Concert Season 2015 - 2016 Malta Philharmonic Orchestra
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EMR 12669 Schubert Stabat Mater MF
Stabat Mater Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: John Glenesk Mortimer Franz Schubert EMR 12669 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass 5 1st B Clarinet 2 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Piano Reduction (optional) 1 B Bass Clarinet (optional) 1 B Soprano Saxophone (optional) 2 1st E Alto Saxophone Special Parts Fanfare Parts 2 2nd E Alto Saxophone 1 1st B Trombone 2 1st Flugelhorn 2 B Tenor Saxophone 1 2nd B Trombone 2 2nd Flugelhorn 1 E Baritone Saxophone (optional) 1 B Bass Trombone 2 3rd Flugelhorn 1 E Trumpet / Cornet (optional) 1 B Baritone 3 1st B Trumpet / Cornet 1 E Tuba 3 2nd B Trumpet / Cornet 1 B Tuba 3 3rd B Trumpet / Cornet 2 1st F & E Horn 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Franz Schubert Photocopying Stabat Mater is illegal! Arr.: John Glenesk Mortimer 34 5 6 78 Largo q = 50 1st Flute fp p sost. fp f 2nd Flute fp p sost. fp f Oboe fp p sost. -
A Conductor's Analysis of Amaral Vieira's Stabat Mater, Op.240: an Approach Between Music and Rhetoric Vladimir A
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric Vladimir A. Pereira Silva Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Pereira Silva, Vladimir A., "A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric" (2005). LSU Doctoral Dissertations. 3618. https://digitalcommons.lsu.edu/gradschool_dissertations/3618 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S ANALYSIS OF AMARAL VIEIRA’S STABAT MATER, OP. 240: AN APPROACH BETWEEN MUSIC AND RHETORIC A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Vladimir A. Pereira Silva B.M.E., Universidade Federal da Paraíba, 1992 M. Mus., Universidade Federal da Bahia, 1999 May, 2005 © Copyright 2005 Vladimir A. Pereira Silva All rights reserved ii In principio erat Verbum et Verbum erat apud Deum et Deus erat Verbum. Evangelium Secundum Iohannem, Caput 1:1 iii ACKNOWLEDGMENTS This dissertation would have not been possible without the support of many people and institutions throughout the last several years, and I would like to thank them all for a great graduate school experience. -
CLOCK THIS! Forget All That Eidelweiss Stuff, BRIAN HARRIGAN Talks To
26 Record Mirror, April 19.1980 CLOCK THIS! Forget all that eidelweiss stuff, BRIAN HARRIGAN talks to. Switzerland's new national emblem - Krokus _oF about time the'other always good NEW YORK citizenship It seem% á members got a name - musicianship in what is miracle that check and a bit of we do. renowned Switzerland has history. So the other "As tar as actually produced a four members of influences are for being rock band. More Krokus are, ín no Concerned I'd say we the place to get astonishing, It is a particular order, Chris sound a bit like AC/DC down and hard driving, hard - von Rohr (bass), sometimes or a bit like boogey rocking a bit. Texas seems machismo - Tommy Kiefer (lead Deep Purple. But loaded heavy metal that's not a deliberate ideal an guitar), Fernando von for band. Arb (rhythm guitar) and thing we do - we just evening full of hog The,group is called Freddy Steady try to be ourselves." - stomping rebel Krokus, a five piece (drums). yelling outfit which celebrates They, with the and its fourth birthday this drinking gallons of aforementioned Friez, year and boasts three formed Krokus In 1977 STORACE is Jack Daniels: albums released so and spent their first quietly hopeful far, The last E, still one, few months of that Krokus will en'London 'Metal Rendezvous', swings a bit, II a tittle existence playing soon be was the first to come Spanish nightclubs on coming to the geriatrically these a days. But Switzerland? out in Britain, courtesy the Costa Brava, six UK. -
Publicity Book
