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The Studio Museum in Harlem Ma∂Azine/ 4OZZ ' EW\Bs` &¹ ' Studio/ 4OZZEW\bS` &¹' The Studio Museum in Harlem Ma∂azine/4OZZEW\bS` &¹' From the Director SMH Board of pro∂rams on offer. Target Free Trustees Sundays continues all year, with Chairman new and dynamic activities every Raymond J. McGuire week. Vice-Chair Carol Sutton Lewis Treasurer Re∂inald Van Lee Secretary The Studio Museum in Harlem Ma∂azine /4OZZEW\bS` &¹' Anne B. Ehrenkranz Gayle Perkins Atkins Jacqueline L. Bradley In this issue we also introduce you Kathryn C. Chenault to our 2008–09 artists in resi- Gordon J. Davis The bi∂∂est celebration of this Re∂inald E. Davis 02 What’s Up / Barkley L. Hendricks / VideoStudio / Four Decades / Project Space / Harlem Postcards 9 Projects dence: Khalif Kelly, Adam Pendleton landmark year is, of course, our Susan Fales-Hill and Dawit L. Petros. on View / StudioSound / More-in-Store 12 Special Project / Benefit Print 13 Upcomin∂ Exhibitions 16 Catalo∂ue Gala on October 27, when this issue Dr. Henry Louis Gates Jr. 4OZZEW\bS` &¹' '#$#%/aa]QWObW]\ASgR]c9SbO0O[OY];OZW launches. In reco∂nition of our Sandra Grymes Excerpt / Barkley L. Hendricks 18 Elsewhere / Wedge Collection / Odili Donald Odita / Ben Jones / Rodney McMillian / foundin∂ pro∂ram, this year’s Gala Joyce K. Haupt This fall we continue the yearlon∂ Arthur J. Humphrey Jr. Street Art, Street Life / Latifa Echakhch / Second Lives / Provocative Visions / Neo HooDoo 21 Residency: Revered & honorees will be artist William T. celebration of The Studio Museum Geor∂e L. Knox Reloaded Artists in Residence / Khalif Kelly / Adam Pendleton / Dawit L. Petros Feature / Residency Redux Williams, founder of the pro∂ram, 22 24 #290 Untitled, in Harlem’s fortieth anniversary. Nancy L. Lane / as well as former artists in resi- The latest installment of Studio, Dr. Michael L. Lomax 30 Feature / Interview with Candida Alvarez 32 Feature / Interview with Louis Cameron 34 Studio Fiction / Hilton Als dence Leonardo Drew (1990–91), Tracy Maitland alon∂ with many other pro∂rams 38 Feature / Studio Visits 40 Feature / Mark Bradford 42 Classic Reprint / Black Is a Color by Raymond Saunders Kerry James Marshall (1985–86), Rodney M. Miller and activities this season, reflects Julie Mehretu (2000–01), Alison Eileen Harris Norton 48 Feature / Education 49 Profile / Paul Ro∂ers 52 Target Free Sundays at the Studio Museum 57 Education and Public Keïta Seydou the Museum’s deep commitment to Dr. Amelia O∂unlesi Saar (1983–84) and Wan∂echi artists. From our si∂nature Artist- Corine Pettey Pro∂rams 60 Feature / Sugar Hill by Richard H. Rose 64 Profile / Maysles Cinema 65 Memorial / Barbara Ann Teer Mutu (2003–04). I’m also thrilled in-Residence pro∂ram to our exhi- Charles A. Shorter Jr. to announce that the winner of the 67 Museum Store / Black is Beautiful 68 Development News / Supporters 2007–08 / Member Spotli∂ht bitions of artists of African descent Ann Tenenbaum third Joyce Alexander Wein Artist John T. Thompson at all sta∂es of their careers, the Prize is a former artist in residence! Museum is a nexus for a broad and ex-officio Nadine Robinson (2000–01) Hon. Kate D. Levin diverse network of artists. In Residency Redux we catch up receives a $50,000 prize honorin∂ ex-officio with some of the pro∂ram’s alumni, our late, beloved Trustee Joyce Karen A. Phillips chartin∂ the pro∂ression of careers Wein. Studio launched on 125th Street. In kee- pin∂ with our commitment to both Editor-in-chief With so many excitin∂ artists, Ali Evans emer∂in∂ artists and scholars, friends and pro∂rams at the Mana∂in∂ editor we’ve expanded our popular Studio Museum this fall, I’m sure I’ll see you Tiffany Hu When I be∂an my career as an Visit feature to provide even more around, and definitely uptown! Editor at lar∂e intern at the Studio Museum, I had fresh insi∂ht and inspiration. Lea K. Green the marvelous opportunity to meet Editorial Associate Barkley L. Hendricks, and have trea- We’re expandin∂ in so many ways! Thomas J. Lax Copy editor sured his friendship and admired A major new initiative launched this his work for years. I’m thrilled that Samir S. Patel summer to resoundin∂ success, Art Direction and Desi∂n we are able to present an important Target Free Sundays at the Studio Thelma Golden The Map Office, New York retrospective, Barkley L. Hendricks: Museum opened our doors to thou- Director and Chief Curator Ori∂inal Desi∂n Concept Birth of the Cool, and especially sands of visitors who embraced 2x4, New York ∂lad to welcome him back to the wide ran∂e of family and public Printin∂ the Museum. Cosmos Communications, Inc. The Studio Museum in Harlem is supported, in part, with public funds provided by the followin∂ Thelma’s photo / ∂overnment a∂encies and elected representatives: Timothy Greenfield-Sanders The New York City Department of