Volume 71, Number 05 (May 1953) Guy Mccoy

Total Page:16

File Type:pdf, Size:1020Kb

Volume 71, Number 05 (May 1953) Guy Mccoy Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1953 Volume 71, Number 05 (May 1953) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 71, Number 05 (May 1953)." , (1953). https://digitalcommons.gardner-webb.edu/etude/118 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n tIU6§~ ... The Little Orchestra "'.mas Selt.rman lving Problem at Two Piano ur W" tt.... r. and Jadr Lowe You Can Play by Heart .nr T.mlanlra Don't Look for Short Cuts Geor,. London hould We Have a Minister of Fine Arts ? fausto CI."a -r Like Teacher" a•• s frands coot. Wedding Belli and Harp trings Biz•• '" S.... La." To the Glory of the Lord T 0 THE EDITOR I Articles study of music IS music. I I , \ I \ I I Dear Sir: I would like to tell We must have the tools to ex- , \ r -, \ , \ \ I I I you and your readers what I do press it, true. But my observation -, , \ I \ I / I / with my ETUDE magazines after is that too many teachers stress \ \ \ \ I I / / I 0 \ \ I get through reading them. I cut the mechanics beyond necessity, \ \ J J I I \ \ / out whatever articles are suitable and sometimes stultify w-hat nat- \ \ , I / \ , , I I for my singing career, and paste ural musical responses might be \ \ , I \ \ I I I them in our individual scrap- present. This is principally a lack \ , I \ \ / , \ I I I I books. I'm also making a music of education in the broad sense, \ \ , I I I I book called "Variety Music AI· not only in ideals of musician- , I \ I I II bum." with the music from the ship, but in the other arts as well. \ \ I I I' If one built a new home, it \ , mag~zines. Therefore, my valuable I ,I ... \, \ , ETUDE magazines never go to would be accepted that it was \ / waste. built on a good foundation, but 'b'_•• " .~ ...... Mrs. Anne Turano when friends came to see this new Broolelyn, N. Y. home the owner would not say, "Come let me show you the foun- Dear Sir: I love ETUDE and dation." have since the time my father sub- it would he the combination of scribed to it for me way back in color, proportion, and satisfying about 1917. I have stacks of them decoration which constitute the which I can't bear to part with. whole in which one's friends would I'm just an amateur musician but find pleasure and satisfaction. through ETUDE I have kept up Thank you for fine articles like my piano playing and since I sing Jan Smererlin's. quite a few solos at church and l'bs. M. E. McFarland DOW TH for various clubs, I have found Corpus Christi, Texas (and I think also given) endless Students describe the atmosphere on the campus of Bob Jones University as 'heovenly:oul delight in the variety of songs pre- "Speaking of Art·Song Writing" o sented, I recommend it to all my there is nothing "out of this world" about it. Dear Sir: It is one of the most friends as I think nothing in the delightful things I know to have music line gives you more for your the privilege of reading ETUDE money than ETUDE. My sister has The emphasis at Bob Jones University is on the spiritual, but there IS nothing vogueone I magazine. Where could we mu- just bought a piano and is brush- sicians of varied talents and am- abstract about the philosophy of this institution. ing up on her music. I gave her bitions find such helpful articles some of my copies of ETUDE and by outstanding writers than in this 10 In 01 0 have subscribed to it for her. I Its purpose, is the training of Christian leaders who know how live the midst (o~ magazine? I have been greatly know she will enjoy it every plex and befuddled world. aided in my ideas of writing songs month. by the article, written by Evange- Mrs. D. Fitz.Hugh C. line Lehman, and called "Speaking Graduates of the "World's Most Unusual University" hov h arts on fire wit~ Chicago, Ill. of Art-Song Writing." Although it the zeal of the Gospel but their feet are on the ground, Dear Sir: I am not an experi- was in the November (1952) is- enced musician, having just begun sue, that page is still being read to take lessons on the violin. and faithfully studied. It simplified