DOCSLIB.ORG

The Deep Blue Sea − Learning Pack Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Deep Blue Sea − Learning Pack Contents The Deep Blue Sea − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................3 Plot Synopsis with Timecodes .........................................4 Find Out More ..................................................................10 1 The Deep Blue Sea − Learning Pack About This learning pack supports the National Theatre’s production of The Deep Blue Sea, directed by Carrie Cracknell, which opened on 9th June 2016 at the National’s Lyttelton Theatre in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 The Deep Blue Sea − Learning Pack Background Information Recording Date – 1st September, 2016 Location – Lyttelton Theatre, National Theatre Age Recommendation – 12+ (references to suicide) Cast Mrs Elton ........................................................Marion Bailey Philip Welch ..................................................Hubert Burton Ann Welch .................................................... Yolanda Kettle Hester Collyer ..............................................Helen McCrory Mr Miller ..........................................................Nick Fletcher William Collyer ............................................... Peter Sullivan Freddie Page ...................................................... Tom Burke Jackie Jackson ........................................ Adetomiwa Edun Creative Team Director ..................................................... Carrie Cracknell Writer ....................................................... Terence Rattigan Designer .............................................................Tom Scutt Lighting Designer .............................................. Guy Hoare Music.................................................................. Stuart Earl Movement Director ......................................Polly Bennett Sound Designer .................................................. Peter Rice Fight Director ................................................... Kate Waters 2 The Deep Blue Sea − Learning Pack Teaching Information This production is particularly suitable for: • Students studying 20th century drama • Students studying the work of Terence Rattigan In particular you might like to explore: • The social, historical and cultural context of the play and its relevance to a contemporary audience. • How the music and sound design contribute to our understanding of the world of the play and the characters’ psychological states. • Helen McCrory’s performance in this production alongside her performance in Carrie Cracknell’s production of Medea. There are a number of other productions in the National Theatre Collection that relate to this one, which you and your students may wish to explore alongside it. Other 20th century classics Production Date Playwright Director The Cherry Orchard 2011 Anton Chekhov Howard Davies Les Blancs 2016 Lorraine Hansberry Yaël Farber Yerma 2017 Federico García Lorca Simon Stone Other productions featuring members of the same creative team Production Date Artist Medea 2014 Carrie Cracknell - Director Medea 2014 Tom Scutt - Designer 3 The Deep Blue Sea − Learning Pack Plot Synopsis With Timecodes The action takes place during the course of a day in September in the sitting-room of a furnished flat in North-West London in the 1950s. Act One: Philip and Ann Welch and the landlady Mrs Elton enter Hester Page’s flat to find her collapsed in front of the fireplace following a gas leak. They discover an empty bottle of aspirin, implying it was a suicide attempt. Mr Miller enters and begins treating her; she starts to recover. Hester didn’t put a shilling in the gas meter, meaning it cut out before she suffocated. Ann finds a suicide note addressed to Freddie Page, whom Philip and Ann presume is her husband. Mrs Elton says Freddie is not her husband and that her real surname is Collyer; she is married to Justice William Collyer. Philip calls Collyer informing him of the suicide attempt. (0:12:54) Hester enters