FIRST DAY’S SALE

TUESDAY 19th APRIL 2016

OIL PAINTINGS, WATERCOLOURS, DRAWINGS, PRINTS AND MINIATURES

Commencing not before 2.30pm Pictures will be on view on: Friday 15th April 9.00am to 5.15pm Saturday 16th April 9.00am to 1.00pm Sunday 17th April 2.00pm to 4.00pm Monday 18th April 9.00am to 5.15pm Limited viewing on sale day

Enquiries: Martin Scadgell Enquiries: Daniel Goddard Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 251 252 • Dame Laura Knight [1877-1970] • Dame Laura Knight [1877-1970] Girl with Shawl Harriet Cohen signed and inscribed in pencil signed and inscribed in pencil aquatint etching drypoint etching image 36 x 26cm. £200 - 300 image 36 x 26cm. £250 - 350

253 • Dorothy Wilding [1893-1976] Queen Elizabeth II [1952] silver print signed in the tissue mount in ink bottom left Dorothy Wilding Old Bond Street studio logo printed to reverse and numbered in pencil 015957 / 0 image sheet size 46 x 36cm. £300 - 500

44 254 • Michael Rothenstein [1908-1993] Cockerel in a landscape 1948, linocut in colours sight size 22 x 43cm. £400 - 600

Provenance. With The Redfern Gallery 1950, where purchased by G. Derek Witt, Esq.

255 • Hyman Segal [1914-2004] Oiled Razor Bill, Seaman’s Mission, St Ives signed, charcoal drawing, 19 x 26cm. £40 - 60

256 Gerard T Shaw [fl.1900-1920] Duck and Drake, in Japanese woodblock style signed bottom right ink and watercolour 39.5 x 30cm. £120 - 180

45 257 258 • Georges Rouault [1871-1958] • Duncan Grant [1885-1978] En temps d’ordres divers le beau metier Male nude aquatint, signed in the plate and dated 1926 drawing in charcoal and wash numbered 22 in pencil in the margin 55 x 37.5cm. £600 - 800 sight size 64 x 48cm. £200 - 300 Provenance. Paul Roche Collection. Provenance. The Redfern Gallery, 1962 Martin Roche (according to label on reverse). We are grateful to Richard Shone for his assistance in cataloguing this work.

259 • John Emanuel [b.1930] Seated nude signed in pencil, mixed media on handmade paper 40 x 28cm. £200 - 300

John Emanuel was born in Bury, Lancashire in 1930. At the start of World War II his parents moved to Barrow in Furness where both sets of his grandparents lived. He was evacuated to a farm on Shap Fell and after leaving school he served an apprenticeship in painting and decorating. His introduction to art, in particular painting, was gained through a series of illustrated talks given by a lecturer from the Extra Mural Department of Manchester University. In 1964 he moved to Cornwall where he worked full-time, allowing him to continue painting. During this time he became friends with the artist Dick Gilbert and later John Wells, Denis Mitchell and Alexander Mackenzie. Since the early 1980s he has lived in St Ives, working from a Porthmeor Studio overlooking Porthmeor Beach. The studio was previously used by the sculptor John Milne.

This work has been authenticated by the artist.

260 No Lot

46 261 262 • Geoffrey Key [b.1949] Henri Gaudier-Brzeska [1891-1915] Standing nude, three-quarter length Standing nude signed in pencil, dated ‘77 and numbered 4/15 watercolour and ink on paper sight size 26.5 x 11.5cm. £120 - 160 37.5 x 22.5cm. £600 - 900

Provenance. With the Leicester Galleries 1962

Geoffrey Key, painter and sculptor, was born in Manchester, attended art college there and was tutored by Ted Roocroft and Harry Rutherford. He became Head of Art at Broughton School, before becoming a full-time artist. Election to The Manchester Academy of Fine Arts in 1968 was followed by a number of corporate and major commissions in the UK and Europe. In the 1990s a visit to Hong Kong, where he exhibited at the Mandarin Oriental Hotel, proved a catalyst in the change in the use of colour in his work. See lots 275 and 276.

263 • Fortunino Matania [1881-1963] A nude figure sleeping on a bed, thought to be the artist’s wife, a full-length study; together with a smaller nude study two, each signed pencil and graphite 27 x 48.5cm & 32 x 22cm (2). £200 - 300

47 264 After Roy Lichtenstein [1923-1997] Now, Mes Petits... Pour La France! coloured exhibition poster September - October 1963, Leo Castelli, New York 54 x 72cm, unframed £100 - 150

265 • John Piper [1903-1992] Green, blue, yellow, red colour samples on Grey lithograph 39 x 49cm. £100 - 150

266 • Patrick Procktor [1936-2003] Venice; View across the lagoon colour state aquatint signed in pencil image 65 x 89cm. £250 - 350

267-8 No Lots.

48 269 After Marc Chagall Angel Boy; Lovers with Red Sun two, lithographs each 32 x 24cm. [2] £80 - 120

270 • John Kelly [1934-2006] Clown signed, inscribed and numbered 12/80 lithograph sheet size 53 x 38cm. £70 -100

John Kelly was a Dubliner who studied at the National College of Art and Design and later lectured in printmaking. He was a founding member of the Black Church Print Studio. He took part in numerous Irish and international group exhibitions and as a member of the Royal Hibernian Academy, he exhibited work annually at the RHA. His work is held in public collections including the Arts Council and The Hugh Lane Gallery.