However, I just purchased a my efforts and now I will begin to copy (February) of ETUDE. I concentrate on {Ist] the words, think it is one of the finest maga- or poetry, (2nd) the sketch to be BOB JONES UNIVERSITY committed on manuscript paper. I GREENVILLE, SOUTH CAROLINA zines published. It makes one real- ize the greatness of music and think that the paragraph dealiog gives one a chance to read of mu- with the creating of an appealing sic's greatest achievements; its se- melody, which is God-given, is one ACAOEMY AND JUNIOR HIGH SCHOOL COURSES IN CONNECTION 'to think over and to follow. As a lection of articles is very good. Keep up the fine work! I expect to einger -I have .f~4i?-d so many "new subscribe to ETUDE in a short art-songs that are. not. attractive, time. either to the singer- or to the pub- MUSIC, SPEECH, AND ART William Crider lic. May I also ·say that the small picture accompanying this article WITHOUT ADDITIONAL COST Greenfield, Ind. is so alive, and one that gives me "The Healthy Habit of Doubting" a happy and optimistic confidence. ABOVE REGULAR ACADEMIC TUITION. Dear Sir: Mr. Smeterlin's ar- It seems to say "Co ahead, make ticle in the February issue of a. try:; you'll ..never realize. what ETUDE is a joy. He rightly stress- can be done unless you make an es the proper goal in music study effort." which is the musical idea of the Mary Dralee compo~er; in other words, the Royal Oale, Mich. ETUDE-MAY 1953 1 ratib Q)pera, music magazine aumU61C ETUDE the Editorial aniI B·uemesa Offices , Bryn Mawr, Pa. IDrama A genuine Founded 1883 by THEODOHE PRESSER James Francis Cooke. CABLE- Editor Emeritus Moller (Editor, /907-/949) Guy McCoy, Managing'Editor' pipe organ ..• By GEORGE GASCOYNL l\larjorie E. Mosher, Business Manager A NEW Wolf_Ferrari: "1 QUldtro Rusteghi" Harold Berkley Maurice Dumesnil Karl W. Cehrkens Elizabeth A. Gest Dvorak: Quartet ill F Major~ Op -.96 EXPERIENCE IN Guy Maier Alexander McCurdy Nicolas Slonimsky Suite for Orchestra in D MaJor, This three-act opera bnDa.whi~h OPERA LISTENING Op. 39 NELSON had its premiere in Munich. III For th .. fir;1 time on reco;d:~I~PnE ..RwA~~J:~ Here is a nicely played record- M0t:'TH ~r~~:nt:o~ld~~m:r:oted ope;o I"ero- STANDS UP under continuo 1906 was given its Amenc.an yeUlon 0 E r;h with fln. ing of Dvorak's American Quar- .. B the New York Cit)' ture in present day ~g I 'n' the' motchl.n Vol. 71 No.5 Moy 1953 premiere y artists singillg th .. arlO' I Th" resen- CONTENTS ous usage as a practice tet as his Opus 96 has become Opera Company in 1951,. ~nd beauty of th" origillal 10llgua~r in d~omatic piano in the school, music kn~wn. The various themes, the tatioll indud ... the llBRETT . music FEATURES drew highly favorable CrIll.cal form contOdin~~~c~~"o~~m:r~:::c~ ~a~ot~~~~iqu .. s, inspiration for which he recei~ed cue;, SOUIl THE LITTLE ORCHESTRA _ . , •.••. TJII;"uu. hernl(lfl studio or home. 9 comment. The present recording Dramatic Cast _ Singing Cast WEDDING BELLS AND HARP STRINGS ..•.......•. _Eli:'lUIbelh $etrrle Llllllb during his residence in Am~r1ca JO de in ltaly by an excellent cast Symphony Orchestra SOLVING PROBLE.MS AT TWO PIANOS Arl/IIIT JFhittcmore (1I11l J(U'k (.liu,f' are effectively brought out III a rna .. d Ji A8 the tower iratru. STANDS OUT for cas)', re- of singers is notable for its spuite TO THE GLORY OF THE LORD Grace lIi'ltllOlI {IUd Chuff JJlIlflhl'{ul 12 ehoeen well-balanced performance by the 011 combin ..d ill a new and $ 5 95 m nt for th Alumni Memorial sponsive action and big and exciting performance. Includ- brilliant production on MUSIC OF OLD HAWAH. '" _ , .. Mary l),wR IlQdri/:.Ilf'~ H. Hungarian Quartet: Zoltan Szek- 331/J RPM nan·breoKable hopei of the uthemBa~ ed in the long list of participants SHOULD WE HAVE A l\IJNISTRY OF FINE ARTS'? Fmuta a-,; 15 vlnvllte . $11 •• t.i8t Th lo~iC81 minary in piano lone. ely, Lst violin; Alexandre Mos- Both Operas only • YOU CAN PLA Y BY DEAHl'. /lellr; Te"';mlk(l 16 are Fernando Coren a (Ll~nardo)., CCQTt;c LOr/(IOtl Louisville. Kentucky, in memo kowsky, 2nd violin; Laure~lt Hal- MAil THIS ORDER TODAY DON'T LOOK .FOR SHORT CUTS!.
