Candyman Killer
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Orde M Ies- ;Ar Tn
. V . 7 5 . 5'vc? 11./11 /•;3 ^ V '. ’- ' \- ■ - . ______ U= STE \?KP MCOCG^^A^HICSs .......................................... A P T E ' 2 7 1 2 'sS 3cC0 >• l a k e C.' Y i t i i . n s m i e s -riys, L Good milorning Orde( ; r s t o ]p s s e (c r e t rn u d e :;ar tna i n Today’s forecastist: B y N .S. Nokkcntvcd - s North AnUiieriea's largest freshwaier;:;r aquifc hipments and toI geget the govemment lo noli- e spent fuel. It now is storeiored indefinitely in . winds. Highs 75 tt( Sunny with light wi r. so il onlylly makes good sense lo assessess the fy local residents:nts when highly radioac- watcr-lllled basiii.s at INEL.EL. 85. Low.s n a ir4 0 . Times-Ncws writer effect o f tlthese operations tin liie en\ be shipped througli their co Navy officials at the Pent,’entagon .still arc re- P age A2 L*nviron- tive waste is to be TW IN FALLS - A secrct; iniiniinload ofra- ment,"Go\ov. Cecil Andnis said in a nenews re mmunitics. viewing the mling and hadIiad no commenl Tu diouctive wasle headed for IdalIdaho has been t lease, Thc Navy hasfi rcrefused to disclose the Sch esday on how thc rulingg wwill atTccl opcra- umed around as a result ofaa fcfederal court r The judgdge’s decision forccs the fed''edenil g ediile o fth e shipmt[^mcnls. tions. Workers at the Navalival Reactors Fncili- Illing.III say aclivisls who havelive been track- ovemmentnt to meet the same environronmen- Since 1957, thehe 1Navy has .senl all o flh e s ty at INEL. -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence. -
Funeral Package Update and Long Term Care Info There Is No Contract Available for This “No Frills” Benefit, by M
PRSRT STD HOUSTON POLICE RETIRED OFFICERS ASSOCIATION US POSTAGE PAID P.O. BOX 130787, HOUSTON, TEXAS 77219 HOUSTON, TX PERMIT NO. 9155 THE With Honor We Served . With Pride We Remember OFFICIALETI PUBLICATIONR OF THEED HOUSTON POLICE RETIREDADGE OFFICERS ASSOCIATION VOL.R XVII, NO. 6 B December 2018 - January 2019 Funeral Package Update and Long Term Care Info There is no contract available for this “no frills” benefit, By M. D. Beale, Jr. but it is available at the time it’s needed for all HPROA members and their spouse/significant other through the A while back we had an elderly officer die that was totally Joseph J. Earthman Generations funeral home. [This indigent. There’s been more than a few along through company is NOT affiliated the Earthman Funeral Home the years. I know it seems a bit hard to believe but it chain around the country who are now part of the Dignity happens more than you might realize. Those of us that franchise. The family sold out some years back and Mr. retired before the DROP/PROP programs started don’t Joseph Earthman now runs his own separate business.] have that cushion to fall back on. Those that retire in the future won’t either. The price of the package includes a One-Day Service at the church or other location of choice; professional Do not be hasty to judge. If an officer has to split his services fees; transfer to the Joseph J. Earthman location retirement check with a previous spouse/significant other within 50 miles; standard care of the deceased or it cuts everything at least in half, or if there’s more than embalming [not required]; dressing and repose to casket; that one to split with, it’s really easy to go through the flower utility vehicle; custom cap panel insert; framed “drag up” money and the monthly check. -
Market Bulletin 01/23/14
Groundhog Day February 2 VOL. 97, No. 2 www.LDAF.la.gov January 23, 2014 2014 graduates of the Louisiana Master Farmer Program were recognized recently. From left to right in the front row are Mary Marceaux; Ricky Klumpp; Pernell Livingston; Christine and Leland Vidrine; and Anthony Beaubouef. Middle row, left to right, are Ricky Womack; Thomas Michael Wall; Shane Milazzo; Michael Luquette; Robert Moss; Ross Morgan; and Nicholas Talley,. Officials on the back row are, left to right, Vendal Fairchild, of the Louisiana Cattlemen’s Association; Bill Richardson, LSU vice president for agriculture; Agriculture and Forestry Commissioner Mike Strain, who also was certified at the meeting as a Master Farmer; and Ernest Girouard, coordina- tor of the Louisiana Master Farmer Program with the LSU AgCenter. (Photo by Bruce Schultz) Ernest Girouard, coordinator of the Louisiana Master Farmer Program with the LSU AgCenter; Vendal