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DIN Name CIN Company Name 01050011 KALRA SUNITA U74899DL1967PTC004762 R K INTERNATIOONAL PRIVATE 01050016 GUPTA VIVEK U51109OR20
DIN Name CIN Company Name 01050011 KALRA SUNITA U74899DL1967PTC004762 R K INTERNATIOONAL PRIVATE 01050016 GUPTA VIVEK U51109OR2006PTC009068 MAHAKASH RENEWABLES (INDIA) 01050022 BHANDARI PARAMBIR SINGH U51909DL1999PTC100363 AKILA OVERSEAS PRIVATE LIMITED 01050036 BHUPENDRA GUPTA U65990MH1991PTC059930 GALAXY ESTATE AND 01050036 BHUPENDRA GUPTA U70100MH1995PTC086049 SUNDER BUILDERS AND 01050064 KIRITKUMAR MERCHANT SHISHIR U51900MH2000PTC127408 HANS D TO R SOLUTIONS PRIVATE 01050071 AGARWAL BINDU U45201WB1997PTC084989 PRINCE SAGAR KUTIR PRIVATE 01050072 BIJOY HARIPRIYA JAIN U01403MH2008PTC182992 GREEN VALLEY AGRICULTURE 01050072 BIJOY HARIPRIYA JAIN U70109MH2008PTC180213 SAAT RASTA PROPERTIES PRIVATE 01050082 JAI KARUNADEVI PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050126 DEEPCHAND JAIN PRITHVIRAJ U36993KA1999PTC025485 RODEO DRIVE LUXURY PRODUCTS 01050174 JOGINDER SANDHU SINGH U67120CH2004PTC027291 JAGUAR CONSULTANTS PRIVATE 01050177 RAJESH VERMA U24232DL1999PTC100334 S K MEDICOS PVT LTD 01050220 NARAYANAMURTHY U15421TN2006PLC060417 BHIMAAS SUGARS AND CHEMICALS 01050224 JITENDRA MEHTA U51109TN2007PTC062423 MOOLRAJ VYAPAR PRIVATE 01050227 KALRA RAMESH U74899DL1967PTC004762 R K INTERNATIOONAL PRIVATE 01050251 PRAKASH SRIVASTAVA U72300DL2007PTC160451 ProDigii ECall Private Limited 01050251 PRAKASH SRIVASTAVA U63040DL2008PTC180031 Reaching Wild Life Tourism Services 01050252 JADHAV RAJAN SHANKAR U55101PN2004PTC018986 HOTEL PUSHKAR GROUP PRIVATE 01050257 LALITKUMAR MERCHANT URMIL U51900MH2000PTC127408 HANS D TO R SOLUTIONS -
Business & Entertainment
Page-2_Page-2.qxd 22-05-2018 16:46 Page 1 02 UDAIPUR MONDAY, MAY 21, 2018 Business & Entertainment Morality: What’s that? NARAYAN SEVA SANSTHAN’S SPECIALLY-ABLE MODELS ROCKED THE RAMP Tall claims of morality nose dive when it comes to getting power. Politics is a tool to smarty make lives better. But at times the ‘Never ignore somebody with a disability; we leaders feel that the apparatus can be used for personal ben - efit. What we saw in Karnataka this week was a grand show of power hunger. The morality was nowhere. The mandate was don’t realize how much they can inspire!’ - fractured and had a few permutations and combinations pos - sible. Out of these, there was a fundamental notion of accept - Sansthan, conveyed, “For ing on the ramp. With every ing that no party got enough seats to form the government. these marvelous participants specially able model, the able This idea was sidelined, and parties began the mud sledging the journey from leaning skills co-models were present to on each other. BJP was the single largest party, but it was short on sewing machine to appar - support them on the ramp. of 8 seats to form the government. So when they claimed to el designing and further show - The shining faces of these form the government, it meant that they hoped that some of casing their designs with full specially able models com - the representatives who won against them would support the confidence on the ramp, has municated high spirits and con - not been as easy as they have fidence being into the main - government. -
The Record 2016/17
The Record 2016/17 The Record 2016/17 contents 5 Letter from the Warden 6 The Fellowship 9 Fellowship Elections and Appointments 9 JCR and MCR Elections 10 Matriculation 14 Undergraduate Scholarships 16 College Awards and Prizes 18 Academic Distinctions 20 Higher Degrees 21 Fellows’ Publications 28 Sports and Games 35 Clubs and Societies 37 The Chapel 37 Parishes Update 38 Bursar’s Update 39 Gifts to the Library and Archive 40 Fellows’ Obituaries 42 Alumni Obituaries 56 News of Alumni letter from the warden In the first week of the new academic year, in which I’m compiling this note, we are celebrating the topping out of the H B Allen Centre and