JORY VINIKOUR conductor, harpsichordist Jory Vinikour is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world!s most important festivals and concert halls as recital and concerto soloist, partner to several of today!s finest singers, and increasingly as a conductor. Born in Chicago, Jory Vinikour came to Paris on a scholarship from the Fulbright Foundation to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public!s attention, and he has since appeared in festivals and concert series such as Besançon Festival, Deauville, Nantes, Monaco, Cleveland Museum of Art, Miami Bach Festival, Indianapolis Early Music Festival, etc. A concerto soloist with a repertoire ranging from Bach to Nyman, passing by Poulenc!s Concert Champêtre, Jory Vinikour has performed as soloist with leading orchestras including Rotterdam Philharmonic, Flanders Opera Orchestra, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, and Moscow Chamber Orchestra with conductors such as Armin Jordan, Marc Minkowski, Marek Janowski, Constantine Orbelian, John Nelson, and Fabio Luisi. He recorded Frank Martin!s Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005), and also performed the Harpsichord Concerto by the same composer with the Symphony Orchestra of the MDR in Leipzig!s Gewandhaus under the direction of Martin Haselböck in January of 2003. A complete musician, Mr. Vinikour is gaining a reputation as a conductor (studies with Vladimir Kin and Denise Ham) and music director. -
Stabat Mater 1831/32 Original Version with Sections by Giovanni Tadolini Giovanna D’Arco – Cantata
Gioachino ROSSINI Stabat Mater 1831/32 Original version with sections by Giovanni Tadolini Giovanna d’Arco – Cantata Majella Cullagh • Marianna Pizzolato José Luis Sola • Mirco Palazzi Camerata Bach Choir, Poznań • Württemberg Philharmonic Orchestra Antonino Fogliani Gioachino Rossini (1792-1868) * and Giovanni Tadolini (1789-1872) ** Gioachino Rossini Stabat Mater Giovanna d’Arco (°) 1831/32 original version, **orchestrated by Antonino Fogliani (b. 1976) ............................ 56:07 Solo cantata (1832) with piano accompaniment orchestrated by Marco Taralli (b. 1967) .....15:13 $ 1 I. Introduction: Stabat Mater dolorosa * ........................................................... 8:35 I. Recitativo: È notte, e tutto addormentato è il mondo ................................. 4:44 (Soloists and Chorus) (Andantino) % 2 II. Aria: Cujus animam gementem ** .................................................................. 2:40 II. Aria: O mia madre, e tu frattanto la tua figlia cercherai .............................. 3:29 (Tenor) (Andantino grazioso) ^ 3 III. Duettino: O quam tristis et afflicta ** ............................................................. 3:34 III. Recitativo: Eppur piange. Ah! repente qual luce balenò ............................ 1:14 (Soprano and Mezzo-soprano) (Allegro vivace – Allegretto) & 4 IV. Aria: Quae moerebat et dolebat ** ................................................................. 2:51 IV. Aria: Ah, la fiamma che t’esce dal guardo già m’ha tocca ......................... 5:46 (Bass) (Allegro vivace -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
Cohesion of Composer and Singer: the Female Singers of Poulenc
COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers. -
1985Jan31.Pdf
.Normal Stevens Point, Wis . .......,_'.l'heNe,.rear_ ......... .. .................. Page1 Loe.us. ________ __ ________ _______ ____ ___ ___ ,..., .... __ _________ _____________ ______ .. ' _....... ______ __ __ __ ______ _____ __ ________ ... The- 4JJgeJ of Men,ory__ ......•.....____ __ ___ ___________ : . " 3 A Tli'Ltttc. ., ...... .._ --. - ------- ---- ------ -- -- -- ----------- .,, ""''"'-•------- --- -- ---- ------------ -- . _,_..,,_----------- ----- --- -- -- ---' -- ' ---------- ------------- ---- -- .,, ""• .. ~- -------- ----- ----- --------- -- ' ......... ·-· _...,,- ___ __ __ __ ____________ ____ -- .