Bcsfazine #463 • Felicity Walker
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Sector Control *MSghrHrrtd
SECTOR CONTROL *MSGHRHRRTD JUDGE DREDD OLD MAN TIME Mega-City One, 2134 AD. This vast urban nightmare on the east coast of post-apocalyptic EDITOR’S LETTER North America is home to 400 million citizens. Overcrowding is rife, and with crime rampant WELCOME TO THE FIRST MEGAZINE OF 2012, A YEAR WHICH only the Judges can prevent anarchy. Empowered to dispense summary justice, these lawmen PROMISES TO BE MORE THAN A LITTLE EXCITING FOR are judge, jury and executioner, and toughest of them all is Judge Dredd – he is the Law! Judge Dredd created by John Wagner & Carlos Ezquerra DREDD fans everywhere, and we hit the ground running with a high-octane line-up, featuring the start of new supernatu- ARMITAGE THE UNDERGROUND ral series Strange & Darke by John Smith and Colin MacNeil Brit-Cit, 2134 AD. Detective-Judge Armitage is the best plainclothes operative in the Brit-Cit alongside the latest instalments of Armitage and American Justice Department, trawling the seamy underbelly of a rotten state. Often clashing with the Reaper as well as a new Dredd thriller from Michael Carroll bureaucracy that he sees as hindering any CID investigation, he’s also arrogant, opinionated and stubborn. Now, Judge Dredd has arrived in Brit-Cit, tracking stolen technology... and Nick Dyer. Alas, we’ve had to increase the cover price Armitage created by David Bishop, Dave Stone & Sean Phillips by eleven pence (though the cost of a subscription has been AMERICAN REAPER frozen, so take advantage now if you can) but there’ll be no PART FOUR skimping on the quality coming your way over the next twelve New York City, 2062. -
The Well-Mannered War (Doctor Who) Online
xgnae [Ebook pdf] The Well-Mannered War (Doctor Who) Online [xgnae.ebook] The Well-Mannered War (Doctor Who) Pdf Free Gareth Roberts, John Dorney DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #1928858 in Books 2015-05-31Format: AudiobookOriginal language:EnglishPDF # 2 4.96 x .43 x 5.63l, .22 Binding: Audio CD | File size: 71.Mb Gareth Roberts, John Dorney : The Well-Mannered War (Doctor Who) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Well-Mannered War (Doctor Who): 1 of 1 people found the following review helpful. Running out of storyBy Michael BattagliaBack in the day, Virgin had quite the line of Doctor Who books out. Not all of them were winners and some were rather mediocre (none were super-bad but I read some that came close) but it was nice to have someone publishing Who books on a more or less regular basis. And then, apparently out of nowhere, the BBC decided that they could do a better job and yanked the license away from Virgin, ending both the Missing Adventures line (which this particular book was part of) and the Seventh Doctor focused New Adventures line. You think that none of this is relevant? Well, I'm not finished yet. The last of the Missing Adventures features the fourth Doctor, Romana (the second one, played by Lalla Ward) and the ever-cheerful K-9. Still running from the Black Guardian (don't ask) they wind up on a planet near the end of Time and quickly get wrapped up in events. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
"The Sun Also Rises" and "On the Road"
UNLV Retrospective Theses & Dissertations 1-1-2008 Authenticity and love in "The Sun Also Rises" and "On the Road" Nate Botsis University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Botsis, Nate, "Authenticity and love in "The Sun Also Rises" and "On the Road"" (2008). UNLV Retrospective Theses & Dissertations. 2339. http://dx.doi.org/10.25669/ot0a-ckok This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. AUTHENTICITY AND LOVE IN THE SUN ALSO RISES ANUONTHEROAD by Nate Botsis Bachelor of English Michigan State University 2000 A thesis submitted in partial fulfillment of the requirements for the Master of Arts in English Depa^ment of English College of Liberal Arts Graduate College University of Nevada. Las Vegas August 2008 UMI Number: 1460459 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. -
Desire, Disease, Death, and David Cronenberg: the Operatic Anxieties of the Fly
