Stout/Wolfe Media Fest
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Sunrise at Campobello
SUNRISE AT CAMPOBELLO Thirty-fourth Season-First Production Bruno Koch, Director October 3, 4, and 5, 1963 Lydia Mendelssohn Theatre ANN ARBOR MICHIGAN SUNRISE AT CAMPOBELLO by Dore Schary directed by Bruno Koch designed by Vern Stillwell CAST OF CHARACTERS ANNA ROOSEVELT .......•............ Evy Eugene ELEANOR ROOSEVELT ..•............ Lois Ouellette FRANKLIN D. ROOSEVELT, JR. ........ Greg Tebrich JAMES ROOSEVELT .................. Fred Shippey ELLIOTT ROOSEVELT ....•.........•... Allan True EDWARD ...............••....... Murray Barasch FRANKLIN DELANO ROOSEVELT ....•... William Taylor JOHN ROOSEVELT.......•...........•.. steve Stull MARIE . • . Helga Hover LOUIS McHENRY HOWE .........•....•.. Bruno Koch MRS. SARA DELANO ROOSEVELT ......•. Marie Gilson MISS MARGUERITE (Missy) LEHAND..... Wendy Strawther DOCTOR BENNET .•.•..••..••..•.... Alger Crandell FRANKLIN CALDER ...••.....•••..••..Stuart Gould STRETCHER BEARERS ...••. Jerry Hover, Michael Gould MR. BRIMMER ••.•.....•••.•...•.....• Dick Wood MR. LASSITER . • . • . • David Harbison DALY .•.••..•......•.•..•..•.... David Prakken GOVERNOR ALFRED E. SMITH .•....•.... Al Schrader ACT I Scene 1. Campobello, August 10, 1921 Scene 2. The same, September 1, 1921 Scene 3. The same, September 13, 1921 (Interm is sian) ACT II Scene 1. New York, May, 1922 Scene 2. The same, January, 1923 (Interm is sian) ACT III Scene 1. New York, May, 1924 Scene 2. Madison Square Gardens, an anteroom, June 26, 1924 Scene 3. Madison Square Gardens moments later. Produced by special arrangements with Dramatist Play Service, Inc. NOTES ABOUT THE DIRECTOR AND CAST BRUNO KOCH. born in Germany and an American citizen since May, 1961, is directing his first Civic Theatre show. He has worked as actor, director, and assistant director with various repertory companies in Germany including those of Wiesbaden, Frankfurt, and Frankenthal. Now working on his dissertation at the U of M, he received his B.A. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
On the Case, Again and Again, with Nero Wolfe
JAMES MUSTICH ON THE CASE, AGAIN AND AGAIN, WITH NERO WOLFE “What are you reading?” my wife asked me, unable to spy a title from the nondescript e-reader I held as I was propped on pillows in bed. And, as I had responded hundreds of times before to that same question, posed in the same circumstance, I muttered, “Nero Wolfe.” “How many times have you read the one you’re reading now?” with the aforementioned Fer-de-Lance, and read my way “Three or four, at least, I imagine,” I replied. The fact of through the Wolfe bibliography in order of publication date, the matter is I had taken to downloading the e-books of with the goal of bidding these nearly constant companions Rex Stout’s chronicles of his famous sedentary sleuth and a fond farewell. I’d been reading these books since the late his more active partner, and the narrator of the tales, Archie 1970s, when I had been intrigued by the devotion a mother Goodwin, because all of the old paperbacks in which I’d of a friend exhibited toward them: There was always one in first encountered the pair had fallen apart after repeated view whenever I visited their house. Borrowing one, I found engagements: spines broken, pages loosened, the paper that Wolfe’s eccentricities and Archie’s insouciance caught having aged along with me into a brittle and not especially my fancy; no doubt the effects of both were intensified by attractive old age. Plus, the handiness of the electronic the particular volume I happened to pick up—Plot It Yourself versions meant I didn’t have to scour a house full of less- (1959)—in which an elaborate plagiarism scheme that than-optimally organized bookshelves to find one whenever turns deadly is unraveled by Wolfe’s attention to niceties of I felt the urge to reenter the world of Wolfe’s distinctive and punctuation, diction, and even the shaping of paragraphs. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Historical Materials in the Franklin D. Roosevelt Presidential Library
HISTORICAL MATERIALS IN THE FRANKLIN D. ROOSEVELT PRESIDENTIAL LIBRARY FRANKLIN D. ROOSEVELT PRESIDENTIAL LIBRARY AND MUSEUM NATIONAL ARCHIVES AND RECORDS ADMINISTRATION April 2011 FOREWORD It seems to me that the dedication of a library is in itself an act of faith. To bring together the records of the past and to house them in buildings where they will be preserved for the use of men and women in the future, a Nation must believe in three things. It must believe in the past. It must believe in the future. It must, above all, believe in the capacity of its own people so to learn from the past that they can gain in judgement in creating their own future. ...This latest addition to the archives of America is dedicated at a moment when government of the people by themselves is being attacked everywhere. It is, therefore, proof - if any proof is needed - that our confidence in the future of democracy has not diminished in this Nation and will not diminish. Franklin D. Roosevelt Remarks at the dedication of the Franklin D. Roosevelt Library. June 30, 1941 This is a list of holdings of the Franklin D. Roosevelt Library. Included are the President's personal and family papers, papers covering his public career at the state and national level, those of Eleanor Roosevelt, as well as those of many of his associates in public and private life. The Library, a gift to the American people from the President, had its beginnings in 1939 when Franklin Roosevelt turned over to the Government 16 acres of the family estate at Hyde Park. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
