History of Horticulture: Lecture 41 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Water Gardening27.Pdf
Visit us on the Web: www.gardeninghelp.org Water Gardening A water garden in the landscape brings an immediate sense of tranquility and intrigue. Like no other feature in the garden, a small pond of water lilies, cattails and Japanese Koi can transform and ordinary outdoor living space into an oasis. Ancient Egyptians and Far Eastern cultures were of the first to develop water gardens in the landscape. It was common to find lotus plants, papyrus, water lilies and other aquatic plants used to accent and focus on man’s relationship with nature. Since that time, Europeans have traditionally incorporated water gardens into the landscape and used Roman and Greek statuary to create formal pools and spectacular fountains such as those found at Tivoli Gardens in Rome and Versailles in France. Still a common practice in European countries, water gardens are finding a place in American gardens today. Fast becoming a favorite hobby for experienced and beginning gardeners, a water garden can be quite sophisticated with a series of waterfalls and pond levels, as interesting as a single 3 to 4 foot pool in the corner of the yard, or as simple as a half wooden barrel filled with floating plants and small water lilies. Installation of a Water Garden The most popular type of water garden installed today uses a synthetic liner to form the sides and bottom. There is very little time involved in installing this type water garden because these materials are lightweight, portable and adaptable to a variety of shapes and sizes. However, for one which will give years of enjoyment you will need to begin by making some careful plans. -
How to Install a Hidden Water Fountain
How To Install A Hidden Water Fountain Detailed techniques and tips for installing a water feature in your yard. By: Robert Robillard © AConcordCarpenter.com All Rights Reserved How To Install A Hidden Water Fountain Introduction: Disappearing fountains, statues, vases and rock fountains are becoming popular backyard focal points. Just go to any garden shop and you’ll see dozens of options of for Koi ponds, waterfalls and basin fountains. Installing a disappearing or hidden basin water fountain does not take up as much space as a waterfall or Koi pond but still gives you that bubbling water sound and great looking landscape focal point. With a disappearing fountain, water is pumped from a hidden reservoir buried in the ground through and out a fountain standpipe, the water then overflows the basin rim seemingly disappearing into the ground. Installing a hidden or disappearing water fountain is a great DIY project and a way to add that incredibly relaxing sound of moving water to a patio, pool or flower garden area. How To Install A Hidden Water Fountain Safety Information It's very likely that you'll choose to use power tools and a propane torch for this project. Power tools can cause serious injury or death so be VERY careful. Before you use any power tool it's very important that you carefully read all of the manufacturers operating instructions and safety guidelines. If you don't feel comfortable using power tools it's imperative that you stop and find that confidence through practice. This eGuide does not offer advice on how to safely use the tools featured in it. -
Year of Le Nôtre
ch VER ât Sail ecouverture conférence de presse version déf.indd 1 aules 18/01/2012 13:01:48 3 CONTENTS Press conference - 26 january 2012 Foreword 4 Versailles on the move 7 The exhibitions in versailles 8 Versailles to arras 12 Events 13 Shows 15 Versailles rediscovered 19 Refurnishing versailles 21 What the rooms were used for 26 Versailles and its research centre 28 Versailles for all 31 2011, Better knowledge of the visitors to versailles 32 A better welcome, more information 34 Winning the loyalty of visitors 40 Versailles under construction 42 The development plan 43 Safeguarding and developing our heritage 48 More on versailles 60 Budget 61 Developing and enhancing the brand 63 Sponsors of versailles 64 Versailles in figures 65 Appendices 67 Background of the palace of versailles 68 Versailles in brief 70 Sponsors of the palace of versailles 72 List of the acquisitions 74 Advice for visitors 78 Contacts 80 4 Foreword This is the first time since I was appointed the effects of the work programme of the first phase President of the Public Establishment of the Palace, of the “Grand Versailles” development plan will be Museum and National Estate of Versailles that I considerable. But the creation of this gallery which have had the pleasure of meeting the press. will present the transformations of the estate since Flanked by the team that marks the continuity Louis XIII built his hunting lodge here marks our and the solidity of this institution, I will review the determination to provide better reception facilities remarkable results of 2011 and, above all, the major for our constantly growing numbers of visitors by projects of the year ahead of us. -
Perspective and Geometry in the Roman Painted Gardens
