Swedish Club News

Total Page:16

File Type:pdf, Size:1020Kb

Swedish Club News Swedish Club News Vol. 57, Issue 11: November 2018 Swedish Club . Seattle . Washington A home for the Nordic-American community Prince Arthur: Story of a Norwegian Shipwreck he night was young and the weather Twas foul on January 2, 1903, when the Norwegian-flagged, three-masted barque Prince Arthur neared the Strait of Our Mission Juan de Fuca en route from Valparaiso, To promote better understanding Chile, to Esquimalt, British Columbia. between the United States and She was one of a fleet of ships owned the Nordic countries, with by P. H. Roer of Christiania, Norway, used to haul lumber from the Pacific emphasis on Sweden, and to Northwest to ports around the world. perpetuate Nordic culture Disaster struck on the Olympic and traditions through the Peninsula when the lookout, spotting a teaching, observance, practice light he judged to be the lighthouse and celebration of this culture marking the strait’s entrance, told the and its traditions. helmsman to turn to starboard. Unfortunately, the light was only that of At our Members & Friends Dinner a homesteaders’ cabin, and the ship hit a Nov. 14, Norris Comer (right) will tell us about the 1903 wreck of the brutal reef 10 miles south of Cape Alava. Norwegian vessel Prince Arthur. Of the 20-man Norwegian crew, only The ship’s memorial is maintained two survived. On shore, they were by Scout Troop 100 Seattle (above). assisted by local Native Americans and Paul Hendricks has the homesteaders from the cabin, who also helped been chair of the Prince to bury the victims of the shipwreck. Coinciden- Arthur Memorial tally, the homesteaders were three Norwegian Committee for decades. brothers, Iver, Ole and Tron Birkestol. He’s also Scoutmaster of At our Members & Friends Dinner on Wednes- Troop 100 Seattle, which day, Nov. 14, Norris Comer, editor of Northwest has visited and cleaned Yachting magazine, will tell the fascinating story of the memorial annually for many years. Paul can’t join how the local Norwegian community responded to us at the Members & Friends Dinner, but his son Sean this tragedy by establishing a monument. Wanting Hendricks and members of Troop 100 will be here no Norwegian mariner lost at sea to be forgotten, to be recognized and thanked for their dedication. and showing true Norwegian grit, they lugged a Chef Malin will prepare salad with beets & 10-foot granite monument, including a five-foot feta cheese, and Swedish kålpudding (beef & obelisk, through the rainforest to the rugged cabbage) served with potatoes, gravy and veg- coastline. Due to the protected status of the etables. For dessert, ice cream and strawberry jam. Olympic National Park, no highway will ever reach Social hour 5:30, dinner 6:30. $22. RSVP: rsvp@ the monument. Instead those who wish to visit it swedishclubnw.org or 206-283-1090. Reservations must make a rugged hike. after Monday, Nov. 12, are charged $25. If you can’t After inviting Norris to come and tell us about attend, but want to learn more about the Prince this story, we discovered that Swedish Club member Arthur, visit www.historylink.org/File/8998. www.swedishclubnw.org Swedish Club Club Notes 1920 Dexter Avenue North Seattle, WA 98109 our Board has been busy. After months of 2. We know that the common good actively considering developing our parking trumps individual needs. We’re 206-283-1090 Club Business Y 206-283-1078 Rentals lots into residential housing, and then the May peace-loving and committed to equality. Since 206-283-2970 FAX vote to hold off on a decision for up to a year, Viking times, Nordic people have organized [email protected] they’ve been interviewing consultants to help themselves in flat hierarchies and cooperated [email protected] write a business plan and develop mission and across social divisions. We pay attention to [email protected] www.swedishclubnw.org vision statements. (New to the topic of potential what’s good for all our members, and we Office Hours parking lot development? Visit swedishclubnw. don’t let a pojka or a flicka with a loud horn Monday–Friday, 10 a.m.