Krishi Prayukti Sahayak Recruitment Examination, 2016. No 688 P.S.C
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Appellate Jurisdiction
Appellate Jurisdiction Daily Supplementary List Of Cases For Hearing On Monday, 26th of April, 2021 CONTENT SL COURT PAGE BENCHES TIME NO. ROOM NO. NO. HONBLE CHIEF JUSTICE THOTTATHIL B. 1 On 26-04-2021 1 RADHAKRISHNAN 1 DB -I At 11:15 AM HON'BLE JUSTICE ARIJIT BANERJEE HON'BLE JUSTICE RAJESH BINDAL 16 On 26-04-2021 2 3 HON'BLE JUSTICE ANIRUDDHA ROY DB - II At 11:15 AM HON'BLE JUSTICE I. P. MUKERJI 37 On 26-04-2021 3 6 HON'BLE JUSTICE MD. NIZAMUDDIN DB - III At 11:15 AM HON'BLE JUSTICE I. P. MUKERJI 3 On 26-04-2021 4 7 HON'BLE JUSTICE MD. NIZAMUDDIN DB - III At 11:15 AM HON'BLE JUSTICE HARISH TANDON 2 On 26-04-2021 5 9 HON'BLE JUSTICE KAUSIK CHANDA DB- IV At 11:15 AM HON'BLE JUSTICE SOUMEN SEN 17 On 26-04-2021 6 26 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB-V At 11:15 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 On 26-04-2021 7 33 HON'BLE JUSTICE ABHIJIT GANGOPADHYAY DB At 11:15 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 2 -04-2021 8 For 7 37 HON'BLE JUSTICE SUBHASIS DASGUPTA DB At 12:55 PM HON'BLE JUSTICE TAPABRATA CHAKRABORTY 28 On 26-04-2021 9 38 HON'BLE JUSTICE TIRTHANKAR GHOSH DB - VII At 11:15 AM HON'BLE JUSTICE SHIVAKANT PRASAD 9 On 26-04-2021 10 58 HON'BLE JUSTICE SUBHASIS DASGUPTA DB At 02:00 PM 9 On 26-04-2021 11 HON'BLE JUSTICE SHIVAKANT PRASAD 59 SB - II At 11:15 AM 13 On 26-04-2021 12 HON'BLE JUSTICE RAJASEKHAR MANTHA 64 SB - III At 11:15 AM 8 On 26-04-2021 13 HON'BLE JUSTICE SABYASACHI BHATTACHARYYA 84 SB - IV At 11:15 AM 26 On 26-04-2021 14 HON'BLE JUSTICE SHEKHAR B. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Bengali Cinema
RITWIK GHATAK Ritwik Ghatak Cinema and I First Published 17th January 1987 Published by Ritwik Memorial Trust With support from Federation of Film Societies of India © Ritwik Memorial Trust All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented. Including photocopying and recording, or in any information storage or retrieval system, without permission In writing from the publisher. Cover designed by Satyajit Ray Cover photograph from Jukti Takko ArGappo Photo type setting by Pratikshan Publications Pvt. Ltd Reproduced by Quali Photo Process Pvt. Ltd Printed at A O P (India) Pvt. Ltd Distributed exclusively in India by Post Box No. 12333 15 Bankim Chatterjee Street Calcutta-700 073 Branches: Allahabad. Bombay, New Delhi, Bangalore. Madras, Hyderabad. RITWIK MEMORIAL TRUST 1/10 Prince Golam Mohd Road Calcutta-700 026 The present volume is the first in the series of publications of Ritwik Ghatak's works entitled Ritwik Rachana Samagra. Contents Publisher's note 9 Acknowledgements 10 Foreword by Satyajit Ray 11 Film and 1 13 My Coming into films 19 Bengali Cinema: Literary Influence 21 What Ails Indian Film-Making 26 Some Thoughts on Ajantrik 31 Experimental Cinema 34 Sound in Film 38 Music in Indian Cinema and the Epic Approach 41 Experiment in Cinema and I 44 Documentary: the Most Exciting form of Cinema 46 Cinema and the Subjective Factor 60 Film-Making 65 Interview (1) 68 Interview (2) 77 Nazarin 81 A book review: Theory of Film 84 An Attitude to life and an Attitude to Art Appendix About Oraons (Chotonagpur) 91 Check-list 105 Publisher's Note Ritwik Ghatak's creative exercises spanned through many a medium of expression—poetry, short story, play, film. -
Eligible List of Candidates for the Examination on 13Th Dec 2020