Fairchild, of the Louisiana Cattlemen’s Association; Bill Richardson, LSU vice president for agriculture; Agriculture and Forestry 29 new La. Master Farmers recognized Commissioner Mike Strain and Kevin Norton, State By Bruce Schultz Conservationist for USDA-NRCS. (Photo by Veronica Mosgrove, LSU AgCenter LDAF) The 2014 graduates of the Louisiana Master Farmer “It’s nice to work in a state where everyone is working Program were recognized at the 68th Annual Meeting of on the same page.” the Louisiana Soil and Water Conservation Districts Jan. Mike Strain, LDAF commissioner, said Louisiana has 9 in Lafayette. led the nation by developing the Master Farmer A total of 29 newly certified Master Farmers received Program. “Louisiana is truly a pioneer in this respect.” Please deliver this Market Bulletin to: their certifications at the event. -
Louisiana Has Been a Favored Set for Movies and TV Shows Since the Beginning of Film
NEW ORLEANS From Bienville to Bourbon Street to bounce. 300 moments that make New Orleans unique. WHAT HAPPENED The Louisiana 1718 ~ 2018 Motion Picture Tax Incentive became effective 300 July 1, 2002. TRICENTENNIAL FILMED IN LOUISIANA: 2017: THE BEGUILED • LOGAN • MAIDS • SECONDS APART • SO UNDERCOVER • SUNDAY BEST: SEASON 2 GIRLS TRIP • 2016: CREATED EQUAL • DEEPWATER HORIZON • BAD • TEXAS KILLING FIELDS • THAT’S WHAT I AM (BIG RED) • THE CHAPERON • MOMS • HEART BABY • SUPERCON • GIRL TRIP • JUAREZ • QUEEN THE COLONY: SEASON 2 • THE COURIER • THE GREEN LANTERN • THE LUCKY SUGAR • BROTHERS BLOOD • SCREAM: SEASON 2 • PITBULLS ONE • THE POWER OF FEW • THE REAL WORLD: SEASON 24 “BACK TO NEW & PAROLEES SEASON 8 • CUT OFF • MUDBOUND • NCIS NEW ORLEANS” • TREME: SEASON 2 • WORST PROM EVER • YOUNG AND THE ORLEANS SEASON 3 • WHEN WE FIRST MET • 2015: ELVIS RESTLESS • 2009: BAD LIEUTENANT: PORT OF CALL NEW ORLEANS • & NIXON • GHOSTLY MATTERS • PITBULLS & PAROLEES BEAUT Y AND THE BRIEFCASE • DELTA BLUES • DYLAN DOG: DEAD OF NIGHT SEASON 7 • THE DEVIL AND THE DEEP BLUE SEA • FREE • FATHER OF INVENTION • IMAGINATION MOVERS: SEASON 2 • JONAH HEX • STATE OF JONES • WHEN THE BOUGH BREAKS • ZOO SEA- LEGENDARY (BROTHER’S KEEPER) • LIVE! WITH REGIS AND KELLY • LEONIE SON 1 • THE BIG SHORT • SCREAM QUEENS SEASON • KNUCKLEHEAD • MIDNIGHT BAYOU • NIGHT OF THE DEMONS • PREG- 1 • MISCONDUCT • NIGHTWATCH SEASON 2 • INTO THE NANCY PACT • SEEKING JUSTICE (HUNGRY RABBIT JUMPS) • SNATCHED • BADLANDS • KEANU • CARTER & JUNE • ROOTS • RODEO THE EXPENDABLES • THE -
View the 2021 Seminar Topics and Seminar Leaders
2021 Virtual Conference - Seminar Topics Academia and Public Policy in the wake of COVID-19 Deborah Jaramillo, Boston University Jennifer Porst, University of North Texas Christine Becker, University of Notre Dame Open Session - Audience may join the discussion The consequences of the global pandemic have triggered upheaval in academia, exacerbating existing structural inequities and complicating teaching and research. The SCMS Public Policy Committee (PPC) wishes to turn this moment of crisis into an opportunity to make its charge more legible and useful to the general SCMS membership. The aim of this seminar is to open a direct line of communication with SCMS members in order to ascertain which policy issues are foremost on their minds as they teach, research, mentor, and organize in the COVID era. At the top of the committee’s current agenda are the following issues and lines of inquiry: Faculty Organizing: Faculty unions at schools like Florida Atlantic University have illustrated the power and efficacy of labor organizing in higher education, yet many schools and states prohibit or delimit unionization. Are there any public policy solutions to these obstacles or alternate modes of organizing that approach the effectiveness of unions? Fair Use: While the Fair Use exception creates the appearance that the licensing issue is settled, we know of universities that do not acknowledge the exception, an issue that has become even more fraught in the move to remote teaching during the pandemic. Should media scholars consider adjusting how we frame our use of media in the classroom? Do remote teaching circumstances require new additions and exceptions to Fair Use policies and principles? Academic Labor: We are also interested in working on the question of academic labor as it relates not only to contingent faculty but to tenure-track and tenured faculty, as well. -