--- ---- -------- ---- --- -- -------- ·-' .• Vol. ?8 No. 19 viPwnnint~ Conterits ~ ._._, Ir y r '-#AA a~...,. O'Neil resigns from Board of Regents . ...... p:. View on Indian bunting rights .............. p. 6 Krokus and Dokken - coming to UWSP ..... p. 9. His'orical features on your campus . .... p.10.13 Po·i nter presents UWSP .history New.Academic progress standards ... ..... p.10 Profile on arcblviests ................... ~. p. 9 Pointer Cagers defeat River Fails and Superior ............... ........... .. ... p. 21 "We pres~nt to y~u the first issue of The paper was a monthly publication Hockey team still skating along .......... p. 22 our school papec. We believe as stu with a subscription fee of 50 cents. In Track and field ............. .. .. ........ p. 21 dents that the advantages to be de reproducing this cover, we honor not Lady Cagers lose to LaCrosse ........ .. -~23 only the past Pointer staffs, but the Sporting memories . .. ............ ·. .. p. l,l rived from the publication of this pa WresUers pinned again ............... .. p: 22 per are many." faculty, staff and students of previous State i\ssemblyman Tom Loftus speaks Opening paragraph, editorial generations. atUWSP . ........... ... .. ........... p.5 The Normal Pointer, Vol. 1, No. 1 On pages 10-13, we have given brief Bald eagle days ...... .. .. ..... ......... p. 19 histories in areas that nave Excerpts from the 1984 H"'untlng Law .. -
DE PROFUNDIS Compositions for Orchestra and Choir
Metropolitan HILARION ALFEYEV DE PROFUNDIS Compositions for orchestra and choir Russian National Orchestra Moscow Synodal Choir Metropolitan Hilarion Alfeyev (1966) De profundis DE PROFUNDIS example, St Matthew Passion, 2008). Yet modern cantatas are a thriving of dynamic articulation in the DE PROFUNDIS 13 De profundis (Psalmus 129/130) 5. 11 COMPOSITIONS FOR On this new album, Metropolitan realm for sacral themes. Metropolitan orchestral accompaniment. The Compositions for orchestra and choir 14 Levavi oculos meos in montes (Psalmus 120/121) 5. 26 ORCHESTRA AND CHOIR Hilarion’s works, on the one hand, Hilarion’s Stabat Mater has a four part fourth movement, “Paradiso Gloria”, 15 Super Flumina Babylonis (Psalmus 136/137) 3. 52 offer originality in each category, and, structure. The libretto is based on a tells of the grief of a mother, “seeing Stabat Mater 16 Laudate nomen Domini (Psalmus 134/135) 4. 28 Whoever desires to listen to serious on the other hand, are characterised thirteenth century text, Stabat Mater Jesus, given up to torture”, and of the 1 Stabat Mater 5. 59 17 Alleluia (Psalmus 148-150) 5. 07 music, and whoever has not lost the by a certain stylistic communality, dolorosa, by the Franciscan Jacapone compassion that the crucified saviour 2 Virgo virginum 5. 35 capacity to distinguish the genuine an individual, authorial discourse. If de Todi. The poetics of this cycle’s and his sorrowful mother expressed 3 Sancta Mater 5. 24 from the false, will surely be very the semantic side is characterised by expression is an organic combination for all humankind. The composer 4 Paradisi gloria 5. -
JOSEPH CARLUCCI Photography
JOSEPH CARLUCCI Photography Joseph Carlucci was born on 28 January 1956 in Nociglia, Italy. When he was ten, he moved to Lausanne, where he attended school. Interested in music from an early age, he experienced his first rock concert at the age of 18: Uriah Heep in Bern. It was love at first sight! Out of passion, Joseph began to immortalise artists on stage with his camera. His talent and commitment naturally opened the doors of the backstage area for him; his privileged relationship with the musicians allowed him to capture unique images, historic performances and ardent emotions. As the official photographer for numerous events, music magazines and renowned newspapers, his photographs have travelled