A Severed Head‟
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A Severed Head”
International Journal on Studies in English Language and Literature (IJSELL) Volume 3, Issue 8, August 2015, PP 51-58 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) www.arcjournals.org Crime, Truth and Morality in Iris Murdoch’s Novel “A Severed Head” Dr. Iris Klosi University of Tirana, Faculty of Foreign Languages, English Department Rr. “Abdi Toptani”, Torre Drin, Kati V, Tirane, Albania [email protected] Abstract: This paper consists on some interesting aspects of the novel “A Severed Head” by Dame Iris Murdoch. The author has written the novel in a very intriguing way making the readers feel astonished at her amazing style, full of symbols, philosophical and psychological traits. The characters are very dependent on each other, forming a chain of events which bring about truth revelations, reaction provocation, secrets exposure, confrontation, break-ups, new relations. Crime is not considered as a felony but as something wrong, as a misconduct or misbehavior toward somebody’s life. Truth is something everybody longs for, but it is very difficult to be found. Morality is considered in contrast to immorality. The author does not provide ready-made recipes to solve the situations. The ending is left open and it invites for free interpretations of the readers. The novel is postmodernist in every direction. Keywords: crime, truth, morality, symbols, postmodernist writer, secrets, etc. 1. INTRODUCTION The novel “A Severed Head” written in 1961 by Dame Iris Murdoch is a satirical novel about educated people who are involved in adultery, incest and divorce issues. On its cover, the book has the indication: “A novel about the frightfulness and ruthlessness of being in love”. -
Psychology and Philosophy of Existentialism in the Early Novels of Iris Murdoch
Journal of Awareness Cilt / Volume 4, Sayı / Issue 1, 2019, pp. 45-52 E - ISSN: 2149-6544 URL: http://www.ratingacademy.com.tr/ojs/index.php/joa DOİ: 10.26809/joa.4.004 Araştırma Makalesi / Research Article PSYCHOLOGY AND PHILOSOPHY OF EXISTENTIALISM IN THE EARLY NOVELS OF IRIS MURDOCH Salima Jabrail GASIMOVA* *Baku Slavic University, AZERBAIJAN E-mail: [email protected] Geliş Tarihi: 15 Aralık 2018; Kabul Tarihi: 21 Ocak 2019 Received: 15 December 2018; Accepted: 21 January 2019 ABSTRACT It is generally accepted in science that existential theory, naturally, largely transformed and became the basis of Murdoch's novels of the 50s – 60s. According to a number of scientists, the writer's passion for existentialism went through several phases and was replaced by the construction of her own ethical and aesthetic system based on Platonism. The attitude of Iris Murdoch, philosopher and writer, to existentialism has always been dual. Already from the first works analyzing this problem, it is clear that Murdoch, enthusiastically exploring existentialism, paying due tribute to it, but at the same time criticized it. Murdoch's novels are not psychological in the classical sense of the concept. The writer was so immersed in the inner world of man that the reality in her novels sometimes eluded the field of view of the author, did not exist outside the consciousness of the hero, dissolved in his experiences. In such statement of a question the crisis tendency was concealed. Even at the very beginning of creativity in search of some special inner, spiritual, psychological, and therefore universal truth Murdoch was fascinated by the study of dark, destructive principles and forces in the human psyche, focused on the analysis of painful aspirations and feelings. -
Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art. -
1 No- G COMEDY and the EARLY NOVELS of IRIS MURDOCH Larry
no- G 1 COMEDY AND THE EARLY NOVELS OF IRIS MURDOCH Larry/Rockefeller A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1968 Approved by Doctoral Committee _Adviser Department of English I a Larry Jean Rockefeller 1969 ALL RIGHTS RESERVED PREFACE Why has Iris Murdoch failed in her attempt to resur rect the novel of characters? That is the question which has perplexed so many readers who find in her novels sig nificant statements about the human condition rendered by a talent equalled only by a handful of other writers of our time, and it is the question which the pages follow ing try to answer. In general, the implicit argument under lying those pages is tripartite: (1) only comedy of a kind which resembles closely Murdoch's conception of love will allow a novelist to detach himself enough from his charac ters to give them a tolerant scope within which to humanly exist; (2) Murdoch has succeeded in maintaining that balanced synthesis between acceptance and judgement only in her earli est work and only with complete success in The Bell; and (3) the increasingly bitter tone of her satire — not to mention just the mere fact of her use of satire as a mode for character creation — has, in her most recent work, blighted the vitality of her characters by too strictly limiting them to usually negative meanings. Close analysis has been made, hence, of the ways in which comic devices affect us as readers in our perception of Murdoch's per sons. -
