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Fruhjahr 2018 .. Die Uberschreitung Der Gegenwart
.. Fruhjahr 2018 .. Die uberschreitung der Gegenwart Wie alt kann ein Mensch werden, ohne seine Menschlichkeit zu verlieren? Ein Thriller über das Alter und den Wert des menschlichen Gedächtnisses ine einfache Zeitungsmeldung führt ihn über die Grenzen unserer Existenz: In Sevilla Esoll der älteste lebende Mensch entdeckt worden sein. Der namenlose Erzähler macht sich auf die Suche und merkt schnell, dass der Älteste gute Gründe hat, sich und sein Leben zu verbergen. Immer tiefer verirrt der Suchende sich in einem bedrohlichen Labyrinth aus selt- samen Erscheinungen und Zweifeln an unserer Realität, bis er endlich auf einen jugendlich erscheinenden Mann und seine kindliche Tochter trifft. Sie führen ihn in die Abgründe menschlicher Geschichte, zeigen ihm die dunklen Seiten des Gedächtnisses, ständig auf der Flucht vor Neid und Verrat. Er erfährt von menschlichen Optimierungen und wird vor die Frage gestellt, ob wir eine Gesellschaft ohne Tod ertragen können … Otmar Jenner spielte in einer Rock- band, arbeitete u.a. als Kriegsfotograf und schrieb den viel besprochenen Ro- © privat man »Sarajevo Safari«. Er lebt in Berlin und unterrichtet Sterbebegleitung. Neben eigenen Musikproduktionen beschäftigt er sich mit fotografischer Kunst. 2 SPITZENTITEL März ➤ Für Leser von Frank Schätzing und Andreas Eschbach ➤ Presseschwerpunkt ➤ Autorenlesungen, u.a. auf der Leipziger Buchmesse ➤ Ihr LEX ab Januar beim Verlag bestellbar Otmar Jenner DER ÄLTESTE Roman ca. 480 Seiten Geb. mit Schutzumschlag, 13,5 x 21,5 cm € [D] 24,90 / € [A] 25,60 ISBN: 978-3-946503-22-4 [WG 1120] | Auch als E-Book erhältlich ISBN: 978-3-946503-23-1 Erscheint im März 2018 3 Originalausgabe Avantgarde aus Nord-Neukölln: »Tobias O. -
Ethel the Aardvark #197
February 2019 – March 2019 Number 197 © Mark Ford 2019 Meetings:- St Augustine’s Anglican Chuch Hall, 100 Sydney Rd, Coburg, Vic. Getting there: Tram No 19 North Coburg, from Elizabeth St in the city, or Tram no 8, Moreland Rd from Glenferrie Rd, Toorak, to Stop 132. Upfield train line to Moreland Station. On street parking. Space on the road next to it, which is closed to through driving. Melway Ref 29 H3. Cyclists can use the Upfield bicycle path. Meetings of the Melbourne Science Fiction Club take place on the third Friday Night of the month. Unless it is Good Friday. Since 1952 The MSFC is a place where people who enjoy science fiction and fantasy meet to Most Club Nights – Gold coin for members, $5 for nonmembers. discuss their love of books, TV, film and Some nights may cost an extra fee, such as Trivia Nights. coffee. Premises open at 8pm on the third Friday of the month, events start CONTACTING THE MSFC. at 8.30pm. Lights out at 11pm. General enquiries. Sustenance - Hot food, cold snacks, coffee and hot chocolate and Soft [email protected] Drinks are available. Clubzine. Editor: LynC ANNUAL MEMBERSHIP DISCOUNTS FOR MEMBERS [email protected] Single membership $35 Website Show your MSFC membership card Family or household $45 www.msfc.sf.org.au when asking for these benefits. Interstate Ethel the Aardvark email subscription $25* Our Facebook page: 20% discount with cash or debit card, https://www.facebook.com/Mel and 15% discount with credit cards off bourneSFClub *plus $10 for interstate subscribers all books at: Our open Facebook group: wishing a hardcopy Ethel subscription. -
Ominous Faultlines in a World Gone Wrong: Courmayeur Noir in Festival Randy Malamud