Recommended publications
  • Det Offentlige Danmark 2018 © Digitaliseringsstyrelsen, 2018
    Det offentlige Danmark 2018 © Digitaliseringsstyrelsen, 2018 Udgiver: Finansministeriet Redaktion: Digitaliseringsstyrelsen Opsætning og layout: Rosendahls a/s ISBN 978-87-93073-23-4 ISSN 2446-4589 Det offentlige Danmark 2018 Oversigt over indretningen af den offentlige sektor Om publikationen Den første statshåndbog i Danmark udkom på tysk i Oversigt over de enkelte regeringer siden 1848 1734. Fra 1801 udkom en dansk udgave med vekslende Frem til seneste grundlovsændring i 1953 er udelukkende udgivere. Fra 1918 til 1926 blev den udgivet af Kabinets- regeringscheferne nævnt. Fra 1953 er alle ministre nævnt sekretariatet og Indenrigsministeriet og derefter af Kabi- med partibetegnelser. netssekretariatet og Statsministeriet. Udgivelsen Hof & Stat udkom sidste gang i 2013 i fuld version. Det er siden besluttet, at der etableres en oversigt over indretningen Person- og realregister af den offentlige sektor ved nærværende publikation, Der er ikke udarbejdet et person- og realregister til som udkom første gang i 2017. Det offentlige Danmark denne publikation. Ønsker man at fremfnde en bestem indeholder således en opgørelse over centrale instituti- person eller institution, henvises der til søgefunktionen oner i den offentlige sektor i Danmark, samt hvem der (Ctrl + f). leder disse. Hofdelen af den tidligere Hof- og Statskalen- der varetages af Kabinetssekretariatet, som stiller infor- mationer om Kongehuset til rådighed på Kongehusets Redaktionen hjemmeside. Indholdet til publikationen er indsamlet i første halvår 2018. Myndighederne er blevet
    [Show full text]
  • Persecution, Collaboration, Resistance
    Münsteraner Schriften zur zeitgenössischen Musik 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ›Reichskommissariat Norwegen‹ (1940–45) Münsteraner Schrift en zur zeitgenössischen Musik Edited by Michael Custodis Volume 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ‘Reichskommissariat Norwegen’ (1940–45) Waxmann 2020 Münster x New York The publication was supported by the Deutsche Forschungsgemeinschaft , the Grieg Research Centre and the Westfälische Wilhelms-Universität Münster as well as the Open Access Publication Fund of the University of Münster. Bibliographic information published by the Deutsche Nationalbibliothek Th e Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografi e; detailed bibliographic data are available in the Internet at http://dnb.dnb.de Münsteraner Schrift en zur zeitgenössischen Musik, Volume 5 Print-ISBN 978-3-8309-4130-9 E-Book-ISBN 978-3-8309-9130-4 DOI: https://doi.org/10.31244/9783830991304 CC BY-NC-SA 4.0 Waxmann Verlag GmbH, 2020 Steinfurter Straße 555, 48159 Münster www.waxmann.com [email protected] Cover design: Pleßmann Design, Ascheberg Cover pictures: © Hjemmefrontarkivet, HA HHI DK DECA_0001_44, saddle of sources regarding the Norwegian resistance; Riksarkivet, Oslo, RA/RAFA-3309/U 39A/ 4/4-7, img 197, Atlantic Presse- bilderdienst 12. February 1942: Th e newly appointed Norwegian NS prime minister Vidkun Quisling (on the right) and Reichskomissar Josef Terboven (on the left ) walking along the front of an honorary
    [Show full text]
  • Det Offentlige Danmark 2019 © Digitaliseringsstyrelsen, 2019
