Light Art Sculptures Proliferate in San Francisco
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Sedgwick, Detert, Moran & Arnold
SEDGWICK, DETERT, MORAN & ARNOLD NICHOLAS W. HELDT (Bar No. 083601) 2 DIANE T. GORCZYCA (Bar No. 201203) One Embarcadero Center, 16th Floor 3 San Francisco, CA 94111-3628 Telephone: (415) 781-7900 4 Facsimile: (415) 781-2635 5 Attorneys for Defendant RSR WHOLESALE GUNS, INC. 6 7 8 SUPERIOR COURT OF THE STATE OF CALIFORNIA 9 FOR THE CITY AND COUNTY OF SAN FRANCISCO 10 11 THE PEOPLE OF THE STATE OF ) CASE NO. 303753 CALIFORNIA, et aI., ) 12 ) RSR WHOLESALE GUNS, INC.'S Plaintiffs, ) RESPONSES TO PLAINTIFFS' FIRST 13 ) SET OF FORM INTERROGATORIES vs. ) 14 ) ARCADIA MACHINE & TOOL, et aI., ) 15 ) Defendants. ) 16 ) 17 18 PROPOUNDING PARTY: Plaintiffs PEOPLE OF THE STATE OF CALIFORNIA 19 RESPONDING PARTY: Defendant RSR WHOLESALE GUNS, INC. 20 SET NUMBER: ONE (1) 21 Defendant RSR WHOLESALE GUNS, INC. (hereinafter "RSR" or 22 "Defendant") responds to Plaintiffs' First Set of Form Interrogatories as follows: 23 FORM INTERROGATORY NO. 1.1: 24 State the name, ADDRESS, telephone number, and relationship to you of each 25 PERSON who prepared or assisted in the preparation of the responses to these interrogatories. 26 (Do not identify anyone who simply typed or reproduced the response.) SEDGWICK. 27 RESPONSE TO INTERROGATORY NO. 1.1: DETERT. MORAN & ARNOLD 28 The responses to these interrogatories were prepared by outside counsel to One Embarcadero Center Sixteenth Floor San F..... ci.sco, California 94111.,'!628 - 1 - TeL 415. 781 . 7900 PRO-SF/51086 RSR WHOLESALE GUNS, INC.'S RESPONSES TO PLAINTIFFS' FIRST SET OF FORM INTERROGATORiES RSR, Nicholas W. Heldt and Diane T. Gorczyca of Sedgwick, Detert, Moran & Arnold, based 2 on infonnation provided by RSR's Senior Vice President and in-house legal counsel, Michael 3 Saporito. -
BANCROFTIANA Number 145 • University of California, Berkeley • Fall 2014
Newsletter of The Friends of The Bancroft Library BANCROFTIANA Number 145 • University of California, Berkeley • Fall 2014 CALIFORNIA Captured On Canvas alifornia Captured on Canvas represents a first for The John superseded John Singer Sargent as the most important CBancroft Library Gallery. The exhibit focuses exclu- and fashionable portrait painter in England. As famous for sively on the Pictorial Collection’s more than 300 paintings. his bohemian life as he was for his bravura portraits, John With the exception of the 120 framed works in the Robert is said to have been the model for Alec Guinness’s character B. Honeyman, Jr. Collection of Early Californian and West- Gulley Jimson in the film The Horse’s Mouth. (Interestingly, ern American Pictorial Material—acquired by the Friends of John painted both T. E. Lawrence’s and King Faisal’s por- The Bancroft Library and the UC Regents in 1963—most of traits. Alec Guinness portrayed Faisal in David Lean’s epic the impressive array of framed works in the Pictorial Collec- film, Lawrence of Arabia.) tion are the result of individual donations or transfers from The inclusion of John Sackas’s colorful paintings collections acquired by gift or purchase. These works range documenting the Golden Gate Produce Market in the late not only in subject matter and geography—portraits from 1950s, before it was torn down in 1962 to make way for the Mexico, landscapes of Utah and the American Southwest— Embarcadero Center, and a study for a mural by Carleton but they also vary in medium from delicate pencil sketches, Lehman, painted on the verso of his portrait of Inez Ghi- watercolors, gouaches, ink and wash drawings, engravings, rardelli, expands the scope of this exhibition beyond the hand-colored lithographs, and photographs to oils on Continued on page 4 canvas, board, and paper. -
FY 18-19 Annual Report