–5 p.m. org/Development to read my columns from call the shots. The politics that divide people Board of Directors December 2017 through May of this year, which and generations in our society are dropped President Gary Sund Vice President Mary Hillman discussed it at some length.) In our conversations when a member or a guest comes through the Secretary Mary Emerson with consultants, the question of what it means doors of the Swedish Club. Interim Treas. Don Wahlquist Directors: Janice Bogren, Dave Enfield, to be a home for the Nordic-American commu- 3. Beauty belongs to everyone, and it’s Jen Friedman, Paul Heneghan, Monica nity comes up. I used the phrase “we’re an important to maintain beauty in our Grafstrom Hinckley, Chris Jones, Ib Odderson, Larry Omdal, authentic community” with one consultant, and everyday surroundings, be it our home or Judith Peterick, Vi Reno, he questioned me on it. I responded that a our clubhouse. “The home is to Swedes what Bragdon Shields community of parents may form around their the waltz is to Austria.” We love our home Swedish Club Foundation President Bob Blair children being in the same nursery school, but as here at the Club, and we are working to VP/Treasurer Leif Eie the parents have only one thing in common, it’s maintain and optimize it. Secretary Berit Lehner not as authentic as the community that gathers at 4. We are honest, forthright and Club Operations Executive Director Kristine Leander the Swedish Club. Here, we rely on the Nordic dependable. The traits that Swedes, Rentals/Facil. Mgr. Doug Newlands values that underpin our culture and community. Danes, Finns, Icelanders and Norwegians of a Rentals Coord. Court Potter Staff Accountant Sue Johnson Even non-Nordic newcomers to the Club generation ago—or more—brought to the Office/Vol. Coord. Eva Larson understand that we value certain things: Northwest served to build a Seattle commu- Admin. Maggie Hawthorne Kaye 1. We respect nature and taking care of nity, that, while long on discussion, is short Nominating Committee Chair the environment. Finland, Iceland, Sweden on dishonesty. Our relationships, like our Jan Sullivan and Denmark rate as the top environmentally buildings, are built to last because they are Club Historian Aina Oscarsson friendly countries worldwide At the Club, this trustworthy. Swedish Club Guild takes the form of the enormous amount of 5. Heritage is intrinsically valuable. Vice President Carol Graves recycling we do, from composting food Ethnicity gives meaning to people’s lives, and Secretary Jan Sullivan Treasurer Judy Nilsen Cooper scraps to separating recyclables. studying genealogy is life-affirming. While Parliamentarian Jean Wirch Swedish Singers of Seattle [email protected] HOLIDAY MATINEE—Last May, a pair of traditional swedishsingersofseattle.org musicians from Voss, Norway, stunned Seattle with their Swedish Club News performance at the Nordic Museum’s opening festivities. Editor: Kristine Leander Copy Editor: Martin Stillion Now they’re back for a holiday concert at the Swedish Swedish Club News (USPS 533-750) Club on Friday, Nov. 16, at 2 p.m. in the Three Crowns is published monthly as part of Room. It’s free for Club members, so have lunch in our yearly membership dues at $15 per person, per year, by the Swedish Kafé and stay for the concert. Club, 1920 Dexter Ave. N., Seattle, Soprano Reidun Horvei is a well-known expert in WA 98109-2795. Telephone is 206-283-1090. Periodicals post- Nordic folk music, with a diverse repertoire. Inger- age paid at Seattle, Washington. Kristine Riber is a classical pianist of international Inger-Kristine Riber and Reidun Postmaster: send address changes Horvei return to delight us as they acclaim. At the Club, they’ll present original arrange- to Swedish Club News, 1920 Dexter perform in their traditional folk Ave. N., Seattle, WA 98109-2795. ments of traditional yuletide songs, interspersed with costumes. Deadline for material for the next issue is Nov. 15. other folk melodies and classical favorites. Bring articles into the office or fax They’ll also hold a workshop at the Club with the young fiddlers of Seattle Lilla Spelman- to 206-283-2970. You may also slag, and another concert at Ballard First Lutheran on Sunday, Nov. 18, at 3:30 p.m.—which is e-mail articles to [email protected]. free and open to the public. Sponsored by the Seattle-Bergen Sister City Association. 2 november 2018 we highlight the Swedish-ness or Norwe- So when consultants come to work with gian-ness of our members, we listen us, we hope and expect they will understand SC Announces respectfully and inquire with warmth and the Club’s cultural traits and will know that News about, or in the interest curiosity about the heritage and the stories we are indeed an authentic community. of our members... of others. We value the artifacts of our cul- ture, such as Dala horses, birch trees and KRISTINE LEANDER, Executive Director The Swedish Club announces 1,297 our costumed doll collection. [email protected] member households, including 79 Lifetime members and 146 Social President’s Message members. Our members’ names appear in boldface in Swedish ack in the 1970s, when there was a limpa bread—and we’ve recently added Club News. Bfull-time restaurant at the Club, it was charcuterie and cheese boards. They’re great considered one of the best in town. Times to munch on while playing Swedish bingo or New Members changed, and we had to phase out the trivia, or working on crafts.