ELIGIBLE LIST OF CANDIDATES FOR THE EXAMINATION ON 13TH DEC 2020 REG NO POST NAME ROLL NAME 603152 PEON 100004778 A HEMANTH 605966 PEON 100007411 A K M MAHASIN ISLAM 606711 PEON 100008121 A M MD MAHFUZ ALAM 613193 PEON 100014212 A SRINIVAS 614120 PEON 100015083 AADITYA RAJ 606189 PEON 100007622 AAMIR ALI MONDAL 605891 PEON 100007342 AARUN HALDER 610022 PEON 100011235 ABANISH GHOSH 600070 PEON 100001946 ABBAS ALI MONDAL 612301 PEON 100013366 ABBAS ALI MONDAL 602231 PEON 100003923 ABBAS ALI SHAIKH 613423 PEON 100014422 ABBUS SK 612659 PEON 100013703 ABDUL AJIJ MONDAL 607785 PEON 100009138 ABDUL ALIM MONDAL 609055 PEON 100010335 ABDUL ASAD 602984 PEON 100004622 ABDUL BARIUL ISLAM CHOWDHURY 607230 PEON 100008624 ABDUL CHHATTAR SEKH 601893 PEON 100003615 ABDUL GOFUR 612067 PEON 100013151 ABDUL HALIM MOLLA 600055 PEON 100001932 ABDUL HALIM SK 603044 PEON 100004677 ABDUL JUBBAR SHAIKH 609482 PEON 100010742 ABDUL KADER 613466 PEON 100014463 ABDUL KARIM BAIDYA 613153 PEON 100014173 ABDUL KHOLIL MOLLA 607022 PEON 100008422 ABDUL MAZID MOLLAH 612801 PEON 100013837 ABDUL RAHIM MONDAL 611157 PEON 100012297 ABDUL RASID MONDAL 603597 PEON 100005201 ABDUL SAJAD 610925 PEON 100012081 ABDUL WARESH KHANDEKAR 602436 PEON 100004114 ABDUL WARISH SK 605708 PEON 100007166 ABDULLA MONDAL 608753 PEON 100010053 ABDULLA MONDAL 600284 PEON 100002140 ABDUR RAHAMAN 612031 PEON 100013118 ABDUR RAHIM LASKAR 605436 PEON 100006916 ABDUR RAHIM MONDAL 607373 PEON 100008754 ABDUS SABUR 604803 PEON 100006329 ABDUS SALAM MONDAL 602538 PEON 100004211 ABDUS SHAHID NASIM 608923 -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
Performing Meghnadbadh Kabya: Questioning Conventions and Challenging the Conventional
Colloquium: A Journal of the Arts Department (ISSN 2350-1251), Volume 5, 2018 URL of the Issue: http://colloquium.bescollege.net/V5 PDF URL: http://colloquium.bescollege.net/V5/v507.pdf Performing Meghnadbadh Kabya: Questioning Conventions and Challenging the Conventional Tirthankar Sengupta Assistant Professor, Department of English, Dhola Mahavidyalaya and PhD Research Scholar, West Bengal State University Michael Madhusudan Dutt’s Meghnadbadh Kabya (1861) is unanimously considered as one of the most important texts of Bengali literary canon. Not only was it the work of an extraordinarily gifted poet (Bandyopadhyay 21)—a rebellious figure whose life was marred in controversies, it is also the most significant effort of writing an Epic in Bengali in modern times and is marked by a number of influences of Western literary traditions including the use of blank verse. However, most importantly, it is an oft discussed text because of the subversive and transgressive way in which it re-tells the story of a portion of the Ramayana, the oldest Indian epic. One should remember that the seeds of Dutt’s unconventional reading were always present in the Ramayana. Paul Innes marks how the conventional motif of “dharma” has a problematic treatment in the text:-“there are moments of narrative crisis at which Ram seems to act against ‘dharma’, emblematizing it as a concept that is open to interpretation” (Innes 62). Thus, without really altering the story, Dutt simply focuses on the way Meghnad was unfairly killed by Laxman, and presents us with an alternative perspective on the entire text—one which valourizes the ‘Rakshasas’, generally accepted as the ‘villains’ of the tale, and arouses in the mind of the readers respect and pity for them. -
Playbill-Tiner-Talowar.Pdf
Table of Contents About Natyakrishti-TCAGW 2 Previous Performances 3 Tiner Talowar Management Team 4 Behind the Scene 5 Cast 6 Patrons & Donors 7 Notes from Well-wishers 8 Why Tiner Talowar today? 11 Chasing the Drama? 