Dear Parents, Guardians, Good Morning! Please See Some Important Information Below
Dear Parents, Guardians, Good Morning! Please see some important information below: CONGRATULATIONS!! Congratulations to the following visual arts students for their achievements at the Ocean County Teen Arts Festival! Six awards were received by High School North students! Michael Garcia had his artwork chosen for the visual arts touring exhibit, one of only four from Ocean County! Nasia Flowers and Caitlin Bonifacio had their artwork chosen for state exhibit. Diana Ferrulo, Cameron King, and Briane O’Brien had their artwork “Critiqued for Excellence”! Great Job! HELP SAVE OUR SCHOOL FUNDING! The communications campaign to restore our state funding continues! We are now looking for as many letters as possible to bring to the state budget hearing on April 10. Please go to this page for more information. A separate message will also be sent home soon. http://www.trschools.com/community/cant-make-it-to-trenton-here-is-how-you-can-stay- involved Match our students efforts! Write a letter by April 8th. We'll be collecting letters from students, parents, and other community members to deliver en masse (Miracle on 34th Street-style) at the feet of legislators the April 10 budget hearing. C:\Users\ekeller\Desktop\Copy of State Funding Appeal Letter Template 3.19.docx District Leaders Testify About Funding Crisis at State Conference: http://www.trschools.com/community/district-leaders-testify-about-funding-crisis-at-state- conference FREE EVENT! CHANGING THE SCRIPT – An important evening for athletes and their parents. Please attend this important forum designed to prevent opioid exposure among young athletes. C:\Users\ekeller\Desktop\IFPR Athletes Conference Flyer_m1.pdf ATTENTION SENIORS INTERESTED IN OCEAN COUNTY COLLEGE!!!! If you are planning to attend Ocean County College, we will be taking 60 seniors to OCC on Tuesday, May 28 for an Enrollment Day, the final step in the OCC College Pathways program. -
Introduction
Introduction 1 Clive Barker, ‘Cenobite’, 1986. cintro.indd 1 8/2/2017 10:35:01 AM cintro.indd 2 8/2/2017 10:35:02 AM ‘To darken the day and brighten the night’: Clive Barker, dark imaginer S o r c h a N í F h l a i n n In one of his more in-depth television interviews, while promoting his newly published novel Weaveworld in 1987, Clive Barker was introduced by host John Nicolson as having such a remarkable impact on the horror genre that, some believed, ‘it could only be the product of a diseased mind’. 1 Rather than directly insult Barker on television, the description actually amused the author, a gleeful grin spreading across his youthful, handsome face. Th e television show, BBC ’ s Open to Question , was far removed from the more typical book promotion television shows or talk show slots during which hosts gently prod and chat with the author to showcase their new novel. Th e thirty-minute interview quickly proceeded to take the form of a confrontational interrogation, with Barker positioned to off er a defence for the ‘indefensible’ horror genre. Topics were dominated by audience-led comments and queries which evidenced the cultural residue of moral panic, following on from the video nasty crisis that had gripped the UK in the early 1980s. Th ere was a particular emphasis on the potential for copycat killings inspired by his work, or the potential viral spread of violence which, at any moment, threatened to burst forth from the screen simply because of Barker ’ s appearance on the show. -
The Role of Disability in Buffy the Vampire Slayer Amanda H
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic. -
Sheila R. Brown Is the Executive Director of the Cinecares Foundation at Cinespace Chicago Film Studios
Sheila R. Brown is the Executive Director of the CineCares Foundation at Cinespace Chicago Film Studios. There, she developed the Mirkopoulos Internship Program. The program allows young adults from traditionally-underserved communities (with little to no production experience) to obtain paid job training opportunities on network television shows. Her former interns are working on TV shows and motion pictures like Chicago Fire, Chicago P.D., Chicago Med, Empire, The Chi, Batwoman, HBO's Lovecraft Country, Spike Lee's She's Gotta Have it, Jordan Peele's Candyman, and more. Sheila R. Brown Executive Director Sheila began her career in broadcast television CineCares Foundation in 1991. She had impeccable timing as