Press Release – November 5, 2020
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Robert Doisneau: Paris Free
FREE ROBERT DOISNEAU: PARIS PDF Robert Doisneau | 400 pages | 26 Oct 2010 | Editions Flammarion | 9782080301178 | English | Paris, France Atelier Robert Doisneau | Robert Doisneau’s photo archives. It is one of the iconic photographs of the 20th Century, an image that is synonymous with love Robert Doisneau: Paris with Paris, the city of romance. At the time, image rights were already protected by law and a cautious Robert Doisneau preferred to use friends or young actors to feature in some of his commissioned reportage, in order to avoid legal issues. One afternoon in MarchDoisneau went out into the streets of Paris with young actor friends and just let them be: they walked, held hands, talked, and kissed, with Doisneau never far behind. The Kiss is a suspended moment whose beauty is known only to the lovers and the photographer Robert Doisneau: Paris Atelier Robert Doisneau, Who cares about authenticity? The sentiments showed in the picture are authentic. Truth here lies in the beauty of the impulse and a Robert Doisneau: Paris that is closely linked to the French spirit and its capital city. However, after it was shot, and published in Life Magazine, the picture remained just one of many in the very large Doisneau portfolio today totallingnegatives, and managed by his two daughters Francine and Annette. Decades later, we still see Paris as a place where mystery and charm take you by surprise at Robert Doisneau: Paris every corner. With his Rolleiflex, he photographed building facades, interiors, river banks, children playing, passers-by, wedding couples. Doisneau loved to wander the streets of Paris; he was fascinated by its grandeur and myriad small pleasures Credit: Getty Robert Doisneau: Paris. -
Claude Cookman, IUB, 2011
Summary: Claude Cookman, April 9, 2010 Colleagues, Here is a summary of what I think are my most significant accomplishments since I presented my case for tenure in the fall of 1999. Thanks very much for your consideration. Teaching Peer-reviewed conference papers in teaching “The effects of Just in Time Teaching on motivation and engagement in a history of photography course,” lead author in a study with two graduate students, Sara Mandel and Mike Lyons. International Society for the Scholarship of Teaching and Learning conference, Washington, D.C., Nov 10, 2006. “A comparison of Just-in-Time Teaching across disciplines and course levels,” Laura A. Guertin, Claude Cookman, Sarah Zappe, Heeyoung Kim. International Society for the Scholarship of Teaching and Learning conference, Washington, D.C., Nov 10, 2006. Book chapters on teaching (Not peer-reviewed) “Using Just-in-Time Teaching to Foster Critical Thinking in a Humanities Course,” in Just In Time Teaching, eds. Scott Simkins, Mark Maier, Sterling, Va.: Stylus Publishing, 2009. (16 pages) Abstract. Details my use of the Just-in-Time Teaching method to foster motivation and engagement in students in my J462 History of Twentieth Century Photography course. It incorporates data collected across three semesters. “Transforming students into historical researchers: A Photographic Historian’s Perspective,” in The Scholarship of Teaching and Learning in Higher Education: Contributions of Research Universities, eds. William E. Becker, Moya L. Andrews, Bloomington: Indiana University Press, 2004. (22 pages) Abstract. Discusses my philosophy of teaching and learning and the methods I use to foster students’ development of critical thinking, creative practice and an historical consciousness. -
"Five French Photographers"
