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Community Services Report 2009-2010
Community Services Report 2009-2010 ach year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities Einto a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION Taylor Swift and Miley Cyrus and their signed guitar that was sold at a The GRAMMY Foundation was established GRAMMY® Charity Online Auctions. by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. OUR EDUCATION PROGRAMS Under the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. GRAMMY® CAREER DAY GRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals. -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
Compliment Expressions and the Responses in Pitch Perfect Film
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfilment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Devita Putri Saraswati Student Number: 141214079 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A Sarjana Pendidikan Thesis on COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM By Devita Putri Saraswati Student Number: 141214079 Approved by Monica Ella Harendita, S.Pd., M.Ed. 15 March 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A Sarjana Pendidikan Thesis on COMPLIMENT EXPRESSIONS AND THE RESPONSES IN PITCH PERFECT FILM By DEVITA PUTRI SARASWATI Student Number: 141214079 Defended before the Board of Examiners on 11 April 2018 and Declared Acceptable Board of Examiners Chairperson : Yohana Veniranda, S.Pd., M.Hum., M.A., Ph.D. ____________ Secretary : Christina Lhaksmita Anandari, S.Pd., Ed.M. ____________ Member : Monica Ella Harendita, S.Pd., M.Ed. ____________ Member : Priyatno Ardi, S.Pd., M.Hum. ____________ Member : Christina Lhaksmita Anandari, S.Pd., Ed.M. ____________ Yogyakarta, 11 April 2018 Faculty of Teachers Training and Education Sanata Dharma University Dean, Dr. Yohanes Harsoyo, S.Pd., M.Si iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI "A DREAM DOES NOT BECOME REALITY THROUGH MAGIC; IT TAKES SWEAT, DETERMINATION, AND HARD WORK." – Colin Powell I dedicate this thesis to those people who REFUSE TO GIVE UP on their dreams. iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI STATEMENT OF WORK’S ORIGINALITY I honestly declare that this thesis, which I have written, does not contain the work or parts of the work of other people, except those cited in quotations and the references, as scientific paper should. -
David Hernandez Gained National Attention with His Powerful Voice and Affable Personality As an American Idol finalist
ABOUT David Hernandez gained national attention with his powerful voice and affable personality as an American Idol finalist. In addition to American Idol, David has showcased his talents on The Ellen Show, The Today Show, MTV’s TRL, EXTRA, Entertainment Tonight, Access Hollywood, Teen Choice Awards, TV Guides’ Sexiest Stars, Idol Tonight, Idol Gives Back and FOX-TV. David is an incredible performer and has been touring as an original artist for the last 10 years. He was invited to sing at the Inaugural Kick-Off Celebration ball for Barak Obama, performing alongside celebrity recording artists Jamie Foxx, John Legend, Maroon 5, along with event hosts Jessica Alba and legendary TV producer, Norman Lear. David has also shared the stage with Bryan Adams, Donna Summer, Taylor Dayne, Thea Austin, and Cece Peniston to name a few. David just released his debut video and single, “Beautiful”. The video was directed by Printz Board (producer of the Black Eyed Peas) and shot to over 46k views in less than 48 hours becoming a viral sensation. He is currently touring nationally and internationally with his second album while completing his third with Mikal Blue (Jason Mraz, Colbie Caillat, One Republic). David counts Stevie Wonder, Ne-yo, Donnie Hathaway, Alicia Keys, Luther Vandross, Michael Jackson and David Foster among his musical influences. HIGHLIGHTS • Top 12 American Idol Finalist PRIDES • New single "Beautiful" named one of 2016's Top Hits • -San Diego Pride • TV Guide's Sexiest Stars • -San Francisco Pride • Performed at President Barack Obama's Inaugural Ball alongside John Legend & Maroon 5 • -Market Days • “Beautiful” (MV) has 46K+ views on YouTube • -Honolulu Pride • "Beautiful" currently playing in retail outlets throughout the U.K. -
The Facelift How American Idol Came up with a New Jury, Warmth and Emotion