Recommended publications
  • Swedish Folk Music
    Ronström Owe 1998: Swedish folk music. Unpublished. Swedish folk music Originally written for Encyclopaedia of world music. By Owe Ronström 1. Concepts, terminology. In Sweden, the term " folkmusik " (folk music) usually refers to orally transmitted music of the rural classes in "the old peasant society", as the Swedish expression goes. " Populärmusik " ("popular music") usually refers to "modern" music created foremost for a city audience. As a result of the interchange between these two emerged what may be defined as a "city folklore", which around 1920 was coined "gammeldans " ("old time dance music"). During the last few decades the term " folklig musik " ("folkish music") has become used as an umbrella term for folk music, gammeldans and some other forms of popular music. In the 1990s "ethnic music", and "world music" have been introduced, most often for modernised forms of non-Swedish folk and popular music. 2. Construction of a national Swedish folk music. Swedish folk music is a composite of a large number of heterogeneous styles and genres, accumulated throughout the centuries. In retrospect, however, these diverse traditions, genres, forms and styles, may seem as a more or less homogenous mass, especially in comparison to today's musical diversity. But to a large extent this homogeneity is a result of powerful ideological filtering processes, by which the heterogeneity of the musical traditions of the rural classes has become seriously reduced. The homogenising of Swedish folk music started already in the late 1800th century, with the introduction of national-romantic ideas from German and French intellectuals, such as the notion of a "folk", with a specifically Swedish cultural tradition.
    [Show full text]
  • Beethoven and Banjos - an Annual Musical Celebration for the UP
    Beethoven and Banjos - An Annual Musical Celebration for the UP Beethoven and Banjos 2018 festival is bringing Nordic folk music and some very unique instruments to the Finnish American Heritage Center in Hancock, Michigan. Along with the musicians from Decoda (Carnegie Hall’s resident chamber group) we are presenting Norwegian Hardanger fiddler Guro Kvifte Nesheim and Swedish Nyckelharpist Anna Gustavsson. Guro Kvifte Nesheim grew up in Oslo, Norway, and started playing the Hardanger fiddle when she was seven years old. She has learned to play the traditional music of Norway from many great Hardanger fiddle players and has received prizes for her playing in national competitions for folk music. In 2013 she began her folk music education in Sweden at the Academy of Music and Drama in Gothenburg. Guro is composing a lot of music, and has a great interest and love for the old music traditions of Norway and Sweden. In 2011 she went to the world music camp Ethno and was bit by the “Ethno-bug”. Since then she has attended many Ethno Camps as a participant and leader, and setup Ethno Norway with a team of fellow musicians. In spring 2015 she worked at the Opera House of Gothenburg with the dance piece “Shadowland”. The Hardanger fiddle is a traditional instrument from Norway. It is called the Hardanger Fiddle because the oldest known Hardanger Fiddle, made in 1651, was found in the area Hardanger. The instrument has beautiful decorations, traditional rose painting, mother-of-pearl inlays and often a lion’s head. The main characteristic of the Hardanger Fiddle is the sympathetic strings that makes the sound very special – it’s like an old version of a speaker that amplifies the sound.