271 No Lot.

49 272 273 • William Gear [1915-1997] • William Gear [1915-1997] Untitled Yellow Vertical signed and dated Gear ‘79 bottom right signed and dated Gear ‘70 bottom right acrylic acrylic 64 x 43.5cm. £600 - 800 54 x 33.5cm. £600 - 800

274 • William Gear [1915-1997] Dark Souvenir signed and dated Gear ‘74 bottom right mixed media 46 x 70.5cm. £500 - 700

Provenance. From the artist’s studio, and by descent through the family of the artist.

50 275 • Geoffrey Key [b.1949] Two horses and riders signed and dated ‘88 mixed media 13.5 x 23.5cm. £600 - 800

276 • Geoffrey Key [b.1949] The Grey Arch signed and dated ‘82 watercolour, pen and ink 12 x 15cm. £300 - 500

277 After John Piper printed by David Whitehead & Sons Foliate Heads screen printed fabric circa 1955 47 x 69.5cm. £200 - 300

Note. See lot 784, a pair of John Piper Design curtains

51 278 • David Jones [1895-1974] French Lord seated ink drawing 31.5 x 19.5cm. £600 - 800

Provenance. Gillian Jason Gallery. The New Art Centre.

279 • Graham Vivian Sutherland [1903-1980] Predatory Form lithograph signed in pencil bottom right 75 x 53cm. £150 - 250

52 280 • John Piper [1903-1992] Menerbes signed bottom left, inscribed with title bottom right pen, ink and watercolour heightened with bodycolour 36 x 53cm. £5000 - 7000

Provenance. Ernest Brown & Phillips Ltd, Leicester Galleries, New Year Exhibition January 1960, where purchased by the present owner.

Note: Menerbes is a commune in the Vaucluse, South East France formed as a walled village on a hilltop in the Luberon Mountains. It became a mecca for artists; Nicolas de Stael and Picasso each owned properties here. The region grows lavender, mushrooms and a harsh red wine!

John Piper was a painter, notably of architecture and landscape, a designer of stained glass, theatre designer, author and writer. He was born in Epsom and in his early years studied law, [1921-1926], working in his father’s law firm. From 1926 he went on to study Art at Richmond and Kingston, latterly at the Royal College, and it was here that he met and married his first wife Eileen Holding.

He visited Paris and was absorbed by the abstract painters he met there, influencing his style from the early 1930s. But by the late 1930s he had reverted to representational work. In 1937 he worked, along with John Betjamin, on the famous Shell series of guide books. His first solo show, of collages and drawings, was at the London Gallery in 1938. At this time he was also a prolific writer, working for the New Statesman and the Athenaeum.

His stained glass window designs include Coventry Cathedral and Christchurch College Chapel, Oxford. He also created tapestries for Chichester Cathedral, Hereford and Llandaff.

In the 1960s and 1970s Piper spent time painting extensively in Pembrokeshire. Retrospectives were held at The Museum of Modern Art, Oxford in 1979 and The Tate Gallery in 1983. Centenary shows were at Pallant House and Goldmark Gallery.

John Piper lived in a derelict farmhouse at Fawley Bottom, Oxfordshire with his second wife Myfanwy Evans. In later life he suffered from dementia and died at his home in 1992.

53 281 British School 20th Century Cassis, French Riviera indistinctly signed and dated 1957 bottom left inscribed bottom right oil on board 43 x 60cm. £100 - 150

282 • Robert Borlase Smart [1881-1947] Workman in a shipyard signed bottom right oil on board 38 x 44.5cm. £200 - 300

283 Attributed to Eliot Hodgkin [1905-1987] ‘Seeds’ inscribed on the reverse ‘no.2 Seeds 1953’ watercolour 12 x 19cm, possibly a page from a sketchbook. £300 - 500

54 284 • Maxwell Ashby Armfield [1881-1972] Peurto de Soller, Mallorca signed with a monogram bottom right further signed, inscribed and dated Nov.1953 on the reverse tempera 17 x 17.25cm, unframed. £1200 - 1800

Maxwell Ashby Armfield was born into a quaker family at Ringwood, Hampshire. Educated at Sidcup School and Leighton Park, he went to the Birmingham School of Art and outside school received instruction in tempera painting from Joseph Southall. He studied further in Paris and exhibited there from 1904. He became closely involved with the Arts & Crafts movement in Birmingham. On marrying in 1909 he lived with his wife in Minchin Hampton, Gloucestershire. They travelled together to the USA from 1915-1922. He wrote extensively, publishing many books on art and religion and painted for the rest of his life.

55 285 Lord Robert Baden-Powell [1857-1941] Lord Cecil with boy messengers in Mafeking, 1908 signed with initials, pen and ink drawing 10 x 10cm. £200 - 300

Note. An original sketch for Scouting For Boys.

Provenance. Purchased by the present owner from Pearsons Publishers.

