Chapter XIV. Cotton Mills Statistics
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spring Twenty Two Women's Headwear
SPRING 2022 SPRING TWENTY TWO WOMEN’S HEADWEAR & APPAREL DONE PROPER NH SPRING 2022 WOMEN THIS SEASON WE CELEBRATE THE NEW EXPLORERS. THE COLLECTION IS INSPIRED BY VINTAGE MILITARY AND WORKWEAR SILHOUETTES, BLENDED WITH SPRING THE JOYFUL RETRO AESTHETIC OF THE 1970’S. WOMEN 2022 WITH A PALETTE OF CLASSIC SEASONAL COLORS AND PRINTS, WE SET OUT TO DESIGN A RANGE THAT BALANCES STYLE THAT IS AT HOME ON CITY STREETS, OR THE ROADS LESS TRAVELED. SPRING 2022 2 SPRING 2022 3 RANCHER COLLECTION JO RANCHER RANCHER COLLECTION SPRING 2022 4 SPRING 2022 5 JO STRAW RANCHER RANCHER COLLECTION A NEW ICON | ELEGANT SILHOUETTE | PREMIUM DETAILS SPRING 2022 6 SPRING 2022 7 RENO FEDORA RANCHER COLLECTION REFINED AND RESPONSIBLY SOURCED | PREMIUM DETAILS AND FINISHES SPRING 2022 8 SPRING 2022 9 JO RANCHER RANCHER COLLECTION THE RANCHER REBORN | CRUELTY-FREE WOOL CONSTRUCTION SPRING 2022 10 SPRING 2022 11 JO RANCHER (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Metal headwear plaque • Adjustable Velcro strap under sweatband • Grosgrain outside band and brim taping DOVE WASHED NAVY/NAVY *BLACK 11035-DOVE 11035-WSNVY 11035-BLACK RANCHER COLLECTION BRASS 11035-BRASS PRODUCT PAGE JOANNA FELT HAT (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Grosgrain band • Metal headwear plaque • Adjustable Velcro strap under sweatband *BLACK PHOENIX ORANGE MOJAVE 10783-BLACK 10783-PHEOR 10783-MOJAV SPRING 2022 12 SPRING 2022 13 JOANNA PACKABLE HAT DUKE COWBOY HAT (7.5cm/3.5” Brim) (7.5cm/3” Brim) XS-S-M-L (6_-7-7_-7_) XS-S-M-L-XL (6¾-7-7¼-7½-7¾) • 100% wool felt • 100% wool felt • Grosgrain band • 5mm Grosgrain band • Metal headwear plaque • Metal headwear plaque • Adjustable Velcro strap under • D2 sweatband *BLACK MERMAID CASA BLANCA BLUE *BLACK COFFEE 10628-BLACK 10628-MERMD 10628-CABLB 10998-BLACK 10998-COFFE RENO FEDORA COHEN COWBOY (9cm/3. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
John Brown and George Kellogg
John Brown and George Kellogg By Jean Luddy When most people think of John Brown, they remember the fiery abolitionist who attacked pro-slavery settlers in Kansas in 1855 and who led the raid on the Federal arsenal at Harpers Ferry, Virginia in 1859 in order to spark a slave rebellion. Most people do not realize that Brown was no stranger to Vernon and Rockville, and that he worked for one of Rockville’s prominent 19th century citizens, George Kellogg. John Brown was born in Torrington, CT in 1800. His father was a staunch opponent of slavery and Brown spent his youth in a section of northern Ohio known as an abolitionist district. Before Brown became actively involved in the movement to eliminate slavery, he held a number of jobs, mainly associated with farming, land speculation and wool growing. (www.pbs.org) Brown’s path crossed with George Kellogg’s when Brown started to work for Kellogg and the New England Company as a wool sorter and buyer. John Brown George Kellogg, born on March 3, 1793 in Vernon, got his start in the woolen industry early in life when he joined Colonel Francis McLean in business in 1821. They established the Rock Manufacturing Company and built the Rock Mill, the first factory along the Hockanum River, in the area that would grow into the City of Rockville. Kellogg worked as the company’s agent from 1828 to 1837. At that time, he left the Rock Company to go into business with Allen Hammond. They founded the New England Company and built a factory along the Hockanum River. -
An Industrial History of Easthampton G