    [Show full text]
  • DANISH TRADITIONAL FOLK MUSIC to BE PERFORMED at HARBOR HISTORY MUSEUM in GIG HARBOR Gangspil Trio to Perform Thursday, March 1St, 2018
    Contact Zachary Sokolik MEDIA RELEASE Telephone 253.858.6722 February 15, 2018 Email [email protected] Website www.harborhistorymuseum.org DANISH TRADITIONAL FOLK MUSIC TO BE PERFORMED AT HARBOR HISTORY MUSEUM IN GIG HARBOR Gangspil Trio to Perform Thursday, March 1st, 2018 Gig Harbor, WA – On Thursday, March 1, 2018 at 6:30 p.m., Gangspil, the lively trio of Sonnich Lydom (accordion, harmonica), Kristian Bugge (fiddle) and Viðar Skrede (guitar), will provide those in attendance with an entertaining journey through the traditions of Danish folk music. Their performance at Harbor History Museum will include old dance tunes and songs from every corner of their Scandinavian home country: From the rural islands of Læsø to metropolitan Copenhagen, including a few of their own compositions. Expect everything from wild polkas and jigs to lyrical waltzes, fiery reels and happy hopsas, plus the exotic Sønderhoning dance tunes from the famous Island of Fanø, and long forgotten songs from all over the country. An unforgettable live experience spiced up with humor and stories from their many years on the road. Gangspil's: Danish Traditional Music will be held at Harbor History Museum, 4121 Harborview Drive, Gig Harbor, WA 98332. Offered as a special fundraising event for the museum, tickets are $25 for non- museum members and $20 for members. Tickets can be purchased online on the Museum's Buy Tickets page or by calling 253-858-6722; tickets may also be purchased at the Museum front desk. Sonnich (accordion, harmonica, vocal) is a master of Irish, French--Canadian, and especially Danish traditional tunes.
    [Show full text]
  • 5 • 6 • 7 • 8 • 9 Juni 2019 Ärade Publik!
    49:e 5 • 6 • 7 • 8 • 9 juni 2019 Ärade publik! Varmt välkomna till den 49:e Ransäters- lite lägre kostnad, men också oss som stämman! hanterar stämman – vi får ett något Årets stämma, som är en av de störs- lättare jobb, både vad gäller logistiken ta vi gjort under de här åren, innehåller och det administrativa. som vanligt ett stort antal konserter, En annan nyhet i den här stämman många barnprogram för skiftande åld- är att vi startar upp en folkmusikpub, rar och diverse kurser i både dans och initialt tänkt på den s.k. Loftgrillen men spel. Det ser alltså ut som det brukar närmare besked om lokal meddelas göra i stämman. på plats. Där kommer också ett utökat Men – vi har också, efter moget över- utbud av vegansk och vegetarisk mat vägande från styrelsen och med många att serveras. kloka och vettiga synpunkter från er i Än en gång, välkomna till Ransäters- ryggen, bestämt oss för ett nytt inträ- stämman! dessystem. Fortsättningsvis löser man en biljett som innefattar både inträde, Styrelsen camping och parkering, ett slags ”fes- tivalpass” med ”all inclusive” alltså. Pelle Schunnesson (ordförande), Bosse Dalmo Samtidigt har vi sänkt den totala kost- (vice ordförande), Daniel Höglund Werngren naden för stämman en aning, och vår (kassör), Kaisa Nylin (sekreterare), Annie förhoppning är att det ska tilltala alla Johansson (ledamot), Karin Albinsson, (ledamot), inblandade. Dels er besökare, som får och Hans Holmén (ledamot). 2 Polskor Göran Håkansson & Claes Hallgren Tid: Onsdag 5 juni kl 20.00–21.00 Plats: Norra Logen Österlens Folkhögskola Tid: Onsdag 5 juni kl 21.00–21.30 Plats: Norra Logen Långdans med Jenny Franke Polskor, spellista & Per Runberg Tid: Onsdag 5 juni kl 21.30–01.00 Tid: Torsdag 6 juni kl 14.30–15.30 Plats: Norra Logen Plats: Norra Logen Egeland, Edén, Marin Releasekonsert Här möts Ånon Egeland, Mats Edén och Mikael Marin som trio – var och en tydlig stilskapare inom skandinavisk traditions- musik.