Ominous Faultlines in a World Gone Wrong: Courmayeur Noir In Festival Randy Malamud In the sublime shadows of the Italian Alps, Courmayeur Confidential, Mulholland Drive, The Dark Knight trilogy), Noir In Festival’s 23-year run suggests America’s monop- hyper-noir (even ‘noirer’ than noir! Sin City, Django Un- 1 oly on this dark cinematic tradition may be on the wane. chained), and tech noir (The Matrix, cyberpunk) it remained The roots of film noir wind broadly through the geogra- a made-in-America commodity. phy of film history. One assumes it’s American to the core: Courmayeur’s 2013 program proved that contemporary Humphrey Bogart, Orson Welles, Dashiell Hammett. But noir, like anything poised to thrive nowadays, is indubita- au contraire, the term itself (obviously) emanates from bly global. Its December event featured Hong Kong film- a Gallic sensibility: French critic Nino Frank planted the maker Johnny To’s wonderfully macabre comedy, Blind flag when he coined ‘‘film noir’’ in 1946. He was discussing Detective (with the funniest crime reenactment scenes American films, but still: it took a Frenchman to appreci- ever); Erik Matti’s Filipino killer-thriller On the Job; and 2 ate them. Or maybe the genre is German, growing out Argentinian Lucı´a Puenzo’s resonantly disturbing Wakol- of Weimar expressionism, strassenfilm (street stories), da, an adaptation of her own novel about Josef Mengele’s 3 Lang’s M. 1960 refuge in a remote Patagonian Naziphile community. In fact, film noir is a hybrid which began to flourish in The Black Lion jury award went to Denis Villeneuve’s 1940s Hollywood, but was molded by displaced Europeans Enemy, a Canadian production adapted from Jose´ Sarama- (Billy Wilder, Alfred Hitchcock, Otto Preminger) and go’s Portuguese novel The Double (and with a bona fide keenly inflected by their continental aesthetic and philo- binational spirit). -
Tor.Com, Which Averages 1 Million Unique Visitors and 3 Million Pageviews Per Month, with
TORDOTCOM JULY 2021 A Psalm for the Wild-Built Becky Chambers Just when the world needs it comes a story of kindness and hope from one of the masters of Hopepunk Hugo Award-winner Becky Chambers's delightful new series gives us hope for the future. It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. FICTION / SCIENCE FICTION / ACTION & ADVENTURE But the answer to that question depends on who you ask, and how. Tordotcom | 7/13/2021 They're going to need to ask it a lot. 9781250236210 | $20.99 / $28.99 Can. Hardcover with dust jacket | 160 pages | Carton Qty: 28 8 in H | 5 in W Becky Chambers's new series asks: in a world where people have what they Other Available Formats: want, does having more matter? Ebook ISBN: 9781250236227 Audio ISBN: 9781250807748 PRAISE "This was an optimistic vision of a lush, beautiful world that came back from the brink of disaster. Exploring it with the two main characters was a fun and MARKETING -Long-term support for Hugo Award fascinating experience.” —Martha Wells winner Becky Chambers’ Monk & Robot series, including consumer & industry mailings & advertising targeting existing "I'm the world's biggest fan of odd couple buddy road trips in science fiction, and fans & readers of hopeful science fiction this odd couple buddy road trip is a delight: funny, thoughtful, touching, sweet, and one of the most humane books I've read in a long time. -
Fantasy Magazine, Issue 60 (People of Colo(U)R Destroy Fantasy
TABLE OF CONTENTS Issue 60, December 2016 People of Colo(u)r Destroy Fantasy! Special Issue FROM THE EDITORS Preface Wendy N. Wagner People of Colo(u)r Editorial Roundtable POC Destroy Fantasy! Editors ORIGINAL SHORT FICTION edited by Daniel José Older Black, Their Regalia Darcie Little Badger (illustrated by Emily Osborne) The Rock in the Water Thoraiya Dyer The Things My Mother Left Me P. Djèlí Clark (illustrated by Reimena Yee) Red Dirt Witch N.K. Jemisin REPRINT SHORT FICTION selected by Amal El-Mohtar Eyes of Carven Emerald Shweta Narayan gezhizhwazh Leanne Betasamosake Simpson (illustrated by Ana Bracic) Walkdog Sofia Samatar Name Calling Celeste Rita Baker NONFICTION edited by Tobias S. Buckell Learning to Dream in Color Justina Ireland Give Us Back Our Fucking Gods Ibi Zoboi Saving Fantasy Karen Lord We Are More Than Our Skin John Chu Crying Wolf Chinelo Onwualu You Forgot to Invite the Soucouyant Brandon O’Brien Still We Write Erin Roberts Artists’ Gallery Reimena Yee, Emily Osborne, Ana Bracic AUTHOR SPOTLIGHTS edited by Arley Sorg Darcie Little Badger Thoraiya Dyer P. Djèlí Clark N.K. Jemisin Shweta Narayan Leanne Betasamosake Simpson Sofia Samatar Celeste Rita Baker MISCELLANY Subscriptions & Ebooks Special Issue Staff © 2016 Fantasy Magazine Cover by Emily Osborne Ebook Design by John Joseph Adams www.fantasy-magazine.com FROM THE EDITORS Preface Wendy N. Wagner | 187 words Welcome to issue sixty of Fantasy Magazine! As some of you may know, Fantasy Magazine ran from 2005 until December 2011, at which point it merged with her sister magazine, Lightspeed. Once a science fiction-only market, since the merger, Lightspeed has been bringing the world four science fiction stories and four fantasy shorts every month. -