286 Hedley Fitton [1857-1929] ‘Cour Du Corbeau, Strasburg’ signed in pencil in the margin 1st state etching image size 48 x 31cm. £50 - 100

Provenance. With Robert Dunthorne

287 Attributed to James Barry after Guido Reni, circa 1770 St Jerome and The Lion ink and wash drawing, 22.5 x 17.5cm, together with Robert O Lenkiewicz [1941-2002] Portrait of ‘Mouse’ in a cafe embossed Studio Stamp, pencil drawing, 26 x 14cm. [2] £120 - 180

56 288 • Robert O Lenkiewicz [1941-2002] Monca [sic] and Death Project 2, Death & The Maiden, 1974 oil on canvas, in two pieces 26.5 x 33.5cm & 38 x 45cm. £2000 - 3000 Exhibited. Death & The Maiden, No.69, The Fool, Clifton Street, Plymouth, 1974.

Provenance. The larger canvas was Lot 72 in the 2008 Bearnes Lenkiewicz Studio Sale. The smaller head section was in the collection of Lenkiewicz patron, Brian Pollard

The large complete canvas of this Death & The Maiden Project piece included the haunting figure of Death to the left of the nude figure of Monica [see photograph]. The Death figure was sketchily painted and, circa 1976, Lenkiewicz cut-up the painting giving the head of Monica to Brian Pollard while the remainder stayed in the artist’s own collection from where it was dispersed in the 2008 Studio Sale. This recent bespoke framing reunites the two pieces which each have a section of overlapped canvas that complete the figure if removed from their stretchers.

289 No Lot.

57 290 291 After Eric Ravilious [1903-1942] After Eric Ravilious [1903-1942] Child’s Handkerchief, circa 1989 Design for a Child’s Handkerchief, circa 1989 one of 200 lithographs printed on cotton by Adrian Lack lithograph in colours at Senecio Press, in a bespoke folder number 166 from an 44 x 44cm. £150 - 250 edition of 500 after a paper design for the 1935 booklet Clothes Instead of Cloth 46 x 46cm overall £200 - 300

292 • Robert O. Lenkiewicz [1941-2002] Study, Mark Vaughan Education (Project 17) signed and inscribed on the reverse oil on canvas 144 x 150cm. £800 - 1200

58 293 Georgette Rondel [1915-1942] St Stephens Green, Dublin signed bottom right oil on board 60.5 x 73cm. £3000 - 5000

Provenance. Michael Scott, architect, patron of the arts, Chairman of the Royal College of Art, 1975 recipient of the RIBA Gold Medal for architecture [presented by Her Majesty Queen Elizabeth II], thence by family descent, the main collection sold at Christies, Dublin 26th May 1989.

Georgette Rondel was a member of The White Stag Group. From France originally, she came to Dublin in 1939 with her German husband Rene Buhler, and another of her friends, Nick Nicholls. In Dublin she worked as a commercial artist and produced theatre designs. She left Dublin in 1942 only to die that Autumn in London.

The White Stag Group centred on a number of British artists who based themselves in Ireland in the late 1930s and early 1940s. The main protagonists, Rákóczi and Kenneth Hall, worked closely together, drawing stimulation from each other and sharing a number of exhibitions at the Fitzroy Street Studio in London. In the autumn of 1935 they established the White Stag Group for the advancement of subjectivity in art and psychological analysis, thus bringing together two of Rákóczi’s passions. They brought with them the artistic vitality of the Bloomsbury Group, of which they were fringe acolytes in the years preceding World War II.

The group represented and encouraged a move from the academic to modernism and their Subjective Art strongly influenced the work being made at the time by Irish artists such as Louis le Brocquy, May Guinness and Patrick Scott. The White Stag Group was not held together by a stylistic or formulaic theme, it was more a shared, geographical and cerebral collective. Rákóczi and Hall both extrovert, soon gathered around them in Dublin a small circle of friends who shared their interests. As in London they arranged lectures and discussion groups, which were open to all-comers, under the patronage of The Society for Creative Psychology and held exhibitions of paintings under the name of the White Stag Group. Judging by the names of those who were drawn into their company such as Evie Hone, Mainie Jellett, Georgette Rondel, Nano Reid, Doreen Vanston, Thurloe Conolly, Bobby Dawson and Paul Egestorff, they were indeed the centre of the then avant garde in the Irish capital. Dublin clearly provided the sort of atmosphere in which they could thrive and being the capital of a country neutral in the war there was a certain intrigue to which Rákóczi and many of his associates with the White Stag Group were not entirely impervious. In 2005 a major retrospective exhibition of the White Stag Group was staged at the Irish Museum of Modern Art, Dublin with an accompanying catalogue. The group took its name from the family shield of a patron of the group, the critic and writer Herbrand Ingouville-Williams.

59 294 • Fred Yates [1922-2008] Chapel, Wales signed FRED YATES bottom left oil on board 46 x 56.5cm. £1000 - 1500

295 296 • Fred Yates [1922-2008] • Anthony Amos [1950-2010] Paignton Harbour Totnes High Street signed bottom right oil on board oil on board 71 x 39cm. £200 -300 28 x 50.5cm. £500 - 700 297 No Lot.

60 298 • Frederick Cuming R.A.[b.1930] Drying Nets signed bottom left and dated ‘66 oil on board 29 x 74cm. £350 - 450

Provenance. With Gallery Arts Service, 1967

Frederick George Rees Cuming was born in London and studied at Sidcup School of Art and the Royal College of Art. He has had one man shows at The New Metropole Gallery, Folkstone, The Little studio New York and from the early 80s The New Grafton Gallery. A subtle Colourist who specialises in landscapes in Britain and on the continent. Fred Cuming was elected a full Royal Academician in 1974 and is a member of the New England Art Club. He has painted frequently in Italy, especially Venice, and he contributed to the Venice in Peril Appeal with his art works. He also has a love for the Southern English coastline and lives in Rye, Kent.