Cultural Affairs; Upper Manhattan Empowerment Zone Devel- Studio is published three times / Cover Ima∂e a year by The Studio Museum opment Corporation; New York State Council on the Arts, a state a∂ency; Council Member Inez E. Barkley L. Hendricks in Harlem, 144 W. 125th St., Dickens, 9th C.D.; Speaker Christine Quinn and the New York City Council; Assemblyman Keith L. T. Brenda P (detail) Wri∂ht, 70th C.D. throu∂h New York State Office of Parks, Recreation and Historic Preservation; and 1974 New York, NY 10027. Copy- Manhattan Borou∂h President, Scott M. Strin∂er Courtesy The Project, New York ri∂ht © 2009 Studio Ma∂azine. All material is compiled from sources believed to be reliable, This issue of Studio is underwritten, in but published without respon- part, with support from Bloomber∂. sibility for errors or omissions. The Studio Museum in Harlem is deeply ∂rateful to the followin∂ institutional donors for their Studio assumes no responsibil- leadership support: ity for unsolicited manuscripts or photo∂raphs. All ri∂hts, includ- Bloomber∂ Nimoy Foundation in∂ translation into other lan∂- Carne∂ie Corporation of New York The Scherman Foundation ua∂es, reserved by the pub- Citi∂roup Foundation The Peter Jay Sharp Foundation lisher. Nothin∂ in this publication The Horace W. Goldsmith Foundation Tar∂et may be reproduced without the Graham Foundation for Advanced Studies Time Warner, Inc. permission of the publisher. in the Fine Arts The Wachovia Foundation Please email comments to JPMor∂an Chase Foundation The Winston Foundation [email protected]∂. Robert Lehman Foundation MetLife Foundation Joshua Phillippe / hrlm 1 / 2008 3 Studio / 4OZZEW\bS` &¹' 01/ Barkley L. Hendricks 02/ Barkley L. Hendricks 03/ Barkley L. Hendricks My Black Nun Tequila George Jules Taylor EVOb¾aC^ '$" '%& '% Courtesy the artist and the Courtesy the Nasher Courtesy the Nasher Nasher Museum of Art at Museum of Art at Duke Museum of Art at Duke Barkley L. Hendricks: Birth of the Cool 2cYSC\WdS`aWbg C\WdS`aWbg C\WdS`aWbg The Butler Institute of National Gallery of Art, American Art, Youn∂stown, EOaVW\∂b]\21)EWZZWO[1 OH; Museum EVWb\Sg4]c\RObW]\ <]dS[PS` &¹;O`QV# ' >c`QVOaS'& 02 03 The Studio Museum in Harlem is proud to brin∂ to New a profound impact on a ∂eneration of artists, both as an York the first career retrospective of renowned African- artist and as a professor at Connecticut Colle∂e. His body American painter Barkley L. Hendricks (b. 1945). A denizen of work is as vital and vibrant today as it was in 1980, when of the East Coast, Hendricks was born in Philadelphia, he had his first solo exhibition at the Studio Museum. trained at the Pennsylvania Academy of the Fine Arts and Yale University, and now lives and works in New London, Barkley L. Hendricks: Birth of the Cool was curated Trevor Connecticut. He is best known for his life-size portraits of Schoonmaker at the Nasher Museum of Art at Duke people of color livin∂ in urban areas in the 1960s and 70s, University in Durham, North Carolina, and will travel to includin∂ works such as Brenda P (1974), Tuff Tony (1978) the Santa Monica Museum of Art in California, the and Lawdy Mama (1969), which is part of the Studio Pennsylvania Academy of the Fine Arts in Philadelphia and Museum’s permanent collection. By capturin∂ a moment the Contemporary Arts Museum Houston after it leaves in post-civil-ri∂hts fashion, throu∂h his ability to make the Studio Museum. Ð his subjects icons, Hendricks’s body of work stands out Barkley L. Hendricks: Birth of the Cool was organized by the Nasher Museum of Art as unique amon∂ his contemporaries. This unparalleled at Duke University. The exhibition is sponsored in part by the Andy Warhol Founda- exhibition of Hendricks’s paintin∂s includes work from tion for the Visual Arts, Inc., the National Endowment for the Arts, which believes the 1960s to the present. Alon∂side his iconic portraits, that a great nation deserves great art, the Mary Duke Biddle Foundation, and the 01 North Carolina Arts Council with funding from the state of North Carolina. Barkley L. Hendricks: Birth of the Cool features many of Hendricks’s early works and newest pieces, small en plein The exhibition is supported at the Studio Museum by a grant from The Horace W. Goldsmith Foundation. air studies of the Jamaican landscape. Hendricks has had 5 Studio / 4OZZEW\bS` &¹' 01/ Jayson Keelin∂ Jesus, Speak of Me as I am EVOb¾aC^ (still) EVOb¾aC^ 2007 VideoStudio: An On∂oin∂ Series of Courtesy the artist Collection in Context: Four Decades Video and Time–Based Art <]dS[PS` &¹;O`QV# ' <]dS[PS` &¹;O`QV# ' with the Museum. This new initiative will reflect video art’s experimental antecedents, as well as its continued possibilities for shiftin∂ conceptions of our identities and positions as artists, viewers, individuals and communities.
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