claiming the whole thing was an accident, and retrieves the suicide note. Philip tells her he contacted Collyer who is on his way. The Welches leave. (0:17:25) Hester calls Mrs Elton, asking her to not allow Collyer to see 4 The Deep Blue Sea − Learning Pack Plot Synopsis With Timecodes her. They discuss the suicide attempt; Hester says it was a moment of desperation, she was 'caught between the devil and the deep blue sea'. Collyer arrives and Hester allows him to enter. Collyer questions her about the living situation. Freddie and Hester recently returned from Ottawa where Freddie was a successful test pilot. He is now unemployed but Hester denies this is the reason she tried to kill herself, simply putting it down to 'shame at being alive'. They cheerily reminisce, before Hester reveals she doesn't believe Freddie loves her, and never did, while she loves him desperately. Collyer offers her money but she refuses. (0:27:16) Mr Miller re-enters to assess Hester. Collyer pays him to keep his discretion and Miller exits. Hester and Collyer make arrangements for Collyer to return at 5pm and he leaves. Alone, Hester slowly walks around the flat and lies on the floor. (0:32:12) Freddie enters, dumping his bags and golf clubs in the hallway. Hester doesn’t look at him while Freddie insincerely apologies for not returning yesterday, before remembering it is Hester’s birthday. Hester’s mood suddenly changes when he makes her look at him, and they kiss passionately until Freddie pulls away. Freddie has a meeting with a man called Lopez about a potential job later, but offers to take her out for a birthday drink first, which fill Hester with excitement. While Hester dresses, Freddie discovers the suicide note in her pocket and storms out of the flat. 5 The Deep Blue Sea − Learning Pack Plot Synopsis With Timecodes Act Two (0:40:30): Later that day Freddie and his friend Jackie discuss the note over a bottle of liquor. Freddie is unsympathetic and puts the suicide attempt entirely down to him forgetting Hester’s birthday. He is oblivious to any issues in their relationship, saying he thought they were stronger than ever. He reveals he was offered a job as a test pilot in South America, but he’d rather something more domestic where he can drink. Freddie is reading the suicide note to Jackie as Hester enters. She takes the letter from him and rips it up. It is nearly 5pm and knowing Collyer is going to arrive soon, Hester tries to suggest Freddie leave. Once Hester’s left the room Freddie confesses that he doesn’t love her, and that her love for him is a burden. (0:52:38) Mr Miller knocks at the door to check on Hester. Freddie, now drunk, begins interrogating Miller, who bluntly suggests Freddie is the cause for Hester’s misery. Hester returns, and seeing Freddie drunk tries to make him stay, but he now insists on leaving. Before going he leaves a shilling on the table, cruelly informing Hester ‘in case I’m late 6 The Deep Blue Sea − Learning Pack Plot Synopsis With Timecodes for dinner’. Miller, while somewhat blunt, offers Hester sympathy, and agrees on her bequest to go after Freddie and keep him company while drunk. (0:57:57) Collyer arrives, saying he saw the drunk Freddie as he arrived, but Hester defends Freddie, saying his drinking is her fault. She confesses the intensity of her love for Freddie, saying he is the ‘whole of life and of death’. They reminisce again, and Hester reveals how Freddie used to envy Collyer’s success. Collyer suggests Hester needs to overcome her infatuation to Freddie. She agrees, but says it’s impossible. (1:05:27) Freddie suddenly returns and interrogates Collyer on whether he still loves Hester before storming into the next room. Alone, Collyer admits to Hester he does still love her, before leaving. (1:07:54) Freddie re-enters dressed in a suit, saying he is going to meet Lopez about the potential job. They passionately kiss until Freddie breaks it off again. He tells her he is accepting the job in South America 7 The Deep Blue Sea − Learning Pack Plot Synopsis With Timecodes and going alone, telling her that