299 • Bertram Nicholls [1883-1974] Shrewsbury signed bottom right oil on board 49 x 75cm. £500 - 700

Provenance. The Fine Art Society, 1944

300 301 • Jeremy King [b.1933] • Rowland Hilder [1905-1993] High Wray Farm, Cumberland Shore scene signed and dated march 1967 bottom right, signed also inscribed on labels on reverse watercolour oil on board 24.5 x 33.5cm. £300 - 500 39 x 70cm. £200 - 300 302 No Lot.

61 303 English School early 20th Century Nude in a boudoir, with Pekingese oil on canvas 100 x 59cm. £300 - 500

304 Charles Frederick Lowcock [c.1878-1922] The New Gown signed F Lowcock bottom left oil on panel 20.5 x 30.5cm. £600 - 900

62 305 • Albert Henry Collings [?-1947] Nude wearing bandana and draped shawl signed bottom left watercolour 63 x 45cm. £500 - 700

306 • Lawrence Preston [1883-1960] The Foot Bath; a lady bathing signed bottom right pastel drawing 59 x 48cm. £200 - 300

63 307 Circle of Andrew Plimer [1757-1822] A miniature portrait of a young lady bust-length, with long brown curling hair and wearing a white silk bonnet and dress with a pale blue sash, sky background on ivory, oval, 4.9cm, in a gold plated frame with hair plait reverse. £400 - 600

308 Circle of John Thomas Barker Beaumont [1774-1841] A miniature portrait of a gentleman, head and shoulders with powdered hair and wearing a red coat with blue collar on ivory, oval 3.8cm, in a gold frame. £250 - 350

309 Follower of Jacques Antoine Arlaud [17/18th Century] A miniature portrait of a page boy-, head and shoulders with straight fair hair and brown eyes wearing a high lace collar tied with toggles, a velvet jacket and sash on ivory, oval 5.5cm, in a moulded wood frame. £300 - 500

310 No Lot.

64 311 Carl Heuser [1827-1892] A fine smoke sign top right oil on panel 18 x 12.5cm. £300 - 500

312 • Raphael Frigerio [1875-1948] Neapolitan fisherman smoking a pipe signed top right oil on canvas 39 x 27cm. £200 - 300

313 David W. Haddon [ fl.1884-1914] A portrait of a fisherman and a companion of a fishwife wearing a green shawl a pair, each signed oils on board each 19 x 13cm [2] £300 - 500

65 315 After Sir Edwin Landseer [19th Century] The Chieftans Friends watercolour 41 x 50cm. £400 - 600

314 Note. The picture depicts Lord Richard Cavendish, the 6th Dutch School 18th Century Duke of Devonshire. The original, in oils, was exhibited at the Maid seated in an interior, reading a letter Royal Academy in 1829 and is now part of the Chatsworth oil on panel Collection. 22.5 x 16cm. £200 - 300

316 Joseph Clayton Clarke Kyd [1856-1937] Pickwick Characters five in one composite frame each initialled, watercolours, each 15 x 10cm, together with a similar lot. (2) £200 - 300

Provenance. With Leggatt Brothers.

66 318 Edward Hayes [1797-1864] 317 Margaret Jane Bainbrigge (nee Paterson), a half-length George Henry Harlow [1787-1819] portrait of the lady wearing a lace dress, seated in A portrait of a young lady sitting, seated an interior signed and indistinctly dated 1808 signed Edwd Hayes and inscribed ‘Dublin’ bottom right pencil and watercolour watercolour heightened with bodycolour 20.5 x 16cm £100 - 200 56 x 46cm £200 - 300

319 Attributed to Theodore Schloesser [19th/20 Century] Disputa Del Sacramento (The Disputation of the Holy Sacrament) oil on paper laid down on canvas 57 x 80cm £250 - 350

320 No Lot.

67 321 322 After Buonarroti Michelangelo [19th Century] French School [17th Century] Self-portrait, bust-length, Portrait of a young girl, thought to be Mary oil on board Queen of Scots aged 17 years oval, 26 x 20cm, in a Florentine carved giltwood oil on panel frame [damaged] £200 - 300 oval, 34 x 28cm. £600 - 900

Provenance. Darnick Tower, Melrose, Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900. Roxburghshire, circa 1900.

Note. There is also a very simlar portrait of Michelangelo by Jacobino del Conte.

323 German School, Circa 1800 Portrait of a lady, bust-length, wearing a lace ruff and bonnet oil on copper oval, 11 x 9.5cm, together with a portrait of a lady in the manner of Rembrandt van Rijn, oil on ivory [damaged]. [2] £200 - 300

Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900.

68 324 Enrico Fanfani [1824-1885] A demure young woman walking in Abbey grounds with onlookers signed bottom centre oil on board oval, 27 x 22.5cm, unframed. £300 - 500

Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900.

325 After Holbein, late 18th/early 19th Century Portraits of Anne Boleyn and Lady Jane Grey two, oils on copper painted ovals each 18 x 15cm. [2] £250 - 350

Provenance. Darnick Tower, Melrose, Roxburghshire, circa 1900.

