Black Visions Through Colorblind Frames: Opposition in the Obama Era – a Discursive Exploration of Black Urban Adolescent Ideology

Total Page:16

File Type:pdf, Size:1020Kb

Black Visions Through Colorblind Frames: Opposition in the Obama Era – a Discursive Exploration of Black Urban Adolescent Ideology BLACK VISIONS THROUGH COLORBLIND FRAMES: OPPOSITION IN THE OBAMA ERA – A DISCURSIVE EXPLORATION OF BLACK URBAN ADOLESCENT IDEOLOGY by Alfred W. DeFreece Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sociology) in The University of Michigan 2011 Doctoral Committee: Professor Alford A. Young Jr., Chair Associate Professor Scott T. Kurashige Associate Professor Karyn R. Lacy Assistant Professor Stephen M. Ward © Alfred W. DeFreece Jr. 2011 DEDICATION To my kids for giving me faith to triumph over adversity. ii ACKNOWLEDGEMENTS I want to acknowledge the students who tried to let me see the world from their eyes. I hope I have done justice to their words and perspectives in this modest work. Dr. Al Young, without your guidance, patient commentary, and intellectual example, this work could never have come to fruition. Thank you. Dr. Karyn Lacy, I hope one day to provide for another the kind of critical and enlightening insights you offered me. To Scott and Steve, thanks for showing me how to wed my passions. Chavella, I cannot express how important your constant encouragement, advice, and example has been. Thank you. Shayla, for knowing when to turn it on, knowing your stuff, and knowing how to get the best out of me, I thank you. Dave, thanks for keeping your eye on the light at the end of the tunnel, even when it got dim. Jen, your (tough) love and support have been indispensable. Thanks for keeping me grounded. Rachelle, thanks for the piece of mind. To the Rosman family, thanks for allowing me to be part of the village. Nate, you continue to be an inspiration. I continue to work toward developing your type of work ethic and visionary impulse. Roxy, it’s your turn. Thanks for listening. Dumi, Thomas, Lumas – I am all out of excuses. I have never known a group with greater integrity, vision, promise, and drive. Let’s go! iii TABLE OF CONTENTS DEDICATION.......................................................................................................................ii ACKNOWLEDGEMENTS...................................................................................................iii LIST OF APPENDICES........................................................................................................v CHAPTER 1: INTRODUCTION..........................................................................................1 CHAPTER 2: RELEVANT LITERATURE .........................................................................46 CHAPTER 3: METHODS.....................................................................................................64 CHAPTER 4: WHAT’S REALLY GOOD: WHAT BLACKS LACK AND WHY IT MATTERS.............................................................................................................................106 CHAPTER 5: WHATTUPDOE: EXPLAINING RACIAL DISPARITIES .........................156 CHAPTER 6: CAN’T CALL IT: RACIAL STRATIFICATION 3.0...................................204 CHAPTER 7: DISCUSSION & CONCLUSION..................................................................227 APPENDICES .......................................................................................................................245 REFERENCES ......................................................................................................................262 iv LIST OF APPENDICES A: Sample Background Information on Selected Variables..................................................246 B: Head of HH Occupation, Average Income by Occupation, HH Size, and Title I Eligibility ...............................................................................................................................250 C: Demographic & Background Survey................................................................................251 D: Interview Guide ................................................................................................................259 v CHAPTER 1 Introduction Background This research project explores the formation of racial ideologies among a sample of black, Detroit-based, high school seniors. I focus specifically on views of racial stratification – the dimensions along which these black adolescents understand oppression to unfold, their explanations of how racial disparities are maintained, and how they envision the future of racial (in)equality in the US. While the questions driving this inquiry have society-wide and international implications, the ideas that I am interested in are indelibly shaped by immediate experiences and the local context; the broader discourses around these ideas are necessarily filtered through a socio-historically specific milieu. The youth in this study are working through understandings of the advantages and disadvantages associated with racial group membership, the ways in which hierarchical relations are maintained, and the durability of racial group positional arrangements, with what has been dubbed “the margins of the postindustrial capitalist order” as the backdrop (Boggs and Kurashige 2011). This project ultimately aims to explore how a sample of black urban adolescents in the post-secondary transition navigate competing views of racial stratification, as this process is intimately mediated by, and reflects the experience of, coming of age in early 21st century Detroit. 