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SST Defies Industry, Defines New Music
Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
The Ithacan, 1985-02-21
Ithaca College Digital Commons @ IC The thI acan, 1984-85 The thI acan: 1980/81 to 1989/90 2-21-1985 The thI acan, 1985-02-21 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1984-85 Recommended Citation The thI acan, "The thI acan, 1985-02-21" (1985). The Ithacan, 1984-85. 16. http://digitalcommons.ithaca.edu/ithacan_1984-85/16 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1984-85 by an authorized administrator of Digital Commons @ IC. ... ,, • • 0 0 ,•. ,. > - .,. < _: - - p, • - ~ • '• • • H .- 0 •', :, 0 e •• • • ' ,• THE ITHACAN The Student Newspaper for Ithaca College Volume 16 Issue 15 February 21, 1985 l&IHM&MM AAA®Ai Dance aids cause By Reth Gracey Collegt' sin<<· lilt· ~lud<'lll 1'hyswc1\ llh,l< a nwrrh,mts donated pnz<·s I ht·rapy .\~son,111011 inll1cllt'd lhr for th1·~1· <onlcsti,. Dinnrrs at \oral ',.!.!01..!(; w,L., ra1srd ,II 1hr ll,mn· !IN Oil(' four yecJrs clj,(O. r<·staur,1111~ ,incl r\1>1hi11g n·r· Mar.ii hon for MW,( uldr I unher inspira1ion wcJs prov1ci<'d 11lic·,11t·s from loccll stows wt·w Just Dys1rophy 1hi~ pasl S,11tmlay. ·1 h<' h} lht· non-slop musi< of Honnu· cl f('\\' of th(' !,!lft~ giV<'n cl\\'cl} Sludml l'hy<,1(a\ Tlll'rapy A~'><>ncl· l.t·1gh ,HHI llw :\lh,lll( <·. cl prof<'~· Olll('r priLes "<·n· c1wardt·(I to 11011 and lh<· S1udrn1 :\C1ivi1it·~ .,,on,li li.md from Syra( use. -
The Carbon (April 5, 1993)
MUShare The Carbon Campus Newspaper Collection 4-5-1993 The Carbon (April 5, 1993) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/crbn Recommended Citation Marian University - Indianapolis, "The Carbon (April 5, 1993)" (1993). The Carbon. 67. https://mushare.marian.edu/crbn/67 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Carbon by an authorized administrator of MUShare. For more information, please contact [email protected]. THE CARBON A Student Publication with a Sports Page April 5, 1993 ·They writhe upon the page in a veritable rage of adversity• - L. Ferlinghetti Theatre Department Sees Russia ST. PETERSBURG. CITY OF THE so goods and services were very Cz.ars and the sight of revolutionary CZARS inexpensive. internment. March 6-13. 1993 Out of only 43 reported days of sunshine Five members of the group opted to take St. Petersburg, City of the Cz.ars a year which the city is supposedly to the overnight Moscow trip and welcomed twenty-one alumni, friends, receive, we were given five swmy days. experienced history in the making. They students, and faculty for five swmy days The temperatures hovered around the were present on Red Square when the of theatre, sight-seeing, and shopping freezing mark, but with layered clothing, Communist Party demonstrated for the during the Spring Semester break of 1993 the warm Russian hospitality of our guide ouster of President Yeltsin. However, sponsored by the Theatre Department of and driver, and the excellent heating of their tour of the Armory, St. -
The Observer VOL