TABLE of CONTENTS Issue 101, February 2021
TABLE OF CONTENTS Issue 101, February 2021 FROM THE EDITOR Editorial: February 2021 FICTION We, the Girls Who Did Not Make It E.A. Petricone The Girl with the Voice Made of Stone Anuel Rodriguez Hairy Legs and All Stephen Graham Jones And Lucy Fell Erica Ruppert NONFICTION The H Word: Horror, Through Colored Lenses Justin C. Key Interview: Hailey Piper Gordon B. White AUTHOR SPOTLIGHTS E.A. Petricone Stephen Graham Jones MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Nightmare Team © 2021 Nightmare Magazine Cover by Grace Legault www.nightmare-magazine.com Published by Adamant Press. Editorial: February 2021 Wendy N. Wagner | 1166 words Welcome to issue 101 of Nightmare! I’m Wendy N. Wagner, writing to you in my first- ever editorial, and let me just say: It is an honor and a privilege to be writing to you, our wonderful readers. Thank you so much for joining me on the next leg of our magazine’s terrifying journey. I hope we have a great time together! When it comes to horror, I’m what might be called a “true believer.” Horror novels, video games and movies have gotten me through some of the roughest patches in my life. I’ve escaped unhappiness by diving into the thrills of countless monstrous adventures; I’ve felt my will to live return after a good jump scare—and I’ve found tremendous insight into the human condition in the work of horror creators across all mediums. -
Australian Science Fiction: in Search of the 'Feel' Dorotta Guttfeld
65 Australian Science Fiction: in Search of the ‘Feel’ Dorotta Guttfeld, University of Torun, Poland This is our Golden Age – argued Stephen Higgins in his editorial of the 11/1997 issue of Aurealis, Australia’s longest-running magazine devoted to science fiction and fantasy. The magazine’s founder and editor, Higgins optimistically pointed to unprecedented interest in science fiction among Australian publishers. The claim about a “Golden Age” echoed a statement made by Harlan Ellison during a panel discussion “The Australian Renaissance” in Sydney the year before (Ellison 1998, Dann 2000)64. International mechanisms for selection and promotion in this genre seemed to compare favorably with the situation of Australian fiction in general. The Vend-A-Nation project (1998) was to encourage authors to write science fiction stories set in the Republic of Australia, and 1999 was to see the publication of several scholarly studies of Australian science fiction, including Russell Blackford’s and Sean McMullen’s Strange Constellations. Many of these publications were timed to coincide with the 1999 ‘Worldcon’, the most prestigious of all fan conventions, which had been awarded to Melbourne. The ‘Worldcon’ was thus about to become the third ‘Aussiecon’ in history, accessible for the vibrant fan community of Australia, and thus sure to provide even more impetus for the genres’ health. And yet, in the 19/2007 issue of Aurealis, ten years after his announcement of the Golden Age, Stephen Higgins seems to be using a different tone: Rather than talk of a new Golden Age of Australian SF (and there have been plenty of those) I prefer to think of the Australian SF scene as simply continuing to evolve. -
Academic Track
