DOCSLIB.ORG

Concert Season 2015 - 2016 Malta Philharmonic Orchestra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concert Season 2015 - 2016 Malta Philharmonic Orchestra CONCERT SEASON 2015 - 2016 MALTA PHILHARMONIC ORCHESTRA THE ORCHESTRA BOARD AND MANAGEMENT Leader : Marcelline Agius Board of Directors Sigmund Mifsud, Ruth Micallef, Toni Abela, Mark Attard Montalto, ounded in 1968, the Orchestra was formerly known Marthese Azzopardi, Rita Cutajar, Alexei Galea Cavallazzi, Jean Killick as the Manoel Theatre Orchestra. It became an F independent body in 1997 when it was officially Executive & Artistic Team named the National Orchestra of Malta, and underwent Executive Chairman: Sigmund Mifsud its final transformation in 2008 when it was further Principal Conductor & Artistic Director: Brian Schembri extended and became known as the Malta Philharmonic Resident Conductor: Michael Laus Guest Leader: Carmine Lauri Orchestra (MPO). Financial Controller: Reuben Sammut Marketing Manager: Maria Blanco Under its new leadership, the MPO today continues to pride Operations Manager: Michael Aquilina itself in developing its vision of delivering music of the highest Logistic Coordinator: Tony Mizzi calibre on the Maltese islands while also promoting our HR Officer: John Saliba musical heritage abroad. Librarian: Matthew Fenech Viktor Vella, STILLS WELCOME FOREWORD EXECUTIVE CHAIRMAN : ARTISTIC DIRECTOR AND PRINCIPAL CONDUCTOR : SIGMUND MIFSUD BRIAN SCHEMBRI It is my great pleasure to welcome you to the Malta Philharmonic Minister and NnG Promotions for the much-loved open air concerts in Loyal to my firm belief in the power of the great masterpieces However, it is essential for musicians not to neglect their own Orchestra’s 2015-2016 concert season, which includes a vast July. I would also like to take this opportunity to thank all our partners of symphonic music on the spiritual development of society and individuality and to develop it to its full artistic potential. In this sense, programme of symphonic repertoire as well as an exciting range of and sponsors for their numerous support. individual, this season reflects a special care for a diversity of tastes the MPO is investing even more in the opportunities that musicians varied genres of music. This is a tangible reflection of how the new and expectations. may have to perform chamber music and solo concertos. The RSH developments and ventures happening within the MPO have widened Further details will continue to be announced at a later stage Concert series is developing into a regular showcase of MPO our visibility both nationally and internationally, initiated productive throughout the season, including information and concerts by our Hard work by all involved in not always easy conditions is indeed musicians in a more intimate solo or chamber ensemble environment. collaborations with new clients and above all brought our infectious Malta Youth Orchestra and the work of the MPO Academy. Kindly bearing fruit. The orchestra is developing into an exciting artistic It is exactly because of the importance that I give to this element in love of music to ever-increasing audiences. visit our website, subscribe to our online newsletter and join our lively ensemble. Its public image has been enhanced and the MPO is any musician’s development, that I am truly looking forward to our community on social media networks, so that you will keep in touch slowly but steadily becoming a household name as well as a key season’s closing concert which will involve no less than 11 soloists I can assure you that this season all our musicians and guest artists, and updated about the latest events. I would also like to invite you to player in Malta’s cultural scene. Thanks to our collective effort we are performing in solo concertos or concertante works. led by Principal Conductor Brian Schembri, will continue to give you support us and become part of our growing family through our MPO not only improving our artistic aptitudes, but also attracting attention an enjoyable and enriching experience. As in previous years it is Loyalty membership scheme. of professional stakeholders, artists in search of recording prospects, The journey is long and the paths are not always straight or easy. my pleasure to announce a stimulating programme series happening producers and reviewers. In doing so, we have managed to develop However, I am sure that with our passionate love for music, our strong at the Robert Samut Hall. I am particularly