1 The Eye of the Storm In recent years, Detroit has been the subject of major national media attention. In addition to its political corruption, and the disintegration of its public schooling system, Detroit’s perilous economy has led many to wonder if the city is an “outlier or the epicenter” of late capitalist urban decay (LeDuff 2010). The national recession topped off a statewide economic slowdown that had been unfolding over several years (Yung 2011), evincing record unemployment rates (USDL 2011a) and increases in the Detroit’s poverty levels (Berube and Kneebone 2006). While deindustrialization has figured largely into the economic and social lows in Detroit, population loss and the erosion of the tax base has been ongoing since as early as the 1950’s (Sugrue 2005 page xvi). And while Michigan was one of the hardest hit when the housing bubble popped in 2006 (El Boghdady 2007), foreclosure rates in the Detroit metropolitan area led the nation at 1 in 124 houses (Aguila 2007). Detroit also led the nation in declining home prices, dropping 11% between June 2006 and 2007 (Tong 2007). Such macro-level crises could not bode well for the welfare of the city’s young. Between 2000 and 2009, child poverty increased by 6% (The Annie E. Casey Foundation 2010). Over the same time, youth homicides increased (AP 2009), while high school graduation rates plummeted. Even the recent rebound in graduation rates still finds the Detroit Public Schools at the bottom of the academic barrel. Education has been a particular sore spot, as low academic achievement not only bespeaks the failing of current political and educational leadership at the city and state levels, but also crystallizes 2 images of another generation being trapped in the decline that has racked the city for decades. Detroit is emblematic of the battles and scars that mark the nation’s racial legacy. Former Mayor Kwame Kilpatrick’s “sexting” scandal was painted by some as a “high- tech lynching” a la Clarence Thomas (Detroit Free Press 2009). Attempts at regionalism still stir memories of a bombastic Coleman Young, Detroit’s first black mayor, whose vocal criticisms of racism and white flight still make him a polarizing figure. And calls to recognize the racial conflict of 1967 as a rebellion and not a riot are issued anew, even as many Detroiters - black and white – parrot the myth that black incivility catalyzed white flight, urban disinvestment, and population loss. Weathering the Storm Writing in 1969 on the ramifications of the Civil Rights Movement’s northern march, James Boggs asserted, These urban rebellions heralded the emergence of a new social force inside the black community itself: the street force of black youth. This force is made up of the new generation of young blacks who in the past would have been integrated into the American economy in the traditional black role of unskilled and menial labor. Now they have been rendered obsolete by the technological revolutions of automation and cybernation and driven into the military, the prisons, and the streets. Outcasts, castaways, and castoffs, they are without any future except that which Black Power can create for them (208). In the few years since this writing, many of Boggs’ assertions have come to pass: technological advance, globalization, and shifts on the demand side of the labor market have made for a growing group of “obsolete” labor – a group that is disproportionately black (USDL(b) 2011). Moreover, that the black middle class might be developed as a 3 buffer between this street force and the rest of America, largely through economic and political concessions by the government and US corporations, has also materialized (209). And while we can never foreclose on the possibility that a Black Power-inspired movement might mobilize America’s contemporary “street force”, the question of the political relevance and exigencies of those most left behind by the post-industrial political economy looms large. To be sure, the student-respondents in this project are not the “street force” of James Boggs’ era. That is, they cling with great tenacity to the hope that they will gain the requisite educational qualifications
Recommended publications
  • The Art of Performance a Critical Anthology
    THE ART OF PERFORMANCE A CRITICAL ANTHOLOGY edited by GREGORY BATTCOCK AND ROBERT NICKAS /ubu editions 2010 The Art of Performance A Critical Anthology 1984 Edited By: Gregory Battcock and Robert Nickas /ubueditions ubu.com/ubu This UbuWeb Edition edited by Lucia della Paolera 2010 2 The original edition was published by E.P. DUTTON, INC. NEW YORK For G. B. Copyright @ 1984 by the Estate of Gregory Battcock and Robert Nickas All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper or broadcast. Published in the United States by E. P. Dutton, Inc., 2 Park Avenue, New York, N.Y. 10016 Library of Congress Catalog Card Number: 79-53323 ISBN: 0-525-48039-0 Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto 10 9 8 7 6 5 4 3 2 1 First Edition Vito Acconci: "Notebook: On Activity and Performance." Reprinted from Art and Artists 6, no. 2 (May l97l), pp. 68-69, by permission of Art and Artists and the author. Russell Baker: "Observer: Seated One Day At the Cello." Reprinted from The New York Times, May 14, 1967, p. lOE, by permission of The New York Times. Copyright @ 1967 by The New York Times Company.