The Literary Herald ISSN:2454-3365 an International Refereed English E-Journal
www.TLHjournal.com The Literary Herald ISSN:2454-3365 An International Refereed English e-Journal Psychoanalytical Criticism: A Critical Study with reference to Iris Murdoch’s A Severed Head Kinjal Bhatia M.A (Goldmedalist), M.Phil Lecturer A.D. Patel Institute of Engineering and Technology New Vallabh Vidhyanagar Anand, Gujarat Abstract This paper presents psychoanalytical criticism in Iris Murdoch’s novel A Severed Head. It deals with the introduction which includes background of Iris Murdoch’s life, her works, theory of psychoanalysis and also the issues presented by Murdoch regarding incest, extramarital relationship, marital absurdity, switching of partners in almost every conceivable way, multiple falseness and Freudian views. Murdoch presents her positive views regarding these issues. It is a satirical novel which presents comedy of manners. The absence of children in the novel also advances the theme of sterility. One of the most important questions which Murdoch presents is Oedipus complex. She has also illustrated how power controls bodies in case of incest through her wit and humour. People’s attempt to achieve a state of happiness is been presented through a rich canvas in her stories. Keywords: Marital absurdity, incest, psychoanalysis, Oedipus complex, comedy of manners Introduction The full name of Irish born British writer and philosopher, Iris Murdoch, was Dame Jean Iris Murdoch (1919-1999). Murdoch was the daughter of Wills John Hughes Murdoch who was an English government servant and Alice Richardson, an Irish woman. Her father was a cavalry officer in World War 1. Murdoch was born in Dublin, Ireland in 1919. She studied classics, ancient history and philosophy at Somerville College, Oxford University during 1930s. -
The Iris Murdoch Review
The Iris Murdoch Review ISSN 1756-7572 Volume I, Number 2, The Iris Murdoch Review Published by the Iris Murdoch Society in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston Upon Thames, KT1 2EE http://fass.kingston.ac.uk/KUP/index.shtml © The contributors, 2010 The views expressed in this Review are the views of the contributors and are not necessarily those of the Iris Murdoch Society Printed in England A record for this journal is available from the British Library 1 The Iris Murdoch Society Appeal on behalf of the Centre for Iris Murdoch Studies by The Iris Murdoch Review is the publication of the Society the Iris Murdoch Society, which was formed at the Modern Language Association Convention in New York City in 1986. It offers a forum for The Iris Murdoch Society actively supports the short articles and reviews and keeps members Centre for Iris Murdoch Studies at Kingston of the society informed of new publications, University in its acquisitioning of new material symposia and other information that has a for the Murdoch archives. It has contributed bearing on the life and work of Iris Murdoch. financially towards the purchase of Iris Murdoch’s heavily annotated library from her study at her Oxford home, the library from her If you would like to join the Iris Murdoch London flat, the Conradi archives, a number of Society and automatically receive The Iris substantial letter runs and other individual Murdoch Review, please contact: items. More detailed information on the collections can be found on the website for the Centre: Penny Tribe http://fass.kingston.ac.uk/research/Iris- Faculty of Arts and Social Sciences Murdoch/index.shtml Kingston University London The Centre is regularly offered documents, Penrhyn Road individual letters and letter-runs that are carefully evaluated and considered for funding. -
Peter J. Conradi IRIS MURDOCH: the SAINT and the ARTIST New York: St
The audience for which Walkiewicz has written is difficult to identify. A student is not apt to grasp the modest directive when asked to consider the relationship of the famous essays to "the ontogeny of Barth's corpus" and to view that relationship as "metaphoric rather than strictly exegetic or completely correlative." Instructed that ontogeny recapitulating cosmogeny is "of course" (!) the governing principle of Finnegans Wake, even professors of literature will find themselves daunted. What audience that requires those goosy headlines is properly addressed in such a manner? The irony is that Walkiewicz deserves an audience for this otherwise careful and generally successful book. Peter J. Conradi IRIS MURDOCH: THE SAINT AND THE ARTIST New York: St. Martin's Press, 1986. Pp. xvi + 304 Reviewed by Amin Malak With the publication of her twenty-second novel, The Good