69 326 Circle of Michael Dahl [1659-1743] Portrait of a gentleman, thought to be Edward Pierpoint [1739], three-quarter length standing with blue eyes, wearing a powdered wig and holding a letter oil on canvas 125 x 100cm. £600 - 800

327 Manner of Sir Peter Lely [late 18th Century] A portrait of a gentleman, bust-length, wearing cloak, cravat and full length wig oil on canvas 76 x 63cm. £300 - 500

328 No Lot.

70 329 Circle of Thomas Hudson [1701-1779] Portrait of a young girl, full-length standing, wearing a long pink dress and lace bonnet, holding a basket of flowers, view to a fountain and cypress tree beyond oil on canvas 108 x 74cm. £600 - 800

330 English School [late 18th Century] A portrait of a naval captain, half-length standing, bewigged, wearing a buttoned tunic and waistcoat oil on canvas laid down on panel oval, 34 x 24cm. £200 - 300

331 English School [18th Century] Portrait of a Lady wearing decollete dress oil on canvas 72 x 60cm, contained within a period carved wood and gilded frame. £200 - 300

332 No Lot.

71 333 Ellis William Roberts [1860-1930] Portrait of a young lady, bust-length, with long red hair tied high, wearing a silk shawl and pearls signed top right pastel drawing 59 x 48cm. £400 - 600

334 Circle of James Sant [1820-1916] Portrait of a young lady head and shoulders, with rosy cheeks, wearing a red bonnet and white cotton dress indistinctly inscribed along the stretcher oil on canvas 46 x 35.5cm, unframed £200 - 300

335 Henry Jamyn Brooks [Exh. 1890-1909] Portrait of an Edwardian gentleman, bust-length, wearing jacket and white collar signed bottom right oil on canvas 75 x 62cm. £200 - 300

72 336 • Charles Spencelayh [1865-1958] A Chelsea Pensioner, seated wearing a blue buttoned tunic and four medals; Crimea War 1854-1856, The Indian Mutiny Medal 1857-1858, LSGC.Medal and a War Medal 1914-1918 bears strengthened signature bottom right oil on canvas 60 x 40cm. £2000 - 3000

73 337 George Goodwin Kilburne [1839-1924] ‘The Next Dance’ signed bottom left watercolour 36 x 53cm. £2000 - 3000

338 Ernest Crofts [1847-1911] The Sentinel signed and dated 1877 bottom left 33 x 22cm. £600 - 800

339 Etienne Prosper Berne-Bellecour [1838-1910] The Messenger signed and dated 1889 bottom right oil on panel 40 x 25.5cm. £700 - 1000 338 339

74 340 Circle of Stanhope Alexander Forbes [1857-1947] Mother and daughter in an interior oil on canvas 65 x 52cm. £250 - 350

341 William Eadie [1846-1926] A new bonnet signed W. Eadie and dated ‘85 bottom right oil on canvas 34 x 27cm £200 - 300

342 Follower of Nicholas Condy, 19th Century The Bird’s Nest; kitchen interior with mother and two children oil on canvas 63 x 52.5cm. £200 - 300

75 343 Henry Milbourne [1781-1826] Drover, mule and cattle crossing a stream, a cottage beyond oil on board 35.5 x 47cm. £600 - 900

344 Henry Rollett [c.1881-1916] Scottish Highland river landscape signed and dated 1881 bottom right oil on canvas 60 x 80cm. £400 - 600

345 No Lot.

76 346 Henry John Dobson [1858-1928] A cottage interior with a young girl feeding a baby and a boy mixing a bowl signed bottom right oil on canvas 35 x 45cm. £800 - 1200

347 Henry John Dobson [1858-1928] A cottage interior with an elderly lady sewing for her grandson signed bottom right oil on canvas 34.5 x 44.5cm. £800 - 1200

77 348 London School [20th Century] An artist’s atelier, a shaft of sunlight lighting the room oil on canvas 55 x 40cm. £120 - 180

349 S. Smith [early 19th Century] Still life in a cottage interior signed and dated S. Smith 1839 lower right oil on panel 23 x 18cm. £150 - 250

350 348 North European School [19/20th Century] Still life of freshwater fish, alms dish, tankard, Grecian influence cloth and a basket of rhubarb indistinctly signed TZENLIS D BUNDASS? lower left watercolour heightened with white 71 x 86cm. £300 - 400

351 Mary Rischgitz [Exh.1883-1906] Buttercups and Cornflowers signed and dated 1888 bottom right oil on board 63 x 46.5cm. £250 - 350

349

350 351

78 352 Manner of Van de Heem [late 17th/early 18th Century] Still life of lobster, fruit, vines, lilies, a Kraak bowl and platters on a table oil on panel 56 x 81cm. £800 - 1200

353 Circle of Eloise H. Stannard [circa 1852-1893] A still life of fruit arranged on a stone ledge indistinctly signed bottom left oil on canvas 40 x 45cm. £250 - 350

79 354 John Henderson [1860-1924] River landscape signed oil on board 17 x 24cm. £200 - 400

355 George Hillyard Swinstead [1862-1927] Hardanger Fjord signed and inscribed bottom left further signed on a label attached to the reverse watercolour heightened with bodycolour 24 x 33.5cm. £200 - 300

Note. The Fjord is located in Hordaland, Norway and is the fourth longest in the World.