    [Show full text]
  • Motions 2011 Volume 48 Number 2
    University of San Diego Digital USD Newspaper, Motions (1987- ) Law Student Publications 10-1-2011 Motions 2011 volume 48 number 2 University of San Diego School of Law Student Bar Association Follow this and additional works at: https://digital.sandiego.edu/motions Part of the Law Commons Digital USD Citation University of San Diego School of Law Student Bar Association, "Motions 2011 volume 48 number 2" (2011). Newspaper, Motions (1987- ). 159. https://digital.sandiego.edu/motions/159 This Book is brought to you for free and open access by the Law Student Publications at Digital USD. It has been accepted for inclusion in Newspaper, Motions (1987- ) by an authorized administrator of Digital USD. For more information, please contact [email protected]. Amanda Knox VERBA VOLANT SCRIPTA MANENT Uncle Sam Says: Italian Murder Do Ask, Do Tell Trial: Mama Mia! Page 7 Page 3 VISIT MOTIONS ONLINE: Volume 48, Issue 2 www.MOTIONSONLINE.ORG October 2011 Booze Ban for Intramural Killing ~1-Awlaki: Was it Legal? Was it Softball: Why we Can't Drink Right? By Charles Ronan On September"'30, 201 l, suspected terrorist Anwar al-Awlaki was killed when two U.S. Predator drones fired Hellfire missiles at a car containing al-Awlaki and three other suspected al-Qaeda members. American officials said that the missile strike also killed Samir Khan, an American citizen of Pakistani origin. When I was first asked if I wanted to write an article about this story my initial thought was: NO. I did not want to touch a constitutional issue like the targeted killing of an American citizen, in a law school paper, with a ten­ foot pole.
    [Show full text]
  • Drunk Detective Starkness Alcoholism and I Get Along
    Vol. 11 april 2019 — issue 4 iNSIDE: anarchy from the ground up - nc double paid - drunk detective starkness - salacious vegan crumbs - pedal pushing - CULT OF IGNORANCE - you were bright - bars & other places - novels by musicians - let go - Mueller time(d) out - record reviews - concert calendar NC-double-paid March Madness is the one time of year that I really pay much attention to college basketball. The games are all excellent, the degree of play is outstanding, the 979Represent is a local magazine stories have more drama and emotion and intensity, and for the discerning dirtbag. one can never predict the outcome of the tournament. There’s only one 1-seed left and a 5-seed wrecked both a 1– and a 2-seed! But there is one thing that you can Editorial bored predict about the NCAA Basketball tournament: there is Kelly Menace - Kevin Still always a lot of talk about the state of college athletics and whether or not student athletes should enjoy some Art Splendidness of the financial benefits the schools enjoy from the big Katie Killer - Wonko Zuckerberg show. Print jockey It is a trendy opinion these days to think that student Craig mack wilkins athletes should be paid. I tend to agree. There should be at the very least a profit share in the college’s very Folks That Did the Other Shit For Us large dividends from donors, fans, and endorsements with student athletes. After all, it is the athletes’ perfor- CREEPY HORSE - Mike l. downey - JORGE GOYCO - todd hansen - caleb mullins - haleY Richardson - matthew mances that draw the attention that ultimately yields all that cash from endorsements and apparel sales.
    [Show full text]
  • A Screenplay Adaptation of Louisa May Alcott's Novel an Old
    St. Catherine University SOPHIA Antonian Scholars Honors Program School of Humanities, Arts and Sciences 4-2015 Original: A Screenplay Adaptation of Louisa May Alcott’s Novel An Old-Fashioned Girl Taylor Harwood St. Catherine University Follow this and additional works at: https://sophia.stkate.edu/shas_honors Recommended Citation Harwood, Taylor, "Original: A Screenplay Adaptation of Louisa May Alcott’s Novel An Old-Fashioned Girl" (2015). Antonian Scholars Honors Program. 35. https://sophia.stkate.edu/shas_honors/35 This Senior Honors Project is brought to you for free and open access by the School of Humanities, Arts and Sciences at SOPHIA. It has been accepted for inclusion in Antonian Scholars Honors Program by an authorized administrator of SOPHIA. For more information, please contact [email protected]. Original: A Screenplay Adaptation of Louisa May Alcott’s Novel An Old-Fashioned Girl By Taylor Harwood A Senior Project in Partial Fulfillment of the Requirement of the Honors Program ST. CATHERINE UNIVERSITY March 5, 2015 105 pages Acknowledgements I extend my thanks and gratitude for the many people who supported this project along the way: My project adviser, Dr. Patricia Montalbano, for her help in keeping me on track in the writing process, her insights into the visual and character development aspects of my writing, and her overall support throughout the project. My committee members: Joanne Cavallaro, Jane Carroll, and Shanan Custer, for their ability to suggest edits that made my characters more believable and developed, and for their constant encouragement. My friends, for their role as readers: Elea Ingman, Sara Olson, Becca Dobias, Emma Flood, Sara Logeais, Lydia Fastland, and Cody Flaherty.