The Observer VOL. XXV. NO. 88 TUESDAY, FEBRUARY 9, 1993 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Flynn/Wellman and Reinke/Dickey in run-off By DAVID KINNEY Election process questioned News Editor NL) Student Body Electior The tickets of Frank Gallo/Browning by candidates’ campaign practices Flynn/Nikki Wellman and David 23.10% By MONICA YANT Reinke/Lara Dickey earned Editor-in-Chief spots in a Wednesday run-off NEWS ANALYSIS for Notre Dame student body Murphy/Bloss Reinke/Dickey A casual observer of Monday Wellman and David president and vice president 6.78% 32.53% night's emergency Student Se Reinke/Lara Dickey tickets ad after no ticket captured a nate meeting at Notre Dame vanced to Wednesday’s run-off, majority in Monday’s general witnessed a series of highly po while the ticket in the hot seat election. Karian/Thomas Connelly/Kovats ---- litical maneuvering in a quest at the Senate meeting, Flynn/Wellman received 35.1 .87% 1.57% to determine if the election pro Gallo/Browning, took third percent (1,451 votes) of the *Flynn/Wellman & Reinke/Dickey will face each other in a runoff. cess had been jeopardized by place. electorate, while Reinke/Dickey The Observer / Chris Mullins *A total of 4,129 students voted election-day campaigning by And so as not to forget that received 32.5 percent (1,343) — one of six tickets running for politics is politics — even at and the endorsement of the election. • The Joseph Karian/Sam student body president and vice Notre Dame — Gallo/Browning third-place ticket of Stephanie Campaigning for the run-off Thomas ticket received 0.87 president. -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1993 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1993 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. Robbie Adams(1) - "Zooropa"- U2-/Flood Scott Hendricks(4) - "Don't Rock The Jukebox"-Alan Jackson-/ Gary Laney John Kelton + "Confederate John Agnello(1) - "Where You Been"- Dinosaur Jr.-/ Railroad"- Confederate Railroad-/ + "Hard Workin' Man"- Brooks & Dunn-/ John Kunz Mike Bradley + Elton Ahi(l) - "The Last Of The Mohigans'-Soundtrack-/ "Brand New Man"- Brooks & Dunn-/ Mike Brad Chuck Ainlay(3) - "Greatest Hits Vol. 2"-Reba McEntire-/ + "Easy Come, Easy Go"-George Strait-/ + Henry Hirsch(1) - "Are You Gonna Go My Way?"-Lenny Kravitz-/ "Sweetheart's Dance"-Pam Tillis-/ Dof Geoff Hunt(1) - "Don't Know How To Party"-The Mighty Mighty Bosstones-/Tony Platt David Albert(1) - "Soul Provider'-Michael Bolton-/Terry Christian Matt Hyde(1) - "Porno For Pyros"- Porno For Pyros-/ Rod Selfert Steve Albini(1) - "Meantime"- HelmetVAndy Wallace Ice Cube(1) - "The Predator"- Ice CubeVTorcha Chamba Tony Alvarez(1) - "It's On (Dr.Dre 187um) Killa"- Easy-E-/Donovan The Dirt Biker1 Sound Gregg Jackman(t) - "Shepherd Moons'- EnyaVNicky Ryan Ray Bardani(l) - "Never Let Me Go"-Luther Vandross-/ Rob Jacobs(l) - "Patty Smyth'-Patty Smyth-/ Ouane Baron(2) -
Grant Hart – 'Hot Wax' (Condor/MVD) Grant Hart – 'Hot Wax' (Condor
Grant Hart – ‘Hot Wax’ (Condor/MVD) http://www.uberrock.co.uk/cd-reviews/31-november-cd/291-grant-hart-h... News CD Reviews Gig Reviews Hell's Gigs Interviews Featüres Retrö Röck Störe Förüm Cöntact News CD Reviews November CD Grant Hart – ‘Hot Wax’ (Condor/MVD) Grant Hart – ‘Hot Wax’ (Condor/MVD) CD Reviews Written by Johnny H Wednesday, 11 November 2009 17:16 Quick history lesson for you, Grant Hart was once drummer of legendary umlaut using punk/alternative rock legends Hüsker Dü. This band quite possibly single- handedly influenced more scenes in their recording history than any other band known to man thanks to their A Life In Music # 2 by Lord diverse musical outputs. Zion of SPiT LiKE THiS When you mention Hüsker Dü you have the extremes of SLUGFEST 2 – Alma US hardcore punk at one end of their influence to Street, Abertillery - 7th & Americana bands such as The Hold Steady at the other 8th August 2009 end of the spectrum Mott The Hoople - Monmouth, Blake Theatre - When Hüsker Dü split in 1987, Grant Hart took his next musical steps to being a guitarist and frontman through initially a series of solo EP's and then the 'Intolerance' album before his tenure 25/26th September 2009 with Nova Mob in the early to mid nineties. Since Nova Mob folded Grant has from time to time Rick Nielsen - Cheap Trick dallied with various solo musical outputs the last one being released in 1999. A Life In Music # 1 by Lord Zion of SPiT LiKE THiS History lesson over, 'Hot Wax' is the here and now and is nine tracks of diverse mind expanding pop rock that has the heavy musk scent of Sixties garage rock and psychedelia all over it. -
Von the Fall Bis Sonic Youth Und Zurück
Von The Fall bis Sonic Youth und zurück Menschen | Don’t get him wrong…: Mark E. Smith wurde nur 60 Jahre alt Mark E. Smith sah schrecklich blass aus in den vergangenen Jahren. Dabei wirkte er früher immer sophisticated wie ein spießiger Student. Sehr hübsch sozusagen. War aber ganz anders. Und er zeigte seine Band The Fall vor. Die soll im Lauf der Zeit mehr als vier Dutzend Bandmembers gehabt haben. Von TINA KAROLINA STAUNER Mastermind Mark E. Smith als Frontman führte sie alle vor. Haben alle, die wollten, gesehen und gehört. Nur wer halt. Und was halt. Post-Hardcore-Punk, Indie-Rock, Avantgarde-Pop. Independent-Zeug. Das jeder hörte. Und niemand. Und ein paar namhafte Leute, die ich namentlich kenne. Mark E. Smith lebte von 1957 bis 2018. Mark E. Smith und The Fall: proletarisches Selbstbewusstsein Ich hatte mit der bloßen Pop- und Rock-Szene und der Indie-Szene kaum etwas zu tun. Aber doch so einiges. Mehr als so einiges. Ich hörte nie einfach nur Musik. Anfangs habe ich auch Sonic Youth nur am Rande wahrgenommen. Doch einmal beobachtete ich ein Sonic Youth-Konzert. Nein, zweimal. Und vor über 20 Jahren im Vorprogramm kriegte ich unvermutet mit, wie Kurt Cobain auf seine E- Gitarre eindrosch. In solchen Konzerten traf man jedes Mal auch die Leute, die Dinosaur Jr. hörten. Diese komischen Indie-Leute, von denen dann wiederum einige ständig von The Fall sprachen. Auf The Fall einigten sich Individualisten und ein paar mehr. Dinosaur Jr. aber wussten alle. Nun lebt Mark E. Smith nicht mehr. Es ist zu spät für ihn. -
Atom Age Industries Wholesale
ATOM AGE INDUSTRIES 17846 Bellflower Blvd. Bellflower, CA 90706 (562) 920-1919 ph (562) 920-1717 fax [email protected] Wholesale Term Sheet 2016 T-shirts $10 - $11 XXL & Larger $12 - $13 Sweatshirts $18 - $20 Hats $18 - $22 Buttons $0.75 Button Packs $3 - $5 Posters $5 - $25 Stickers $1 - $2 Patches $1 - $2 No Minimum Order. All orders are pre-paid prior to shipment. No exceptions. We accept the following payment methods: Cash, Credit Card, Money Order, Company Check (shipment will be dispatched after check clears), and PayPal. PayPal payments are subject to a 3% fee. Please inform us prior to using PayPal. Most orders are shipped within 48 hours of payment receipt. We ship FedEx Ground, UPS, and USPS. Ground service for the continental United States will be used unless instructed otherwise. International orders will be shipped via DHL or Fedex. Additional freight charges for expedited orders will be the responsibility of the customer. Returns will be accepted for unwashed, unworn items only. Any damaged items should be claimed within 48 hours of receipt of goods. Damages claimed after 48 hours of receipt will not be refunded. To report a damaged or lost shipment, please contact us immediately at the number or email above Mon-Fri 9AM-5PM Pacific time. There will be no refunds on promotional or discounted items. All items are licensed by the appropriate Copyright / Trademark holder. If you have a Trademark or Copyright question regarding our products, please call our office Mon-Fri 9AM-5PM Pacific time. Atom Age Industries Please submit all purchase orders to: 17846 Bellflower Blvd [email protected]. -