356 George Arthur Fripp [1813-1896] Kilchurn Castle, Loch Awe, a figure in the foreground, cattle watering and salmon fishermen in a boat signed and dated 1858 lower left watercolour 35 x 61cm. £300 - 500

357 No Lot.

80 358 Archibald Kay [1860-1935] Sheep and a shepherd on a lane signed oil on canvas 45 x 34.5cm. £250 - 350

359 • Frank Henry Mason [1876-1965] View along a sandstone cliff signed watercolour 66 x 48cm. £300 - 500

360 A. Moulton Foweraker [1873-1942] Street scene, possibly St Ives signed bottom right watercolour 27 x 22cm. £300 - 500

81 361 Frederick John Widgery [1861-1942] Exmouth from Dawlish Warren signed bottom left watercolour, 16.5 x 35cm, together with a watercolour of The Suffolk Coast by Robert Winter Fraser, 15.5 x 26.5cm. [2] £200 - 250

361

362 Frank Watson Wood [1826-1953] Scottish Isles, signed and dated 1939 watercolour 16 x 35cm. £120 - 180

363 Garstin Cox [1892-1933] Lelant Church from the Estuary signed bottom left further signed and inscribed on the reverse oil on board 31 x 38cm. £250 - 350

364 No Lot.

82 365 • Albert Ernest Bottomley [1873-1950] Cattle grazing in a meadow signed and dated 1915 oil on canvas 29 x 65cm. £400 - 600

366 William Crotch [1775 Norwich-1847 Taunton] Cattle and a donkey grazing in parkland inscribed in pencil on the reverse ‘Clare Hall’ , said to be Mrs Sharpe’s House, with the names of the cattle! and dated October 4th 1809 watercolour and pencil drawing 30 x 41cm, unframed. £150 - 250

Dr William Crotch was born in Norwich. He was a musical prodigy, performing at the age of four in London on the organ and piano, and by the age of 11 was at Cambridge studying music and became Professor of Music in 1797. He moved to London around 1810 and became the first Principal of The Royal Academy of Music. At the same time he was a talented amateur watercolour painter and etcher. His work is characterised by the under-painting of dark grey with light washes of limited colour on top. Many of these drawings were done at Windsor and Budleigh Salterton and Brighton while on holiday.

367 James Baker Pyne [1800-1870] Harvest Time; sun setting over a harvest scene, stooks and harvester in the foreground watercolour heightened with white 28 x 39cm. £300 - 500

83 368 Henry de Clerck [19/20th Century] Cattle in a water meadow, view to a windmill beyond signed oil on canvas 39 x 58cm. £250 - 350

368 369 V Hoebeke [19/20th Century] Sunset; a wooded river landscape signed oil on canvas 59 x 79cm. £200 - 300

370 Dutch School [late 18th / early 19th Century] A settlement by a river, fishermen in the foreground oil on panel 30 x 52cm. £500 - 700

371 No Lot.

369

370

84 372 George William Pettitt [fl.1831-1863] Raven Crag, Thirlmere Cumberland, an extensive lake scene signed inscribed and dated 1859 on reverse of canvas oil on canvas 50 x 88cm. £400 - 600

373 Frederick Foot [19th Century] Fishermen on The Dart signed and dated 1855 bottom left oil on canvas 67 x 89.5cm. £400 - 600

374 • Douglas Falconer [1913-2004] Stag in the Deer Forrest, Balmoral Estate signed bottom right further signed and inscribed on the reverse oil on canvas 60 x 90cm. £400 - 600

85 375 J. Calcott [19th Century] Fetching water, a rural scene signed bottom left oil on canvas 41 x 60cm. £250 - 350

376 • Victor Askew [1909-1974] The artist sketching in a landscape- signed Askew bottom right oil on canvas 49 x 59.5cm. £200 - 300

377 Attributed to Benjamin William Leader [1831-1923] The Coast possibly North Wales oil sketch on paper laid down 14.5 x 20.5cm. £200 - 300

378 No Lot.

86 379 Charles O’Neill [Exh.1883-1924] Springtime; a young woman carrying pails from a barn- signed bottom left oil on board 34.5 x 23.5cm. £150 - 250

380 Attributed to W.R. Dommersen [1850-1927] Dutch town scene indistinctly initialled W.. and dated ‘85 bottom right oil on panel 20.25 x 15cm, unframed. £150 - 250

381 Norwich School 19th Century River scene with a gateway on a bridge, fisherman in the foreground indistinctly signed bottom left oil on millboard 40.5 x 35.5cm. £250 - 350

87 382 James Elliot [late 19 Century] Four upland river views with fishermen, crofters and children picnicking one signed and dated 1887, two signed oils on canvas each 39 x 59.5cm. [4] £400 - 600

383 Joseph Wrightson McIntyre [1849-1897] Travellers in an Autumn landscape; A Winter sunset- a pair, both signed oils on board each 28.5 x 44.5cm. [2] £400 - 600

88 384 George Arnald [1763-1841] ‘On The Dart’; fishermen netting salmon in a pool, view to a weir and fortification beyond signed and indistinctly inscribed bottom left oil on canvas 34 x 44cm. £600 - 900