the world for 45 years. From AC/DC to ZZ Top, Nirvana, BB King, Michael Jackson, The Rolling Stones, Led Zeppelin, Queen or Elton John, to name but a few, the idols of generations have been captured and immortalised by his lens. In stadiums, concert halls or at festivals in Switzerland or anywhere in the world where great music is played. Reports in music magazines such as Hard Rock Magazine, Enfer Magazine and many more as well as concert reviews in renowned newspapers, were frequently illustrated with the intense and expressive photos of Joseph Carlucci. Record companies, managements and artists appreciate his work. His photographs can be found on numerous releases: Posters of AC/DC's single 'Danger', photos in the remastered deluxe editions of the 30th anniversary box sets 'Ride the Lightning' and 'Master of Puppets' by Metallica or DVDs 'Live at Montreux' by Alice Cooper, Status Quo, Santana, Alanis Morissette, Deep Purple, ... -
Le Groupe Live
Comme l‘un des groupes hommage à AC/DC les plus connus en Suisse, Whole Lotta DC ne se lasse pas du Rock’n’Roll et de l‘ambiance magique des concerts ! Cela témoigne encore et encore de nombreuses tournées avec de nombreux temps forts sur les petites et grandes scènes, un groupe parfaitement bien répété, avec des performances saisissan- tes spectacles d‘éclat et de dynamique unique. Whole Lotta DC – le groupe live • Le groupe a acquis une grande expérience live depuis ses débuts avec innombrable concerts (en Suisse et à l‘étranger) - les amateurs de musique rock et bien sûr les fans d’AC/DC n’ont jamais été déçus ! • Whole Lotta DC a joué avec des grands noms tels que Eric Burdon (The Animals), Kim Wilde, Man- fred Man’s Earth Band, Shakra, BAP, The Quireboys, Marc Storace et Fernando von Arb (Krokus), Polo Hofer, Span, Patent Ochsner, Florian Ast, Philippe Fankhauser, QL etc.. • Le groupe a joué à l‘étranger entre autres à Salzburgarena (salle 8‘000), Salzbourg (A), Holliday Inn Berlin (D) ou sur le Festival Rock du lac de Brienz dans le programme principal devant 4000 per- sonnes chaque fois, six fois dans le célèbre Stadtkeller à Lucerne et en 2019 pour la quatrième fois dans la fameuse «Mühle Hunziken», Rubigen/Berne, chaque fois devant 600 personnes à guichets fermés. • Un highlight en 2017 a été sans doute la participation de Whole Lotta DC au Riverside Open Air Aar- burg où le public avait voté avec 30’000 clics pour Whole Lotta DC ou en 2019, le spectacle dans la salle 8‘000 de Salzburgarena, Salzbourg (A) ! • Certains spectacles sont déjà réservés pour 2020 et une tournée allemande à travers Berlin en planifi cation. -
Program Notes | Music of Faith
23 Season 2018-2019 Thursday, January 24, at 7:30 The Philadelphia Orchestra Friday, January 25, at 2:00 Yannick Nézet-Séguin Conductor Charlotte Blake Alston Speaker Nadine Sierra Soprano Elizabeth DeShong Mezzo-soprano John Osborn Tenor Krzysztof Bączyk Bass Philadelphia Symphonic Choir Joe Miller Director Philadelphia Boys Choir Jeffrey R. Smith Artistic Director Bernstein Symphony No. 3 (“Kaddish”) I. Invocation: Adagio— Kaddish 1: L’istesso tempo—Allegro molto II. Din-Torah: Di nuovo adagio— Kaddish 2: Andante con tenerezza— III. Scherzo: Presto scherzando, sempre pianissimo— Kaddish 3— Finale: Adagio, come nel Din-Torah— Allegro vivo, con gioia Intermission 24 Rossini Stabat Mater I. Chorus and Quartet: Stabat Mater II. Tenor Aria: Cujus animam III. Soprano and Mezzo-soprano Duet: Quis est homo IV. Bass Aria: Pro peccatis V. Chorus and Bass Recitative: Eia Mater VI. Quartet: Sancta Mater VII. Mezzo-soprano Cavatina: Fac ut portem VIII. Soprano Air and Chorus: Inflammatus et accensus IX. Quartet: Quando corpus X. Chorus: Amen This program runs approximately 2 hours, 10 minutes. These concerts are sponsored by Gretchen and M. Roy Jackson and an anonymous donor. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues