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Empirical Investigation on Measurement of Game Immersion Using Real World Dissociation Factor
Thesis no: MSCS-2016-13 Empirical Investigation on Measurement of Game Immersion using Real World Dissociation Factor Gadila Swarajya Haritha Reddy Faculty of Computing Blekinge Institute of Technology SE–371 79 Karlskrona, Sweden This thesis is submitted to the Faculty of Computing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Master of Science in Computer Science. The thesis is equivalent to 20 weeks of full time studies. Contact Information: Author(s): Gadila Swarajya Haritha Reddy E-mail: [email protected] University advisor: Prof. Sara Eriksén Department of Creative Technologies Faculty of Computing Internet : www.bth.se Blekinge Institute of Technology Phone : +46 455 38 50 00 SE–371 79 Karlskrona, Sweden Fax : +46 455 38 50 57 Abstract Context. Games involve people to a large extent where they relate them- selves with the game characters; this is commonly known as game immer- sion. Generally, some players play games for enjoyment, some for stress relaxation and so on.Game immersion is usually used to describe the degree of involvement with a game. When people play games, they don’t necessar- ily realize that they have been dissociated with the surrounding world. Real world dissociation (RWD) can be defined as the situation where a player is less aware of the surroundings outside the game than about what is happen- ing in the game itself. The RWD factor has been expected to measure the losing track of time, lack of awareness of surroundings and mental trans- portation. Objectives. In this thesis, we measure and compare the difference in game immersion between experienced and inexperienced players using RWD fac- tor. -
Now We Are All Sons of Bitches
Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2). -
EA Opens up the Orange Box for PLAYSTATION 3
EA Opens up The Orange Box for PLAYSTATION 3 Critically-Acclaimed PC and Xbox 360 Game is Now Available for PLAYSTATION 3 in North America and Europe REDWOOD CITY, Calif.--(BUSINESS WIRE)--Dec. 14, 2007--2007's best reviewed PC and Xbox 360™ game is now available for the PLAYSTATION®3 computer entertainment system. Praised by many publications as the best value in the history of the video game industry, The Orange Box was originally developed by Valve and gives players five innovative action games for the price of one. Now Electronic Arts Inc. (NASDAQ:ERTS) brings this amazing collection to the PLAYSTATION 3 in North America and most of Europe, with French and German versions expected in early 2008. The Orange Box was released earlier this year on the Xbox 360 and PC to wide critical acclaim - both versions have averaged a 96 based on Metacritic.com and are tied for the highest rated games on each respective platforms, including 17 perfect scores. The five-games-in-one-package includes the highest-rated first person shooter of all time Half-Life® 2, Half-Life 2: Episode One, and three all-new games: -- Half Life 2: Episode Two - Episode 2 is the latest chapter in the best-selling, highest-rated action game franchise of all time, taking gamers outside the walls of City 17 for the first time as Gordon and Alyx race across the White Forest in race to save mankind from the Combine. -- Portal™ - A groundbreaking new kind of action game that will forever change the way gamers interact with their environment, Portal gives players mastery over 3D space with the mind-bending new Portal gun. -
Shading in Valve's Source Engine
Advanced Real-Time Rendering in 3D Graphics and Games Course – SIGGRAPH 2006 Chapter 8 Shading in Valve’s Source Engine Jason Mitchell9, Gary McTaggart10 and Chris Green11 8.1 Introduction Starting with the release of Half-Life 2 in November 2004, Valve has been shipping games based upon its Source game engine. Other Valve titles using this engine include Counter-Strike: Source, Lost Coast, Day of Defeat: Source and the recent Half-Life 2: Episode 1. At the time that Half-Life 2 shipped, the key innovation of the Source engine’s rendering system was a novel world lighting system called Radiosity Normal Mapping. This technique uses a novel basis to economically combine the soft realistic 9 [email protected] 10 [email protected] 11 [email protected] 8 - 1 © 2007 Valve Corporation. All Rights Reserved Chapter 8: Shading in Valve’s Source Engine lighting of radiosity with the reusable high frequency detail provided by normal mapping. In order for our characters to integrate naturally with our radiosity normal mapped scenes, we used an irradiance volume to provide directional ambient illumination in addition to a small number of local lights for our characters. With Valve’s recent shift to episodic content development, we have focused on incremental technology updates to the Source engine. For example, in the fall of 2005, we shipped an additional free Half- Life 2 game level called Lost Coast and the multiplayer game Day of Defeat: Source. Both of these titles featured real-time High Dynamic Range (HDR) rendering and the latter also showcased the addition of real-time color correction to the engine. -
Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015
Repositorium für die Medienwissenschaft Jennifer deWinter; Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015 https://doi.org/10.25969/mediarep/14996 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: deWinter, Jennifer; Kocurek, Carly A.: Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2. In: Thomas Hensel, Britta Neitzel, Rolf F. Nohr (Hg.): »The cake is a lie!« Polyperspektivische Betrachtungen des Computerspiels am Beispiel von PORTAL. Münster: LIT 2015, S. 31– 48. DOI: https://doi.org/10.25969/mediarep/14996. Erstmalig hier erschienen / Initial publication here: http://nuetzliche-bilder.de/bilder/wp-content/uploads/2020/10/Hensel_Neitzel_Nohr_Portal_Onlienausgabe.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Weitergabe unter Attribution - Non Commercial - Share Alike 3.0/ License. For more gleichen Bedingungen 3.0/ Lizenz zur Verfügung gestellt. Nähere information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by-nc-sa/3.0/ http://creativecommons.org/licenses/by-nc-sa/3.0/ Jennifer deWinter / Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in ›Portal‹ and ›Portal 2‹ Chell stands in a corner facing a portal, then takes aim at the adjacent wall with the Aperture Science Handheld Portal Device. Between the two portals, one ringed in blue, one ringed in orange, Chell is revealed, reflected in both. And, so, we, the player, see Chell. She is a young woman with a ponytail, wearing an orange jumpsuit pulled down to her waist and an Aperture Science-branded white tank top. -
Navigating the Videogame
From above, from below: navigating the videogame A thesis presented by Daniel Golding 228306 to The School of Culture and Communication in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in the field of Cultural Studies in the School of Culture and Communication The University of Melbourne Supervisor: Dr. Fran Martin October 2008 ABSTRACT The study of videogames is still evolving. While many theorists have accurately described aspects of the medium, this thesis seeks to move the study of videogames away from previously formal approaches and towards a holistic method of engagement with the experience of playing videogames. Therefore, I propose that videogames are best conceptualised as navigable, spatial texts. This approach, based on Michel de Certeau’s concept of strategies and tactics, illuminates both the textual structure of videogames and the immediate experience of playing them. I also regard videogame space as paramount. My close analysis of Portal (Valve Corporation, 2007) demonstrates that a designer can choose to communicate rules and fiction, and attempt to influence the behaviour of players through strategies of space. Therefore, I aim to plot the relationship between designer and player through the power structures of the videogame, as conceived through this new lens. ii TABLE OF CONTENTS ABSTRACT ii ACKNOWLEDGEMENTS iv CHAPTER ONE: Introduction 1 AN EVOLVING FIELD 2 LUDOLOGY AND NARRATOLOGY 3 DEFINITIONS, AND THE NAVIGABLE TEXT 6 PLAYER EXPERIENCE AND VIDEOGAME SPACE 11 MARGINS OF DISCUSSION 13 CHAPTER TWO: The videogame from above: the designer as strategist 18 PSYCHOGEOGRAPHY 18 PORTAL AND THE STRATEGIES OF DESIGN 20 STRUCTURES OF POWER 27 RAILS 29 CHAPTER THREE: The videogame from below: the player as tactician 34 THE PLAYER AS NAVIGATOR 36 THE PLAYER AS SUBJECT 38 THE PLAYER AS BRICOLEUR 40 THE PLAYER AS GUERRILLA 43 CHAPTER FOUR: Conclusion 48 BIBLIOGRAPHY 50 iii ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr. -
Esports High Impact and Investable
Needham Insights: Thought Leader Series Laura A. Martin, CFA & CMT – [email protected] / (917) 373-3066 September 5, 2019 Dan Medina – [email protected] / (626) 893-2925 eSports High Impact and Investable For the past decade, eSports has been growing on the main stage in Asia and in stealth mode in the US. This report addresses questions we get most often from investors about eSports: ➢ What is eSports? Definitions differ. Our definition of eSports is “players competing at a video game in front of a live audience while being live-streamed.” By implication, viewing, attendance, and playing time are linked, and each creates revenue streams for eSports. ➢ How big is eSports? Globally, one out of every three (ie, 