Desire, Disease, Death, and David Cronenberg: The Operatic Anxieties of The Fly Yves Saint-Cyr 451 University of Toronto Introduction In 1996, Linda and Michael Hutcheon released their groundbreaking book, Opera: Desire, Disease, Death, a work that analyses operatic representations of tuberculosis, syphilis, cholera, and AIDS. They followed this up in 2000 with Bodily Charm, a discussion of the corporeal in opera; and, in 2004, they published Opera: The Art of Dying, in which they argue that opera has historically provided a metaphorical space for the ritualistic contemplation of mortality, whether the effect is cathartic, medita- tive, spiritual, or therapeutic. This paper is based on a Hutcheonite reading of the Fly saga, which to date is made up of seven distinct incarnations: George Langelaan published the original short story in 1957; Neumann and Clavell’s 1958 film adaptation was followed by two sequels in 1959 and 1965; David Cronenberg re-made the Neumann film in 1986, which gener- ated yet another sequel in 1989; and, most recently in 2008, Howard Shore and David Henry Hwang adapted Cronenberg’s film into an opera. If the Hutcheons are correct that opera engenders a ritualistic contemplation of mortality by sexualising disease, how does this practice influence composers and librettists’ choice of source material? Historically, opera has drawn on the anxieties of its time and, congruently, The Fly: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée CRCL DECEMBER 2011 DÉCEMBRE RCLC 0319–051x/11/38.4/451 © Canadian Comparative Literature Association CRCL DECEMBER 2011 DÉCEMBRE RCLC The Opera draws on distinctly 21st-century fears. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Chapter 1 Fear and Profit in the Fourth Domain
He turned his thinking Toward unknown arts, changing the laws of nature. —Ovid 1 Fear and Profit in the Fourth Domain One symbolic, dual directional, vertical flow that continu- ously proves fruitful in the examination of cultural structures and dynamics is the continuum between purity and pollution. The social organization of norma- tive conditions tends to place purity at the top of the cultural value hierarchy, while pollution tends to lie at the bottom. There is no cross-cultural consistency in expressions of this separation in terms of belief, behav- ior, and representation, and within each culture, there are always contradictions and exceptions to the rules. To be sure, the endless negotiation of how to navigate through and organize the perceived manifestations of purity and pollution is a primary part of cultural becom- ing, and in many ways is key to describing and understanding cultural difference. 16 The Molecular Invasion In western cultures, centuries of intense cultural ex- change among the nations of Europe and North America have given rise to fundamental metanarratives that chan- nel the expression of the categories of purity and pollution. Two fundamental and often linked metanarratives are God and Nature, which are charged with symbolically managing thoughts, behaviors, representations, and all other forms of expression by associating with them vari- ous degrees of value, legitimacy, and acceptability. Purity is a positive subcategory of these primary codes, and hence purity is associated with signs of goodness, legiti- macy, and the authoritative. However, human agents are not only discouraged from fully realizing the category of purity on an earthly plane, they are forbidden from doing so. -
Memory, Time and Identity in the Novels of William Faulkner and Marcel Proust
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 Memory, Time and Identity in the Novels of William Faulkner and Marcel Proust. John Stephen Larose Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Larose, John Stephen, "Memory, Time and Identity in the Novels of William Faulkner and Marcel Proust." (2000). LSU Historical Dissertations and Theses. 7206. https://digitalcommons.lsu.edu/gradschool_disstheses/7206 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
The Bernice Summerfield Stories