    [Show full text]
  • Utopia of the North Scandinavia's Presence at the Educational
    Scandinavica Vol 58 No 2 2019 Utopia of the North Scandinavia’s Presence at the Educational Exhibition in London, July 1854 Merethe Roos University of South-Eastern Norway Abstract This article sheds light upon the Norwegian and Swedish contributions at the Educational Exhibition in London in 1854 and how the exhibits from these countries were covered in the British contemporary press. The article suggests that the strongly positive reaction in the British press should be viewed in the light of a rising interest in Scandinavia as a tourist destination which emerged in the British Society from the mid- nineteenth century. This interest in Scandinavia as a tourist destination replaced a fascination for the North as a wild, remote and untouched location. Keywords educational exhibition, schools, Scandinavia, press, tourism 134 Scandinavica Vol 58 No 2 2019 In this article, I will analyse the press reports in British newspapers covering the Norwegian and Swedish contributions at the educational exhibition in London in 1854. I will argue that these reports can be seen in the light of a rising interest in the Scandinavian countries as a tourist destination, characteristic for Great Britain at that time. This interest pertained particularly to Norway and Sweden; Denmark was more densely populated and less characterised by a wild and untouched nature. Thus Denmark did not meet the main preconditions for this recently awakened interest in the North. During the summer months of 1854, the British Royal Society for the Encouragement of Arts, Manufactures and Commerce arranged an international educational exhibition at St. Martin’s Hall in London.
    [Show full text]
  • THE JVEDIS. ART SONG Presented to the Graduate Council of the North
    110,2 THE JVEDIS. ART SONG THESIS Presented to the Graduate Council of the North Texas State College in Partial ifillment of the requirements For the Degree of MAST ER OF MUSIC by 223569 Alfred R. Skoog, B. Mus. Borger, Texas August, 1953 223569 PREFACE The aim of this thesis is to present a survey of Swedish vocal music, a subject upon which nothing in English exists and very little in Swedish. Because of this lack of material the writer, who has spent a year (195152) of research in music in Sweden, through the generosity of Mrs. Alice M. Roberts, the Texas Wesleyan Academy, and the Texas Swedish Cultural Foundation, has been forced to rely for much of his information on oral communication from numerous critics, composers, and per- formers in and around Stockholm. This accounts for the paucity of bibliographical citations. Chief among the authorities consulted was Gsta Percy, Redaktionssekreterare (secretary to the editor), of Sohlmans Jusiklexikon, who gave unstintedly, not only of his vast knowledge, but of his patience and enthusiasm. Without his kindly interest this work would have been impossible, iii TABLE OF CONTENTS Page . 1.F. .:.A . !. !. ! .! . .! ! PREFACE.! . ! .0 01 ! OF LIST ITLISTRATITONS. - - - . a- . a . V FORH4ORD . .* . .- . * .* . * * * * * * * . vii Chapter I. EARLYSEDIS0H SONG. I The Uppsala School II. NINETEENTH CENTURY NATIONALISTS . 23 The Influence of Mid-Nineteenth Century German Romanticism (Mendelssohn, Schumann, Liszt and Wagner) The French Influence III. LATE NINETEENTH CENTURY ND EARLY TWENTIETH CENTURY COMPOSERS . 52 Minor Vocal Composers of the Late Nine- teenth Century and Early Twentieth Century IV. THE MODERN SCHOOL OF S7E)ISl COMPOSERS.
    [Show full text]
  • Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström
    Online version of Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström Stockholm, Svenskt visarkiv, 2003 Publications issued by Svenskt visarkiv 18 Translated by Kristina Radford & Andrew Coultard Illustrations: Ann Ahlbom Sundqvist For additional material, go to http://old.visarkiv.se/online/online_mmm.html Contents Preface.................................................................................................. 9 AIMS, THEMES AND TERMS Aims, emes and Terms...................................................................... 13 Music as Objective and Means— Expression and Cause, · Assumptions and Questions, e Production of Difference ............................................................... 20 Class and Ethnicity, · From Similarity to Difference, · Expressive Forms and Aesthet- icisation, Visibility .............................................................................................. 27 Cultural Brand-naming, · Representative Symbols, Diversity and Multiculture ................................................................... 33 A Tradition of Liberal ought, · e Anthropological Concept of Culture and Post- modern Politics of Identity, · Confusion, Individuals, Groupings, Institutions ..................................................... 44 Individuals, · Groupings, · Institutions, Doers, Knowers, Makers ...................................................................... 50 Arenas .................................................................................................