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1937 An Industrial history of Easthampton G. B. Dennis University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Dennis, G. B., "An Industrial history of Easthampton" (1937). Masters Theses 1911 - February 2014. 1449. Retrieved from https://scholarworks.umass.edu/theses/1449 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMASS/AMHERST 312066 0306 7762 4 AN INDUSTRIAL HISTORY OF 5ASTHAMFFQN Gr. B. Dennis Thesis Submitted for Degree of Master of Science, Massachusetts State College, Amherst. June 1, 1937 . TABLE OF CONTENTS Outline. Introduction. Map of the Business District of Easthampton. Chapter I. Early History of Easthampton. Page 1. " II. The Industry Founding Period 1227-1276. n 6. » III. Early Transportation, A Problem. n 16. IV. Population Growth and Composition. n 21. " V. Conditions During the Expansion Period. it 30. " VI. Easthampton At the Turn of the Century. n H VII. Population in the New Era 1295-1937 n " VIII. The New Era 1295-I937. n 56. " IX. The Problem of Easthampton Analyzed. n 73- • X. Conclusions and Summary. n 21. References Cited n 26. Appendix I. Tables and Graphs on Population n 22. Appendix II. Tables showing Land in Agriculture n 93. AN INDUSTRIAL HISTORY OF EASTHAMPTON Outline I. Early History. A. Land purchases and settlement. -
An Empirical Assessment of the Relationship Of
An International Multidisciplinary Journal, Ethiopia Vol. 7 (2), Serial No. 29, April, 2013:350-370 ISSN 1994-9057 (Print) ISSN 2070--0083 (Online) DOI: http://dx.doi.org/10.4314/afrrev.7i2.22 Adire in South-western Nigeria: Geography of the Centres Areo, Margaret Olugbemisola- Department of Fine and Applied Arts, Ladoke Akintola University of Technology, P. M. B 4000, Ogbomoso, Nigeria E-mail; [email protected] & Kalilu, Razaq Olatunde Rom - Department of Fine and Applied Arts, Ladoke Akintola University of Technology, P. M. B 4000, Ogbomoso, Nigeria E-mail; [email protected] Abstract Adire, the patterned dyed cloth is extant and is practiced in almost all Yoruba towns in Southwestern Nigeria. The art tradition is however preponderant in a few Yoruba towns to the extent that the names of these towns are traditionally inseparable with the Adire art tradition. With Western education, introduction of foreign religions, influence from other cultures, technique and technology, there is a shift in the producers of Adire, the training pattern, and even an evolution in the production centre. While Western education resulted in a shift from the hitherto traditional Copyright© IAARR 2013: www.afrrevjo.net 350 Indexed African Journals Online: www.ajol.info Vol. 7 (2) Serial No. 29, April, 2013 Pp.350-370 apprenticeship method to the study of the art in schools, unemployment gave birth to the introduction of training drives by government and non governmental parastatals. This study, a field research, is an appraisal of the factors that contributed to the vibrancy of the traditionally renowned centres, and how the newly evolved centres have in contemporary times contributed to the sustainability of the Adire art tradition. -
Fibres & Fabrics
BrIefInG fibres & fabrics By philippa watkIns European textiles are a strong force again. Their creativity and inventiveness, which has kept growing despite the years of difficulties and still prevailing uncertainties, is helping them out of crisis. Fabric Fairs such as MFS, Milano Unica and Première Vision were busy, maintaining the increase in visitors noted a year ago – even London’s little Textile Forum was buzzing with visitors. PV and Expofil recorded 53,065 visitors overall with EU visitors now accounting for 70%. Visitors from the US, whose economy has been showing signs of recovery, accounted for 5% and there was a surge in Asian visitors, mostly from Japan, South Korea and China. With buyers showing such interest, exhibitors were cautiously optimistic. Notable also are new techniques, and sheer craftsmanship, which