy makers, community leaders, and students to address homophobic and heterosexist behavior and bias in schools. The organization changed its name to the Gay, Lesbian, and Straight Education Network (GLSEN) in 1997 and continues to aim to protect students from bullying and harassment, to advance comprehensive safe schools laws and policies, to empower principles to make their schools safer, and to build the skills of educators to teach respect for all people. The Chicago chapter of GLSTN was founded in 1994 and focused on community organizing, advocacy, and in-school programming. The chapter later renamed itself to Creating Safe Schools for Illinois and then in 2007, merged with the Coalition for Education on Sexual Orientation (CESO) to found the Illinois Safe Schools Alliance (the Alliance). Custodial History: Materials appear to have partially or entirely collected by Matthew Stuczynski, one of the co-founders of the Chicago chapter. Scope and Content: The collection consists of printed ephemera, -
Performance Shows Complexity of Life in Storyville's Mahogany Hall
Tulane University Performance shows complexity of life in Storyville’s Mahogany Hall October 01, 2018 3:00 PM Miriam Taylor [email protected] Actors Valentine Pierce, left, and Jasmine Davis, are part of the "Postcards from Over the Edge" cast. (Image by CFreedom) Newcomb Art Museum will host the world premiere of Postcards From Over the Edge, a new theatrical work that illustrates the historical struggles related to the sale of sex in Louisiana. Developed collaboratively by five New Orleans–based artists, the play explores New Orleans’ complex relationship with prostitution and is a local project of the National Performance Network. The performance shifts between the Storyville Mahogany Hall era, circa 1890, a time when prostitution was legal, and the actions of the modern-day civil rights movement. Development of Postcards From Over the Edge was initiated by Karel Sloane-Boekbinder, an award-winning multidisciplinary artist and programs assistant in the School of Liberal Arts’ Department of Theatre and Dance. “Because I’m an artist, my first thought was, how do I tell stories that are not being told, how do I share these stories with a larger community, and how do I connect the community together,” said Sloane-Boekbinder. “We think it’s magical that we have the opportunity to perform in a space that has pieces from Lulu White’s Mahogany Hall on display.” Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University The items once owned by madame Lulu White, proprietor of Storyville’s Mahogany Hall brothel, that are on display as part of the Newcomb Art Museum’s EMPIRE exhibit include salvaged wallpaper, The New Mahogany Hall souvenir booklet, and her desk. -
The Appalling Appeal of the Octoroon: the Shifting Status of Mixed Race Prostitutes in Early Twentieth Century New Orleans
University of North Carolina at Asheville The Appalling Appeal of the Octoroon: The Shifting Status of Mixed Race Prostitutes in Early Twentieth Century New Orleans A Senior Thesis Submitted to The Faculty of the Department of History In Candidacy for the Degree of Bachelor of Arts in History by Mesha Maren-Hogan 1 In January of 1917 the working women of Storyville, New Orleans, one of the “wildest and woolliest” red-light districts in the United States, were preparing for Carnival season.1 For some of the district’s most affluent residents, mixed-race brothel owners such as Lulu White, possessor of “the largest collection of diamonds, pearls and other gems” in the South, and “the Countess” Willie V. Piazza, owner of a “two foot ivory, gold and diamond” cigarette holder used exclusively to smoke Russian cigarettes, Carnival season was a time of great business opportunities.2 These madams were busy purchasing cases of champagne and beer, lining up musicians to entertain and ordering new evening gowns and silk stockings.3 Meanwhile, reformers and city officials were hard at work on quite a different project. Led by Commissioner of Public Safety Harold Newman, Progressive reformers set out to clean up the image of New Orleans. One of their main pieces of legislation, City Ordinance 4118, cut right into the heart of the business that allowed White and Piazza to procure their diamonds and gold, namely the selling of the sexual favors of mixed-race “octoroon” women to white men. Ordinance 4118, set to go into effect in March of 1917, would have racially segregated the legal vice district of Storyville, forcing all non-white prostitutes to abandon their richly adorned bordellos and move into the primarily African-American area uptown of Canal Street.4 Ordinance 4118 shook the core of the social traditions and legislation that had brought octoroon women like White and Piazza to such heights of fame and fortune. -
Center News+Events
