10/03/21 New Argentine Cinema (SP3160) | readinglists@leicester

New Argentine Cinema (SP3160) View Online

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Stagnaro B, Caetano A. Pizza, Beer, and Cigarettes.

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Trapero P. El Bonaerense.

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Trapero P. Crane World.

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Martel L. La Ciénaga (The Swamp).

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Martel L. La nina santa (The Holy Girl).

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Rejtman M. Silvia Prieto.

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Gaggero J. Live-In Maid.

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Campanella JJ. The Son of the Bride.

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Campanella JJ. .

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Avila B. .

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Rejtman M. Rapado.

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Carri A. Los rubios (2003) - IMDb. http://www.imdb.com/title/tt0319307/

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Biraben G. Cautiva (Captive).

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Szifron D. Tiempo de valientes (On Probation).

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Puenzo L. .

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Wild Tales.

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Andermann, Jens. New Argentine cinema. London: : I.B. Tauris 2012. http://site.ebrary.com/lib/leicester/Doc?id=10540823

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Aguilar, Gonzalo Moisés. New Argentine film: Other worlds. Basingstoke: : Palgrave Macmillan 2011. http://ezproxy.lib.le.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/97 80230119420

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Page, Joanna. Crisis and capitalism in contemporary Argentine cinema. Durham, N.C.: : Duke University Press 2009. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664155460002746&institutionId=2746&customerId=2745

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Urraca B, Kramer GM, editors. Directory of world cinema: Volume 23: . Bristol: : Intellect 2014.

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Garavelli C. Video Experimental Argentino Contemporáneo: Una Cartografía Crítica. : : Libraria

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Garavelli C. Conquering the Conquerors: ’s Rise to Stardom in Spanish Film Culture. ;92.

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3/7 10/03/21 New Argentine Cinema (SP3160) | readinglists@leicester

Navitski R. The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film. Screen 2012;53:359–80. doi:10.1093/screen/hjs033

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Nouzeilles G. Postmemory Cinema and the Future of the past in Albertina Carri’s. Journal of Latin American Cultural Studies 2005;14:263–78. doi:10.1080/13569320500382500

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Gundermann C. The Stark Gaze of the New Argentine Cinema: Restoring Strangeness to the Object in the Perverse Age of Commodity Fetishism. Journal of Latin American Cultural Studies 2005;14:241–61. doi:10.1080/13569320500382443

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Garavelli C. Post-crisis Argentine films: De-localizing daily life through the lens of Jorge Gaggero. Studies in Hispanic Cinemas 2011;7:35–46. doi:10.1386/shci.7.1.35_1

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Falicov, Tamara L. Los hijos de Menem: The New Independent Argentine Cinema, 1995-1999. Framework: The Journal of Cinema & Media 2003;44 :49–63.http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505061920&site =ehost-live

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Bernades, Horacio, Lerer, Diego, Wolf, Sergio, et al. New Argentine cinema: themes, auteurs and trends of innovation. 1. ed. [Buenos Aires]: : Ediciones Tatanka 2002.

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Amado, Ana María. La imagen justa: cine argentino y política, 1980-2007. Buenos Aires, Argentina: : Ediciones Colihue 2009.

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Page J. The nation as the mise-en-scene of film–making in Argentina. Journal of Latin American Cultural Studies 2005;14:305–24. doi:10.1080/13569320500382617

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Quílez Esteve L. Posmemorias airadas. Enojo, duelo e imaginación en Los rubios y en M | Quílez Esteve | Archivos de la Filmoteca. http://www.archivosdelafilmoteca.com/index.php/archivos/article/view/366

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Kriger C, Piedras P. Vestigios de un pasado doliente. Los archivos audiovisuales sobre la dictadura militar en el cine documental argentino | Kriger | Archivos de la Filmoteca. http://www.archivosdelafilmoteca.com/index.php/archivos/article/view/364

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Sayago V. Granada. ;:40–3.http://www.gracielataquini.info/pdfs/catalogo.pdf

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Alonso R. Entre Ceros y Unos. ;:8–14.http://www.gracielataquini.info/pdfs/catalogo.pdf

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Andermann, Jens, Fernández-Bravo, Alvaro. New Argentine and Brazilian cinema: reality effects. Basingstoke: : Palgrave Macmillan 2013.

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Falicov, Tamara L. The cinematic tango: contemporary Argentine film. London: : Wallflower 2007.

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Rocha, Carolina. Modern Argentine masculinities. Bristol: : Intellect 2013. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664152130002746&institutionId=2746&customerId=2745

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Quílez Esteve L. Sutiles pasados. El cine documental y memoria en la Argentina de la postdictadura. http://www.archivosdelafilmoteca.com/index.php/archivos/article/view/358

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Sarlo B. Shot, Repetition: On Living in the New City1. Journal of Latin American Cultural Studies 2005;14:295–304. doi:10.1080/13569320500382559

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Peña, Jaime. Historias extraordinarias: nuevo cine argentino, 1999-2008. Madrid: : T&B Editores 2009.

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Rangil V, André MC. El cine argentino de hoy: entre el arte y la política. Buenos Aires: : Editorial Biblos 2007.

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Pinazza N. Diaspora and National Identity in Daniel Burman’s. Journal of Latin American Cultural Studies 2012;21:437–48. doi:10.1080/13569325.2012.711750

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Bordwell, David, Thompson, Kristin. Film art: an introduction. 10th ed., international ed. New York, N.Y.: : McGraw-Hill 2013.

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Jakubowicz, Eduardo, Radetich, Laura. La historia argentina a través del cine: las ‘visiones del pasado’ (1933-2003). Buenos Aires: : Crujía 2006.

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Copertari G. : A Dark Day Of Simulation And Justice. Journal of Latin American Cultural Studies 2005;14:279–93. doi:10.1080/13569320500382534

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Aguilar G. Infancia clandestina or the will of faith. Journal of Romance Studies 2013;13.

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Levey C, Ozarow D, Wylde C, editors. Argentina since the 2001 crisis: recovering the past, reclaiming the future. Basingstoke: : Palgrave Macmillan 2014.

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Sosa C. Queering acts of mourning in the aftermath of Argentina’s 1976-1983 dictatorship. Tamesis; 2014: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=5664316460002746&institutionId=2746&customerId=2745

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