while he has fondness, he doesn’t love her and is leaving tonight. This sends Hester into a panicked hysteria, and she pleads for him to stay one more night. He leaves hurriedly. Interval Act Three (1:14:46): Late that evening, Hester is in the flat alone. First Mrs Elton comes to the door, and then Ann, who is looking for her husband. Phillip is out drinking at a club with Freddie and hasn’t come home. She leaves. Hester immediately begins calling the club to track Freddie down but he has already left. They discuss Mr Miller, and Mrs Elton reveals he used to be a doctor but was struck off and spent time in jail. (1:24:46) Mr Miller enters as Mrs Elton leaves. Mr Miller gives her pills to help her sleep. He fervently insists to her to ‘go on living’. (1:26:04) Collyer suddenly enters, and Mr Miller leaves. Collyer has a letter Freddie left for him explaining he’s leaving. Collyer suggests Hester stay with the Justice and maintains his love for her. They kiss, and she admits they were once happy but refuses to leave. Collyer exits. (1:33:16) Peter enters to collect
Load more

Recommended publications
  • 3. Terence Rattigan- First Success and After
    DIPLOMARBEIT Titel der Diplomarbeit „In and out of the limelight- Terence Rattigan revisited“ Verfasserin Covi Corinna angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 30. Jänner 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: 343 Diplomstudium Anglistik und Amerikanistik UniStG Betreuer: Ao. Univ.-Prof. Dr. Rudolf Weiss Table of contents 1. Introduction……………………………………………………....p.4 2. The History of the Well-Made Play…………………………......p.5 A) French Precursors.....................................................................p.6 B) The British Well-Made Play...................................................p.10 a) Tom Robertson and the 1870s...........................................................p.10 b) The “Renaissance of British Drama”...............................................p.11 i. Arthur Wing Pinero (1855-1934) and Henry Arthur Jones (1851- 1929)- The precursors of the “New Drama”..............................p.12 ii. Oscar Wilde (1854-1900)..............................................................p.15 c) 1900- 1930 “The Triumph of the New Drama”...............................p.17 i. Harley Granville-Barker (1877-1946)………………................p.18 ii. William Somerset Maugham (1874-1965)..................................p.18 iii. Noel Coward (1899-1973)............................................................p.20 3. Terence Rattigan- first success and after...................................p.21 A) French Without Tears (1936)...................................................p.22
    [Show full text]
  • Sir Terence Rattigan, CBE 1911 – 1977
    A Centenary Service of Celebration for the Life and Work of Sir Terence Rattigan, CBE 1911 – 1977 “God from afar looks graciously upon a gentle master.” St Paul’s Covent Garden Tuesday 22nd May 2012 11.00am Order of Service PRELUDE ‘O Soave Fanciulla’ from La Bohème by G. Puccini Organist: Simon Gutteridge THE WELCOME The Reverend Simon Grigg The Lord’s Prayer Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread; and forgive us our trespasses, as we forgive them that trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, the power and the glory, for ever and ever. Amen. TRIBUTE DAVID SUCHET, CBE written by Geoffrey Wansell 1 ARIA ‘O Mio Babbino Caro’ from Gianni Schicchi by G. Puccini CHARLOTTE PAGE HYMN And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark satanic mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight, Nor shall my sword sleep in my hand, Till we have built Jerusalem In England's green and pleasant land. ADDRESS ‘The Final Test’ SIR RONALD HARWOOD, CBE 2 HYMN I vow to thee, my country, all earthly things above, Entire and whole and perfect, the service of my love: The love that asks no question, the love that stands the test, That lays upon the altar the dearest and the best; The love that never falters, the love that pays the price, The love that makes undaunted the final sacrifice.
