Dickens' Novels Are Made by His Characters
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE PICKWICK PAPERS Required Reading for the Dickens Universe
THE PICKWICK PAPERS Required reading for the Dickens Universe, 2007: * Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. 407-28. * Marcus, Steven. "The Blest Dawn." Dickens: From Pickwick to Dombey. New York: Basic Books, 1965. 13-53. * Patten, Robert L. Introduction. The Pickwick Papers. Harmondsworth: Penguin, 1972. 11-30. * Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text." Literature and History: A Journal for the Humanities 10 (1984): 203-217. Rpt. in Modes of Production of Victorian Novels. Chicago: University of Chicago Press, 1986. * Chittick, Kathryn. "The qualifications of a novelist: Pickwick Papers and Oliver Twist." Dickens and the 1830s. Cambridge: Cambridge UP, 1990. 61-91. Recommended, but not required, reading: Marcus, Steven."Language into Structure: Pickwick Revisited," Daedalus 101 (1972): 183-202. Plus the sections on The Pickwick Papers in the following works: John Bowen. Other Dickens : Pickwick to Chuzzlewit. Oxford, U.K.; New York: Oxford UP, 2000. Grossman, Jonathan H. The Art of Alibi: English Law Courts and the Novel. Baltimore: Johns Hopkins UP, 2002. Woloch, Alex. The One vs. The Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton: Princeton UP, 2003. 1 SELECTED BIBLIOGRAPHY Compiled by Hillary Trivett May, 1991 Updated by Jessica Staheli May, 2007 For a comprehensive bibliography of criticism before 1990, consult: Engel, Elliot. Pickwick Papers: An Annotated Bibliography. New York: Garland Publishing Inc., 1990. CRITICISM Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. -
Audience Insights Table of Contents
GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11 -
Oliver Twist
APPENDIX B Summary of Charles Dickens’s Oliver Twist In a parish workhouse, a nameless young woman dies after giving birth. Her son, Oliver Twist—as named by the beadle, Mr. Bumble—is sent to a separate branch of the workhouse with other orphaned infants and raised by the monstrous Mrs. Mann. Oliver miraculously survives the horrors of the “baby farm,” and, on his ninth birthday, is transferred to the central workhouse. After three months of slow starvation, the boys draw lots to see who will ask for more gruel; Oliver draws the long straw and carries out this unenviable task. Bumble and the board of directors severely punish Oliver and plan to turn him out of the workhouse. After a failed attempt to apprentice him to a brutal chimney sweep, Bumble eventually manages to unload Oliver on Mr. Sowerberry, the undertaker. On top of his depressing new trade, Oliver must deal with the bullying of his fel- low apprentice, Noah Claypole. Oliver finally fights back against Noah when his rival taunts him about his deceased mother. This second “rebellion” earns Oliver a stern rebuke from Bumble and a brutal beating from Sowerberry. Consumed by the misery of his life, Oliver decides to run away, though he first returns to the baby farm to bid goodbye to his friend, Dick. Oliver barely survives the seventy-five mile walk to London. On arriving at Barnett, he encounters a strangely attired cockney boy who introduces himself as Jack Dawkins (though he goes by the name of the Artful Dodger). The Dodger invites Oliver to come and lodge with a respectable old gentleman, and he conducts a wary Oliver through the slums of London to a dilapidated flat. -
Domestic Violence in Nineteenth-Century British Fiction Lynn Renee Wingert Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 Battered, bruised, and abused women: domestic violence in nineteenth-century British fiction Lynn Renee Wingert Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Wingert, Lynn Renee, "Battered, bruised, and abused women: domestic violence in nineteenth-century British fiction" (2007). Retrospective Theses and Dissertations. 14667. https://lib.dr.iastate.edu/rtd/14667 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Battered, bruised, and abused women: domestic violence in nineteenth-century British fiction by Lynn Renee Wingert A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Kathy Hickok, Major Professor Linda Shenk Amy Bix Iowa State University Ames, Iowa 2007 Copyright © Lynn Renee Wingert, 2007. All rights reserved. UMI Number: 1447519 Copyright 2007 by Wingert, Lynn Renee All rights reserved. UMI Microform 1447519 Copyright 2008 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii TABLE OF CONTENTS Introduction 1 Chapter 1. -