this allowed her to work alongside the Chicago Bulls during their six championship seasons. At age 26, Sheila became the youngest person appointed to the broadcast advisory board for a professional sporting league - the NBA. A year later, she founded Freedom Entertainment, Inc. and enjoyed a diverse list of clients in broadcast television, event management, and marketing/public relations. Her clients included some of the country's most recognizable brands, including the National Basketball Association (NBA), National Hockey League (NHL), Major League Baseball (MLB), TNT, ESPN, MSNBC, Lifetime Television, The Oprah Winfrey Show, People Magazine, Proctor and Gamble/Gillette, and Motown Records. Sheila's current role as Executive Director of the CineCares Foundation allows her to combine her decades of working in entertainment with her many years of working with charitable foundations to now lead CineCares' organizational strategy and vision, programming, fundraising, and external relations.. -
Louisiana Motion Picture Accessories Collection
LOUISIANA MOTION PICTURE ACCESSORIES COLLECTION Inventory Compiled by Hans C. Rasmussen Louisiana and Lower Mississippi Valley Collections Special Collections, Hill Memorial Library Louisiana State University Libraries Louisiana State University, Baton Rouge, La. 2016; revised, 2020 Page | 2 LSU Libraries Special Collections | Louisiana Motion Picture Accessories Collection SCOPE AND CONTENT NOTE The Louisiana Motion Picture Accessories Collection consists of posters, lobby cards, production stills, and other advertising and promotional materials for motion pictures filmed and/or set in Louisiana that were produced between 1941 and 2017. All accessories are from the United States unless noted otherwise. All items bear the same call number in three shelving locations: LLMVC PN1995.9 .P5 L68 (regular, FLAT & MCAGE). Items in each location are further arranged alphabetically by title. Additional details on these films can be found in the following online motion picture databases: IMDb: Internet Movie Database http://www.imdb.com/?ref_=nv_home AFI Catalog of Feature Films http://www.afi.com/members/catalog/default.aspx?s= TCM Movie Database http://www.tcm.com/tcmdb/?ecid=subnavdatabasehome Complete Index to World Film http://www.citwf.com/indexx.asp For more information on film accessories, visit Learn About Movie Posters at http://www.learnaboutmovieposters.com/ Page | 3 LSU Libraries Special Collections | Louisiana Motion Picture Accessories Collection MOTION PICTURE DETAILS ACCESSORIES Title: 12 Years a Slave British quad, double-sided, award style (30” x 40”) Year: 2013 PN1995.9 .P5 L68 MCAGE Director: McQueen, Steve, 1969- Lead Actor: Ejiofor, Chiwetel, 1977- Lead Actress: Dyke, Ashley Storyline: In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. -
WRIT NO. L-77-L79-A 114TH JUDICIAL COURT
WRIT NO. l-77-l79-A TRIAL COURT NO, 1-7’7—179 EX PARTE § IN THE DISTRICT COQV «[3: § § 114TH JUDICIAL COURT . § KERRY MAX COOK § SMITH COUNTY, TEXAS ADDITIONAL EXHIBITIN SUBPORTjDF APPLICATION FOR WRIT OF HABEAS CORPUS TO THE HONORABLE JUDGE OF SAID COURT: NOW COMES the Applicant, KERRY MAX COOK, and submits the following additional exhibits in support of Application for Writ of Habeas Corpus: 1,, Affidavit from Gregg O. McCrary. Respectfully submitted, GARY A. UDASHEN Bar Card No. 20369590 BRUCE ANTON Bar Card No. 01274700 SORRELS, UDASHEN & ANTON 2311 Cedar Springs Road, Suite 250 Dallas, TeXas 75201 214-468-8100 214-468-8104 fax www.sualaw.com gau@s_ualaw.com For The Innocence Project of Texas -and- - Additional Exhibit in Support of Application for Writ of Habeas Corpus Page 1 NINA MORRISON BARRY SCHECK INNOCENCE PROJECT, INC. 40 Worth Street, Suite 701 New York, New YOrk 10013 214-364-5340 214-364-5341 (Fax) Of Counsel Attorneys for Kerry Max Cook CERTIFICATE OF SERVICE The undersigned hereby certifies that a true and Correct copy of the foregoing Applicant’s Additional Exhibits In Support of Application for Writ of Habeas Corpus Was mailed to the following individuals, on this the 27th day of May, 2016: D. Matt Bingham Criminal District Attorney 100 N. Broadway, 4th Floor Tyler, Texas 75702 Michael J. West Assistant Criminal District Attorney 100 N-. Broadway, 4th Floor Tyler, Texas 75702 ’ Keith Dollahite Special Prosecutor 5457' Donnybrook Avenue Tyler, Texas 75703 Allen Gardner Special Prosecutor 102 N. College, Suite 800 Tyler, TeXas 75702 4" GARY A.