33%) 18-25 year olds spent more than an hour a day playing video games, 395mm people watched eSports, and 250mm people played Fortnite in 2018. eSports revenue will be $1.1B in 2019, up 26% y/y. ➢ Should investors care about eSports? We would argue “yes”, owing to: a) global scale; b) time spent playing and viewing; c) compelling demographics; d) eSports vs traditional sports trends; e) revenue growth; and, f) sports betting should supercharge US eSports. ➢ Is eSports a fad? We would argue “no”, owing to: a) many US Universities now offer Varsity eSports scholarships; b) new special purpose eSports stadiums are proliferating; c) billionaires are investing to make eSports successful; d) audience growth; and, e) Olympics potential. ➢ Why have you never heard of eSports? Because zero of the top 30 earning players in the world were from the US in 2018. -
How to Play Minecraft with Friends for Free
How To Play Minecraft With Friends For Free How To Play Minecraft With Friends For Free CLICK HERE TO ACCESS MINECRAFT GENERATOR After you’ve done some tasks, you will have some points to redeem for Minecraft gift codes. Then you can head over to Kiwipoints.com/gifts/Minecraft and click on the claim button. You can select the number of points you want to redeem by using the drag down menu as well. This wikiHow teaches you how to play Minecraft for free. Minecraft is a popular indie sandbox and survival game developed by Mojang AB. Minecraft allows players to build, demolish, fight, and explore in an open-world. There are a few ways to play Minecraft for free. You can use an unauthorized Minecraft launcher, which is not exactly legal. Minecraft Account Generator (Minecraft Account Premium Free) – Minecraft has unique gameplay and graphic that attracts millions users around the world.It was released in 2011 with several updates for new version. In order to access and play it, you need the registration to get free account, and update it to the premium one for more features. If you have used Valve Corporation’s games Portal and Portal 2, it is very pity if you ignore Portal Gun Mod 1.12.2/1.10.2. As mentioned above, Portal Gun Mod adds several elements such as turrets, beams, portal guns and much more. This mod also includes some different items from the Portal game. It might surprise you to find out that Minecraft isn't a free-to-play title. -
PORTAL 2: PLAYER IMPACT GUIDE Ages 8+ | 1-2 Hours
Spatial Awareness PORTAL 2: PLAYER IMPACT GUIDE Ages 8+ | 1-2 Hours “There’s a lot of challenge in trying to figure out how as the player is moving through this, in terms of a story space, how can you make a gameplay space out of this so they can travel through it in an interesting way.” --Jeep Barnett, designer and engineer In Portal 2, portals are used to navigate obstacle courses filled with deadly hazards inside the mysterious Aperture Science Laboratories. To navigate the game, you must move through the space by following a simple concept: anything that enters one portal—including boxes, lasers, bridges, and you yourself—will exit the other without changing speed. In order to escape Aperture Science and defeat GLaDOS, the lab’s computerized overlord, you must think in three dimensions and use physics to solve puzzles in unusual ways. In this guide we invite you to think about the ways Portal 2 challenges players’ special awareness. As you play, reflect HOW TO on your experience. How is spatial awareness important in Portal 2? How is it important in your life? What kind of USE THIS impact does it leave on your understanding of how the world works? GUIDE Answer the questions below and add up your points when you’re finished! What is a “portal?” How do portals work? [+1] What are some tricks for using portals? What happens when you put a portal directly above you and another one directly under you? [+1] GAME What do the different types of gels do? [+1] How do the Excursion Funnels work? How are they different from Hard Light Bridges? [+2] How does the game indicate the steps you need to take when solving a puzzle? [+3] Many Portal 2 marketing materials use the tagline “Now you’re thinking with portals!” What do you think it means to “think with portals?” Do you find yourself “thinking” in this way as you play the game? [+1] What challenged you when thinking about using “space” in the game (e.g. -
Laser-Based Optical Trap for Remote Sampling of Interplanetary And
Laser-Based Optical Trapping for Remote Sampling of Interplanetary and Atmospheric Particulate Matter Paul Stysley (PI-Code 554 NASA- GSFC), Demetrios Poulios, Richard Kay , Barry Coyle, Greg Clarke Or Tractor Beams Not yet: Hopefully Soon: Tractor Beam Basics What is a tractor beam? Target motion Laser Direction of beam propagation Why study tractor beams? Purpose: A tractor beam system will enhance the capability of current particle collection instruments by combining in situ measurements with remote sensing missions. This would increase the range, frequency, and quantity of samples collected for many planned lander and free flyer-based systems as well enabling the creation of new Decadal Survey missions. Key Milestones and Goals Proposal Goals: (1) To fully study and model current state-of-the-art in optical trapping technology and potential for use in remote sensing measurements. (2) To determine the scalability of the optical trapping system in regards to the range, frequency, and quantity of sample collection. (3) To determine what types of particles can be captured and if species selection is possible. (4) To formulate a plan to build and test a system that will demonstrate the remote sensing capability and potential of laser-based optical trapping for NASA missions. Milestones: • Complete fundamental optical trapping study 01/2012 • Determine scalability of trapping 04/2012 • Determine particle selection constraints 07/2012 • Devise remote sensing system 09/2012 • Publish results 10/2012 TRLin = 1 Current Technology Throughout NASA’s history mission have deployed several different innovative in situ techniques to gather particulates such as Faraday traps, ablation and collection, drills, scoops, or trapping matter in aerogel then returning the samples to Earth. -
Photonic Tractor Beams: a Review
Review Article Photonic tractor beams: a review Weiqiang Ding,a,* Tongtong Zhu,a,b Lei-Ming Zhou,b and Cheng-Wei Qiub,* aHarbin Institute of Technology, Department of Physics, Harbin, China bNational University of Singapore, Department of Electrical and Computer Engineering, Singapore Abstract. Usually, an unfocused light beam, such as a paraxial Gaussian beam, can exert a force on an object along the direction of light propagation, which is known as light pressure. Recently, however, it was found that an unfocused light beam can also exert an optical pulling force (OPF) on an object toward the source direction; the beam is accordingly named an optical tractor beam. In recent years, this intriguing force has attracted much attention and a huge amount of progress has been made both in theory and experiment. We briefly review recent progress achieved on this topic. We classify the mechanisms to achieve an OPF into four different kinds according to the dominant factors. The first one is tailoring the incident beam. The second one is engineering the object’s optical parameters. The third one is designing the structured material background, in which the light–matter interaction occurs, and the fourth one is utilizing the indirect photophoretic force, which is related to the thermal effect of light absorption. For all the methods, we analyze the basic principles and review the recent achievements. Finally, we also give a brief conclusion and an outlook on the future development of this field. Keywords: optical pulling force; optical tractor beam; optical manipulation; Bessel beam; nanophotonic structures; photophoresis; photophoretic force. Received Oct. -
Florida Tech Esports Tryout Information Packet
Esports Tryouts Team Benefits ............................................................................................................................................. 3 Who can tryout? ......................................................................................................................................... 4 What to expect ............................................................................................................................................ 5 Varsity & Junior Varsity Tryout Requirements ....................................................................................... 6 League of Legends (LoL) ............................................................................................................................ 6 Rocket League (RL) .................................................................................................................................... 6 Junior Varsity Tryout Requirements ........................................................................................................ 7 Rainbow 6 Siege (R6S) ............................................................................................................................... 7 Valorant (VAL) ........................................................................................................................................... 7 Florida Tech Esports Club Titles .............................................................................................................. 8 Dear Florida Tech Students, Thank you