“Bill Sikes' Murder of Nancy Is the Most Horrible Crime in the Novel.” To
“Bill Sikes’ murder of Nancy is the most horrible crime in the novel.” To what extent do you agree with this view? • Spend 20 mins planning your response • Consider: Your clear argument, quotes to support, writer’s methods, writer’s intention and context Student Response • On the next slide is a student response. For each AO, write their strengths and next steps. An examiner’s commentary is on the slide after but don’t look at that until you have attempted it yourself. • AO1- SPAG, terminology and argument • AO2- Writer’s methods • AO3- Context • AO4- Understanding of crime writing genre • AO5- Sense of debate Oliver Twist Dickens presents criminals as products of their society.’ To what extent do you agree with this view? Remember to include in your answer relevant detailed exploration of Dickens’ authorial methods. In some ways the criminals in the novel could be seen as products of society especially the likes of Nancy who is murdered and Fagin who is hanged. On the other hand, some people might argue that they are not products because they choose this life for themselves and many of them do really terrible things like Sikes who kills Nancy and Fagin who uses the boys. In this essay, I am going to look at both points of view. Firstly, it could be argued that Nancy is a victim, and therefore a product of her society, as like a lot of individuals who live at the bottom rung of society, the only way in which she is able to survive is by turning to criminal or immoral activity - in her case prostitution and involvement with more hardened criminals such as Sikes and Fagin. -
Hunger for Life in Oliver Twist Novel
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 4 October 2018 | ISSN: 2320-2882 HUNGER FOR LIFE IN OLIVER TWIST NOVEL Karabasappa Channappa Nandihally Assistant Professor Of English Government First Grade College, U.G.&P.G.Centre Dental College Road,Vidyanagar,Davanagere. Abstract This novel focusing on Poverty is a prominent concern in Oliver Twist. Throughout the novel, Dickens enlarged on this theme, describing slums so decrepit that whole rows of houses are on the point of ruin. In an early chapter, Oliver attends a pauper's funeral with Mr. Sowerberry and sees a whole family crowded together in one miserable room.This prevalent misery makes Oliver's encounters with charity and love more poignant. Oliver owes his life several times over to kindness both large and small.[14] The apparent plague of poverty that Dickens describes also conveyed to his middle-class readers how much of the London population was stricken with poverty and disease. Nonetheless, in Oliver Twist, he delivers a somewhat mixed message about social caste and social injustice. Oliver's illegitimate workhouse origins place him at the nadir of society; as an orphan without friends, he is routinely despised. His "sturdy spirit" keeps him alive despite the torment he must endure. Most of his associates, however, deserve their place among society's dregs and seem very much at home in the depths. Noah Claypole, a charity boy like Oliver, is idle, stupid, and cowardly; Sikes is a thug; Fagin lives by corrupting children, and the Artful Dodger seems born for a life of crime. Many of the middle-class people Oliver encounters—Mrs. -
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Oliver!? Sharon Jenkins: Working Together