YERBA BUENA DISCOVER THE UNEXPECTED YBCBD ANNUAL REPORT 2018–2019 DISCOVER THE UNEXPECTED Dear Friends and Neighbors, ARTIST JR CREATES AN ORIGINAL MURAL IN YERBA BUENA It’s certain that residents, workers, and visitors to Yerba Buena will experience something new, exciting, and inspiring. The neighborhood’s tapestry is one of renown museums and galleries, landscaped gardens, and major convention facilities. There are unique places to dine, shop, and play. Amid all of this is an exhibition of public art, culinary and architectural excellence, and CITY AT NIGHT: YERBA BUENA UNDER A FULL MOON entertainment offerings unique to the city. To sustain and improve Yerba Buena’s unique characteristics, the YBCBD provides services to help make the neighborhood cleaner, safer, and even more inviting. Thank you to all who help us make Yerba Buena an exceptional place for people of all ages and backgrounds. It’s been an exciting and productive year. We’re thrilled that public art and artistry in the neighborhood grew to new heights — adding to unexpected moments of inspiration and wonder. As part of the Moscone Center expansion, there are now several new works of public art in and around the Moscone Center and Yerba Buena Gardens. The new collection augments major works that the YBCBD helped bring to the neighborhood. Yerba Buena’s ingenuity also extends to its renowned restaurants, architecture, and landscaped spaces. It is reflected in the hundreds of different performances each year of the Yerba Buena Gardens Festival, at the YBCBD’s annual Yerba Buena Night of music, dance and performance, and at our monthly theatrical neighborhood walks. -
Energy Star Qualified Buildings
1 ENERGY STAR® Qualified Buildings As of 1-1-03 Building Address City State Alabama 10044 3535 Colonnade Parkway Birmingham AL Bellsouth City Center 600 N 19th St. Birmingham AL Arkansas 598 John L. McClellan Memorial Veterans Hospital 4300 West 7th Street Little Rock AR Arizona 24th at Camelback 2375 E Camelback Phoenix AZ Phoenix Federal Courthouse -AZ0052ZZ 230 N. First Ave. Phoenix AZ 649 N. Arizona VA Health Care System - Prescott 500 Highway 89 North Prescott AZ America West Airlines Corporate Headquarters 111 W. Rio Salado Pkwy. Tempe AZ Tempe, AZ - Branch 83 2032 West Fourth Street Tempe AZ 678 Southern Arizona VA Health Care System-Tucson 3601 South 6th Avenue Tucson AZ Federal Building 300 West Congress Tucson AZ Holualoa Centre East 7810-7840 East Broadway Tucson AZ Holualoa Corporate Center 7750 East Broadway Tucson AZ Thomas O' Price Service Center Building #1 4004 S. Park Ave. Tucson AZ California Agoura Westlake 31355 31355 Oak Crest Drive Agoura CA Agoura Westlake 31365 31365 Oak Crest Drive Agoura CA Agoura Westlake 4373 4373 Park Terrace Dr Agoura CA Stadium Centre 2099 S. State College Anaheim CA Team Disney Anaheim 700 West Ball Road Anaheim CA Anahiem City Centre 222 S Harbor Blvd. Anahiem CA 91 Freeway Business Center 17100 Poineer Blvd. Artesia CA California Twin Towers 4900 California Ave. Bakersfield CA Parkway Center 4200 Truxton Bakersfield CA Building 69 1 Cyclotron Rd. Berkeley CA 120 Spalding 120 Spalding Dr. Beverly Hills CA 8383 Wilshire 8383 Wilshire Blvd. Beverly Hills CA 9100 9100 Wilshire Blvd. Beverly Hills CA 9665 Wilshire 9665 Wilshire Blvd. -
Virginia 22314 Photo by Joan Brady Free Digital Edition Delivered to Your Email Box
Senior Living Challenges for Page 11 Black Students 50 Years Later Yorktown, Page 3 Cuter by The Dozens ArPets, Page 2 Johanna Pichlkostner Isani with adopted canines Lexie and Paxton and puppy foster Bri. Classifieds, Page 10 Classifieds, Live from the Rugstore Page 4 Requested in home 4-8-21 home in Requested Time sensitive material. material. sensitive Time Marijuana Legalization Postmaster: Attention permit #322 permit Easton, MD Easton, Could Come This Summer PAID U.S. Postage U.S. News, Page 9 STD PRSRT Photo by Joan Brady/Arlington Connection Photo April 7-13, 2021 online at www.connectionnewspapers.com ArPets The Arlington Connection www.ConnectionNewspapers.com @ArlConnection An independent, locally owned weekly newspaper delivered to homes and businesses. Published by Local Media Connection LLC 1606 King Street Alexandria, Virginia 22314 Photo by Joan Brady Photo Free digital edition delivered to your email box. Go to connectionnewspapers.com/subscribe NEWS DEPARTMENT: [email protected] Shirley Ruhe Contributing Photographer and Writer Johanna Pichlkostner Isani with adopted canines Lexie and Paxton [email protected] and puppy foster Bri. Joan Brady Contributing Photographer and Writer Cuter by the Dozens [email protected] Eden Brown Contributing Writer 25 Dogs and Counting [email protected] Ken Moore By Joan Brady much-needed way station. Arlington Connection Contributing Writer Johanna grew up with a dog [email protected] and cat, as well as two “boy” ham- couldn’t wait to vault from my sters who had a litter. Then anoth- ADVERTISING: parents’ house into college. Full er. Then another. And over time, For advertising information Idisclosure, my college was less there wasn’t a kid in her neighbor- [email protected] than 75 miles from my childhood hood who didn’t have one of the 703-778-9431 home and about a 12 minute drive Pichlkostner hamsters. -