create both a new PV Awards aesthetic as well as greater ‘sustainability’. There’s an air of responsibility, as the with a twist, masculine look. These fabrics industry works towards more sustainable are also printed – often in huge prints, and production. Use of water, for instance, is a double faced reversing print to plain. Italian serious issue, and new ways of water and Ratti, for instance, had a new ‘scuba’ cloth chemical free finishing are making headway – in a crêpe-type quality made with crêpe such as digital printing and laser technology. yarns, also printed, and Menta, always Even more spectacular is the development experimenting with extraordinary printing of new ways of finishing through ‘plasma’ techniques, had printed ribbed spacers. technology – one to really watch. While these fabrics have smooth volume, they are not flat – in fact nothing is quite PV AWArDs 2014 Trend area at Milano Unica flat. -
Pricelist for : Web - Standard Jan 2020 - Valid Until Mar 15 2020
Pricelist for : Web - Standard Jan 2020 - Valid until Mar 15 2020 Prices include base fabric and digital printing. No setup/ hidden costs. Prices inc VAT Create your fabric today at www.fashion-formula.com Natural Fibres Fabric Code Fabric Name Composition Colour Weight Face Popular For Width (mm) Sample FQ 40 - 300 m 20-39m 10-19m 4-9m 1-3m CF001 SATIN 100% COTTON White 240 Satin ✂️ 1350 £3.25 £12.80 £20.65 £21.90 £26.25 £30.00 £33.15 CF002 DRILL 100% COTTON White 250 Twill ✂️ 1400 £3.25 £10.00 £18.75 £21.25 £22.50 £27.50 £29.40 CF004 POPLIN 100% COTTON White 130 Plain ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £26.25 £27.50 £30.00 CF005 PANAMA 100% COTTON White 210 Panama ✂️ 1400 £3.25 £12.00 £19.40 £20.65 £21.90 £27.50 £30.00 CF006 LIGHT TWILL 100% COTTON White 210 Twill ✂️ 1400 £3.25 £11.60 £20.00 £21.25 £22.50 £25.65 £28.70 CF007 TOP SATEEN 100% COTTON White 170 Satin ✂️ 1350 £3.25 £11.60 £20.65 £22.50 £25.00 £28.75 £30.65 CF008 MELINO LINEN 93% CO 7% LINEN White 228 Panama ✂️ 1350 £3.25 £12.40 £20.65 £22.50 £25.00 £29.40 £31.90 CF009 LIMANI LINEN 90% CO 10% LINEN White 250 Panama ✂️ 1350 £3.25 £12.80 £23.15 £26.25 £30.00 £32.50 £35.00 CF011 CALICO COTTON 100% COTTON White 155 Plain ✂️ 1400 £3.25 £8.00 £16.25 £18.15 £20.00 £21.90 £23.75 GOTS ORGANIC CF014 COTTON PANAMA 100% COTTON Natural 309 Panama ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £25.00 £28.75 £31.90 NATURAL CF016 HEAVY DENIM 100% COTTON White 395 Twill ✂️ 1400 £3.25 £12.80 £23.15 £26.25 £28.75 £31.25 £32.25 CF017 COTTON SLUB 100% COTTON White 150 Slub -
1917-11-16 [P 12]
M tion of Women's CIntis, and Miss experiences In practical study of so- classes, for eocîîi] service workers; Nielsen and Vlggo Jacobaen. Thai Cornelia of Whittier cial conditions In New York as local conditions will be reviewed, sta- Bradford, House, RED CROSS HOME SERVICE City, VALHALLA ODD FELLOWS banquet will start at S o'clock and aA did Mrs. E. F. Spofford, who has been tistics gathered and general prepara- Jersey City. elaborate menu baa been Dr. Anna Howard Shaw will be the taking a course of Instruction in the tion made for effective handling of promised. I HAS INITIAL MEETING of home many cases whloh later will need the TOMORROW Besides members at th#* i. at mass also. The scope NIGHT many SUFFRAGISTS headliner tonight's meeting metropolis BANQUET as of this in the assembly chamber at the State service work was outlined, it attention department meeting last night there were several· The Initial meeting of the Red Valhalla No. Odd Fel- on "Woman touches the lires of families of all Among those present were repre- Lodge 275, from House. She will speak Cross home service department, held visitors General Morgan LodgreJ Patriots and War Service." Address- who are engaged In the nation's serv- sentatives from the Board of Educa- lows, at its meeting last con- of South and Essex last night at St. Peter's parish house, night Amboy County j es The of looking after tion, Board of Health, City Poor De- also will be made by Congressman was was re- ice. necessity ferred the second on three Lodge of Ra.hway. -