    [Show full text]
  • The Deep Blue Sea Starring
    The Deep Blue Sea Starring Rachel Weisz, Tom Hiddleston, Simon Russell Beale to close THE 55TH BFI LONDON FILM FESTIVAL *Embargoed till 9am Tuesday 30th August* London ±30 August: The 55th BFI London Film Festival, in partnership with American Express, LVSURXGWRDQQRXQFHWKDWWKLV\HDU¶V)HVWLYDOZLOOclose on Thursday 27 October with the UK premiere of The Deep Blue Sea, adapted and directed by Terence Davies (Distant Voices, Still Lives) marking his return to fiction feature making following his much loved documentary Of Time and the City. The Deep Blue Sea stars Rachel Weisz, Tom Hiddleston and Simon Russell Beale. Hester Collyer (Academy Award ® winner Rachel Weisz) leads a privileged life in 1950s London as the beautiful wife of high court judge Sir William Collyer (Simon Russell Beale). To the shock of those around her, she walks out on her marriage to move in with young ex-RAF pilot, Freddie Page (Tom Hiddleston), with whom she has fallen passionately in love. Set in post-war Britain, this deeply moving story is an adaptation of Terence 5DWWLJDQ¶VFODVVLFSOD\The Deep Blue Sea is a study of forbidden love, suppressed desire, and the fear of loneliness. Stuck between the devil and the deep blue sea, what ± or whom ± should Hester choose? Sandra HebronWKH)HVWLYDO¶V$UWLVWLF'LUHFWRUFRPPHQWV³,W¶VDJUHDWSOHDVXUHWREH able to close the Festival with this exquisite new feature from one of our most cherished directors. Terence Davies is a film maker who the BFI has supported from the YHU\EHJLQQLQJVRIKLVFDUHHUDQGLQ7HUHQFH5DWWLJDQ¶VFHQWHQDU\\HDUWKLV beautifully directed and acted film is the perfect closing night film.´ On having the film's UK premiere at the Festival, producers 6HDQ2¶&RQQRUDQGKate Ogborn comment³We are deeply honoured and hugely thrilled for The Deep Blue Sea to be screened as the Closing Night Gala at this year's BFI London Film Festival.
    [Show full text]
  • 18 May, 2016 the DEEP BLUE SEA Lyttelton Theatre Previews from 1 June, Press Night 8 June, Final Performance 21 September
    18 May, 2016 THE DEEP BLUE SEA Lyttelton Theatre Previews from 1 June, Press Night 8 June, final performance 21 September. On Wednesday 8 June, Terence Rattigan’s play, THE DEEP BLUE SEA directed by Carrie Cracknell opens in the Lyttelton Theatre. The production will have set designs by Tom Scutt, lighting by Guy Hoare, music by Stuart Earl, sound by Peter Rice and movement direction by Polly Bennett. Helen McCrory plays Hester Collyer; the full cast is James Alper, Marion Bailey, Katy Brittain, Tom Burke (Freddie Page), Hubert Burton, Adetomiwa Edun, Elsie Fallon, Nick Figgis, Nick Fletcher, Yolanda Kettle, Andrew Lewis, and Peter Sullivan. Helen McCrory and Carrie Cracknell reunite following the acclaimed Medea in 2014. A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with Freddie Page, a former RAF pilot and the breakdown of her marriage to a High Court Judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing. Terence Rattigan was one of the most influential playwrights of the mid-20th century. His plays included The Winslow Boy, The Browning Version, Separate Tables, Flare Path and After the Dance which was produced at the NT in 2011 (Olivier award for best revival). He is still the only playwright who has had two straight plays run for over a thousand performances in London’s West End simultaneously.
    [Show full text]
  • The Deep Blue Sea by Terence Rattigan
    Director Sarah Esdaile Designer Ruari Murchison Lighting Designer Chris Davey Sound Designer Mic Pool Composer Simon Slater Casting Director Siobhan Bracke Voice Charmian Hoare Cast Ross Armstrong, Sam Cox, John Hollingworth, Maxine Peake, Ann Penfold John Ramm, Lex Shrapnel, Eleanor Wyld 18 February to 12 March By Terence Rattigan Teacher Resource Pack Introduction Welcome to the Resource Pack for West Yorkshire Playhouse’s production of The Deep Blue Sea by Terence Rattigan. In the pack you will find a host of information sheets to enhance your visit to the show and to aid your students’ exploration of this classic text. Contents: Page 2 Synopsis Pages 3 Terence Rattigan Timeline Page 5 The Rehearsal Process Page 10 Interview with Sarah Esdaile, Director and Maxine Peake, Hester Page 12 Interview with Suzi Cubbage, Production Manager Page 14 The Design The Deep Blue Sea By Terence Rattigan, Directed by Sarah Esdaile, Designed Ruari Murchison Hester left her husband for another man. Left the security of the well respected judge, for wild, unpredictable, sexy Freddie – an ex-fighter pilot. Now she’s reached the end of the line. Freddie’s raffish charm has worn thin and Hester is forced to face the reality of life with a man who doesn’t want to be with her. The simple act of a forgotten birthday pushes her to desperation point and to facing a future that offers no easy resolutions. Rattigan’s reputation was founded on his mastery of the ‘well made play’. Now, one hundred years after his birth, it is his skilful creation of troubled, emotional characters that has brought audiences and critics alike to re-visit his plays with renewed appreciation.