Using a Projected Trompe L'oeil to Highlight a Church Interior from the Outside
Using a projected Trompe L'Oeil to highlight a church interior from the outside A. Hoeben fieldOfView Lange Nieuwstraat 23b1 3111AC Schiedam the Netherlands [email protected] The St. Willibrordus Church in the city center of Utrecht (the Netherlands) is a prime example of the Gothic Revival architecture. The richly decorated church interior is, unfortunately, one of the best kept secrets of the city. In the semi permanent art installation presented in this paper, imagery showing the church interior is projected on the outside walls of the entrance of the church. By projecting onto a spherical mirror suspended from the entrance ceiling, the projection is reflected onto three walls and the ceiling. The resulting image, when seen from the street-level outside, creates an perspective illusion. This paper shows how the installation was implemented in the church in an unobtrusive way, and explains the calibration system that was developed for determining the pre-distortions required to project the Trompe L'Oeil. church interior, art installation, digital projection, perspective manipulation, optical illusion 1. INTRODUCTION together constitute a walking route through the city center under the name “Trajectum Lumen”. The In late 2007, the council of the city of Utrecht Trajectum Lumen was officially launched on April embarked on a project to create a new attraction 7th 2010, and will have its climax in 2013 when the for its historic city center, aiming to keep some of city of Utrecht celebrates the 300th anniversary of the shopping public around during the evening the Treaty of Utrecht. hours. 1.1 St. Willibrord church A number of semi-permanent light art installations and sculptures was commissioned from different The St. -
Property Features
www.embarcaderocenter.com Property Features • Four Building Class A Complex • Centrally located in the Financial District with 360 degrees of spectacular views • Retail amenities including shops, restaurants, fitness facilities, a 7-screen cinema, and a state-of-the-art Conference Center • Adjacent to the Embarcadero waterfront and walking distance to landmark locations – Ferry Building, Exploratorium, Pier 39 and AT&T Park • Close proximity to public transportation: BART, MUNI, East Bay and North Bay Ferries, Cable Car, F-line, and the Transbay Transit Center For More Information Contact: Rod Diehl Christine Yuen Erin McNamara Gail Lada Senior Vice President, Leasing Director, Leasing Leasing Manager Leasing Representative 415.772.0763 415.772.0764 415.772.0765 415.772.0766 [email protected] [email protected] [email protected] [email protected] Four Embarcadero Center | Lobby Level Suite One | San Francisco, CA 94111 | www.bostonproperties.com www.embarcaderocenter.com For More Information Contact: Rod Diehl Christine Yuen Erin McNamara Gail Lada Senior Vice President, Leasing Director, Leasing Leasing Manager Leasing Representative 415.772.0763 415.772.0764 415.772.0765 415.772.0766 [email protected] [email protected] [email protected] [email protected] Four Embarcadero Center | Lobby Level Suite One | San Francisco, CA 94111 | www.bostonproperties.com N - Floor Plan www.embarcaderocenter.com AVAILABLE SPACE CONTACT: ROD DIEHL 415.772.0761 THREE EMBARCADERO -
Agenda Packet Is Available for Download at Weta.Sanfranciscobayferry.Com