delighted to mention our Finally, on behalf of my well esteemed colleagues and the MPO, it is an ever-increasing public of loyal patrons as well as newcomers to belief in our social vocation and our professional commitment to educational and outreach programmes which this year will again my privilege to invite you to come and join us in our musical journey our fantastic adventure. always strive for excellence, our dear public and sponsors will always include productions for school children and families. this year. We look forward to seeing you, whether you choose to be there to share our journey and become an active partner in our just stop by at one of our pjazza performances, come to one of our Nothing can replace the feeling one gets performing in a large group exciting future. Throughout the season we will stregthen our collaborative projects unique events, or embrace the entire varied selection of concerts there of musicians, with which each and every individual is essential to the with Valletta 2018, the Arts Council Malta, the Office of the Prime is on offer. magnificent resulting sound of a symphony orchestra. SEPTEMBER 2015 ROCKESTRA INDIPENDENZA 1565 THE MUSICAL 12 September CONCERT Free Entrance MALTA FILM CLIFF ZAMMIT 6 & 7 September Malta Fairs and Convention Centre, 19 September COMMISSION MEDITERRANEAN Ta Qali - 8:00pm STEVENS IN CONCERT Mediterranean Conference Centre, Mediterranean Conference Centre, 90TH ANNIVERSARY OPERA & MUSIC Valletta - 8:00pm Valletta - 7:30pm Progamme includes music by: 4 September Queen 25 & 26 September CRUISE CONCERT Programme: Led Zeppelin Programme includes: Pjazza Teatru Rjal, 1565 The Musical Concert version Coldplay Isouard: Jeannot et Colin, Ah quelle peine extreme 28 September Valletta - 8:00pm Music: Paul Abea Mediterranean Conference Centre, Pink Floyd Camilleri: Il-Weghda, Intermezzo Text: Malcolm Galea Valletta - 8:30pm Robert Samut Hall, Christina Perry Puccini: Manon Lescaut, Sola perduta abbandonata Programme includes: Wagner: Tannhauser, Overture Floriana - 6:30pm Ozzy Programme includes: Tosti: Ideale Conductor: Paul Abela Nirvana Troy: Suite Donizetti: Una Furtiva Lagrima Soloists: Eleanor Spiteri, Roger Tirazona, Zucchero Conductor: Brian Schembri Programme: Dvorak: Song to the moon Count of Montecristo: Suite Georgina Abela, Joseph Zammit, Francesco Soloist: Miriam Cauchi Haydn: Symphony No.45 ‘Farewell’ Tchaikovsky: Kuda Kuda Nicodeme, Nadia Vella, Rachel Camilleri Fabri, Da Vinci Code: Chevaliers de Sangreal Boccherini: Musica Notturna delle strade di Madrid Conductor: Sigmund Mifsud Midnight Express: The Chase Theme Borodin: Polovetzian Dances from Prince Igor Mark Tonna and Cliff Zammit Stevens Mozart: Divertimento K251 Soloists: Pawlu Borg Bonaci, Matthew Maltese soprano Miriam Cauchi joins the Gladiator: Now We Are Free James Borg, Marc Storace, Mikaela Attard, Malta Philharmonic Orchestra in a concert A musical set in Malta during what is one of the Conductor: Natalie Murray Beale Christopher Grech conducted by the MPO’s principal conductor Conductor: Michael Laus most significant events in the Mediterranean - The Conductor: Brian Schembri Soloists: Cliff Zammit Stevens and Brian Schembri, on this special occasion marking Great Siege of Malta in 1565 – and follows the Hannah Sandison Malta’s Independence Day. The programme Soloist: Julie Zahra This programme presents a delightful selection of story of a young knight who lives through love, Rockestra is a unique event, bringing together a comprises of well-loved arias from 19th and 20th music from the classical period and will feature the loss and death. The original soundtrack, which is huge line-up of well-renowned Maltese artists, Maltese tenor Cliff Zammit Stevens returns home Century Operas, including vocal and orchestral The Malta Film Commission will be celebrating MPO Chamber Orchestra conducted by our resident at once patriotically glorious and heart-rendering performing a varied programme of rock and for his seventh summer concert, where he will works by Maltese composers Isouard its 90th Anniversary in style, with a concert by conductor Michael Laus. This orchestral concert is beautiful, will be performed by the Malta popular songs, accompanied by the Malta serenade his audience with a handpicked and Camilleri. the Malta Philharmonic Orchestra conducted being organised as part of the Renaissance Tours Philharmnoioc Orchestra, a 100-strong choir Philharmonic Orchestra, under the musical programme that includes pieces by