    Det offentlige Danmark 2019 © Digitaliseringsstyrelsen, 2019 Udgiver: Finansministeriet Redaktion: Digitaliseringsstyrelsen Opsætning og layout: BGRAPHIC ISBN: 978-87-93073-26-5 ISSN: 2446-4589 Det offentlige Danmark 2019 Oversigt over indretningen af den offentlige sektor Om publikationen Den første statshåndbog i Danmark udkom på tysk i 1734. Oversigt over de enkelte regeringer siden 1848 Fra 1801 udkom en dansk udgave med vekslende udgivere. Frem til seneste grundlovsændring i 1953 er udelukkende Fra 1918 til 1926 blev den udgivet af Kabinetssekretariatet regeringscheferne nævnt. Fra 1953 er alle ministre nævnt og Indenrigsministeriet og derefter af Kabinetssekretaria- med partibetegnelser. tet og Statsministeriet. Udgivelsen Hof & Stat udkom sidste gang i 2013 i fuld version. Det er siden besluttet, at der etableres en oversigt over indretningen af den Person- og realregister offentlige sektor ved nærværende publikation, som udkom Der er ikke udarbejdet et person- og realregister til denne første gang i 2017. Det offentlige Danmark indeholder publikation. Ønsker man at fremfnde en bestemt person således en opgørelse over centrale institutioner i den eller institution, henvises der til søgefunktionen (Ctrl + f). offentlige sektor i Danmark, samt hvem der leder disse. Hofdelen af den tidligere Hof- og Statskalender varetages af Kabinetssekretariatet, som stiller informationer om Redaktionen Kongehuset til rådighed på Kongehusets hjemmeside. Indholdet til publikationen er indsamlet i første halvår 2019. Myndighederne er blevet bedt om
    [Show full text]
  • At Home and Abroad, St. Paul's Impresario Cut a Swath
    At Home and Abroad, St. Paul’s Impresario Cut a Swath How Nettie Snyder Put the City on the Musical Map Winter 2012 Volume 46, Number 4 Roger Bergerson —Page 14 From Boom Times to the Great Depression Two Stolpestad Men in St. Paul Real Estate, 1886–1936 James A. Stolpestad Page 3 A roadside directional sign points the way to Stolpestad, a farming community located near Ringsaker in north central Norway. There the homestead of Stolpestad East Farm, center, marks the place from which Andrew Hansen Stolpestad emigrated to St. Paul in 1884. In the photo on the right, a fourth-generation descendant of Andrew, James A. Stolpestad, right, did family research on his Norwegian roots with his cousin, Signe Lund, in 1999. All three photos courtesy of James A. Stolpestad. RAMSEY COUNTY HISTORY RAMSEY COUNTY Executive Director John M. Lindley Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 46, Number 4 Winter 2012 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Paul A. Verret President The Ramsey County Historical Society inspires current and future generations Cheryl Dickson to learn from and value their history by engaging in a diverse program First Vice President of presenting, publishing and preserving. William Frels Second Vice President Julie Brady Secretary C O N T E N T S Carolyn J. Brusseau Treasurer Thomas H. Boyd 3 From Boom Times to the Great Depression Immediate Past President Two Stolpestad Men in St.
    [Show full text]
  • Volume 33, Number 10 (October 1915) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1915 Volume 33, Number 10 (October 1915) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 33, Number 10 (October 1915)." , (1915). https://digitalcommons.gardner-webb.edu/etude/618 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 693 THE EMERSON AUTOMATIC PLAYER PIANO Edited by James Francis Cooke not used is returned'to u's but or are to be made at least once a or July. ON SALE ) organ07his inciua d ^i™ li W £nd use~ ^ USED WORKS IN MU SENT ON EXAMINATION TO F PIANO COLLECTIONS human of Player” Piano^ "eWeSt’ m°St a“istic and accomplished :“pla“nrth‘eV keys6 ‘ “Meehan"cal touch has disappeared. It reproduces the interpreta parricular musk! “ ‘X themselves P^ed that and S'16 °f unique deIights is the ability to regulate the illustration, XSringermisar)/«-an?‘ AS Sh°Wn in mnt. With •w SstSBf ”” “ »• “EMPTY, BY Painted by Edward V.