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. Tuesday 2-5 p.m. TUIPHONEi CIRCLI S-S900 511213-77 FOR WEDNESDAY RELEASE JOURNALIST PHOTOGRAPHY PROM FRANCE TO BE SHOWN IN "FIVE FRENCH PHOTOGRAPHERS" Outstanding reportorial photography by contemporary Frenchmen Brassai, Cartier-Bresson, Doisneau, Roni3 and Izis will be exhibited in the Auditorium Gallery of the Museum of Modern Art, 11 West 53 Street, from December 19 through February 2l+. About 200 works by these photographers have been selected by Edward Steichen, Director of the Museum1s Department of Photography. Henri Cartier-Bresson is represented entirely by his Asiatic photographs taken in China, Indonesia, Burma, India, Bali and Ceylon# Most of these are being exhibited for the first time anywhere, and only a very few have ever been published in this country. Brassai at 52 is the senior member of this group. Both he and Cartier-Bresson have exerted a considerable influence not only on French photography but on the best photography of all Europe. Work by both of these men has been published here in Harpers-Bazaar, and by Cartier-Bresson in Life magazine. Photographs by Robert Doisneau have appeared in Vogue. The work of Izis and Ronis is practically unknown in this country. Exoept for the Cartier-Bressons, all the photographs in the exhibition were taken in Paris or in the provinces of France. This exhibition is part of the Department of Photography^ plan to exhibit work by photographers of other countries and at a later date to include some of the new, younger photographers of France and other nations. -
MAGNUM PHOTOS and PICTO 1950-2020
70 Years of Correspondences: MAGNUM PHOTOS and PICTO 1950-2020 NEW YORK, NY / ACCESSWIRE / Oct 26, 2020 / RICHARD TAITTINGER GALLERY is pleased to announce the exhibition 70 YEARS OF CORRESPONDENCES: MAGNUM PHOTOS AND PICTO 1950-2020, curated by photography historian Carole Naggar. This exhibition is a collaboration with MAGNUM PHOTOS and PICTO and a celebration of the seventy years of partnership between two important institutions in the photo world. This exhibition consists of three parts - YESTERDAY, TODAY and TOMORROW - and is an overview of this continuous collaboration since 1950. It is presented through the work of nineteen photographers and more than 100 prints (vintage and modern). Curated by Carole Naggar October 29 - December 20, 2020 Opening: October 29, 2020, 2 p.m. - 9 p.m. MAGNUM PHOTOS was founded in Paris in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David 'Chim' Seymour in response to World War II and the need to observe and report on the state of the world. Today her agency has 89 international members (past and present). Founded in 1950 by Pierre and France Gassmann, PICTO produced works for Magnum's founders such as Henri Cartier-Bresson, Robert Capa and Chim, as well as other notable artists such as William Klein, Willy Ronis, Robert Doisneau and Edouard Boubat. Photography is an innovative medium that records history and change and deals with them. This exhibition celebrates leading figures in the field and offers a journey through the medium of the past 70 years that invites us to imagine its future. 70 YEARS OF CORRESPONDENCES: MAGNUM PHOTOS AND PICTO 1950-2020 will be on display at RICHARD TAITTINGER GALLERY, 154 Ludlow Street, from October 29th to December 20th, 2020. -
Willy Ronis : Une Poétique De L'engagement
Willy Ronis Une poétique de l’engagement du 16 avril au 22 août 2010 à la Monnaie de Paris « Mes photos ne sont pas des revanches contre la Willy Ronis, Usine Lorraine-Escaut, Sedan, 1959 Tirage argentique mort et je ne me connais pas d’angoisse 33 x 26 cm Succession Willy Ronis, Ministère de la culture et de la communication & existentielle. Je ne sais même pas où je vais, sauf Stéphane Kovalsky. Photo Willy RONIS © Ministère de la culture et de la communication & au-devant – plus ou moins fortuitement – de Stéphane Kovalsky / dist. Agence Rapho choses ou de gens que j’aime, qui m’intéressent ou me dérangent. » Willy Ronis Afin d’honorer la volonté de Willy Ronis qui, dans les semaines précédant son décès — survenu le 11 septembre 2009 —, imaginait lui-même une grande exposition à Paris pour fêter son centenaire, le Jeu de Paume et la Monnaie de Paris se sont associés à la Médiathèque de l’architecture et du patrimoine, sous l’égide du ministère de la Culture et de la Communication, pour concrétiser ce vœu de manière posthume. L'exposition « Willy Ronis » regroupe environ 150 photographies célèbres ou inédites – tirages d’époque et tirages modernes supervisés par le photographe –, extraites du fonds de la donation faite par Willy Ronis, à l'État Fançais en 1983. Elle s'organise autour de cinq grands axes : la rue, le travail, les voyages, le corps et sa propre biographie. Elle est présentée à la Monnaie de Paris, 11 Quai de Conti, Paris 6e Exposition coproduite par le Jeu de Paume et la Monnaie de Paris, avec le concours de la Médiathèque de l’architecture et du patrimoine / Ministère de la Culture et de la Communication Commissaire : Marta Gili, assistée de Nathalie Neumann En partenariat avec : A Nous, Arte, De L'air, Evene.fr, Le Figaro, Télérama, France Info, FIP Le Jeu de Paume est subventionné par le ministère de la Culture et de la Communication. -