A Study Guide for... BOOK, MUSIC & LYRICS BY LIONEL BART Prepared by Zia Affronti Morter, Molly Greene, and the Education Department Staff. Translation by Carisa Anik Platt Trinity Rep’s Education Programs are supported by: Bank of America Charitable Foundation, The Murray Family Charitable Foundation, The Yawkey Foundation, Otto H. York Foundation, The Amgen Foundation, McAdams Charitable Foundation, Rhode Island State Council on the Arts, The Hearst Foundation, Haffenreffer Family Fund, Phyllis Kimball Johnstone & H. Earl Kimball Foundation, Target FEBRUARY 20 – MARCH 30, 2014 trinity repertory company PROVIDENCE • RHODE ISLAND TABLE OF CONTENTS Theater Audience Etiquette 2 Using the Guide in Your Classroom 3 Unit One: Background Information 4-11 A Conversation with the Directors: Richard and Sharon Jenkins 4 A Biography of Charles Dickens 5 Oliver’s London 6 The Plot Synopsis 8 The Characters 9 Important Themes 10 Unit 2: Entering the Text 12-21 Make Your Own Adaptations 12 Social Consciousness & Change 13 Inequitable Distribution of Resources 14 Song Lyrics Exercise 15 Scenes from the Play 17 Further Reading & Watching 21 Bibliography 23 THEATER AUDIENCE ETIQUETTE AND DISCUSSION PLEASE READ CAREFULLY AND GO OVER WITH YOUR CLASSES BEFORE THE SHOW TEACHERS: Speaking to your students about theater etiquette is ESSENTIAL. Students should be aware that this is a live performance and that they should not talk during the show. If you do nothing else to prepare your students to see the play, please take some time to talk to them about theater etiquette in an effort to help the students better appreciate their experience. It will enhance their enjoyment of the show and allow other audience members to enjoy the experience. -
March 2019 ------London Particular the Dickens Fellowship Newsletter ______
No. 53 March 2019 --------------------------------------------------------------------------------------------------------------------- London Particular The Dickens Fellowship Newsletter _____________________________________________________________________ Marcus Steven, Dickens. From Pickwick to July Pub Meeting This year’s Saturday meeting Dombey (1965) will take place on 13 July. The venue will again Miller, J Hillis, Charles Dickens. The World of be the Rugby Tavern in Great James Street which His Novels (1959) runs parallel with Doughty Street. The question for debate this year will be: ‘Which is the greatest David Parker, The Doughty Street Novels Victorian novel (including foreign novels) that (2006) Dickens didn’t write?’ If you have a favourite novel Rossi-Wilcox S, Dinner for Dickens (2005; fine that you would like to champion for 10 minutes on copy with original dust cover) the day, please let the LP editor know the title and Slater M and Drew J (eds), The Uncommercial come along and participate. There will be a vote Traveller and Other Papers 1859-70 (vol 4 of at the end to determine the result, not necessarily the Dent Uniform Edition of Dickens’s definitive…. Journalism, 2000). Presentation , from Michael Slater to Philip Collins Chesterton on Dickens (vol 15 of Chesterton’s PROF MICHAEL SLATER’S BOOKS, NEW Collected Works, Ignatius Press, 1989) HOMES REQUIRED (cont’d from last edition). Forster J, Life of Charles Dickens, hardback Michael has decided to find new homes for Everyman edition, 2 vols, ed A J Hoppe, some of his books and DVDs. If you would like revised ed, 1969 to choose from any of the following, please contact Michael by phone (07982 770 193) or DVDs:- by email ([email protected]) to Great Expectations (Discovery Channel, Great arrange collection, either at a meeting at Books Series) Lumen or at the Charles Dickens Museum. -
The Inns & Taverns of "Pickwick"
CORNELL UNIVERSITY LIBRARY UNDERGRADUATE LIBRARY i DATE DUE Cornell University tjkl Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013472794 THE INNS AND TAVERNS OF "PICKWICK" First Edition 1921 Copyright <WoJd^' SCENE IN THE YARD OF THE BULL INN, WHITECHAPEL MR. PICKWICK STARTS FOR IPSWICH From an engraving by T. Onwhyn THE INNS &> TAVERNS OF "PICKWICK" WITH SOME OBSERVATIONS ON THEIR OTHER ASSOCIATIONS BY B. W. MATZ EDITOR OF "THE D1CKEN3IAN ' WITH THIRTY-ONE ILLUSTRATIONS BY C. G. HARPER, L. WALKER ARCH. WEBB, AND FROM OLD PRINTS AND PHOTOGRAPHS LONDON CECIL PALMER OAKLEY HOUSE, BLOOMSpyRY STREET, W.C. I TO ARTHUR TREPESS IN REMEMBRANCE