by this time next year I expect to be welcoming its first occupants. The pace of construction should not be a surprise given the original programme presented by our chosen contractor, but for those of us without experience in major building projects it has, nonetheless, been remarkable. Last year I noted that our focus on the new site had not diminished our concern to maintain and enhance the College’s Butterfield inheritance. One particular, recent enhancement stands out, namely, the installation of a lift at the back of Hall to provide access for those who are unable to climb the stairs. There is a link between these two projects. They were both made possible by generous contributions from the H B Allen Charitable Trust. The principal purpose of this letter is to report changes in the Fellowship. There were eight departures during the year. Professor Terry Irwin retired from his post as Professor of Ancient Philosophy and hence as a Professorial Fellow of the College. -
Emory Commencement Program 2018 Final.Pdf
The One Hundred Seventy-third Commencement May Fourteenth, Two Thousand Eighteen Emory University The One Hundred Seventy-third Commencement The Fourteenth of May Two Thousand Eighteen The Alma Mater Table of Contents In the heart of dear old Emory Order of Exercises .................................................................... 2 Where the sun doth shine, That is where our hearts are turning Musical Selections .................................................................... 3 ’Round old Emory’s shrine. Order of Procession ................................................................. 3 We will ever sing thy praises, Award Recipients ..................................................................... 4 Sons and daughters true. Hail we now our Alma Mater, Honorary Degree Recipients .................................................... 6 Hail the Gold and Blue! Diploma Ceremonies ................................................................ 7 Tho’ the years around us gather, Retiring Faculty and Staff ........................................................ 8 Crowned with love and cheer, Still the memory of Old Emory In Memoriam ........................................................................... 8 Grows to us more dear. Recipients of Degrees-in-Course ............................................... 9 We will ever sing thy praises, Emory College of Arts and Sciences ..................................... 9 Sons and daughters true. Hail we now our Alma Mater, Oxford College ................................................................. -
Crossovers and Makeovers: Contested Authenticity in New Indian Cinema Ranjit Keval Kumar University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 Crossovers and makeovers: contested authenticity in new Indian cinema Ranjit Keval Kumar University of Wollongong Recommended Citation Kumar, Ranjit Keval, Crossovers and makeovers: contested authenticity in new Indian cinema, Doctor of Philosophy thesis, University of Wollongong. Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3417 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. Crossovers and Makeovers: Contested Authenticity in new Indian Cinema A thesis submitted in fulfilment of the requirements for the award of this degree Ph D from UNIVERSITY OF WOLLONGONG by RANJIT KEVAL KUMAR (B.A., M.A.) ARTS FACULTY 2011 i CERTIFICATION I, Ranjit Keval Kumar, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Ranjit Keval Kumar 29th August 2011 ii ABSTRACT Crossovers and Makeovers: Contested Authenticity in new Indian Cinema The nation-based models for studying cinemas of the world have been muddled by international co-productions and films that do not fit into simplistic categories of autonomous national cultures. This thesis is about the Indian industry’s reassessment of itself and perceived authenticity of ‘Indian’ cinema as it changes to meet the prospect of gaining a Western audience.