La Fotografia Umanista in Francia
Corso di Laurea Magistrale in Economia e Gestione delle Arti e delle attività culturali ordinamento ex D.M. 270/2004 Tesi di Laurea La fotografia umanista in Francia Relatore Ch. Prof. Riccardo Zipoli Correlatore Ch. Prof. Marco Dalla Gassa Laureanda Valentina Prete Matricola 860809 Anno Accademico 2017 / 2018 1 2 Indice del testo INTRODUZIONE ______________________________________________________________ 5 1. LA FOTOGRAFIA UMANISTA FRANCESE 1.1 Il concetto di Umanista e l’origine del termine ______________________________________ 7 1.2 La fotografia negli anni ’30 e nel secondo dopoguerra ________________________________ 8 1.3 Gli esordi della fotografia Umanista ______________________________________________ 9 1.4 L’immagine della Francia post guerra ____________________________________________ 11 1.5 I protagonisti della fotografia umanista ___________________________________________ 13 1.6 Groupe des XV _____________________________________________________________ 16 1.7 Gli strumenti del mestiere _____________________________________________________ 17 2. LA FRANCIA DEGLI ANNI ’30 E IL PERIODO POST-BELLICO 2.1 Dall’ inizio degli anni ’30 al Governo di Vichy ____________________________________ 19 2.2 Secondo dopoguerra in Francia _________________________________________________ 21 2.3 La decolonizzazione __________________________________________________________ 22 2.4 Le Trente Glorieuses _________________________________________________________ 25 2.5 Mai 68 ____________________________________________________________________ -
The Photographer Sabine Weiss Chooses the Musée De L'elysée To
The photographer Sabine Weiss chooses the Musée de l’Elysée to preserve her work and archives Announcement of June 12, 2017 Elysée Lausanne Press release Press release 12.06.2017 Elysée Lausanne 2/6 Sabine Weiss has entrusted her photographic work, the achievement of a lifetime, to the Musée de l’Elysée. The archives of the photographer, born in Switzerland in 1924, will integrate the Musée de l’Elysée’s collections as soon as it moves to PLATEFORME 10, by 2021. This donation was made possible thanks to the generous support of the Canton of Vaud through the SERAC. Sabine Weiss chose the Musée de l’Elysée, a Swiss public institution with solid expertise in the management of photographic heritage, to preserve and showcase her work and to make it available to a broad audience. "The donation of an archive of the content and scope of that of Sabine Weiss is a significant step in the strategy of the museum, which is based in particular on its expertise in the valorization of complete collections of Swiss and international photographers. It resonates with travel photography, which is very present in the collections, and other important names of women photographers like Ella Maillart, Gertrud Fehr, Henriette Grindat and Monique Jacot", underlines Tatyana Franck, Director. At PLATEFORME 10, the Musée de l’Elysée will benefit from extensive conservation and storage spaces, as well as modular exhibition spaces designed to regularly host projects to showcase its collections. A life devoted to photography Sabine Weiss is one of the great names in European photography. Born Sabine Weber in 1924 in Saint-Gingolph, the Swiss-born photographer did her apprenticeship with Paul Boissonnas in Geneva, before moving to Paris in 1946 where she was the assistant of Willy Maywald for four years. -
Robert Doisneau: Paris Free Ebook