Nero Wolfe Series-Season1 Music Commentary
Nero Wolfe Series-Season1 Music Commentary A & E TV SERIES Season 1 Music by Nadine Bandler The first use of non-original music for the series is in The Doorbell Rang. Only one song is used, "La Donna e mobile", from Rigoletto by Verdi. This is an aria about the fickleness of women, which subject has nothing to do with the storyline. The song is presumably being played on the radio as background noise used to cover the brownstone goings-on in case the F.B.I. is listening in. Certain pieces of so-called "classical" music go through phases of popularity, just as other music and forms of art do. A lot of the pieces in the series are ones that would have been perhaps a little overexposed and familiar to the general populace during the 1950s, the time frame of most of the shows. This is one of them. So it is fitting that it should be a random radio selection. Other pieces used in the series are more obscure and apparently fitted to the situation, as I'll note later, individually. Starting with Champagne for One, the choice of music begins to get quite creative. The use of "Jazz Suite No. 2 (Suite for Promenade Orchestra.): VI Waltz 2" by Dmitri Shostakovich makes the introductory sequence wonderfully memorable and it is delightful to hear it again later in the show as actual dance music. Is it my imagination or does this tune have slightly sinister undertones? This makes it all the more suitable. Note that this waltz was also used in the movie Eyes Wide Shut. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Rex Stout Does Not Belong in Russia: Exporting the Detective Novel
Wesleyan University The Honors College Rex Stout Does Not Belong in Russia: Exporting the Detective Novel by Molly Jane Levine Zuckerman Class of 2016 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in the Russian, East European, and Eurasian Studies Program Middletown, Connecticut April, 2016 Foreword While browsing through a stack of Russian and American novels in translation on a table on Arbat Street in Moscow in 2013, I came across a Russian copy of one of my favorite books, And Be a Villain, by one of my favorite authors, Rex Stout. I only knew about this author because my father had lent me a copy of And Be a Villain when I was in middle school, and I was so entranced by the novel that I went out to Barnes & Noble to buy as many as they had in stock. I quickly ran out of Stout books to read, because at the time, his books were out of print in America. I managed to get hold of most copies by high school, courtesy of a family friend’s mother who had died and passed on her collection of Stout novels to our family. Due to the relative difficulty I had had in acquiring these books in America, I was surprised to find one lying on a book stand in Moscow, so I bought it for less than 30 cents (which was probably around the original price of its first printing in America). -
TITLE INDEX BOOK TITLE AUTHOR 3 Died Variously Guy Elwyn Giles 3
Anybodies Woman Cecil Barr TITLE INDEX Aphrodite's Lover Arthur MacArthur BOOK TITLE AUTHOR Appointment with Death Agatha Christie Arizona Clarence Budington Kelland 3 Died Variously Guy Elwyn Giles Arizona Round-up William Hopson 3 Girls and a Killer H. Donald Spatz Army Girl Whit Harrison The 3-13 Murders Thomas B. Black Army Mistress William David 6 Were to Die Kirk Wales Army Widow John Saxon 8 Faces at 3 Craig Rice Arrow Pointing Nowhere Elizabeth Daly 8 Long Short Stories Fannie Hurst Artist's Model Norman Bligh 11 Great Modern Stories [anonymous ed.] Artists in Crime Ngaio Marsh 11 Selected Great Stories Ben H e c h t As Good as Married Perry Lindsay 12 Chinks and a Woman James Hadley Chase As Good as Murdered James O'Hanlon 14 Great Stories by 14 Great Authors [anonymous ed.] Ask for Therese Evans Wall 15 Great Stories of Today [anonymous ed.] Assignment to Death Charles L. Leonard 18 Great Modern Stories [anonymous ed.] At Ruby's Place Joan Tucker 18 Great Stories of Today Whit Burnett Atomic Bomb Malcolm Jameson 20 Million Miles to Earth Henry Slesar Avon Detective Mysteries Herbert Williams 22 Great Modern Stories Erskine Caldwell Avon Fantasy Reader Donald A. Wollheim 25 Short Short Stories from Collier's Bob Considi n e Avon Science Fiction Reader Donald A. Wollheim 30 Days to Live Anthony Gilbert Avon Western Reader [anonymous ed.] (30 Tales of) Adventure and Romance Arnold Shaw 42 Days for Murder Roger Torrey B 48 Current Short Stories [anonymous ed.] 50-50 Girl Thomas Stone "B" as in Banshee Lawrence Treat 300 Tricks You Can Do Howard Thurston Baby Peddler Albert L.