19 May 2011 week 20 The facelift How American Idol came up with a new jury, warmth and emotion Luxembourg France RTL Group publishes new M6 enriches its corporate responsibility brochure I-Pad app Germany France RTL Interactive launches RTL Radio honours Clipfish Music young journalists the RTL Group intranet week 20 Cover: Montage with Jennifer Hudson, Jennifer Lopez and Rihanna (from left to right) who performed on American Idol during season 10. 2 the RTL Group intranet week 20 “Format is king” In the run-up to the American Idol finale, Backstage looks back on the anniversary season of the most watched series in the world’s biggest TV market. Steven Tyler United States - 19 May 2011 Many contestants who audition for American Idol tell moving and emotional stories. Perhaps the most touching of them was told by Chris Medina who performed Breakeven by The Scripts at the auditions in Chicago. He told the judges of his fiancée Juliana Ramos who had suffered a brain injury after a car accident that left her in a wheelchair – able to move only her left arm and little more. After Chris sang, he brought his fian- cée to the audition room at the judges’ request. While Randy Jackson and Jennifer Lopez intro- duced themselves, Steven Tyler shook her hand saying: “Hi, girl. I just heard your fiancée sing, and he’s so good.” He added in a warm, tender whisper: “That’s why he sings so good, because he sings to you.” The New York Times called the moment “a stellar embrace” and praised Tyler as “deeply practiced and deeply humane” and an “unalloyed genius”. -
Nikki Tomlinson
Nikki Tomlinson - Atlanta Local - 5’4” 120 www.nikkitomlinson.com NIKKI TOMLINSON • SAG-AFTRA, AEA www.nikkitomlinson.com Height: 5’4” Bust: 34 A/B Dress: 2 Weight: 120 Waist: 27 Hair: Dirty Blonde Shirt: Sm/XS Hips: 37 Eyes: Blue/Green Pants: 28 Shoe: 6 FILM Blockers DBL: Leslie Mann Steve Ritzi/Lex Geddings Game Night DBL: Rachel McAdams Steve Ritzi/Alan D’Antoni A Bad Moms Christmas Stunt Actress Lex Geddings/Steve Ritzi Strangers: Prey at Night DBL: Bailee Madison Cal Johnson Pitch Perfect 3 DBL: Kelley Jakle Jennifer Badger Allegiant: Part 1 DBL: Naomi Watts Chris O’Hara Mother’s Day DBL: Kate Hudson Mike Endoso Acrimony ND Stunts Yan Dron The Vault DBL: Taryn Manning Elizabeth Davidovich Along Came the Devil DBL: Sydney Sweeney Laurence Chavez Megan Leavey ND Stunts Peter King Furies ND Stunts Elizabeth Davidovich Treatment* (short) Stunt Actress (Lead) Tyler Buckingham TELEVISION The Purge: ep. 104, 105, 107 Stunt Actress (Guest Star w/dialogue & RV driving) Andy Dylan Knight Squad: ep. 102, 118 Stunt Actress (“Ocean Hag” w/dialogue & stunts) Josh Tessier Stranger Things: ep. 306, 308 DBL: Natalia Dyer, Gaten Matarazzo Hiro Koda & Ken Barefield Watchmen: ep. 104 DBL: Sara Vickers Justin Riemer Red Blooded DBL: Natalie Hall Anderson “Andy” Martin MacGyver: ep. 117 DBL: Svetlana Efremova Jeff Wolfe/Dean Grimes Ozark: ep. 102, 105, 106, 110, 202 DBL: Sofia Hublitz Justin Riemer Vampire Diaries: ep. 720 Stunt Actress (Co-Star w/dialogue & stunt) Paul Burke Vampire Diaries: ep. 714, 721, 801, 802, 803 DBL: Scarlett Byrne, Candice King, ND Stunts, Previs Paul Burke Too Close to Home: ep. -
The Evolution of Fat Female Characters in Contemporary American Film a Thesis Presented to the Faculty Of
Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Laura E. Pohlman April 2016 © 2016 Laura E. Pohlman. All Rights Reserved. 2 This thesis titled Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film by LAURA E. POHLMAN has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract LAURA E. POHLMAN, M.A., April 2016, Film Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film Director of Thesis: Ofer Eliaz The purpose of this thesis is to elucidate the fluid conception of fat women within contemporary American culture from the early 1970s to the present. Due to their non- normative embodiment, fat women typically face denigration and marginalization. Most mainstream film narratives reify the negative social positioning of fat women, often through assimilationist characters that resign themselves to fatphobia or otherwise compensate for their fatness. On the flipside, carnival and camp narratives foster liberatory fat characterization, as exemplified by the figure of “the unruly woman.” In his portrayal of both assimilationist and liberationist women, Divine functions as a barometer for subsequent fat characterization. Overall, this thesis critiques fat assimilation, argues for the importance of fat liberation, and projects a future where fat acceptance becomes the norm. 4 Table of Contents Page Abstract .............................................................................................................................. -
Feature Films: a Profile of Production