Puccini, by principal conductor Brian Schembri. The Australia cruise trip around the Mediterranean. Free and a cast of star soloists, under the baton of the direction of Sigmund Mifsud and artistic direction Donizetti and Tchaikovsky. The concert will feature concert brings to the audience a well-researched entrance is generously offered for Music students composer himself. of Pawlu Borg Bonaci. This event, which is in the MPO under the baton of Natalie Murray aid of the Malta Community Chest Fund, never programme, including famous themes from epic and there are limited places available for the Beale and with the participation of guest soprano fails to give the crowd a truly unforgettable and movies and
Load more

Recommended publications
  • EMR 12669 Schubert Stabat Mater MF
    Stabat Mater Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: John Glenesk Mortimer Franz Schubert EMR 12669 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass 5 1st B Clarinet 2 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Piano Reduction (optional) 1 B Bass Clarinet (optional) 1 B Soprano Saxophone (optional) 2 1st E Alto Saxophone Special Parts Fanfare Parts 2 2nd E Alto Saxophone 1 1st B Trombone 2 1st Flugelhorn 2 B Tenor Saxophone 1 2nd B Trombone 2 2nd Flugelhorn 1 E Baritone Saxophone (optional) 1 B Bass Trombone 2 3rd Flugelhorn 1 E Trumpet / Cornet (optional) 1 B Baritone 3 1st B Trumpet / Cornet 1 E Tuba 3 2nd B Trumpet / Cornet 1 B Tuba 3 3rd B Trumpet / Cornet 2 1st F & E Horn 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Franz Schubert Photocopying Stabat Mater is illegal! Arr.: John Glenesk Mortimer 34 5 6 78 Largo q = 50 1st Flute fp p sost. fp f 2nd Flute fp p sost. fp f Oboe fp p sost.
    [Show full text]
  • A Conductor's Analysis of Amaral Vieira's Stabat Mater, Op.240: an Approach Between Music and Rhetoric Vladimir A
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric Vladimir A. Pereira Silva Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Pereira Silva, Vladimir A., "A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric" (2005). LSU Doctoral Dissertations. 3618. https://digitalcommons.lsu.edu/gradschool_dissertations/3618 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S ANALYSIS OF AMARAL VIEIRA’S STABAT MATER, OP. 240: AN APPROACH BETWEEN MUSIC AND RHETORIC A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Vladimir A. Pereira Silva B.M.E., Universidade Federal da Paraíba, 1992 M. Mus., Universidade Federal da Bahia, 1999 May, 2005 © Copyright 2005 Vladimir A. Pereira Silva All rights reserved ii In principio erat Verbum et Verbum erat apud Deum et Deus erat Verbum. Evangelium Secundum Iohannem, Caput 1:1 iii ACKNOWLEDGMENTS This dissertation would have not been possible without the support of many people and institutions throughout the last several years, and I would like to thank them all for a great graduate school experience.
    [Show full text]
  • CLOCK THIS! Forget All That Eidelweiss Stuff, BRIAN HARRIGAN Talks To
    26 Record Mirror, April 19.1980 CLOCK THIS! Forget all that eidelweiss stuff, BRIAN HARRIGAN talks to. Switzerland's new national emblem - Krokus _oF about time the'other always good NEW YORK citizenship It seem% á members got a name - musicianship in what is miracle that check and a bit of we do. renowned Switzerland has history. So the other "As tar as actually produced a four members of influences are for being rock band. More Krokus are, ín no Concerned I'd say we the place to get astonishing, It is a particular order, Chris sound a bit like AC/DC down and hard driving, hard - von Rohr (bass), sometimes or a bit like boogey rocking a bit. Texas seems machismo - Tommy Kiefer (lead Deep Purple. But loaded heavy metal that's not a deliberate ideal an guitar), Fernando von for band. Arb (rhythm guitar) and thing we do - we just evening full of hog The,group is called Freddy Steady try to be ourselves." - stomping rebel Krokus, a five piece (drums). yelling outfit which celebrates They, with the and its fourth birthday this drinking gallons of aforementioned Friez, year and boasts three formed Krokus In 1977 STORACE is Jack Daniels: albums released so and spent their first quietly hopeful far, The last E, still one, few months of that Krokus will en'London 'Metal Rendezvous', swings a bit, II a tittle existence playing soon be was the first to come Spanish nightclubs on coming to the geriatrically these a days. But Switzerland? out in Britain, courtesy the Costa Brava, six UK.