ISSN: 2687-8402 DOI: 10.33552/OAJAA.2019.02.000527 Open Access Journal of Archaeology and Anthropology Review Article Copyright © All rights are reserved by Manuela Piscitelli Perspective and Geometry in the Roman Painted Gardens Manuela Piscitelli* Università degli Studi della Campania Luigi Vanvitelli, Department of Architecture and Industrial Design, Italy *Corresponding author: Manuela Piscitelli, Università degli Studi della Campania Received Date: November 18, 2019 Luigi Vanvitelli, Department of Architecture and Industrial Design, Via San Lorenzo ad Septimum, Aversa (CE), Italy. Published Date: November 25, 2019 Abstract Garden painting is a very precise genre that is distinct from landscape painting. Present in Roman villas but also in tombs of the same period, wall to obtain an illusory effect of expansion of space, responds to precise geometric characteristics. The article relates the structure, also geometric, it responds to some specific compositional rules. The structure of the representation, realized for the most part with the intent to break through the by the point of view under which the garden (real or imaginary) must be observed, and in both cases, there is a will to bend nature within rigidly of the Roman gardens with their pictorial representation, which derives from it its justification. In both cases, in fact, the composition is guided betweengeometric the and parts. symmetrical schemas. The sense of perspective recreated in the painted gardens offers at first glance a feeling of naturalness into the garden, which -
Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
Characterization of Topiary (Top) an Architectural Mutant of Common Bean
J. AMER. SOC. HORT. SCI. 126(1):105–109. 2001. Characterization of Topiary (top) an Architectural Mutant of Common Bean N. Guner1 and J.R. Myers2 Department of Horticulture, Oregon State University, Corvallis, OR 97331 ADDITIONAL INDEX WORDS. plant breeding, growth habit, determinacy, genetic analysis ABSTRACT. Plant breeders are interested in developing upright common beans (Phaseolus vulgaris L.) to reduce diseases and permit mechanical harvest, and improve seed quality. Morphological and genetic characteristics of an architectural mutant in common beans were studied. The mutant had shiny, dark green leaves, overlapping leaflets, and short petioles. Branching was nearly absent, resulting in single stemmed plants. Although mutant plants carried Fin for indeterminacy, and plants progressed in flowering from lower to higher nodes, the terminal node was reproductive. This represents a new form of determinacy in common bean. Inheritance studies demonstrated that the mutant syndrome was controlled by a single recessive gene. Allelism tests between the mutant and overlapping leaflets (ol), and dark green savoy leaf (dgs) showed that the mutant was not allelic to either locus. The trait was designated as Topiary with the gene symbol top, describing its compact and neat appearance. Linkage was tested between top and growth habit (fin), shiny leaves, cross- sectional shape of pods, striped pod (C prpst), and pod suture strings. All genes segregated independently. The genetic merit of the Topiary mutant for improving common beans needs to be investigated, especially the value of single stem growth habit combined with an upright plant habit. Plant breeders have been interested in using architectural traits determinate or indeterminate habit, number of nodes, internode to avoid disease, and to improve grain quality, lodging resistance, length, climbing ability, and degree and type of branching. -
Designing Parterres on the Main City Squares
https://doi.org/10.24867/GRID-2020-p66 Professional paper DESIGNING PARTERRES ON THE MAIN CITY SQUARES Milena Lakićević , Ivona Simić , Radenka Kolarov University of Novi Sad, Faculty of Agriculture, Horticulture and Landscape Architecture, Novi Sad, Serbia Abstract: A “parterre” is a word originating from the French, with the meaning interpreted as “on the ground”. Nowadays, this term is widely used in landscape architecture terminology and depicts a ground- level space covered by ornamental plant material. The designing parterres are generally limited to the central city zones and entrances to the valuable architectonic objects, such as government buildings, courts, museums, castles, villas, etc. There are several main types of parterres set up in France, during the period of baroque, and the most famous one is the parterre type “broderie” with the most advanced styling pattern. Nowadays, French baroque parterres are adapted and communicate with contemporary landscape design styles, but some traits and characteristics of originals are still easily recognizable. In this paper, apart from presenting a short overview of designing parterres in general, the main focus is based on designing a new parterre on the main city square in the city of Bijeljina in the Republic of Srpska. The design concept relies on principles known in the history of landscape art but is, at the same time, adjusted to local conditions and space purposes. The paper presents the current design of the selected zone – parterre on the main city square in Bijeljina and proposes a new design strongly influenced by the “broderie” type of parterre. For creating a new design proposal we have used the following software AutoCad (for 2D drawings) and Realtime Landscaping Architect (for more advanced presentations and 3D previews). -
In 2017, the Château of Chambord Is Replanting Its 18Th-Century French Formal Gardens
TABLE OF CONTENTS INTRODUCTION ................................................................................................................................ 3 I - HISTORY .......................................................................................................................................... 4 1 - The Château’s Surroundings in the 16th Century ........................................................................ 4 2 - The Major Projects of the 17th Century ........................................................................................ 4 3 - Completion of the Parterre in the 18th Century ........................................................................... 5 4 - The Steady Disappearance of the Garden .................................................................................. 7 II – SCIENTIFIC APPROACH ........................................................................................................... 8 1 - A Methodical and Scientific Investigation .................................................................................. 8 2 - Historical Research (2003–2014) .................................................................................................. 8 3 - Archaeological and Geophysical Surface Surveys (2013–2014) .................................................. 8 4 - Planned Archaeological Digs (2016) ............................................................................................ 9 III – COMPOSITION OF FRENCH FORMAL GARDENS ........................................................ -