Feature Films A Profile of Production PHOTO: Jaimie Trueblood © 2018 Paramount Pictures / Bumblebee 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Anne Wurts Philip Sokoloski Graphic Design: FilmLA.com Shane Hirschman @FilmLA Photography: FilmLA Shutterstock Paramount Pictures FilmLAinc Disney Cover Photo: A Star is Born / ©Warner Bros. TABLE OF CONTENTS INTRODUCTION 2 2018 FILMING LOCATION ESTIMATES 3 CHARACTERISTICS OF MAJOR FILMING CENTERS 9 CALIFORNIA 10 NEW YORK 13 THE U.K. 14 GEORGIA 15 CANADA 16 CONCLUSION 17 SOURCES 18 APPENDIX A: FILMS SHOT ENTIRELY IN CALIFORNIA 19 APPENDIX B: FILMS SHOT IN CALIFORNIA AND OTHER LOCATIONS 20 APPENDIX C: PRIMARY LOCATIONS FOR TOP-GROSSING FEATURES 21 APPENDIX D: VISUAL MAP OF TOP-GROSSING FILMS OF 2018 22 APPENDIX E: CALIFORNIA FILM & TV TAX CREDIT RECIPIENTS 23 1 INTRODUCTION Feature films are the first form of industrialized mass entertainment, dating back to the beginning of the last century. With an early lead in feature film production, California has historically been home to the greatest concentration of film industry talent in the U.S., as well as an extensive web of ancillary products, infrastructure and services. But these days, California has competition. Production centers across the globe offer U.S. production companies an enticing combination of film incentives, a skilled workforce and available infrastructure. As a result, U.S. feature films are made all over the world. Among the unique advantages that the film industry provides to local economies are: 1. It is a high-wage industry. A recent report commissioned by the County of Los Angeles revealed that the average wage in the Film and Digital Media Industry in Los Angeles County is $117,000, which is 95 percent higher compared to the county-wide average of $59,900.1 2. -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
Rebel Wilson
REBEL WILSON AWARDS WINNER – 2015 MTV MOVIE AWARDS – Best Kiss (shared with Adam Devine) for Pitch Perfect 2 WINNER – 2015 MTV MOVIE AWARDS – Best Ensemble for Pitch Perfect 2 WINNER – 2013 TEEN CHOICE AWARDS – Choice Movie Actress: Comedy for Pitch Perfect WINNER – 2013 ONLINE FILM & TELEVISION ASSOC. AWARD – Breakthrough Performance for Pitch Perfect WINNER – 2013 MTV MOVIE AWARDS – Best Musical Moment for Pitch Perfect WINNER – 2013 MTV MOVIE AWARDS – Breakthrough Performance for Pitch Perfect WINNER – 2011 WASHINGTON DC AREA FLIM CRITICS ASSOC. – Best Ensemble for Bridesmaids WINNER – 2009 TROPFEST – Best Actress for Bargain! FILM CATS Role: Jennyanydots Dir: Tom Hooper, Working Title Films 2019 JOJO RABBIT Role: Fraulein Rahm Dir: Taika Waititi, Czech Anglo Productions 2019 THE HUSTLE Role: Lonnie Dir: Chris Addison, Metro-Goldwyn Mayer (MGM) 2019 ISN’T IT ROMANTIC Role: Natalie Dir: Todd Strauss-Schulson, New Line Cinema 2019 PITCH PERFECT 3 Role: Fat Amy Dir: Trish Sie, Universal Pictures 2017 STEPHEN HAWKING’S NEW VOICE: COMIC RELIEF (Short) Herself Dir: Daniel Audritt, Comic Relief 2017 ABSOLUTELY FABULOUS: THE MOVIE Role: Air Stewardess Dir: Mandie Fletcher, Fox Searchlight Pictures 2016 THE MAKING OF GRIMSBY (Documentary Short) Herself Big Talk Productions 2016 GRIMSBY Role: Lindsey Dir: Louis Leterrier, Sony Pictures Entertainment 2016 HOW TO BE SINGLE Role: Robin Dir: Christian Ditter, Flower Films (II) 2016 PITCH PERFECT 2 Role: Fat Amy Dir: Elizabeth Banks, Universal Pictures 2015 NIGHT AT THE MUSEUM: SECRET OF THE TOMB -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Penn Law Journal: an Rx to Heal Criminal Justice
et al.: Penn Law Journal: An Rx to Heal Criminal Justice UNIVERSITY OF PENNSYLVANIA FALL 2014 VOLUME 49, NUMBER 2 AN RX TO HEAL CRIMINAL JUSTICE ALSO: THE QUANTUM COMPUTER COMES OF AGE THE PUBLIC SERVICE SCHOOL RIGHT ON THE MONEY Published by Penn Law: Legal Scholarship Repository, 2014 1 Penn Law Journal, Vol. 49, Iss. 2 [2014], Art. 1 Cover Illustration: © Christopher Short Design by: Emily Zuwiala https://scholarship.law.upenn.edu/plj/vol49/iss2/1 2 et al.: Penn Law Journal: An Rx to Heal Criminal Justice PENNLAW JOURNAL FEATURES 12 Right on the Money 12 BY LARRY TEITELBAUM Massachusetts native Ernie Gonsalves C’72 emigrated to Penn and never looked back. Now that retirement looms, we pause to thank Ernie for his long economic stewardship of the Law School. An Rx to Heal Criminal Justice 14 BY FREDDA SACHAROW Solutions to our broken criminal justice system are hard to come by, given fragmentation and resistance to change. Penn Law’s Quattrone Center aims for a breakthrough, borrowing lessons from aviation and medicine. 14 The Quantum Computer Comes of Age 20 BY LARRY TEITELBAUM Haig Farris L’63 likes to play the odds. So he’s put money — a lot of money — on what he considers the Next Big Thing. If he’s right, computers that run exponentially faster than conventional computers will supercharge a digital age unlike anything we’ve seen before. The Public Service School 26 Penn Law is synonymous with Public Service. On the 25th anniversary of the program, we remain at the top of our game with a slew of programs that provide endless opportunities for students and untold benefits for people in need.