Melophobe Months 2012 Music Reviews
Melophobe Months 2012 Music Reviews Walter Biggins This is issue #6 of Afronaut. Published by Afronaut Press, February 2013. Text and design © 2013 Walter Biggins. The following issues are available at Quiet Bubble (http://quietbubble.wordpress.com/zines/): Demo Tapes: Essays by Walter Biggins, 2005-2010 (issues #4 & 5, May 2011). A Tribute to Whitney Balliett (issue #3, October 2010). The Patter of Raindrops: The Wonderful Worlds of Hayao Miyazaki (issue #2, February 2010). Letters to Mr. Konigsberg (issue #1, October 2009). Muñeco: A 24-Hour Comic (issue #0, November 2000). For more information, please contact me at [email protected] or check out my blog: quietbubble.wordpress.com. Introduction. Something’s happened to me over the last five years. I listen to, and trust, pop music far less than I did in my twenties, and the pop that I still listen to is radically different than what I grew up with. My ears cock, like a cat’s, more toward jazz, avant-garde, and instrumental hip-hop now than to the rock, rap, R&B, and beat-driven fare that sustained me for twenty years. To be fair, jazz was always there, ever since I bought a $20 CD of Miles Davis’s Capitol/Blue Note years in a cold January morning in 1994. I bought it from Sound Warehouse, a chain that’s long gone, because the cover was cool and Davis—with his close-cropped hair and natty suit—looked cooler than I could ever hope for. It was a sophistication to aspire toward, and to try and impress girls with. -
Bob Mould: Circle of Friends' Page 1 of 1 SEATTLE POST-INTELLIGENCER
Watch This: 'Bob Mould: Circle of Friends' Page 1 of 1 SEATTLE POST-INTELLIGENCER http://seattlepi.nwsource.com/movies/334800_staydvd10.html Watch This: 'Bob Mould: Circle of Friends' Last updated October 9, 2007 5:13 p.m. PT "BOB MOULD: CIRCLE OF FRIENDS" 111 minutes. Unrated. As he traded songs with drummer Grant Hart in the 1980s punk band Hüsker Dü, Bob Mould's anguished vocals and the melodic buzz saw of his guitar playing would prove a key influence on the likes of Nirvana and Pearl Jam. He added to his status as a role model by coming out as gay, a non-punk thing to do. Mould's anxiety-ridden persona continues to be evident in his post-Hüskers band Sugar and in work under his own name, most recently the '05 CD "Body of Song." Offstage, though, he's become more open and "comfortable in his own skin," as a band member offers in the extras to "Circle of Friends," which captures a career-spanning performance at the 9:30 Club in Washington, D.C., Mould's adopted hometown. Not only has Mould made himself accessible through a much-linked blog -- the Boblog modulate.blogspot.com -- but he's also introducing his new DVD with club appearances, such as the one Friday at Chop Suey, that consist of a half- hour solo acoustic set, a Q&A session and a screening of "Circle of Friends." The DVD features inspired versions of Hüsker Dü classics "I Apologize" and "Makes No Sense at All," as well as "Circles," which finds the Hüsker/Pearl Jam connection coming, well, full circle. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).