FREEROBERT DOISNEAU: PARIS EBOOK Robert Doisneau | 400 pages | 26 Oct 2010 | Editions Flammarion | 9782080301178 | English | Paris, France Robert Doisneau Robert Doisneau was a French photographer and early pioneer of photojournalism and street photography. Born on April 14, in Paris, France, Doisneau was hired by the Rapho photographic agency—which also represented André Kertész and Edouard Boubat—where he developed his keen eye for shooting on the streets, often catching his subjects unaware. Robert Doisneau’s photographs are intimately associated with Paris at a time when the city was the world capital of arts and culture. “He was in awe of Paris and his love never faltered until. Robert Doisneau. was born in France in Along with Henri Cartier-Bresson, he was THE French photographer of the time. Robert Doisneau and Leica was a man destined to produce some of the most memorable images of Paris at the time. Probably the Kiss by the Town Hall being the most famous, and the one to cause him the most heartbreak in his. Portfolios Wikipedia entry Introduction Robert Doisneau (French: [ʁɔbɛʁ dwano]; 14 April – 1 April ) was a French photographer. In the s, he made photographs on the streets of Paris. Robert Doisneau was a French photographer and early pioneer of photojournalism and street photography. Born on April 14, in Paris, France, Doisneau was hired by the Rapho photographic agency—which also represented André Kertész and Edouard Boubat—where he developed his keen eye for shooting on the streets, often catching his subjects unaware. Robert Doisneau was born in in Gentilly, a suburb of Paris. -
A Hard, Merciless Light the Worker Photography Movement, 1926-1939 the Worker Photography Movement, 1926-1939
Fotografía obrera inglés:Maquetación 1 30/03/11 12:27 Página 1 April 6 – August 22, 2011 Museo Nacional ACTIVITIES Centro de Arte Reina Sofía A Hard, Merciless Light Jorge Ribalta. Sabatini Building Capa, Kertész and Brassaï from Hungary, David Seymour A Guided Visit to the Exhibition Santa Isabel, 52 (Chim) from Poland, the Germans Gerda Taro and The Worker Photography Curator’s talk Nouvel Building Germaine Krull, and the Romanian Eli Lotar. April 6, 2011. 7:00 p.m. Ronda de Atocha (corner plaza Emperador Carlos V) Movement, 1926-1939 Although Münzenberg was also in Paris, his role in the A Hard, Merciless Light. 28012 Madrid Comintern declined. Nonetheless, his model of public The Worker Photography Movement, 1926–1939 participation through the figures of prestigious Guided Tours Tel: 91 774 10 00 intellectuals inspired the First Conference of Writers in This exhibition is devoted to the history of amateur, proletarian documentary Thursdays at 7:15 p.m. at the Meeting Point Fax: 91 774 10 56 Defense of Culture in 1935, which marked a high point in photography, a movement that dates back to March 1926 when the German Free activity, prior enrolment not required the activities of the Association des Écrivains et Artistes Museum hours communist magazine AIZ (Arbeiter-Illustrierte Zeitung) called on amateur Révolutionnaires (AEAR) founded two years before and The Forgotten Space. Monday to Saturday photographers to send in their contributions. It was structurally linked to the connected with the French Communist Party (PCF). A Film Essay by Allan Sekula and Noel Bürch from 10.00 a.m. -
Page 1 EYES WIDE OPEN: 100 YEARS of LEICA PHOTOGRAPHY
EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY OCTOBER 24, 2014 – JANUARY 11, 2015 DEICHTORHALLEN HAMBURG / HOUSE OF PHOTOGRAPHY The exhibition EYES WIDE OPEN: 100 YEARS OF LEICA PHOTOGRAPHY curated by Hans-Michael Koetzle, illuminates various aspects of recent small-format photography, from journalistic strategies to documentary approaches and free artistic positions, spanning fourteen chapters. Among the artists whose work will be shown are Alexander Rodchenko, Henri Cartier-Bresson, Robert Capa, Christer Strömholm, Robert Frank, Bruce Davidson, William Klein, William Eggleston, René Burri, Thomas Hoepker and Bruce Gilden. Following its premiere in the House of Photography at the Deichtorhallen Hamburg, the exhibition will travel to Berlin, Frankfurt and Vienna, among other locations. According to an entry in the workshop records, by March 1914 at the latest, Oskar Barnack, who worked as an industrial designer at Ernst Leitz in Wetzlar, completed the first