www.BIGFINISH.COM • NE w AUDIO ADVENTURES THE BIG FINISH MAGAZINE FREE! THE PHILIP OLIVIER AND AMY PEMBERTON TELL US ABOUT SHARING A TARDIS! PLUS! VORTEX ISSUE 43 n September 2012 BENNY GETS BACK TO HER ROOTS IN A NEW BOX SET BERNICE SUMMERFIELD: LEGION WRITER DONALD TOSH ON HIS 1960s LOST STORY FOURTHE ROSEMARINERS COMPANIONS EDITORIAL Listen, just wanted to remind you about the Doctor Who Special Releases. What do you mean, you haven’t heard of them? SNEAK PREVIEWS AND WHISPERS It’s a special bundle of low-priced but excessively exciting new releases. The package consists of two box sets: Doctor Who: Dark Lalla Ward, Louise Jameson and Eyes (featuring the Eighth Doctor and the Daleks), UNIT: Dominion Seán Carlsen return to studio later (featuring the Seventh Doctor and Klein). PLUS! Doctor Who: Love and this month to begin recording the War (featuring the Seventh Doctor and Bernice Summerfield). PLUS! final series of Gallifrey audio dramas Two amazing adventures for the Sixth Doctor with Jago and Litefoot for 2013. (yes, I know!), Doctor Who: Voyage to Venus and Doctor Who: Voyage Last time we heard them, Romana, to the New World. Leela and Narvin were traversing the multiverse (with K-9 and Braxiatel Now, here’s the thing: this package is an experiment in cheaper still in tow). Now they’re stranded pricing. Giving you even more value for money. If it works and it on a barbaric Gallifrey that never attracts more people to listen – and persuades any of you illegal discovered time travel… and they’re downloaders out there – then it’s a model for pricing that we will looking for an escape. -
Connotations Volume 19 Issue 01
Volume 19, Issue 4 August / September 2009 ConNotations FREE The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society A Conversation with Featured Inside Paul Cornell Regular Features Special Features by Lee Whiteside SF Tube Talk An Conversation with All the latest news about Paul Cornell This issue, we’re talking with Paul Scienc Fiction TV shows by Lee Whiteside Cornell, writer of the Doctor Who by Lee Whiteside episodes Father’s Day, Human Hokey Smoke! Nature, and The Family of Blood, Gamers Corner It’s the very nearly 50th recent novel “British Summertime” New and Reviews from Anniversary of Rocky the Flying and writer for several current and the gaming world Squirrel and Bullwinkle J. Moose upcoming series for Marvel Comics. By Shane Shellenbarger Videophile & Around the Dial Reviews of genre releases An Amercan in New Zealand Lee: Some people may see you as an on DVD and current TV shows by Jeffrey Lu overnight sensation, you’ve gotten a lot of acclaim for the Captain Britain Screening Room Kinuko C. Craft – comic and your Doctor Who episodes Reviews of current theatrical releases An Appreciation of Cover Art have been well received. You’ve by Chris Paige actually been writing TV and novels Musical Notes for how many years now? The latest news of Filk and Filkers Plus Paul: Let’s see, I think 1990, was my first professional sale, so we’re Pre-Con News CASFS Business Report coming up on 20 years. Tidbits about upcoming conventions FYI ConClusion News and tidbits of interest to fans L: What was your first sale? © Lee Whiteside News and Reviews P: I won a BBC writing competition of Genre conventions Club Listings and got a short science fiction play on P: I think it was seven across the New BBC 2 just about the same time I started In Our Book and Missing line. -
Genesys John Peel 78339 221 2 2 Timewyrm: Exodus Terrance Dicks
Sheet1 No. Title Author Words Pages 1 1 Timewyrm: Genesys John Peel 78,339 221 2 2 Timewyrm: Exodus Terrance Dicks 65,011 183 3 3 Timewyrm: Apocalypse Nigel Robinson 54,112 152 4 4 Timewyrm: Revelation Paul Cornell 72,183 203 5 5 Cat's Cradle: Time's Crucible Marc Platt 90,219 254 6 6 Cat's Cradle: Warhead Andrew Cartmel 93,593 264 7 7 Cat's Cradle: Witch Mark Andrew Hunt 90,112 254 8 8 Nightshade Mark Gatiss 74,171 209 9 9 Love and War Paul Cornell 79,394 224 10 10 Transit Ben Aaronovitch 87,742 247 11 11 The Highest Science Gareth Roberts 82,963 234 12 12 The Pit Neil Penswick 79,502 224 13 13 Deceit Peter Darvill-Evans 97,873 276 14 14 Lucifer Rising Jim Mortimore and Andy Lane 95,067 268 15 15 White Darkness David A McIntee 76,731 216 16 16 Shadowmind Christopher Bulis 83,986 237 17 17 Birthright Nigel Robinson 59,857 169 18 18 Iceberg David Banks 81,917 231 19 19 Blood Heat Jim Mortimore 95,248 268 20 20 The Dimension Riders Daniel Blythe 72,411 204 21 21 The Left-Handed Hummingbird Kate Orman 78,964 222 22 22 Conundrum Steve Lyons 81,074 228 23 23 No Future Paul Cornell 82,862 233 24 24 Tragedy Day Gareth Roberts 89,322 252 25 25 Legacy Gary Russell 92,770 261 26 26 Theatre of War Justin Richards 95,644 269 27 27 All-Consuming Fire Andy Lane 91,827 259 28 28 Blood Harvest Terrance Dicks 84,660 238 29 29 Strange England Simon Messingham 87,007 245 30 30 First Frontier David A McIntee 89,802 253 31 31 St Anthony's Fire Mark Gatiss 77,709 219 32 32 Falls the Shadow Daniel O'Mahony 109,402 308 33 33 Parasite Jim Mortimore 95,844 270