    [Show full text]
  • Publicity Book
    JORY VINIKOUR conductor, harpsichordist Jory Vinikour is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world!s most important festivals and concert halls as recital and concerto soloist, partner to several of today!s finest singers, and increasingly as a conductor. Born in Chicago, Jory Vinikour came to Paris on a scholarship from the Fulbright Foundation to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public!s attention, and he has since appeared in festivals and concert series such as Besançon Festival, Deauville, Nantes, Monaco, Cleveland Museum of Art, Miami Bach Festival, Indianapolis Early Music Festival, etc. A concerto soloist with a repertoire ranging from Bach to Nyman, passing by Poulenc!s Concert Champêtre, Jory Vinikour has performed as soloist with leading orchestras including Rotterdam Philharmonic, Flanders Opera Orchestra, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, and Moscow Chamber Orchestra with conductors such as Armin Jordan, Marc Minkowski, Marek Janowski, Constantine Orbelian, John Nelson, and Fabio Luisi. He recorded Frank Martin!s Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005), and also performed the Harpsichord Concerto by the same composer with the Symphony Orchestra of the MDR in Leipzig!s Gewandhaus under the direction of Martin Haselböck in January of 2003. A complete musician, Mr. Vinikour is gaining a reputation as a conductor (studies with Vladimir Kin and Denise Ham) and music director.
    [Show full text]
  • Stabat Mater 1831/32 Original Version with Sections by Giovanni Tadolini Giovanna D’Arco – Cantata
    Gioachino ROSSINI Stabat Mater 1831/32 Original version with sections by Giovanni Tadolini Giovanna d’Arco – Cantata Majella Cullagh • Marianna Pizzolato José Luis Sola • Mirco Palazzi Camerata Bach Choir, Poznań • Württemberg Philharmonic Orchestra Antonino Fogliani Gioachino Rossini (1792-1868) * and Giovanni Tadolini (1789-1872) ** Gioachino Rossini Stabat Mater Giovanna d’Arco (°) 1831/32 original version, **orchestrated by Antonino Fogliani (b. 1976) ............................ 56:07 Solo cantata (1832) with piano accompaniment orchestrated by Marco Taralli (b. 1967) .....15:13 $ 1 I. Introduction: Stabat Mater dolorosa * ........................................................... 8:35 I. Recitativo: È notte, e tutto addormentato è il mondo ................................. 4:44 (Soloists and Chorus) (Andantino) % 2 II. Aria: Cujus animam gementem ** .................................................................. 2:40 II. Aria: O mia madre, e tu frattanto la tua figlia cercherai .............................. 3:29 (Tenor) (Andantino grazioso) ^ 3 III. Duettino: O quam tristis et afflicta ** ............................................................. 3:34 III. Recitativo: Eppur piange. Ah! repente qual luce balenò ............................ 1:14 (Soprano and Mezzo-soprano) (Allegro vivace – Allegretto) & 4 IV. Aria: Quae moerebat et dolebat ** ................................................................. 2:51 IV. Aria: Ah, la fiamma che t’esce dal guardo già m’ha tocca ......................... 5:46 (Bass) (Allegro vivace
    [Show full text]
  • Rock & Roll's War Against
    Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429
    [Show full text]
  • Cohesion of Composer and Singer: the Female Singers of Poulenc
    COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers.