    [Show full text]
  • The Deep Blue Sea
    National Theatre Live broadcasts Terence Rattigan’s devastating masterpiece THE DEEP BLUE SEA from the Lyttelton stage to cinemas across the globe from 1 September ★★★★★ ‘This production is a stand-out. Helen McCrory is fantastic. Carrie Cracknell directs with total assurance’ The Times ★★★★★ ‘Stunning. Exquisitely sad. Beautifully judged’ Time Out ★★★★ ‘Intoxicating. Splendid new production. Tom Burke is excellent.’ Daily Telegraph ★★★★ ‘Helen McCrory floors you’ Sunday Times Carrie Cracknell’s acclaimed National Theatre production of Terence Rattigan’s, THE DEEP BLUE SEA will be broadcast live to cinemas around the world from the National’s Lyttelton Theatre on 1 September at 7pm. The Deep Blue Sea directed by Carrie Cracknell production designed by Tom Scutt, lighting by Guy Hoare, music by Stuart Earl, sound by Peter Rice and movement direction by Polly Bennett. Helen McCrory plays Hester Collyer; the full cast is James Alper, Marion Bailey, Katy Brittain, Tom Burke (Freddie Page), Hubert Burton, Adetomiwa Edun, Elsie Fallon, Nick Figgis, Nick Fletcher, Yolanda Kettle, Andrew Lewis, and Peter Sullivan. A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with Freddie Page, a former RAF pilot and the breakdown of her marriage to a High Court Judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing. Terence Rattigan was one of the most influential playwrights of the mid-20th century.
    [Show full text]
  • The Rattigan the Newsletter of the Terence Rattigan Society ISSUE NO
    The Rattigan The Newsletter of The Terence Rattigan Society ISSUE NO. 18 AUGUST 2016 Version The first night of The Sleeping Prince An extract from the diary of our President, 5th November 1953 “Michael Franklin called for Several photographers me at 6.45. I was very excited, made me pose for them when we were going to Terry’s I arrived, it must have been opening of The Sleeping the white mink - much to Prince. Mr Hastings at Brad- Mara Lane’s annoyance, she is ley’s had lent me a white mink a regular first nighter, just to stole (£2,000) as I had told him be noticed and get into the I was going onto the party papers. We had excellent Terry was giving for Vivien seats on the left side of the Leigh and Larry Olivier. Was aisle, fourth row of the wearing my Susan Small blue stalls. Sheilagh Wilson was in dress, had to cut a lot of the a box above us with Lionel hem off as it had got so muddy Green, I was worried she and tattered. Unfortunately would wonder why I was not got home at 5.30 so didn’t with Terry, but he officially have a lot of time; also had to does not watch his first put my false eyelashes on, they nights, but hovers around in looked very false but there the background to gauge the was no time to change them. reactions. Noel Coward was Laurence Olivier and Vivien Leigh in Michael had a Daimler hire The Sleeping Prince, 1953 in our row.