Apprentice, Iris Murdoch proves once again to her critics and admirers alike that hers are a talent and an energy that deserve close and alert scrutiny. Peter Conradi's Iris Murdoch: The Saint and the Artist represents a welcome addition to the now established and steadily growing Murdoch criticism. Interest ingly, Conradi's book combines mainstream Murdoch scholarship, which usually follows a predictable pattern of examining her novels within the context of her critical and philosophical pronouncements, with original insights based on sympathetic, clear-headed reading of Mur doch's fiction. Avoiding a chronological survey of Murdoch's work, Conradi divides his book into three parts based on three rather vaguely defined conceptual perspectives. The first, entitled "A Kind of Moral Psychology," deals with Under the Net, An Accidental Man, A Severed Head, Bruno's Dream. -
The Iris Murdoch Review
The Iris Murdoch Review ISSN 1756-7572 Volume 1, Number 3 - The Iris Murdoch Review Published by the Iris Murdoch Society in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston upon Thames, KT1 2EE <http://fass.kingston.ac.uk/kup/> © The contributors, 2011 The views expressed in this Review are the views of the contributors and are not those of the editors. Printed by Lightning Source Cover design and typesetting by Allison Hall We wish to thank Joanna Garber for permission to use the portrait of Iris Murdoch by Harry Weinberger on the cover. A record of this journal is available from the British Library Contents 3 Anne Rowe - Editorial Preface 5 Iris Murdoch – A Postscript to ‘On “God” and “Good”’, with an introduction by Justin Broakes 8 Iris Murdoch – Interview commissioned by Radio New Zeland, first broadcast 1978 16 Jill Paton Walsh - Philosophy and the Novel 29 Peter J. Conradi - Obituary for Philippa Foot 32 Priscilla Martin - Review of A Writer at War: Iris Murdoch Letters and Diaries 1938-46, edited by Peter Conradi 35 Bran Nicol - Review of Literary Lives: Iris Murdoch, by Priscilla Martin and Anne Rowe 37 David J. Gordon - Review of Morality and the Novel, edited by Anne Rowe and Avril Horner 40 Nick Turner - Review of Iris Murdoch and the Moral Imaginations, edited by M.F. Simone Roberts and Alison Scott-Baumann 42 Elaine Morley - Review of Iris Murdoch and her Work: Critical Essays, edited by Mustafa Kırca and Şulle Okuroğlu 44 M.F. Simone Roberts - Review of Iris Murdoch: Philosophical -
Self-Actualization on Women's Pilgrimage to Goodness in The
International Journal of Business and Social Science Vol. 5, No. 6(1); May 2014 Self-actualization on Women’s Pilgrimage to Goodness in the Good Apprentice XU Ming-ying PhD Associate Professor School of Foreign Languages Dalian University of Technology Dalian, China FU Xiao-na PhD Professor College of Comprehensive Foundation Studies Liaoning University Shenyang, China Abstract The paper reveals the difficulty in the formation of female self by portraying female characters’ personal growth through increased awareness of themselves and the relationship with others in The Good Apprentice. Murdoch illustrates that blind hatred and revenge as well as the lies all hinder women from the integration of female self and from reaching the state of Goodness. Meanwhile, Murdoch endows the female character with an unusual trait that is seldom found in her other female characters: the consideration of others’ welfare and attention to others’ life. This is just what Murdoch advances in her philosophy as the way to achieve goodness. Apart from the integration of female selfhood, Murdoch has also explores how women could achieve happiness and reach the state of goodness in her later period to a greater extent than in her early period. While Murdoch conveys her philosophical thoughts in her novels, her creation of characters and plots in turn enriches and deepens her philosophy. The paper focuses on the reconstruction of female selfhood through Murdoch’s elaboration of the multiple ways that the women use to integrate their female self by actualizing themselves on their way to Goodness in the Good Apprentice. Keywords: Iris Murdoch; The Good Apprentice; Selfhood; goodness Murdoch deepens her exploration of the reconstruction of female selfhood in her later novels with the development of the society and the advancement of women’s rights though she holds the consistent attitudes to women’s liberation and the role of female characters in her fiction. -
Detection of Longitudinal Development of Dementia in Literary Writing