Astley Castle Knot Gardens
ASTLEY CASTLE KNOT GARDENS All about Tudor knot gardens Knot garden designs Knot gardens have been fashionable since the Tudor times. The Tudors found the inspiration for their gardens from the gardens in Italy, where architects began building houses and gardens that followed a strict geometric pattern. The shapes and the sizes that featured in the design of the house were repeated in the layout of the garden. The Tudors built many grand homes and liked the idea of geometry and proportion. Knot gardens are still popular with designers today. Not only were Tudor knot gardens designed to look good, but they were often a symbol or even a puzzle. For example, this popular design shown on the right was called The True Lovers Knot. It often featured in the gardens of newly married couples. These images below are drawings of knot garden designs that appeared in books during the Tudor times. The designs for knot gardens were similar to those found on fabric, in windows, jewellery and furniture. These designs are interlacing - this means they weave in and out. They fit into a square and they are symmetrical. During the Tudor times there weren’t many plants that flowered in the autumn and the winter. Materials such as crushed bricks and sand were used to create colour and pattern all year round. Scented herbs were used such as marjoram, thyme, southernwood, lemon balm, hyssop, lavender, rue and myrtle. Box hedging which is often used to create knot gardens today wasn’t very popular in the Tudor times. They thought the plant had an evil smell! ASTLEY CASTLE KNOT GARDENS Knot gardens in use This is a bird’s eye view drawing of a typical mid 16th century Tudor Garden with a ‘knot pattern’ as the centre piece to the square design. -
Ornamental Grasses for Kentucky Landscapes Lenore J
HO-79 Ornamental Grasses for Kentucky Landscapes Lenore J. Nash, Mary L. Witt, Linda Tapp, and A. J. Powell Jr. any ornamental grasses are available for use in resi- Grasses can be purchased in containers or bare-root Mdential and commercial landscapes and gardens. This (without soil). If you purchase plants from a mail-order publication will help you select grasses that fit different nursery, they will be shipped bare-root. Some plants may landscape needs and grasses that are hardy in Kentucky not bloom until the second season, so buying a larger plant (USDA Zone 6). Grasses are selected for their attractive foli- with an established root system is a good idea if you want age, distinctive form, and/or showy flowers and seedheads. landscape value the first year. If you order from a mail- All but one of the grasses mentioned in this publication are order nursery, plants will be shipped in spring with limited perennial types (see Glossary). shipping in summer and fall. Grasses can be used as ground covers, specimen plants, in or near water, perennial borders, rock gardens, or natu- Planting ralized areas. Annual grasses and many perennial grasses When: The best time to plant grasses is spring, so they have attractive flowers and seedheads and are suitable for will be established by the time hot summer months arrive. fresh and dried arrangements. Container-grown grasses can be planted during the sum- mer as long as adequate moisture is supplied. Cool-season Selecting and Buying grasses can be planted in early fall, but plenty of mulch Select a grass that is right for your climate. -
Renaissance Gardens of Italy
Renaissance Gardens of Italy By Daniel Rosenberg Trip undertaken 01-14 August 2018 1 Contents: Page: Introduction and overview 3 Itinerary 4-5 Villa Adriana 6-8 Villa D’Este 9-19 Vatican 20-24 Villa Aldobrindini 25-31 Palazzo Farnese 32-36 Villa Lante 37-42 Villa Medici 43-45 Villa della Petraia 46-48 Boboli Gardens 49-51 Botanical Gardens Florence 52 Isola Bella 53-57 Isola Madre 58-60 Botanic Alpine Garden Schynige Platte (Switz.) 61-62 Botanic Gardens Villa Taranto 63-65 Future Plans 66 Final Budget Breakdown 66 Acknowledgments 66 Bibliography 66 2 Introduction and Overview of project I am currently employed as a Botanical Horticulturalist at the Royal Botanic Gardens Kew. I started my horticultural career later in life and following some volunteer work in historic gardens and completing my RHS level 2 Diploma, I was fortunate enough to secure a place on the Historic and Botanic Garden training scheme. I spent a year at Kensington Palace Gardens as part of the scheme. Following this I attended the Kew Specialist Certificate in Ornamental Horticulture which gave me the opportunity to deepen my plant knowledge and develop my interest in working in historic gardens. While on the course I was able to attend a series of lectures in garden history. My interest was drawn to the renaissance gardens of Italy, which have had a significant influence on European garden design and in particular on English Gardens. It seems significant that in order to understand many of the most important historic gardens in the UK one must understand the design principles and forms, and the classical references and structures of the Italian renaissance.