    [Show full text]
  • 1985Jan31.Pdf
    .Normal Stevens Point, Wis . .......,_'.l'heNe,.rear_ ......... .. .................. Page1 Loe.us. ________ __ ________ _______ ____ ___ ___ ,..., .... __ _________ _____________ ______ .. ' _....... ______ __ __ __ ______ _____ __ ________ ... The- 4JJgeJ of Men,ory__ ......•.....____ __ ___ ___________ : . " 3 A Tli'Ltttc. ., ...... .._ --. - ------- ---- ------ -- -- -- ----------- .,, ""''"'-•------- --- -- ---- ------------ -- . _,_..,,_----------- ----- --- -- -- ---' -- ' ---------- ------------- ---- -- .,, ""• .. ~- -------- ----- ----- --------- -- ' ......... ·-· _...,,- ___ __ __ __ ____________ ____ -- .--- ---- -------- ---- --- -- -------- ·-' .• Vol. ?8 No. 19 viPwnnint~ Conterits ~ ._._, Ir y r '-#AA a~...,. O'Neil resigns from Board of Regents . ...... p:. View on Indian bunting rights .............. p. 6 Krokus and Dokken - coming to UWSP ..... p. 9. His'orical features on your campus . .... p.10.13 Po·i nter presents UWSP .history New.Academic progress standards ... ..... p.10 Profile on arcblviests ................... ~. p. 9 Pointer Cagers defeat River Fails and Superior ............... ........... .. ... p. 21 "We pres~nt to y~u the first issue of The paper was a monthly publication Hockey team still skating along .......... p. 22 our school papec. We believe as stu­ with a subscription fee of 50 cents. In Track and field ............. .. .. ........ p. 21 dents that the advantages to be de­ reproducing this cover, we honor not Lady Cagers lose to LaCrosse ........ .. -~23 only the past Pointer staffs, but the Sporting memories . .. ............ ·. .. p. l,l rived from the publication of this pa­ WresUers pinned again ............... .. p: 22 per are many." faculty, staff and students of previous State i\ssemblyman Tom Loftus speaks Opening paragraph, editorial generations. atUWSP . ........... ... .. ........... p.5 The Normal Pointer, Vol. 1, No. 1 On pages 10-13, we have given brief Bald eagle days ...... .. .. ..... ......... p. 19 histories in areas that nave Excerpts from the 1984 H"'untlng Law ..
    [Show full text]
  • DE PROFUNDIS Compositions for Orchestra and Choir
    Metropolitan HILARION ALFEYEV DE PROFUNDIS Compositions for orchestra and choir Russian National Orchestra Moscow Synodal Choir Metropolitan Hilarion Alfeyev (1966) De profundis DE PROFUNDIS example, St Matthew Passion, 2008). Yet modern cantatas are a thriving of dynamic articulation in the DE PROFUNDIS 13 De profundis (Psalmus 129/130) 5. 11 COMPOSITIONS FOR On this new album, Metropolitan realm for sacral themes. Metropolitan orchestral accompaniment. The Compositions for orchestra and choir 14 Levavi oculos meos in montes (Psalmus 120/121) 5. 26 ORCHESTRA AND CHOIR Hilarion’s works, on the one hand, Hilarion’s Stabat Mater has a four part fourth movement, “Paradiso Gloria”, 15 Super Flumina Babylonis (Psalmus 136/137) 3. 52 offer originality in each category, and, structure. The libretto is based on a tells of the grief of a mother, “seeing Stabat Mater 16 Laudate nomen Domini (Psalmus 134/135) 4. 28 Whoever desires to listen to serious on the other hand, are characterised thirteenth century text, Stabat Mater Jesus, given up to torture”, and of the 1 Stabat Mater 5. 59 17 Alleluia (Psalmus 148-150) 5. 07 music, and whoever has not lost the by a certain stylistic communality, dolorosa, by the Franciscan Jacapone compassion that the crucified saviour 2 Virgo virginum 5. 35 capacity to distinguish the genuine an individual, authorial discourse. If de Todi. The poetics of this cycle’s and his sorrowful mother expressed 3 Sancta Mater 5. 24 from the false, will surely be very the semantic side is characterised by expression is an organic combination for all humankind. The composer 4 Paradisi gloria 5.
    [Show full text]
  • JOSEPH CARLUCCI Photography
    JOSEPH CARLUCCI Photography Joseph Carlucci was born on 28 January 1956 in Nociglia, Italy. When he was ten, he moved to Lausanne, where he attended school. Interested in music from an early age, he experienced his first rock concert at the age of 18: Uriah Heep in Bern. It was love at first sight! Out of passion, Joseph began to immortalise artists on stage with his camera. His talent and commitment naturally opened the doors of the backstage area for him; his privileged relationship with the musicians allowed him to capture unique images, historic performances and ardent emotions. As the official photographer for numerous events, music magazines and renowned newspapers, his photographs have travelled the world for 45 years. From AC/DC to ZZ Top, Nirvana, BB King, Michael Jackson, The Rolling Stones, Led Zeppelin, Queen or Elton John, to name but a few, the idols of generations have been captured and immortalised by his lens. In stadiums, concert halls or at festivals in Switzerland or anywhere in the world where great music is played. Reports in music magazines such as Hard Rock Magazine, Enfer Magazine and many more as well as concert reviews in renowned newspapers, were frequently illustrated with the intense and expressive photos of Joseph Carlucci. Record companies, managements and artists appreciate his work. His photographs can be found on numerous releases: Posters of AC/DC's single 'Danger', photos in the remastered deluxe editions of the 30th anniversary box sets 'Ride the Lightning' and 'Master of Puppets' by Metallica or DVDs 'Live at Montreux' by Alice Cooper, Status Quo, Santana, Alanis Morissette, Deep Purple, ...