    [Show full text]
  • Research.Pdf (1.771Mb)
    CAN YOU HEAR ME NOW? CAN YOU HEAR ME NOW? THE VOICES OF HIGH ACHIEVING BLACK MALES EMERGE IN PREDOMINATELY WHITE HIGH SCHOOLS ____________________________ A Dissertation Presented to The Faculty of the Department of Educational Leadership At the University of Missouri – Columbia ____________________________________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Education ________________________________ Eric L. Johnson Dr. Juanita Simmons, Dissertation Supervisor December 2016 CAN YOU HEAR ME NOW? The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled CAN YOU HEAR ME NOW?: THE VOICES OF HIGH ACHIEVING BLACK MALES EMERGE IN PREDOMINATELY WHITE HIGH SCHOOLS Presented by Eric L. Johnson, a candidate for the degree of Doctor of Education, and hereby certify that, in their opinion, it is worthy of acceptance. Dr. Juanita Simmons, Dissertation Chair Dr. Ty-Ron Douglas, Committee Member Dr. Noelle Arnold, Committee Member Dr. Carol Maher, Committee Member CAN YOU HEAR ME NOW? Dedication God, you have given me a mission to serve your people and I pray that my work is pleasing unto you. Continue to use me as a vessel. I pray the world sees you through me. Denisha: If the Lord keeps me centered, you keep me grounded. The support you’ve shown throughout this process has been humbling and eye opening for me. You’ve shown me what it means to love unconditionally and support unceasingly. Thank you for loving me, motivating me, and seeing things in me even when I didn’t see them myself. I love you. Mama, your sacrifices have led me to this day.
    [Show full text]
  • ED339675.Pdf
    DOCIMENT RESUME ED 339 675 SO 030 051 AUTHOR Bache, Ellyn TITLE Culture Clash. Second Edition. REPORT NO ISBN-0-933662-87-4 PUB DATE 89 NOTE 141p. AVAILABLE FROM Intercultural Press, P.O. Box 700, Yarmouth, ME 04096 ($10.95, plus $1.50 shipping and handling). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Acculturation; Cross Cultural Training; Cultural Background; Cultural Differences; Cultural Influenzes; Cultural Interrelationships; Culture Conflict; *Culture Contact; Ethnic Relations; *Foreign Culture; *Intercultural Communication; Intercultural Programs; *Refugees; *Social Integration IDENTIFIERS Sponsors; *Vietnam ABSTRACT This monograph provides a first-hand account of the experience of a U.S. family who sponsored a Vietnamese refugee family from 1975-1979. The book, which is comprised of journal entries, proposes to show what it is like to deal with people from an entirely difference culture and to suggest an approach to handling the problems before the refugee/sponsor relationship breaks down. One of the main themes of the book is that the sponsors' and refugees' expectations of one another often proved to be wildly misconceived and unrealistic. Learning to overcome these expectations was a most difficult task for all of the concerned parties. Major conflicts occur that lead to a series of cr.tical questions. What differences exist in basic value systNns? What is the right balance between charity and self-sufficiency for refugees? How can old and new cultures be integrated within the refugee family? And what are the welfare and financial considerations in refugee sponsorship? (DB) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document.
    [Show full text]
  • March 1, 2021 Masked Wolf Has Landed!