Members of the Board SAN FRANCISCO BAY AREA WATER EMERGENCY TRANSPORATION AUTHORITY James Wunderman, Chair BOARD OF DIRECTORS SPECIAL MEETING Jessica Alba Thursday, May 20, 2021 at 1:00 p.m. Jeffrey DelBono Anthony J. Intintoli, Jr. VIDEOCONFERENCE Monique Moyer Join WETA BOD Zoom Meeting https://us02web.zoom.us/j/89718217408 Meeting ID: 897 1821 7408 Password: 33779 Dial by your location +1 669 900 6833 US (San Jose) +1 929 205 6099 US (New York) The full agenda packet is available for download at weta.sanfranciscobayferry.com AGENDA 1. CALL TO ORDER 2. ROLL CALL 3. APPROVE FY 2022-2024 TITLE VI PROGRAM Action 4. PRELIMINARY FISCAL YEAR 2021/22 OPERATING AND CAPITAL Information BUDGETS 5. WETA BUSINESS PLAN CONCEPT AND ORGANIZATION Information ADJOURNMENT All items appearing on the agenda are subject to action by the Board of Directors. Staff recommendations are subject to action and change by the Board of Directors. CHANGES RELATED TO COVID-19 Consistent with Governor Gavin Newsom’s Executive Orders N-25-20 and N-29-20, effective immediately and until further notice, meetings will be conducted through virtual participation to promote social distancing and reduce the chance of COVID-19 transmission. PUBLIC COMMENTS As this is a special meeting of the Board, public comments are limited to the listed agenda items. If you know in advance that you would like to make a public comment during the videoconference, please email [email protected] with your name and item number you would like to provide comment on no later than 15 Water Emergency Transportation Authority May 20, 2021 Meeting of the Board of Directors minutes after the start of the meeting. -
Chase Center Opens with
MARINATIMES.COM CELEBRATING OUR 35TH YEAR VOLUME 35 ISSUE 09 SEPTEMBER 2019 Reynolds Rap State of emergency Leaders fiddle while San Francisco burns BY SUSAN DYER REYNOLDS t 1:30 a.m. on Aug. 11, Paneez Kosarian came home to The Watermark condominium complex on Beale Street, just steps away from a Aplanned homeless navigation center, when she was sud- denly and violently attacked. Surveillance video shows Kosarian pulled to the ground by a man, later identified as 25-year-old Austin James Vincent, who was ranting about robots. As Kosarian struggled with Vincent, a female security guard intervened and helped her get Elton John performs at the Chase Center Sept. 13 and 15. PHOTO: DAVID LACHAPELLE/ELTONJOHN.COM inside, but Vincent managed to get inside with her. It took two attempts for both women to push Vincent out and shut the door on him. Chase Center opens with ... The San Francisco District Attorney’s Office charged Vincent (who has “no city of residence” on record) with here’s an impressive line- ing with the San Francis- British rockers Mumford & Sons, false imprisonment, attempted robbery, and two counts up of entertainment at the co Symphony and celebrating whew, Janet Jackson, country rocker of battery. Vincent pleaded not guilty. The video wasn’t much-anticipated Chase Cen- Michael Tilson Thomas’s 25th and Eric Church, and more. shown in court (“Arraignments aren’t evidentiary hear- Tter opening this month, not the least final season. Quite the opening act for Steph ings . If we were to play video at every arraignment of which is Sir Elton on his two-year- The center keeps on giving with Curry and the Warriors, who make the courts would come to a standstill,” District Attorney plus Farewell Yellow Brick Road Tour headliners the Dave Matthews Band, their debut Oct. -
201Third Street
THIRD STREET • Class A building featuring flexible,201 +29,000 RSF floor plates • 346,538 Square feet across 12 stories • Desirable SOMA location in the center of the City’s most active sub-market • Over 150 restaurants, 10 hotels and 6 forms of public transportation within a 6 block radius • AT&T Park, SF MoMA, Yerba Buena Center for the Arts, Moscone Center, Metreon Mall and Westfield Centre all within a 10 minute walk • Recently completed exterior improvements include full building exterior painting, sculptural address signage, deck with seating, updated landscape design and new building entry • Main lobby improvements recently completed include lobby expansion, new security console, state-of-the-art security systems, lounge seating and new management office • LEED Gold certified and Energy Star rated • On-site parking • Starbucks and Fogo de Chao on-site • On-site property management OWNED AND MANAGED BY Christopher T. Roeder Ted Davies Michael