385 386 Attributed to Frederick Waters Watts [1800-1870] William Sidney Morrish [1844-1917] A Ferry Crossing, Windsor Salcolmbe Gully, sheep grazing on a slope in the foreground, oil on canvas a cottage and view down to the cove below- 62 x 75cm. £300 - 500 signed bottom left oil on canvas 68.5 x 89cm. £250 - 350

89 387 Attributed to Thomas Barker (of Bath) [1769-1847] Cattle watering in an upland landscape, figures beyond; with a companion, cattle watering two, each with old labels on reverse with indistinct inscriptions oils on panel each 29 x 22cm (2) £700 - 900

388 J. Gould Country scenes with ducklings, chickens and a terrier;- a pair, both signed oils on panel each 25 x 30cm. [2] £500 - 700

389 No Lot.

90 390 S. Fal•••••? [early 20th Century] Rabbits indistinctly signed bottom right oil on canvas 37 x 47cm. £150 - 250

391 Rowland Knight [1879-1921] ‘Tweedside’; salmon and brown trout on a river bank signed bottom right inscribed on the reverse oil on canvas 34.5 x 50cm. £300 - 500

392 Thomas George Cooper [1836-1901] Sheep resting beneath a tree, view to the coast beyond signed and dated 188? bottom right watercolour 29 x 39.5cm. £300 - 500

91 393 Lilian Cheviot [c.1884-1932] Dartmoor Ponies signed bottom left oil on canvas 99 x 125cm. £1200 - 1800

Provenance. The Sutcliffe Gallery, Harrogate.

92 394 Thomas Musgrove Joy [1812-1866] Bay Hunter resting by a pine tree, barns and landscape beyond signed and dated 1845 oil on canvas 58 x 69cm. £800 - 1200

395 396 Attributed to Walter Appleton Clark [1976-1906] William Henry Trood [1860-1899] ‘Duchess of York’, a cart horse ‘Narrance’, a study of a spaniel signed and inscribed signed, inscribed and dated 1886 oil on canvas oil ion board 51 x 61.5cm. £150 - 250 15.5 x 20.5cm. £250 - 350

93 397 Manner of Francesco Gaudi Venetian Scene oil on canvas 28 x 35cm. £600 - 800

398 French School [18th Century] La Fete Au Dieu Pan watercolour and ink on paper 29.5 x 47cm. £400 - 600

399 George Pickering [1794-1857] Plas Mawr, Conwy signed with initials bottom right pencil drawing 17 x 25.5cm. £150 - 250

Note. Plas Mawr is an Elizabethan town house built between 1576 and 1585 by Robert Wynn who was known for his generous hospitality supported by income from his dairy herd, orchards and gardens. When Wynn died, the complex instructions regarding his estate took years to resolve, which effectively prevented the redevelopment of the house with the result that the Elizabethan architecture is now preserved and protected.

94 £500 - 700 400 English School 19th Century Bacchus and Ariadne oil on canvas 57 x 134cm.

95 401 German / Mid European School 18th Century An upland river scene, figures fishing in the foreground; Figures in an upland landscape a pair mixed media, gouache, bodycolour and watercolour each 39.5 x 47cm. [2] £800 - 1200

402 European School 18/19th Century Roman obelisk, statue and ruins at the edge of a lake, figures in the foreground gouache 50 x 75cm. £300 - 500

403 European School 18/19th Century- Fortification amongst woodland, a traveller on a path in the foreground- gouache 43 x 52cm. £250 -250

404 No Lot.

96 405 European School 18/19th Century La Seine, Paris, looking towards Isle de la Cite gouache 53.5 x 73.5cm. £1800 - 2500

97 406 Attributed to Paul Sandby Munn [1773-1845] Bassenthwaite Lake inscribed on the reverse watercolour 19 x 25.5cm. £100 - 150 Provenance. Collection of The Hon. Miss M Collingwoog. The Hunt Collection, No.27 together with a grey wash view of Ingelton, North Yorks attributed to Robert Adam and two drawings attributed to G.Grost. [4]

part 406

407 Attributed to Hubert Cornish [c.1770-1832] Stonehenge with figures among the stones grey wash drawing 21.5 x 26cm, together with a view of the River Exe below Cowley Bridge attriuted to Rev Swete. [2] £120 - 180

408 Attributed to Thomas Walmsley [1763-1806] Distant view of Hawkshead and Eastwait Lake, Cumberland gouache and watercolour heightened with white 29.5 x 45cm, together with a watercolour of Battle Abbey in the manner of Cox and a watercolour of Travellers by a Pond attributed to Varley. [3] £100 - 150 part 407 409 Julius Ceasar Ibbetson [1759-1817] Smugglers loading cargo, circa 1790 watercolour over etched outline 33 x 47cm. £200 - 300

409 part 408

98 410 Peter Gerardus Van Os [Dutch, 1776-1839] A farmstead scene; horse, cattle, sheep and a goat in the foreground, view to a farm, a barge and windmills beyond signed P.G. Van Os fe bottom left, oil on panel, 28 x 36.5cm. £1200 - 1800

99 411 • Renos Loizou [Cypriot, 1948-2013] View across a plantation to a valley and mountains beyond signed bottom right mixed media on handmade paper 25 x 32.5cm. £150 - 250

411 412 • Karl Hagedorn [1889-1969] Grecian coastal town with beached fishing boats signed and dated ‘38 watercolour and wash drawing 39 x 53cm. £120 - 180