    MARCH 1, 2021 MASKED WOLF HAS LANDED! DEBUT #26 MMI Total Composite DEBUT +13 MMI Action Factor early research out-performing current airplay DEBUT #8 MMI Sales Sirius XM HITS 1 KIIS/Los Angeles KAMP/Los Angeles KMVQ/San Francisco KYLD/San Francisco WPOW/Miami WPOI/Tampa WPYO/Orlando MARCH 1, 2021 Tab le o f Contents 4 #1 Songs THIS week 6 powers 8 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 15 Hot ac callout 16 future tracks 17 spotlight 18 intelevision 19 methodology 20 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 3.1.21 ai r p lay ARIANA GRANDE “34+35” retenTion DUA LIPA “Levitating” callout 24kgoldn “Mood” (ft. Iann Dior) audio OLIVIA RODRIGO “Drivers License” VIDEO ARIANA GRANDE “34+35” SALES TAYLOR SWIFT “Love Story” (Taylor’s Version) COMPOSITE ARIANA GRANDE “34+35” MASKED WOLF HAS LANDED! DEBUT #26 MMI Total Composite DEBUT +13 MMI Action Factor early research out-performing current airplay DEBUT #8 MMI Sales Sirius XM HITS 1 KIIS/Los Angeles KAMP/Los Angeles KMVQ/San Francisco KYLD/San Francisco WPOW/Miami WPOI/Tampa WPYO/Orlando GOOSEBUMPS (REMIX) TRAVIS SCOTT & HVME Headed TOP 20 @ POP! #2 on SPOTIFY’S TODAYS TOP HITS! 290 MILLION streams! #1 RECORD @ DANCE RADIO! DEBUT #19 MMI Power Composite CALL-OUT ON OVER 150 STATIONS! mmi-powers 3.1.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES
    [Show full text]
  • My Memories of the Beatles
    My memories of the Beatles Guy Kortsarz August 27, 2019 1 Before I start speaking I want to say something (Grau- cho Marx) 1.1 Best songs(?) Ranking songs. What stupid and fun thing to do, As an initial exercise, I wrote the first 20 songs that came to my head among those I like most. I found in the web countless lists (over 30 for sure) choosing the best 100 songs of all times. Here is a comparison of (the average) of these rankings and my chosen songs. 1. Night in white satin Moody Blues. 2. Something The Beatles 3. The sound of silence Simon and Gurfinkel 4. Will you still love me tomorrow The Shirlies 5. Greenfields The four brothers 6. Let it be The Beatles 7. Loosing my religion REM 8. Knock on heavens door Bob Dylan 9. God only knows The Beach Boys 10. Nothing compares to you Sihead O'Connor 1 11. Haleluya Leonard Cohen. 12. Daniel Elton Jon 13. Creep Radiohead 14. Are you going to Scarborough Fair Simon and Garfunkel 15. Hotel California The eagles 16. Stairway to Heaven Led Zeppelin 17. Stand by me B E King. 18. Say a little pray for you Aretha Franklin 19. All I have to do is dream. The Beverly Brothers. 20. Tears on my Pillow Little Anthony Here is what I found: 1. Night in white satin, Will you still love me tomorrow, Greenfields, Scarborough Fair and Daniel, 25 percent of the songs I chose, did not appear in any of those lists! And I read over 30 lists for sure.
    [Show full text]
  • The Student Perspective on College Drinking
    The Student Perspective On College Drinking PEGGY EASTMAN April 2002 Table of Contents Introduction ................................................................................................................................................ 3 Where There’s A Party, There’s Alcohol ..................................................................................................... 3 Bars, Bars, Everywhere A Bar ...................................................................................................................... 5 Price Makes A Difference ............................................................................................................................ 5 Everybody Doesn’t Get Drunk .................................................................................................................... 6 The Perception Of Alcohol As A Problem ................................................................................................... 8 When Is Intervention Needed? ................................................................................................................. 10 Alcohol, Judgment, And Responsibility ..................................................................................................... 12 Solutions And Recommendations ............................................................................................................. 13 Resources .................................................................................................................................................