OF MANY YEARS OF VALUED FRIENDSHIP 3 3^lo^?B UrJL. PREFACE IT is not claimed for this book that it supplies a long-felt want, or that it is at all necessary to the better understanding of the immortal work which inspired it. Nor does the author offer any apology for adding yet another volume to the long list of books, already existing, which deal in some way or other with England's classic book of humour, because it isn't so much his fault as might appear on the surface. A year or two ago he contributed to an American paper a series of twenty articles on some of the prominent inns mentioned in the works of Dickens, and before the series was completed he received many overtures to publish them in volume form. -
Juliet Mcmaster
Juliet McMaster Diabolic Trinity in Oliver Twist Most readers and critics of Oliver Twist agree that the villains steal the show. 1 Fagin with his gang of prostitutes and pickpockets, part demon, part engaging domestic crony; Bill Sikes in his brute strength and surliness; even \1onks, with his scar and his sensational epilepsy, have a vital presence and an imaginative power that the Brownlows and Maylies never a·chieve. Oliver, whom Dickens called "the principle of good surviving through every adverse circumstance,"2 has for good reason latched onto the world's imagination as a victim, an object of compassion, a vehi.cle for pathos. But his virtues are of necessity mainly passive. T he evil figures are the more evil for their roles vis-a-vis Oliver, in exploiting, terrorizing, and seeking to corrupt him; but in himself he can present no positive force for good. And the virtuous adults who range themselves on his side are colourless and ineffectual in comparison with their villainous antagonists. If in the outcome these faint ly-imagined forces are to triumph over such figures as Fagin, Sikes, and Monks, it is only by some very visible string pulling on the part of the author, and some rather contradictory suggestions that the forces of law and order in this society are better and juster than the rest of the novel has led us to believe. "This world of Dickens is a_world without God," says Graham Greene; "and as a substitute for the power and the glory of the omnipotent and omniscient are a few sentimental references to heaven, angels, [and] the sweet faces of the dead."J The backing of any sense of conviction in a powerful deity may be absent from the presentation of the good characters; but there is instead an almost theological author ity for the conception of the evil triumvirate of Fagin, Sikes, and Monks. -
OAC Review Volume 23 Issue 2, November 1910
CAaowoF ao 3Mi AHb K/ov 1^1°. - itpfiitiTn, NOVEMBER, 1910 Every Farmer and Stockman Needs a Good Pulper and Slicer And here are two first-class machines. This one has six reversible knives for pulping and slicing. The drive wheels are large and heavy, and we use roller and ball bearings, ensuring first-class work and easy operation. Wc also make a Pulper and Slicer in this same style with a double hopper, which is divided, one side for slicing and the other for pulping. A convenient dividing leaf shuts off either side as desired. This is a strong, well-built machine. Easily Operated—Have Roller and Ball Bearings This style is very popular. It is so constructed that turnips and other roots are firmly held in place, so that there is no chance of their rolling when they come in contact with the knives. It cuts up all kinds of roots thoroughly, saves time and stock and is much more efficient than other makes. Send for our catalogue to-day and be sure you buy all your farm tools from that catalogue—it pays. COCKSHUTT coKv BRANTFORD -. 61c THE O. A. C. REVIEW. i. The Bond Hardware ■ Company, Limited STUDENTS' HEADQUARTERS FOR Sporting Goods Also Everything in Hardware- “Our prices always right/' Daily delivery to the College ■ Guelph Ontario The dominion Bank Capital Paid Up $ 4,000,000.00 RESERVE FUND ------ 5,400,000.00 Deposits by the Public ------ 47,000,000.00 Total Assets ------- 61,000,000.00 A GENERAL BANKING BUSINESS TRANSACTED. Drafts bought and sold on all parts of the world.