413 • Henri Miloch [1898-1979] Concarneau, view through a stone arch to fishermen in the harbour signed, oil on board, 26 x 20.5cm, and one other French oil by a different hand. [2] £300 - 500 412

413 part

413

100 414 French School 19/20th Century Camel train on a mountain pass, view to an encampment beyond indistinctly signed in the paint bottom right oil on board 25 x 35cm. £300 - 500

415 Attributed to Edward Roworth [South African, 1880-1964] ‘The Valley Garden’ Cattle watering, Table Top mountain in the distance, oil on canvas, 70 x 90 cm. £600 - 800

Provenance. Acquired in the early 20th Century in South Africa by the vendor’s grandfather, a mining engineer. 414

416 • Eugene Galien-Laloue aka Louis Dupuy [1854-1941] French village scene, figures in the foreground signed ‘L.Dupuy’ bottom right oil on board 23 x 32cm. £200 - 300

417 • Nimetullah Gerasim [1904-1986] Tomb beneath an olive tree on a rocky slope signed and dated ‘62 bottom left oil on canvas 67 x 49.5cm. £100 - 200

415

417 416

101 418 Hendrick Hulk [1842-1937] Barges on a Dutch waterway, view to windmills and villages beyond - signed and dated 1878 bottom right oil on panel 32 x 50cm. £700 - 900

419 John Jock Wilson [Exh.1807-1856] Fishing boats on a shore at low water signed bottom right oil on board 27.5 x 47.5cm. £400 - 600

420 Attributed to Nicholas Condy [c,1818-1851] Man-o-War at sea with other vessels beyond pen, ink and watercolour heightened with white 10 x 13.5cm. £150 - 200

421 Attributed to Samuel Owen [1768-1857] Dutch fisherman in a harbour; A Dutch shipping scene indistinctly signed a pair, watercolours each 13.5 x 22.5cm. (2) £200 - 300

102 422 Anglo/Chinese School [late 19th Century] Musicians in an interior oil on canvas 45 x 59.5cm. £200 - 300

423 Anglo/Colonial School [mid 19th Century] An upland landscape with figure, bridge and overshot mill oil on millboard 19.5 x 25cm. £150 - 250

424 Mekertich Givanian [1842-1906] An approaching storm, ship anchored in a bay, fisherfolk on the shore signed and dated 188? bottom right oil on canvas 47 x 58cm. £200 - 300

425 - 450 No Lots.

103 Artist Index

ARTIST Lot Nos. ARTIST Lot Nos. Armfield (M. A.) 284 Knight (R.) 391 Arnald (G.) 384 Kyd (J. C. C.) 316 Askew (V.) 376 Lenkiewicz (R.O.) 288, 292 Baden-Powell (R.) 285 Loizou (R.) 411 Berne-Bellecour (E. P.) 339 Lowcock (C. F.) 304 Bottomley (A. E.) 365 Mason (F. H.) 359 Brooks (H. J.) 335 Matania (F.) 263 Calcott (J.) 375 McIntyre (J. W.) 383 Cheviot (L.) 393 Milbourne (H.) 343 Clerck, de (H.) 368 Miloch (H.) 413 Collings (A. H.) 305 Morrish (W. S.) 386 Cooper (T. G.) 392 Nicholls (B.) 299 Cox (G.) 363 O’Neill (C.) 379 Crofts (E.) 338 Os, Van (P. G.) 410 Crotch (W.) 366 Pettitt (G. W.) 372 Cuming (F.) 298 Pickering (G.) 399 Dobson (H. J.) 346, 347 Piper (J.) 265, 280 Eadie (W.) 341 Preston (L.) 306 Elliot (J.) 382 Procktor (P.) 266 Emanuael (J.) 259 Pyne (J. B.) 367 Falconer (D.) 374 Rischgitz (M.) 351 Fanfani (E.) 324 Roberts (E. W.) 333 Fitton (H.) 286 Rollett (H.) 344 Foot (F.) 373 Rondel (G.) 293 Foweraker (A. Moulton) 360 Rothenstein (M.) 254 Frigerio (R.) 312 Rouault (G.) 257 Fripp (G. A.) 356 Segal (H.) 255 Galien-Laloue (E.) 416 Shaw G. T.) 256 Gaudier-Brzeska (H.) 262 Smart (R. B.) 282 Gear (W.) 272, 273, 274 Smith (S.) 349 Gerasim (N.) 417 Spencelayh (C.) 336 Givanian (M.) 424 Sutherland (G. V.) 279 Gould (J.) 388 Swinstead (G. H.) 355 Grant (D.) 258 Trood (W. H.) 396 Haddon (D. W.) 313 Widgery (F. J.) 361 Hagedorn (K.) 412 Wilding (D) 253 Harlow (G. H.) 317 Wilson (J. J.) 419 Hayes (E.) 318 Wood (F. W.) 362 Henderson (J.) 354 Yates (F.) 294, 295, 296 Heuser (C.) 311 Hilder (R.) 301 Hoebeke (V.) 369 Hulk (H.) 418 Ibbetson (J. C.) 409 Jones (D.) 278 Joy (T. M.) 394 Kay (A.) 358 Kelly (J.) 270 Key (G.) 261 Key (G.) 275, 276 Kilburne (G. G.) 337 King (J.) 300 Knight (L.) 251, 252

104