DeMaria International Director Managing Director Vice President 415 395 4971 415 395 4972 415 395 7248 [email protected] [email protected] [email protected] License #: 01190523 License #: 01460185 License #: 01366535 BAYBAY ST. ST. FRANCISCOFRANCISCO ST. ST. 101101 CHESTNUTCHESTNUT ST. ST. HARRISHARRIS PL. PL. LOMBARDLOMBARD ST. ST. GREENWICHGREENWICH ST. ST. 101101 JEFFERSONJEFFERSON ST. ST. FILBERT ST. COLUMBUS ST. FILBERT ST. COLUMBUS ST. UNIONUNION ST. ST. BEACHBEACH ST. ST. OCTAVIAOCTAVIA ST. ST. NORTHPOINT ST. GREENGREEN ST. ST. NORTHPOINT ST. GOUGHGOUGH ST. ST. VALLEJOVALLEJO ST. ST. BAYBAY ST. ST. FRANKLINFRANKLIN ST. ST. BROADWAYBROADWAY FRANCISCOFRANCISCO ST. ST. VANVAN NESS NESS AVE. AVE. PACIFICPACIFIC AVE. AVE. CHESTNUTCHESTNUT ST. -
PRESS RELEASE** SFMTA Weekend Transit and Traffic Advisory for Saturday, September 14, 2019
FOR IMMEDIATE RELEASE September 12, 2019 Contact: Erica Kato [email protected] **PRESS RELEASE** SFMTA Weekend Transit and Traffic Advisory For Saturday, September 14, 2019 San Francisco—The San Francisco Municipal Transportation Agency (SFMTA) releases the following upcoming event-related traffic and transit impacts for this weekend, from Thursday, September 12 through Monday, September 16, 2019. For real-time updates, follow us on https://twitter.com/sfmta_muni or visit https://www.sfmta.com/about-us/contact-us/email-and-text-alerts to sign up for real-time text messages or email alerts. For details of Muni re-routes, visit http://www.sfmta.com/news/alerts. This website will be updated when it is closer to the event date. For additional notifications and agency updates, subscribe to our blog, Moving SF for daily or weekly updates. San Francisco Giants Baseball Games Thursday, September 12 through Sunday, September 15: The San Francisco Giants will play four games at the ballpark: • One game against the Pittsburgh Pirates: 1) 12:45 p.m., Thursday. • Three games against the Miami Marlins: 1) 7:15 p.m., Friday; 2) 6:05 p.m., Saturday; and 3) 1:05 p.m., Sunday. For detail on parking conditions during this period and transit options to the ballpark, visit www.sfgiants.com/transportation. For details about transportation to the ballpark, including connections from Bay Area transit system to Muni, visit https://www.sfmta.com/places/oracle-park. Baseball fans can purchase one-way Muni tickets at two ticket vending machines located next to the ball park ticket window at the corner of King and 2nd streets. -
ART, TECHNOLOGY, and HIGH ART/LOW CULTURE DEBATES in CANONICAL AMERICAN ART HISTORY I. Overview in His Media Ar
CHAPTER ONE: ART, TECHNOLOGY, AND HIGH ART/LOW CULTURE DEBATES IN CANONICAL AMERICAN ART HISTORY I. Overview In his Media Art History, Hans-Peter Schwarz of the Center for Art and Media in Karlsruhe, Germany (ZKM) wrote: “The history of the new media [sic] is inextricably linked with the history of the project of the modern era as a whole. It can only be described as the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” I begin with his words, which have strong resonance for me, perhaps beyond his initial intent or ultimate direction. His astute triangulation of those three concepts—new media history, the project of the modern era, and “social reality”—form the nexus of my theoretical investigation. For it seems that current social realities and the project of the modern era largely govern new media’s reception within the Western art history canon. Perhaps clarity regarding the ideological interconnection of these three elements will only be possible with more historical distance. However, this dissertation represents a step toward a better understanding of the sometimes-vicious canonical opposition to the fusion of art and technology, in light of these intersections. Key are his two phrases: “the project of the modern era,” and “the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” On the basis of Schwarz’s text, I take the second phrase to mean the dehumanization that results from industrialization and modern warfare. In regard to artistic production, he rightly underscores the abrupt reorganization of vision precipitated by, for example, developments in photography and cinematography during the early modernist period.