functional model of a small-format camera for 35mm cinema film. The introduction of the Leica (a combination of »Leitz« and »Camera«) which was delayed until 1925 due to the war, was not merely the invention of a new camera; the small, reliable and always-ready Leica, equipped with a high-performance lens specially engineered by Max Berek, marked a paradigm shift in photography. Not only did it offer amateur photographers, newcomers and emancipated women greater access to photography; the Leica, which could be easily carried in a coat pocket, also became a ubiquitous part of everyday life. The comparatively affordable small-format camera stimulated photographic experimentation and opened up new perspectives. In general, visual strategies for representing the world became more innovative, bold and dynamic. -
Avignon Tourisme En Septembre 2019 En 2150 Exemplaires
2020 Avignon, your destination Vibrant, innovative, magical Individuals - Groups - Mice www.avignon-tourisme.com TABLE OF CONTENTS 3 DISCOVER the unmissable UNESCO world heritage site 4 THE PALACE OF THE POPES 5 THE BRIDGE OF AVIGNON 6 MUSEUMS 7 BE AMAZED by the wealth of heritage! 8 LEARN everything there is to know about wine. 9 ENJOY Provençale cuisine 10 BE BEWITCHED by a city that never stops 11 GO GREEN On Ile de la Barthelasse 12 REACH OUT From Avignon 18 GET A SURPRISE All year long 20 OUTSIDE AVIGNON Edition réalisée par Avignon Tourisme en septembre 2019 en 2150 exemplaires. 21 CHOOSE AVIGNON Maquette et mise en page : Agence Saluces - Avignon to host your bespoke events Impression : Rimbaud- Crédits photos – tous droits réservés : 21 Empreintes d’Ailleurs / E. Larrue / Coll. Blachère / COMING TO AVIGNON F. Olliver / E. Catoliquot / P. Bar / G. Quittard / Aurelio Avignon at your service 22 OPENING TIMES & PRICES Dans un souci de protection de l’environnement, ce guide est édité par un imprimeur IMPRIM’VERT. "# protection, this guide in printed by a green IMPRIM’VERT printer. unesco SITES DISCOVER the unmissable UNESCO world heritage site An old town at heart! Avignon has been listed as a UNESCO World Heritage site since 1995 for its Historic Centre home to the Palais des Papes, Episcopal Ensemble with Avignon Cathedral, Petit Palais Museum, Pont d’Avignon and it ramparts, forming a mammoth and unique collection. UNESCO Charter In 2018, Arles and Avignon signed a charter to work together to promote their destina- tions to tourists based on the UNESCO World D104 Grotte Chauvet 2 Heritage theme. -
Nir Avissar University of Virginia July, 2016
PHOTOACTIVISM: POLITICAL ICONOGRAPHY IN FRANCE, 1944-1968 Nir Avissar Tel Aviv, Israel Master of Arts, Tel Aviv University, 2008 Bachelor of Arts. Tel Aviv University, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia July, 2016 © 2016 Nir Avissar Abstract The aim of this dissertation is to provide a critical history of French reportage photography in the decades following the Second World War, beginning with the Liberation in 1944 and ending in May ’68. During the Trente Glorieuses, reportage photography became an integral part of the media, which operated as the central platform for engaging the public in political discourse. My research explores how, during this era of mass communication, the photographic medium participated in the nation’s political life in concrete historical circumstances. In the course of this investigation, I inspect both the material, thematic, and formal strategies photographers employed to produce images in different political contexts, and the publication history of their works (who published their images, in what format, and for what purposes). The dissertation thus examines the role reportage photography played in promoting political discourse in France by visually engaging the most critical historical processes the nation was undergoing: modernization, democratization, and decolonization. At the same time, it also analyzes the reciprocal impact that changing political climate had on reportage photography. Specifically, it provides an historical account of the multiple causes that effected during the 1960s the displacement of humanist photography by photojournalism as the medium’s prominent current.