    [Show full text]
  • Downloaded from Manchesterhive.Com at 09/30/2021 03:22:22PM Via Free Access
    Adaptable Terence Rattigan: Separate Tables, separate entities? dominic shellard T R’ has essentially been that of a theatre writer, and a conservative one, who is supposed to have avoided the darker themes that invaded the British stage after (roughly) the arrival of Look Back in Anger in 1956. This view of Rattigan is by now surely on its way out. His relation to the theatre and the so-called New Wave is undoubtedly more complex. However, his track record as a screenwriter, sometimes but not always adapting his own plays, should not be forgotten. In 1939 we have French Without Tears, then Quiet Wedding (1940), The Day Will Dawn (1942), Uncensored (1942), English Without Tears (1944), Journey Together (1945), The Way to the Stars (1945), While the Sun Shines (1947), Brighton Rock (1947, from Greene’s novel), Bond Street (1948), and then a wonderful version of his own play The Winslow Boy (1948). In the 1950s he wrote The Browning Version (1951), The Sound Barrier (1952), The Final Test (1953), then disappointingly The Man Who Loved Redheads (1954), but trium- phantly another adaptation of his own play The Deep Blue Sea (1955). The Prince and the Showgirl (1957), starring Marilyn Monroe and Laurence Olivier, who also directed, is often seen as the end of his film career. (It was an unsatisfactory, though intermittently charming, tardy revival of his Festival of Britain stage play that celebrated nation and the Oliviers – Vivien Leigh had the Monroe role – called The Sleeping Prince.) But actually his last film was much more distinguished: Separate Tables (1959), an American adaptation by Rattigan himself – but see below – of his own play (or rather two one- acters) of the same name.
    [Show full text]
  • Summer 2008 Mark Your KRL Grant Brings Calendar a Family Fourth One Book Program These Events Take Place in the to Kitsap County Library Unless Otherwise Stated
    Nonprofit Org. U.S. Postage PAID Bainbridge Is, WA Permit No. 106 *ECRWSS* Postal Customer Bainbridge Island, WA 98110 Vol. 11, No. 1 Bainbridge Public Library, 1270 Madison Ave., Bainbridge Island, WA 98110 Summer 2008 Mark your KRL grant brings calendar A family Fourth One Book program These events take place in the to Kitsap County library unless otherwise stated. Come October, everyone in Kitsap TUESdaY, JULY 22 at the library County will be on the same page – or at • Friends of the Library Book Sale 10 - 3 • Estate Planning : Advance Planning least reading the same book. for Health Care and Long Term Care Kitsap Regional Library will participate Decisions. 9 – 11 a.m. in the One Book One Community program, SatURdaY, JULY 26 a reading initiative designed to bring all • Seattle Opera Preview with Norm county residents together by reading and Hollingshead, “Aida” by Giuseppe Verdi. discussing the same book. 2 p.m. The book: Harper Lee’s To Kill a THURSdaY, JULY 31 Mockingbird, an American classic. • Circulo de Lectores Iberoamericanos (Spanish Book Club) Pedro paramo by In this Pulitzer Prize-winning novel Juan Rulfo (Mexico) 7 p.m. memorable characters explore civil rights • Teen Rock Band Tournament. Be a rock and racism in the segregated southern star, no instruments required! 8 p.m. United States of the 1930s. SatURdaY, AUGUST 2 Told through the eyes of Scout Finch, • “Make a Book” art workshop with it is the story of her father, Atticus Finch, Susan Callan from the Bainbridge Island Creativity Center. Topic: “Travel Ho” an attorney who hopelessly strives to prove Preregistration at the library required, for the innocence of a black man unjustly ages 10+.
    [Show full text]
  • The Deep Blue Sea Exploring the Play at Home
    The Deep Blue Sea Exploring the Play at Home If you’re watching The Deep Blue Sea at home and would like to find out more about the production, there are resources that you can explore. The version of the play that is currently available to watch on YouTube was originally broadcast to cinemas around the world by National Theatre Live. About the Production This production of The Deep Blue Sea by Terence Rattigan was first performed at the National Theatre in 2016. You can find full details of the cast and production team here: Cast Mrs Elton: Marion Bailey Philip Welch: Hubert Burton Ann Welch: Yolanda Kettle Hester Collyer: Helen McCrory Mr Miller: Nick Fletcher Freddie Page: Tom Burke Jackie Jackson: Adetomiwa Edun Production team Director: Carrie Cracknell Writer: Terence Rattigan Designer: Tom Scutt Lighting Designer: Guy Hoare Music: Stuart Earl Movement Director: Polly Bennett Sound Designer: Peter Rice Fight Director: Kate Waters You might like to use the internet to research some of these artists to find out more about their careers. If you would like to find out about careers in the theatre, there’s lots of useful information on the Discover Creative Careers website. Exploring the Production in More Depth You can watch these two short films tofind out more about Terence Rattigan and his work. You can listen to Helen McCrory discuss the challenges and rewards of playing Hester Collyer in the play. Reviewing the Production You might like to write a theatre review when you have watched the production. All students studying drama and theatre for GCSE and A-level will have to do this for productions that they see as part of their course.