    [Show full text]
  • Le Groupe Live
    Comme l‘un des groupes hommage à AC/DC les plus connus en Suisse, Whole Lotta DC ne se lasse pas du Rock’n’Roll et de l‘ambiance magique des concerts ! Cela témoigne encore et encore de nombreuses tournées avec de nombreux temps forts sur les petites et grandes scènes, un groupe parfaitement bien répété, avec des performances saisissan- tes spectacles d‘éclat et de dynamique unique. Whole Lotta DC – le groupe live • Le groupe a acquis une grande expérience live depuis ses débuts avec innombrable concerts (en Suisse et à l‘étranger) - les amateurs de musique rock et bien sûr les fans d’AC/DC n’ont jamais été déçus ! • Whole Lotta DC a joué avec des grands noms tels que Eric Burdon (The Animals), Kim Wilde, Man- fred Man’s Earth Band, Shakra, BAP, The Quireboys, Marc Storace et Fernando von Arb (Krokus), Polo Hofer, Span, Patent Ochsner, Florian Ast, Philippe Fankhauser, QL etc.. • Le groupe a joué à l‘étranger entre autres à Salzburgarena (salle 8‘000), Salzbourg (A), Holliday Inn Berlin (D) ou sur le Festival Rock du lac de Brienz dans le programme principal devant 4000 per- sonnes chaque fois, six fois dans le célèbre Stadtkeller à Lucerne et en 2019 pour la quatrième fois dans la fameuse «Mühle Hunziken», Rubigen/Berne, chaque fois devant 600 personnes à guichets fermés. • Un highlight en 2017 a été sans doute la participation de Whole Lotta DC au Riverside Open Air Aar- burg où le public avait voté avec 30’000 clics pour Whole Lotta DC ou en 2019, le spectacle dans la salle 8‘000 de Salzburgarena, Salzbourg (A) ! • Certains spectacles sont déjà réservés pour 2020 et une tournée allemande à travers Berlin en planifi cation.
    [Show full text]
  • Program Notes | Music of Faith
    23 Season 2018-2019 Thursday, January 24, at 7:30 The Philadelphia Orchestra Friday, January 25, at 2:00 Yannick Nézet-Séguin Conductor Charlotte Blake Alston Speaker Nadine Sierra Soprano Elizabeth DeShong Mezzo-soprano John Osborn Tenor Krzysztof Bączyk Bass Philadelphia Symphonic Choir Joe Miller Director Philadelphia Boys Choir Jeffrey R. Smith Artistic Director Bernstein Symphony No. 3 (“Kaddish”) I. Invocation: Adagio— Kaddish 1: L’istesso tempo—Allegro molto II. Din-Torah: Di nuovo adagio— Kaddish 2: Andante con tenerezza— III. Scherzo: Presto scherzando, sempre pianissimo— Kaddish 3— Finale: Adagio, come nel Din-Torah— Allegro vivo, con gioia Intermission 24 Rossini Stabat Mater I. Chorus and Quartet: Stabat Mater II. Tenor Aria: Cujus animam III. Soprano and Mezzo-soprano Duet: Quis est homo IV. Bass Aria: Pro peccatis V. Chorus and Bass Recitative: Eia Mater VI. Quartet: Sancta Mater VII. Mezzo-soprano Cavatina: Fac ut portem VIII. Soprano Air and Chorus: Inflammatus et accensus IX. Quartet: Quando corpus X. Chorus: Amen This program runs approximately 2 hours, 10 minutes. These concerts are sponsored by Gretchen and M. Roy Jackson and an anonymous donor. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues
    [Show full text]