14 Language of Cinema and Literature 16 Tiner Talowar Prasange 25 Printed by Damodar Printing Kolkata Editor: Suchismita Chattopadhyay Cover and Layout: Kajal Chakraborty & Dilip K. Som Disclaimer: Natyakrishti apologizes for any inadvertent mistakes, omissions and misrepresentations in this publication. www.natyakrishti.org About Natyakrishti-TCAGW Natyakrishti-TCAGW is an amateur theater and cultural group based in the greater Washington D.C., USA. It is a non-profit 501 (c) (3) organization. In 1985, a group of enthusiastic, dedicated theater lovers in the greater Washington area, aspiring to initiate theatrical and cultural activities, formed an amateur drama group. A number of highly acclaimed dramas were staged by the group at the Durgapuja festivals organized by Sanskriti, Inc. of the Washington Metropolitan area. These dramas were also staged in various other cities of the USA. Some of the members concurrently participated in the theatrical and cultural events organized by other groups like Manab Kalyan Kendra, Sanskriti, Mayur, etc. They performed in major roles in the dance dramas Achalayatan and Moha Mudgar, organized by the Hon'ble Ambassador Mr. Siddhartha Shankar Ray, which were staged in Kennedy Center, Gandhi Center and the Indian Embassy in Washington D.C. With a view to developing histrionic talents, active association was initiated with renowned theater groups like Nandikar, Sayak, Calcutta High Court Advocates' Drama Association in India (Hon'ble Minister Ajit Panja's group). -
University of Calcutta
Date : 25/11/2020 Page 1 of 3 University of Calcutta Eligible Candidate List Provisional List of Candidates (Under 1+1+1 2009 Regulations) College : BEHALA COLLEGE ( 541 ) FEMALE B.A. PART-I (Honours) Examination, 2020 Sl. Roll Number Reg. No. Candidate Name Father's/Guardian's Name <------------- Elective Subjects ----------------> <-------- MIL --------> Present/Absent 1 2541-11-0001 541-1211-0683-17 DEEPARNA BANERJEE DIPAK BANERJEE ENGA PLSG EDCG 2 2541-11-0002 541-1221-1019-15 GARGI ROY SABYASACHI ROY ENGA PHIG EDCG 3 2541-11-0003 541-1211-0217-17 SAYANI DAS UJJAL DAS ENGA BNGG JORG 4 2541-11-0004 541-1211-0328-17 PAYEL DAS PINTU DAS SANA BNGG PHIG 5 2541-11-0005 541-1211-0330-17 DOLAN GIRI AJAY GIRI SANA BNGG HISG 6 2541-11-0006 541-1211-0551-17 ARCHANA GALAN INDRA BAHADUR GALAN ENGA PLSG JORG 7 2541-11-0007 541-1211-0630-17 JHIM RAUTH GHANASHYAM RAUTH PLSA EDCG BNGG 8 2541-11-0008 541-1211-0658-17 ALISHA SHARMA SHYAM SHARMA ENGA PHIG EDCG 9 2541-11-0009 541-1211-0714-17 JASMIN PARVIN RIASUDDIN LASKAR ENGA PLSG EDCG 10 2541-11-0010 541-1211-0740-17 RINKY SARKAR GOUTAM SARKAR ENGA PLSG JORG 11 2541-11-0011 541-1212-0350-17 MADHUMITA DAS BISWANATH DAS BNGA PHIG SANG 12 2541-11-0012 541-1211-0501-16 RIMA BISWAS BINOD BISWAS BNGA EDCG PHIG 13 2541-11-0013 541-1221-0339-16 INDRANI DAS PRASANTA DAS ENGA PHIG EDCG 14 2541-11-0014 541-1221-0343-16 ANINDITA DAS SATYAJIT DAS ENGA PHIG EDCG 15 2541-11-0015 541-1221-0568-16 KHURSIDA PAILAN KHORSED PAILAN BNGA EDCG PLSG 16 2541-11-0016 541-1221-0671-16 RIKTA CHATTERJEE SWAPAN CHATTERJEE JORA -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
A Complete Profile of Rangroop
MMMAJOR PRODUCTIONS OF RANGRANG----ROOPROOP SINCE THE INCEPTION: Total Name Of The Year No. Of Drama By Directed By Production Shows 1969-70 Michhil 12 Goutam Mukherjee Goutam Mukherjee 1972-73 Akay Akay Sunya 9 Goutam Mukherjee Goutam Mukherjee 1979-80 Kanthaswar 151 Goutam Mukherjee Goutam Mukherjee Sanskrit play: Banabhatta; Adaptation : 1982-83 Kadambari 50 Goutam Mukherjee Dr. K.K. Chakraborty Story: Subodh Ghosh 1984-85 Andhkarer Rang 62 Script: Sima Mukherjee Goutam Mukherjee Story: O’Henry Do. Prahasan 62 Script: K.K. Chakraborty Goutam Mukherjee Story: O’Henry 1987-88 Clown 110 Script: K.K. Chakraborty Goutam Mukherjee 1988-89 Bikalpa 74 Sima Mukhopadhyay Goutam Mukherjee Dwijen Banerjee & 1991-92 Bhanga Boned 130 Sima Mukhopadhyay Saonli Mitra 1992-93 Tringsha Shatabdi 5 Badal Sarkar Kaliprosad Ghosh 1993-94 Boli 11 Tripti Mitra Sima Mukhopadhyay 1994-95 Je Jan Achhey 187 Sima Mukhopadhyay Sima Mukhopadhyay Majhkhane Sima Mukhopadhyay 1996-97 24 Abanindranath Tagore