    [Show full text]
  • The Deep Blue Sea
    Presents THE DEEP BLUE SEA a film by Terence Davies To download hi-res images and video clips, please visit: http://www.musicboxfilms.com/the-deep-blue-sea Press Contact New York Press Contact Los Angeles Sophie Gluck & Associates MPRM Communications Sophie Gluck Lauren Robinson 124 West 79th Street 5670 Wilshire Boulevard, Ste. 2500 New York, NY 10024 Los Angeles, CA 90036 Tel: (212) 595-2432 Tel: (323) 933-3399 [email protected] [email protected] Terence Rattigan's THE DEEP BLUE SEA Adapted and directed by Terence Davies 'Rattigan's work is a sustained assault on English middle-class values; fear of emotional commitment, terror in the face of passion, apprehension about sex. Few dramatists have written with more understanding about the human heart' -Michael Billington SHORT SYNOPSIS Hester Collyer (Rachel Weisz), a forty-year old woman, has left a privileged life with her husband, Sir William Collyer (Simon Russell Beale) in order to live with a young ex-RAF pilot, Freddie Page (Tom Hiddleston). But Hester and Freddie's relationship is characterized by drunken rows; though their love-life is passionate- they have little in common. When Freddie forgets her birthday, Hester attempts to kill herself. As a result, Hester's husband re- enters her life and offers her a second chance with him, which Hester refuses. Shaken by her suicide attempt, Freddie tells Hester the relationship is over. Heartbroken, Hester considers suicide again at a tube station, but changes her mind. Back at her apartment, the other tenants tell her that nobody is worth dying for. Hester finds Freddie at home, but he will leave the next day.
    [Show full text]
  • Rattigan Version Oct 2019 Proof for Giles
    The Rattigan The Newsletter of The Terence Rattigan Society October 2019 Issue No. 30 Version Back over June and July I was ‘laid up’ unable us Phil Archer was played by a very remarkable to pursue my usual day job of photographing man. (And that radio’s oldest soap needs ‘Bruno steam engines, electric bollards, old buses, Milna’ today as never before.) As a bonus there marquee components, market stalls, fun fairs and is a wonderful portrait of Dylan Thomas. the odd fashion catwalk before writing on same. This sent me to Humphrey Carpenter’s Sensibly I took the opportunity to do a bit of centenary history of the O.U.D.S. where I found reading and included two of my favourites; this anecdote about John Gielgud’s 1932 Michael Darlow’s Rattigan biography and production of Romeo and Juliet. Norman Painting’s Reluctant Archer. “The only failure in this remarkable I recommend both. production seems to have been Terence Both also came to mind during the excellent Rattigan. He had just one line, 'Faith, we may Alan Brodie and Dan Rebellato talk at the put up our pipes and be gone', and proved quite Minerva Theatre, Chichester during the run of incapable of saying it to anyone's satisfaction, The Deep Blue Sea reported elsewhere in this least of all Gielgud's, who remembers giving issue. 'endless demonstrations of disapproval'. On One questioner asked when the revival of the first night Rattigan spoke it at the solemn interest in Rattigan started. A question to which, moment after Juliet's death had been I suppose, many of us have our own answer.
    [Show full text]