Confusion 2021 – Academic Track Friday 2nd April 2021 Session One: String Theory Made Easy Presented by: Maciej Matuszewski String theory is often considered to be one of the most difficult branches of modern physics. However, it is far from an impenetrable subject and the basic ideas can be readily understood by a layperson. String theory is the result of a long-time trend in physics to attempt to arrive at unified theories of seemingly distinct phenomena. The great successes of twentieth century physics have been general relativity – which explains how gravity behaves at large scales – and the standard model – which explains the subatomic world. However, it has been difficult to see how these two theories work together – for example, we do not know how gravity works for subatomic particles. String theory was created to describe subatomic particles called mesons – however it was also found to naturally ‘predict’ gravity. It is therefore hoped that it can be the missing ‘Theory of Everything’. Even if it is not correct as a fundamental theory in and of itself, the mathematics of string theory is very interesting. The so-called AdS/CFT correspondence is a trick that uses this new mathematics to simplify complicated calculations in areas such as high energy physics and solid state physics. My work has, in particular, looked at how the AdS/CFT correspondence can be used to make simpler, but hopefully still accurate, models of how mesons decay. This presentation will provide an accessible but detailed historical and scientific background which led up to string theory and the AdS/CFT correspondence, and then briefly outline the specifics of these theories themselves. -
PDF UTC Schedule
Flights of Foundry 2021 A Art/Illustration D Audio/Podcasting C Comics F Guest of Honor I Industry Biz L Limited Access P Poetry O Prose T Translation W Writing APRIL 16 • FRIDAY 14:00 – 14:25 W Diane Turnshek - Reading Courtyard Speakers: Diane Turnshek I'll read shorter and shorter fiction as I walk around to different spots in my very small house until I tell my story with a negative word count. Small is beautiful! Happy to welcome you folks to my tiny house tour and tiny reading. 15:00 – 15:25 W Gregory Wilson - Reading Courtyard Speakers: Gregory Wilson From my most recent bio--please let me know if you need more information! Gregory A. Wilson is Professor of English at St. John's University in New York City, where he teaches creative writing, speculative fiction, and various other courses in literature. In addition to academic work, he is the author of the epic fantasy The Third Sign, the graphic novel Icarus, the dark fantasy Grayshade, and the D&D adventure/sourcebook Tales and Tomes from the Forbidden Library. He also has short stories in a number of anthologies, and has several projects forthcoming in 2021. He co- hosts the critically acclaimed actual play Speculate! The Podcast for Writers, Readers, and Fans (speculatesf.com) podcast, is a member of the Gen Con Writers' Symposium and co-coordinator of the Origins Library, and is a regular panelist at conferences nationally and internationally. He is the lead vocalist and trumpet player for The Road, a long running progressive rock band with three albums to its credit, and is the lead writer for Chosen Heart, a video game currently in production. -
Asfacts Feb16.Pub
ASFACTS 2016 FEBRUARY “S PACE ODDITY ” V ALENTINE ISSUE ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ are free of charge. These panels are sure to provide a wide ENMU WILLIAMSON LECTURESHIP range of topics and free-wheeling discussion and debate between panelists and audience. SCHEDULED FOR FRIDAY , A PRIL 8 On Saturday, April 9, a Writers Workshop for aspir- ing young writers is planned 10:00 am-Noon at the Por- The 40th annual Jack Williamson Lectureship will be tales Public Library with Connie Willis and Steven held Friday, April 8, at Eastern New Mexico University in Gould. Interested participants can contact the Portales Portales, NM. Special guests are Albuquerque’s Victor Library, 218 S Avenue B, in Portales, at (575) 356-3940. Milán and Mistress of Ceremonies Connie Willis (of For more information, contact Caldwell by phone or Colorado). Friday events include Milan’s reading, a email her at [email protected]. luncheon and various panel discussions. A campus tradition since 1977, the Lectureship annu- ND ally draws well-known authors to visit the ENMU campus EXPANSE GETS 2 SEASON and discuss the