BUILDING COMMUNITY•NURTURING YOUTH•FIGHTING VIOLENCE•PROMOTING TECHNOLOGY•SUPPORTING WOMEN•TEACHING SKILLS•PREVENTING HIV•TRAINING PROFESSIONALS•SUSTAINING NUTRITION•ADVANCING CULTURE•DEVELOPING FAMILIES•ENGAGING SENIORS CENTER NEWS+EVENTS Program growth continues; July 2008 Center staff lauded These are exciting times at the Windy City Times 30 under 30 Award Recipients Volunteers Help Launch Center. We’ve recently launched Timothy Bechtel, MA, LSW, Client Services Coordi- our new HIV Testing & Preven- nator, for his work in the Mental Health Program pro- WTTW’s “Out & Proud in tion Program, which provides viding culturally competent mental health services to Chicago” Premiere free, rapid, confidential, anony- hundreds of COH’s Latino consumers. mous testing. In addition to HIV testing, our trained health Laura Velazquez, Anti-Violence Project and Legal Ser- educators have access to the vices Program Manager, for her work in victim advo- latest STD-related information cacy, and anti-violence prevention, education and out- and can provide other client- reach efforts to increase awareness of violence issues centered services, including in the LGBT community. case management and counseling resources from the Center’s Mental Health Services. For more information, Windy City Times 30 under 30 Nominees call 773.661.0910. Jeremy Carter, Crystal Meth Prevention Coordinator, for his trainings promoting diversity and tolerance and Congratulations to Center Staff! his work training LGBTQ youth as peer educators in the I’m proud to acknowledge the following Center on Hal- prevention of HIV and STDs. sted staff members who have recently received recog- Valerie Newman, MAAT, Youth Program Clinician, for nition for their work helping to make our community More than 20 volunteers from Center on Halsted answered stronger. -
Of About Seven Pieces. The^Nd Played Only When the Wagon Stopped at Certain Business Corners? Boys Distributed Handbills Advertising the Dance "Between Stops
MANUEL MANETTA 2 I [of 6]-Digest-Retyped March 21, 1957 Once while playing an advertising job on a wagon with the Crescent Orct'iestra/ for a dance they were to play at the Come Clean IHall] in Gretna/ MM was offered a job playing violin in the District at a saloon operated by Mclshus [sp?] at Marais and Iberville [streets]. The man who (SiSfered the job was Ike Jackson, who led the trio, then consisting of himself on bass/ with guitar and mandolin; Jackson worked many years for Tom Anderson. The Crescent Orchestra were at Eighth and Howard [how LaSalle] when Jackson approached MM. Jackson knew MM* s family. MM was about fourteen years old at the time/ still attending New Orleans University. ^ MM says Ja.ck Carey was very popular on "this side" [New Orleans] of the river^ which is wTny he would advertise on the New Orleans side for a dance his band was to play on the other side. MM talks about the signs the advertising wagons would bear. Description of furnitAre wagons, the type usually used for advertising with bands. The order of seating in a wagon is discussed. The band on a wagon would consist of about seven pieces. The^nd played only when the wagon stopped at certain business corners? boys distributed handbills advertising the dance "between stops. Talk of beverages sold at dance halifes. Talk of bands "bucking"; MM mentions Kid Rena. MM says the tale of tieing wagons together so that the bands occupying them had to stay in the bucking contests is not so. -
Chicago Dancer on Alvin Ailey, Film and Coming Out
Alvin Ailey American Dance Theater’s Vernard J. Gilmore. Copyright Richard Calmes 2014 VOL 31, NO. 4 OCT. 21, 2015 www.WindyCityMediaGroup.com MOVEMENT Chicago dancer on Alvin Ailey, film and coming out BY ANDREW DAVIS WCT: I thought dancers lived on kale. As part of Lincoln Center at the Movies: Great VG: Don’t get me American Dance series, there will be a nationwide wrong; I do like the kale. But showing of the Alvin Ailey American Dance Theater I’m a Libra, so it’s all about bal- (AAADT) Thursday, Oct. 22. ance. An integral part of AAADT (which is based in New WCT: Switching gears, would you York City) is Chicagoan Vernard Gilmore. Having say that performing at the White House [in grown up in Englewood, Gilmore has toured glob- 2010] was a highlight of your career? ally with Ailey II and Alvin Ailey American Dance VG: Oh, yeah. I was lucky and blessed enough Theater for 20 years. to grow up with the company while [Obama] was He is also a choreographer, including for the Ai- running for president. We got to meet the family ley Dancers Resource Fund, a benefit performance on several occasions while we were in Chicago. I held annually which raises money for current and went out to St. Petersburg’s College in Jersey to former Ailey dancers in order to assist with career hear him speak, and I was just enamored. And transitions, choreographic projects, and loans for then watching him come full-circle and become injury-related emergencies. the president, and then watching us becoming more connected to the White House because Mi- Windy City Times: You reside in New York, but chelle loved the company—it was just magical, you’re a Chicagoan at heart? really.