Trend Collection 14/15 Winter Denim
WINTER DENIM TREND COLLECTION 14/15 WINTER DENIM TREND COLLECTION 14/15 4 INSPIRATION A NEW COLLECTION AND A NEW MACHINE LOOK FOR THE WORLD OF DENIM After the great response to our first denim collection Spring/Summer 2014, we took on the challenge to create a collection of wintery denim knits for Autumn/Winter 2014/15. The novelty of the current collection is based on extraordinary pattern techniques but also the combination of seasonal mixed materials, merino wool connects in this context with indigo-dyed cotton. This is unparalleled in the denim industry. The outcomes are soft and warm fabrics, which still reflect the classic denim look. This approach has not been seen before and opens up a whole new variety of applications. As STOLL celebrates its 140th anniversary this year, some of the looks represent this event. Our Certificate of Incorporation is lasered onto an indigo seamless top and the STOLL devoré-technique quotes our 140 years of history. Most of the creations in this collection would not have been possible without the new STOLL ADF technology. To highlight the importance of this technology and how it contributes to the denim industry we have dressed the ADF machine in a new denim look with a unique signature. 5 6 1310080 / CMS ADF-3 MULTI GAUGE / E 7.2 Felted jacket with denim inserts and striped 2-colour inverse plated float jacquard transfer structure in 1x1 technique 7 1310127 / CMS 822 HP MULTI GAUGE / E 7.2 STOLL-KNIT AND WEAR® Jersey long pullover with knitted-on patch pockets 9 1310056 / CMS ADF-3 / E 12 Fully Fashion pullover in argyle Intarsia pattern with 29 (31) yarn carriers; tubular cuffs with curled edges and shoulder straps in Stoll-multi gauges®. -
Textiles and Clothing the Macmillan Company
Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
The Charlottesville Woolen Mills, Clothing a Nation
The Charlottesville Woolen rogues she called the Union troopers, mately one mile east of Charlottes- King of Great Britain.” The second Mills, Clothing a Nation scribbling furiously in her diary, and ville’s original downtown. “At that highway into Albemarle County, the by Rick Britton confided that if she were a boy, she point,” wrote Harry E. Poindexter, Mountain Ridge Road, constructed would fight them. Later that evening, “Moore’s Creek empties into the circa 1740, led to Secretary’s Ford [Albemarle County] is a section with the after everything that could benefit [Rivanna] river from the southwest, from the east. When later extended greatest capabilities of self support, having Confederate arms had been put to forming a narrow triangle of land west to a gap in the Blue Ridge Moun- minerals, timber, materials for fabrics and the torch, Sarah Ann watched in hor- which rises rapidly to a rocky crest tains, this well-traveled thoroughfare an unexcelled water power for factories.— ror as a jubilant Federal incendiary some one hundred feet high.” was dubbed Three Notched Road. detail rode past. “They have burned From The Albemarle Handbook, published part of the iron bridge, & the cotton The earliest known enterprise on On the same “triangle” of in 1888 by Wm. H. Prout factory” [on the easternmost edge of the site was a water grist mill built in land was also located the port of town], she wrote. “The conflagration 1795 by Edward Moore, who owned Charlottesville, “called Pireus,” wrote During the Confederacy’s last win- was magnificent, sublime, it illumi- 500 acres thereabouts.