    [Show full text]
  • Cinematic Taganrog
    Alexander Fedorov Cinematic Taganrog Moscow, 2021 Fedorov A.V. Cinematic Taganrog. Moscow: "Information for all", 2021. 100 p. The book provides a brief overview of full–length feature films and TV series filmed in Taganrog (taking into account the opinions of film critics and viewers), provides a list of actors, directors, cameramen, screenwriters, composers and film experts who were born, studied and / or worked in Taganrog. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 2 Table of contents Introduction ……………………………………………………………………………………… 4 Movies filmed in Taganrog and its environs ………………………………………….. 5 Cinematic Taganrog: Who is Who…………………………….…………………………. 69 Anton Barsukov: “How I was filming with Nikita Mikhalkov, Victor Merezhko and Andrey Proshkin.………………………………………………… 77 Filmography (movies, which filmed in Taganrog and its surroundings)…… 86 About the Author……………………………………………………………………………….. 92 References ………………………………………………………………………………………… 97 3 Introduction What movies were filmed in Taganrog? How did the press and viewers evaluate and rate these films? What actors, directors, cameramen, screenwriters, film composers, film critics were born and / or studied in this city? In this book, for the first time, an attempt is made to give a wide panorama of nearly forty Soviet and Russian movies and TV series filmed in Taganrog and its environs, in the mirror of the opinions of film critics and viewers. Unfortunately, data are not available for all such films (therefore, the book, for example, does not include many documentaries). The book cites articles and reviews of Soviet and Russian film critics, audience reviews on the Internet portals "Kino –teater.ru" and "Kinopoisk". I also managed to collect data on over fifty actors, directors, screenwriters, cameramen, film composers, film critics, whose life was associated with Taganrog.
    [Show full text]
  • Goth Subculture Sabrina Newman Johnson & Wales University - Providence, [email protected]
    Johnson & Wales University ScholarsArchive@JWU Honors Theses - Providence Campus College of Arts & Sciences 4-26-2018 The volutE ion of the Perceptions of the Goth Subculture Sabrina Newman Johnson & Wales University - Providence, [email protected] Follow this and additional works at: https://scholarsarchive.jwu.edu/student_scholarship Part of the Arts and Humanities Commons Repository Citation Newman, Sabrina, "The vE olution of the Perceptions of the Goth Subculture" (2018). Honors Theses - Providence Campus. 27. https://scholarsarchive.jwu.edu/student_scholarship/27 This Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ScholarsArchive@JWU. It has been accepted for inclusion in Honors Theses - Providence Campus by an authorized administrator of ScholarsArchive@JWU. For more information, please contact [email protected]. The Evolution of the Perceptions of the Goth Subculture 1 The Evolution of the Perceptions of the Goth Subculture By Sabrina Newman A Thesis Submitted to the Honors Department of Johnson & Wales University School of Engineering and Design May 2018 The Evolution of the Perceptions of the Goth Subculture 2 Table of Contents Table of Contents 2 Introduction 3 Chapter 1 – The History of the Music 12 Chapter 2 – Subcultures Within the Subculture 17 Chapter 3 – Impressions of Goth Throughout the Years 24 Chapter 4 – Survey Results 35 Conclusion 37 Appendix A 39 Works Cited 42 The Evolution of the Perceptions of the Goth Subculture 3 Introduction The Gothic subculture has a rich and interesting history, despite being only approximately 40 years old (Gonzalez). From its origin in the late 1970s to today, the subculture has evolved significantly, and with it the perceptions of said culture.
    [Show full text]
  • Centering Black Women with Dis/Abilities
    BECAUSE I AM HUMAN: CENTERING BLACK WOMEN WITH DIS/ABILITIES IN TRANSITION PLANNING FROM HIGH SCHOOL TO COLLEGE Mercedes Adell Cannon Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Education, Indiana University February 2019 Accepted by the Graduate Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ______________________________________ Kathleen Thorius Ph.D., Chair ______________________________________ Chalmer Thompson, Ph.D. November 8, 2018 ______________________________________ Jomo Mutegi, Ph.D. ______________________________________ Patricia Rogan Ph.D. ______________________________________ Seena Skelton Ph.D. ii © 2019 Mercedes Adell Cannon iii DEDICATION To Black women with dis/abilities at multiple intersections of oppressions, I pray that your spirit, soul, mind, and body is built-up by faith. iv ACKNOWLEDGMENT To my dear heavenly Father. Thank you for Jesus, your Son, my Savior, and the Holy Spirit. The life I live daily is that of faith, hope, and inexpressible joy! Thank you for your providential provision throughout the process of attaining to this Ph.D. To my husband. Thank you for loving, supporting, and encouraging me throughout this arduous feat. Over these last several years, your love has helped to anchor me as I progressed in my educational trajectory. I thank God for giving you to me, and I look forward to many more years spent together. To my wonderful children – two that their mother and my dear sister and friend Kim Pulliam’s, shares. To Eryn, Steven, Danielle, Yogi, and Shentoia, individually and collectively, you bring me joy, and I love you all very much! My prayers for all of you is that our heavenly father blesses your lives in ways I cannot imagine and that goes beyond all that you could ever ask or think.
    [Show full text]