    [Show full text]
  • “How Do I Get to Play in Japan?” Exploring Nordic Folk Music Bands' Brand Iden
    “How do I get to play in Japan?” Exploring Nordic Folk Music Bands’ Brand Identity in Japan Anna Wegelius Master’s Thesis Sibelius Academy Arts Management Spring 2020 1 2 “How do I get to play in Japan?” Exploring Nordic Folk Music Bands’ Brand Iden- tity in Japan Anna Wegelius Master’s Thesis Sibelius Academy Arts Management Spring 2020 3 4 Title Number of pages “How do I get to play in Japan?” - Exploring Nordic Folk music Bands’ Brand Identity in Japan 77 pages Author Semester Anna Wegelius Spring 2020 Degree Program Arts Management Abstract The starting point of the thesis was the desire to answer musicians’ burning question “How do I get to play in Japan?”. The thesis aims to give the reader an understanding how bands, agencies and other professionals in the field of music work to build brand identities for Nordic folk music bands in Japan, and give ideas that could be generalized to help answer the question “How do I get to play in Japan?”. The thesis is an exploratory study using qualitative research method. The data was collected through ten interviews with bands that are, or have been, in a roster of an agency, Japanese agencies, and professionals related to the field. Theoretical framework is based on literature on brand identity, Kapferer’s theory of prism of brand identity in particular. The research reveals meanings of brand identity elements on the specific field of Nordic folk music in Japan. Bands’ ideas why they were selected to an agency’s roster, and the agencies’ principles on selecting artists, and reasons why they get interested in Nordic bands, propose answers to the the question ”how to get to play in Japan”.
    [Show full text]
  • The Nordic Fiddlers Bloc
    THE NORDIC FIDDLERS BLOC The Nordic Fiddlers Bloc is Olav Luksengård Mjelva, Anders Hall and Kevin Henderson who come from Norway, Sweden and the Shetland Islands respectively. They are three of the finest young fiddlers currently working in the folk music scene and are in great demand playing in various musical constellations throughout the world. The project is the brainchild of Anders Hall who felt that combining the three unique distinctive fiddle styles together would create a special sound. Anders hunch proved to be correct after first exchanging musical thoughts with each other in Voss in May 2009. From the first note that was played they realized this was a collaboration that had to continue such was the feeling of excitement and respect for each other’s playing and traditions. Norway, Sweden and Shetland has three of the richest fiddling traditions in the world as well as many well documented historical links going back hundreds of years. It is refreshing to see these links being rectified in the musical collaboration that is The Nordic Fiddlers Bloc. They have blended three individual styles from these three Nordic regions but still allow their three distinct flavours to come through in a sound that is unique, meaningful, intense and invigorating. Anders Hall – Sweden Anders Hall comes from Arbrå, Hälsingland in Sweden. He plays fiddle, viola and also the Hardanger fiddle, an instrument he studied at the Ole Bull Academy in Voss from 2006-2008. As a result he now has a unique knowledge of both, Norwegian traditional music as well as his native Swedish.
    [Show full text]
  • Falun Folk Music Festival
    “From Dalarna to the Orient”: Falun Folk Music Festival Daniel Fredriksson Dalarna University [email protected] Abstract This article discusses the Swedish festival Falun Folk Music Festival (FFF) and makes use of interviews with key organisers, readings of festival brochures, and other material. I begin with a look at the intentions, motivations and negotiations of the organisers leading up to the first festival in 1986, and from there I discuss the way FFF contributed to a change in Swedish folk music discourse towards logics of professionalisation and cosmopolitanism. FFF negotiated between professionals and amateurs, traditionalists and experimentalists. This paved the way for the vast palette of musical traditions, soon to be called “world music”, to reach a Swedish audience. I argue that the cosmopolitanism of FFF, rather than being the main ideological goal of the organisers, worked as a means to an end, namely the professionalisation and artistic recognition of Swedish folk traditions. It also seems to have made the festival relevant in the cultural policy climate of the time. KEYWORDS: Falun, folk music, festival, world music, cosmopolitanism Introduction Falun Folk Music Festival (FFF) was an annual folk music and world music festival held in the small Swedish town of Falun between 1986 and 2005. The purpose of this article is to investigate how this festival played a part in shaping Swedish folk music discourse towards logics of cosmopolitanism and professionalism. I will discuss how the idea of cosmopolitanism, now so frequent among folk music enthusiasts in Sweden, was not the main focus of the festival organisers but rather a means to an end in their efforts to raise the status of traditional Swedish music.