Aalor Phulki & K K Mukhopadhyay Panu Santi Sima Mukhopadhyay Krishna Kishore 1998-99 53 Cheyechhilo (Story: Ramanath Roy) Mukhopadhyay 1999- Aaborto 27 Sima Mukhopadhyay Sima Mukhopadhyay 2000 2000-01 Sunyapat 34 Sima Mukhopadhyay Sima Mukhopadhyay Drama: Olwen Wymark 2002-03 Khnuje Nao 37 Adaptation: Swatilekha Sengupta Rudraprasad Sengupta Je Jan Achhey 2003-04 Majhkhane 32 Sima Mukhopadhyay Sima Mukhopadhyay (Revive) 2004-05 Sesh Raksha 38 Rabindranath Tagore Sima Mukhopadhyay Sima Mukhopadhyay 2005-06 He Mor Debota 10 (Story: Deborshee Sima Mukhopadhyay Saroghee) -
States of Affect: Trauma in Partition/Post-Partition South Asia
STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English – Doctor of Philosophy 2015 ABSTRACT STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra The Partition of the Indian subcontinent – into India and Pakistan in 1947 – was one of the crucial moments marking the break between the colonial and postcolonial era. My project is invested in exploring the Partition not merely in terms of the events of August 1947, but as an ongoing process that continues to splinter political, cultural, emotional and sexual life-worlds in South Asia. My dissertation seeks to map analytical pathways to locate the Partition and the attendant formations of minoritization and sectarian violence as continuing, unfolding processes that constitute postcolonial nation-building. It examines the far-reaching presence of these formations in current configurations of politics, culture and subjectivity by mobilizing the interdisciplinary scope of affect-mediated Trauma and Memory Studies and Postcolonial Studies, in conjunction with literary analysis. My project draws on a wide range of cultural artifacts such as poetry, cantillatory performance, mourning rituals, testimonials, archaeological ruins, short stories and novels to develop a heuristic and affective re-organization of post-Partition South Asia. It seeks to illuminate through frameworks of memory, melancholia, trauma, affect and postcoloniality how the ongoing effects of the past shape the present, which in turn, offers us ways to reimagine the future. This dissertation reaches out to recent work developing a vernacular framework to analyze violence, trauma and loss in South Asia. -
From: the Assistant Chief Engineer (Personnel), P.W.Dte
Government of West Bengal Public Works Department Establishment Branch Khadya Bhawan, Block-A, llA, Mirza Ghalib Street, Kolkata-700087 No, 1128-E/E-II/6P-Ol/2017 Pt-(ll Dated: 09,09.2020 From: The Assistant Chief Engineer (Personnel), P.W.Dte. To: 1) The Chief Engineer Zone, P.W.Dte. 2) The Superintending Engineer Circle, P.W.Dte. 3) The Executive Engineer Division, P.W.Dte. Sub: Gradation list of Qualified Group-D and eligible Group-C employees under Public Works Directorate as on 01.09,2020 In inviting reference to the aforementioned subject, the undersigned is directed to enclose herewith the Gradation List of Qualified Group-D and eligible Group-C under Public Works Directorate as stood on 01.09.2020 [uploaded in PWD's website www.wbpwd.gov.in ) for its circulation among the all offices under his administrative control. Enclo:As stated above. Assistant Chief Engineer (PI, P.W.Dte. Public Works Department. j f.' GRADATION UST OF QUALIFIED GROUP-D AND ELIGIBLE GROUP-C EMPLOYEES BORNE UNDER P.W.DTE. AS ON 01.09.2020 GRADATION LIST OF QUALIFIED GROUP-D AND ELIGIBLE GROUP-C EMPLOYEES BORNE UNDER P.W. DTE. AS ON 01.09.2020 Gr.D/Gr.C Category: 51. Date of Entry Date of Name Designation Non- Date of Birth Qualification GEN/OBC/ Name of Office No. into Service Confirmation Remarks Technical SC/ST (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) 1 Adwaita Sil Peon Gr.D 6-)ul-1962 19-Nov-1979 19.11.1982 HS Gen Kolkata Central EI.