Detection of Longitudinal Development of Dementia in Literary Writing A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Torri E. Raines May 2018 © 2018 Torri E. Raines. All Rights Reserved. 2 This thesis titled Detection of Longitudinal Development of Dementia in Literary Writing by TORRI E. RAINES has been approved for the Department of Linguistics and the College of Arts and Sciences by David Bell Associate Professor of the Department of Linguistics Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT RAINES, TORRI E., M.A., May 2018, Linguistics Detection of Longitudinal Development of Dementia in Literary Writing Director of Thesis: David Bell Past studies have suggested that the progression of dementia, especially Alzheimer’s disease, can be detected in the writing of literary authors through analysis of their lexical diversity patterns. However, those studies have used oversimplified measures and vague definitions of lexical diversity. This study uses a multi-faceted, computationally operationalized model of lexical diversity innovated by Scott Jarvis to analyze a total of 129 novels by five authors (three with dementia and two without), with the purpose of identifying the lexical characteristics of dementia in literary writing. A total of 22 novels by two authors with suicidal depression were also analyzed in order to determine whether this condition also leads to changes in authors’ lexical diversity patterns. Analyses were conducted with six individual lexical diversity measures and two supplementary lexicosyntactic measures. Results suggest that dementia as well as the effects of healthy aging manifest in different aspects of lexical diversity for different authors, and that this model of lexical diversity is a robust tool for detecting lexical decay indicative of dementia. -
Didactic Demons in Contemporary British Fiction
Studies in English, New Series Volume 8 Article 6 1-1-1990 Didactic Demons in Contemporary British Fiction Richard C. Kane Pennsylvania State University, Mont Alto Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the Literature in English, British Isles Commons Recommended Citation Kane, Richard C. (1990) "Didactic Demons in Contemporary British Fiction," Studies in English, New Series: Vol. 8 , Article 6. Available at: https://egrove.olemiss.edu/studies_eng_new/vol8/iss1/6 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Kane: Didactic Demons DIDACTIC DEMONS IN CONTEMPORARY BRITISH FICTION Richard C. Kane Pennsylvania State University, Mont Alto A particular phenomenon emerging in several post-war British authors is the odd combination of the moral and the macabre. Demonic personalities dominate a fiction charged with strong didactic currents. Searching for the good within the realms of the grotesque, Iris Murdoch, Muriel Spark, and John Fowles make significant moral statements by using a variety of demonic elements. Iris Murdoch's shadowy world, for instance, includes the following characters: an exotic European with one blue eye and one brown eye who demonstrates a special talent for mesmerizing his "creatures" into various stages of subservience; an anthropologist who swings a Samurai-sword and transforms a polite historian into a kicking madman; and a retired playwright so entranced with his fantasy about the lost love of his youth that when he finds her at the seashore forty years later, he kidnaps her even though she has accumulated not only seashells but also wrinkles, a moustache, and a violent husband (The Flight From The Enchanter, A Severed Head, and The Sea, The Sea). -
Narrative Techniques in the Novels of Iris Murdoch
NARRATIVE TECHNIQUES IN THE NOVELS OF IRIS MURDOCH By Roslyn Lee Sulcas University of Cape Town A dissertation submitted to the Faculty of Arts, University of Cape Town, in fulfilment of the requirements for the Degree of Master of Arts. Cape Town: September 1988. The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town CONTENTS Page Abstract .......................................... i Acknowledgements .................................. ii Editions Used ..................................... iii Preface ........................................... iv CHAPTER ONE ....•............••...•.•..•........... 1 CHAPTER TWO ...........•.•..•.•......•.••.......... 2 2 CHAPTER THREE •...•.....•.•...•••.•.••.•........•..• 6 6 CHAPTER FOUR ..•...•.•••..••...••.••..•••.•.•••.•.. 11 3 CONCLUSION ..........•.•........•..•...•.....•.•... 148 Select Bibliography ............................... 154 .... i ABSTRACT In this thesis I have departed from the prevalent critical concentration on the affiliations between Murdoch's fiction and philosophy, and have attempted to explore the relationship between her narrative techniques and the conventions of realism. In doing so, I use the narrative theory of Dorrit Cohn, who proposes that novelists concerned to render a sense of "reality" are also those who construct the most elaborate and artificial fictive worlds and characters. I propose that Murdoch's "real-isation" of her fictional world incorporates the problems of access to, and representation of the real. This links her to two ostensibly antithetical traditions: that of British realism (within which she would place herself), and also a fictional mode consonant with the poststructuralist writing that focuses on such problems.