    [Show full text]
  • Emilia Amper on the Move
    Emilia Amper – Trollfågeln — Traditional and new Nordic folk music composed and arranged by Emilia Amper for nyckelharpa, voice, folk music ensemble and strings Emilia Amper is the World Champion of Emilia Amperʼs solo project Trollfågeln presents a nyckelharpa, double American Grammy playful, vibrant and rhythmic new soundscape nominee, Norwegian Spellemannsprisen where nyckelharpa and voice meets percussion- winner, Artist of the year nominee at the focused folk music ensemble and classical strings. Swedish Folk and World Music Awards and educated Nordic Master in Folk music. With A kaleidoskopic mix of traditional Nordic tunes and Emilia ́s own compositions shows influences from her groovy, dynamic and elegant all over the world, from folk, rock, pop and chamber playing style, her enchanting and clear music, and explores the possibilities of the folk style singing and her radiant stage nyckelharpa. Hypnotic, melancholic and meditative, personality she charms audiences super groovy and shining with happiness, the worldwide. Trollfågeln project is a vivacious roller-coaster ride with Emilia at the wheels. ”In my solo project, my love and respect for tradition merge with an on-going, exciting and occasionally also painful exploration of my own boundaries and those of my instrument. For me, life is powerfully affirmative and music and the movements of body and soul unite.” Robert von Bahr (Founder and owner of BIS Records): ”I have never experienced anyone, anytime, who could so transfix a public like this girl.” ”A unique production with a unique artist.” Fredrik Kronkvist (Jazz saxophone player): ”What a sound, rhythm, intensity... The whole concert was awesome!” Joakim Milder (Professor of Improvisation at KMH in Stockholm): ”Amazingly beautiful playing!” Mattias Petersson (composer): ”Like hearing Glenn Gould playing Bach.” Contact: [email protected] MP3: 1.
    [Show full text]
  • NISSWA-STAMMAN INFO 2017 Nisswa-Stämman Scandinavian Folk Music Festival, June 9 & 10, 2017, Features 150 Folk Musicians Pe
    NISSWA-STAMMAN INFO 2017 Nisswa-stämman Scandinavian Folk Music Festival, June 9 & 10, 2017, features 150 folk musicians performing on 3 stages, day- long dancing opportunities on two dance floors, dance instruction, a cultural children's activity tent, and great Scandinavian food...all under the shade of the majestic Norway pines of the Nisswa Pioneer Village in Nisswa, Minnesota. We are going into the 18th year of the festival, and yet another special line up of award winning musicians from Scandinavia is headlining. They include: Maja Kjær Jacobsen - master fiddler from Southern Denmark, Aallotar, Finland/Minnesota - two talented musicians from two countries making contemporary nordic folk music on violin and accordion; Vindonia, Sweden - trio playing and singing traditional nordic music w/ Vocals, Harp and Violin; Skvis, Norway - three talented accordion players making great listenable and danceable music together; Lustspel, Sweden - a student spelmanslag, or fiddlers group from Lund University in Malmö, Sweden. USA groups and individuals appearing include the American Swedish Institute Spelmanslag, the Twin Cities Nyckelharpalag, the Twin Cities Hardingfelelag, Hutenanny, Tjärnblom, he Stoney Brook Fiddlers, Ole Olssons Oldtime Orkestra, Skål Klubben Spelmanslag, Ivares Pojkarna, Skålmusik, Finn Hall Band, Loretta Kelley, Ross Sutter and many, many others! For more information contact Paul Wilson, 218 764 2994 [email protected] http://www.nisswastamman.org/ Here is the basic Nisswa-stämman 2017 schedule: Friday June 9 - 10 am - 3 pm - Scandinavian music and dancing workshops, Nisswa area, open to public. There is a fee involved. Email Janet Hill for information at: [email protected] or call her at 218 259 4090 7 pm - Gala Opening Sampler concert, Lutheran Church of the Cross, Nisswa, $15 adults, $5 children 12 and under.
    [Show full text]