interactions of science and the humanities. Williamson, long-time SF author and professor of Syfy has given a second season to The Expanse and is English passed away in 2006. Williamson’s novella, “The increasing the episode order from 10 to 13 for the futuris- Ultimate Earth,” won a 2001 Hugo Award, and his last tic mystery’s sophomore turn, Variety.com posted at the novel, The Stonehenge Gate , was released in 2005. end of December. Milán is the author of more than 60 novels, including The Alcon Television Group series gained traction last year’s The Dinosaur Lords and this year’s sequel, The from an online debut last November that brought in 4.5 million viewers before its official premiere on December Dinosaur Knights (to be released in July). -
Hemming Booklet.Indd
For excellence in the exploration of themes of race, gender, class and sexuality in speculative fi ction. A record of the award presentation ceremony at Aussiecon 4 (68th World Science Fiction Convention at Melbourne Convention Centre on September 2-6, 2010) Norma Kathleen Hemming (1927-1960) and her life and times, descent into obscurity and rediscovery at the turn of the century Norma Kathleen Hemming (1927–1960) was a British author who migrated to Australia with her family in 1949 and wrote for local pulp magazine Thrills Incorporated and enthusiastically participated in the Australian fan scene. She was a founding member of the femme fan group Vertical Horizons, and wrote and acted for the SF theatrical group The Arcturian Players. Norma returned to international publishing in the late 1950s with stories in Nebula SF and New Worlds, but died at the age of 33 of lung cancer on 4 July 1960. Early post-WWII SF Australian authors (including Frank Bryning, Wynne Whiteford and A Bertram Chandler) were published overseas. So was Hemming at fi rst. Fan historian Graham Stone recalls that the fi rst of her sixteen (known) stories ‘Loser Takes All’ appeared in a 1951 edition of the British magazine Science Fantasy as by N K Hemming. It was diffi cult to be published in science fi ction if you were not male, or at least appeared to be male. Norma Hemming outed herself as a woman to her readership at the fi rst Australian science fi ction Convention, Sydcon 1952. University of Western Australia librarian David Medlen, in an address to local ”not (to) discriminate on the grounds of race, creed, science fi ction fans in April 2009 said that party or sex”. -
SF COMMENTARY No
SSFF CCOOMMMMEENNTTAARRYY 110033 October 2020 50 pages TTRRIIBBUUTTEE TTOO JJOOHHNN BBAANNGGSSUUNNDD ((11993399––22002200)) Four articles two poems and lots of cartoons by JOHN BANGSUND Contributions by SALLY YEOLAND JULIAN WARNER STEPHANIE HOLT BRUCE GILLESPIE JOHN LITCHEN DAVID GRIGG and DICK JENSSEN, LEE HARDING, GARY MASON, GARY HOFF, ELAINE COCHRANE, CHRISTINA LAKE, HELENA BINNS Cover: Sally Yeoland’s photo of John Bangsund (2014). S F Commentary 103 October 2020 140 pages SF COMMENTARY No. 103, October 2020, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. Email: [email protected]. DISTRIBUTION: For ANZAPA and many other friends. Either portrait (print equivalent) or landscape .PDF file from eFanzines.com: https://efanzines.com/SFC/index.html FRONT COVER: Sally Yeoland’s photo of John Bangsund (2014). PHOTOGRAPHS: Sally Yeoland (front cover); John Litchen (pp. 5, 6, 36); Dick Jenssen (pp. 26, 27, 35); Lee Harding (pp. 27, 21); Gary Mason (p. 35); Gary Hoff (p. 35); Elaine Cochrane (p. 36); Christina Lake (p. 36); Helena Binns (p. 36). ILLUSTRATIONS: Jim Ellis (p. 15); John Bangsund (pp. 9, 29, 33, 43, 47, 48). Contents 5 SALLY YEOLAND 8 JULIAN WARNER THE FINAL UPDATE FOR JOHN BANGSUND A. BERTRAM CHANDLER AWARD 2001: JOHN BANGSUND 2 11 STEPHANIE HOLT THE CONFESSIONS OF AN SF ADDICT VALE JOHN BANGSUND 31 JOHN BANGSUND 14 BRUCE GILLESPIE 1968 AND ALL THAT FAREWELL JOHN BANGSUND (1939–2020) 37 JOHN BANGSUND 17 JOHN LITCHEN GLIMPSES OF A GOLDEN AGE; HONEYMOON WEEKEND IN CANBERRA, 1973 or, HOW I BECAME AN EDITOR 18 DAVID GRIGG 45 JOHN BANGSUND’S POETRY CORNER CANBERRA VISIT, 1973 45 COMING UP FOR BLAIR: A SONG OF J.