    [Show full text]
  • Musikalsk Modernisering
    Astrid Kvalbein Musikalsk modernisering Pauline Hall (1890-1969) som komponist, teatermenneske og Ny Musikk-leiar Avhandling for graden Ph. D. Noregs musikkhøgskole 2013 NMH‐publikasjonar 2013:2 © Astrid Kvalbein ISSN: 0333‐3760 ISBN: 978‐82‐7853‐078‐8 Noregs musikkhøgskole PB 5190 Majorstua NO‐0302 OSLO Telefon: (+47) 23 26 70 00 E‐post: [email protected] nmh.no Publisert i samarbeid med Akademika forlag Trykk: AIT Oslo AS FØREORD Etter seks-sju års meir og mindre intenst samvær med den mangesidige Pauline Hall frå Hamar, Kristiania, Paris, Berlin med meir er det godt å seie takk for følgjet – i alle fall for ei stund. Doktorgradsarbeidet har innebore mange spennande reiser i tid, geografi og ikkje minst musikk, det har vore hardt arbeid, frustrasjonar, små og store skrive- og syngegleder. No ligg det omsider her, dokumentert i bok- og CD-form. Mange har vore med på ferda, og skal ha takk: først hovudrettleiar professor Elef Nesheim ved Noregs musikkhøgskole (NMH), for ustoppeleg entusiasme, store kunnskapar og hjelp med struktur og pågangsmot i alle fasar. Så birettleiar professor Erling Sandmo ved historisk fakultet UiO, for skarpe lesingar og alltid like hyggelege samtalar. Takk skal òg lektor Erik Steinskog ved Københavns Universitet ha, for verdifulle tips og utfordringar som opponent på prøvedisputas. Frå songarhald har rettleiinga frå professor Barbro Marklund og universitetslektor Ståle Ytterli ved NMH vore rik, utviklande og morosam. Også musikarane som har tatt del på dei ulike konsertane skal ha varm takk – særleg pianistane Jorunn Marie Bratlie og Ivar Anton Waagard, begge førsteamanuensisar ved NMH og utruleg givande å samarbeide med.
    [Show full text]
  • Tina Margareta Nilssen Appassionata
    tina margareta nilssen_ appassionata In this recording, Tina Margareta Edvard Grieg (1843-1907): Nilssen presents classical Sonata No. 1 in E minor, Op.7 masterpieces with a wide spectrum 04:26 1 Allegro moderato of expression and intensity. 04:02 2 Andante molto Edvard Grieg’s piano sonata is one 03:17 3 Alla menuetto, ma poco più lento of the most virtuoso and passionate 06:43 4 Finale. Molto allegro pieces that he wrote. Signe Lund’s beautiful music guides the listener Signe Lund (1868-1950): through Norwegian nature, turbulent Cinq Morceaux, Op. 34 stormy weather and the French 02:21 5 Impromptu salons. And in the famous Beethoven 02:45 6 Mélodie sonata ”Appassionata” one can hear 04:56 7 Valse lente the struggles and suffering that 04:00 8 Improvisata ultimately led to Beethoven’s creation 04:37 9 Novellette of a whole new era of music. Ludwig van Beethoven (1770-1827): Sonata No. 23 in F minor, Op. 57“Appassionata” 10:36 10 Allegro assai 06:23 11 Andante con moto 05:57 12 Allegro, ma non troppo 142 EAN13: 7041888523321 q e 5.1 surround and stereo recorded in DXD 24bit/352.8kHz 2L- 1 4 2 -SACD 20©17 Lindberg Lyd AS, Norway 7 041888 523321 1 about the music_ Patrick Dinslage Harald Herresthal Pianist Tina Margareta Nilssen made her debut as a recording artist in 2007 as a member of the Dena indeed must have reminded Gade of his own sonata in E minor, which he had composed in 1840, at Piano Duo, playing with professor Heide Görtz, and they made a second album two years later.
    [Show full text]
  • Norwegians in New York, 1825-1925
    Ex Safaris SEYMOUR DURST When you leave, please leave this book Because it has been said "Ever'thing comes t' him who waits Except a loaried book." Avery Architectural and Fine Arts Library Gift of Seymour B. Durst Old York Library Digitized by the Internet Archive in 2014 https://archive.org/details/norwegiansinnewyOOrygg NORWEGIANS IN NEW YORK 1825-1925 By A. N. RYGG, LL.D. Commander of the Royal Norwegian Order of St. Olav Former Editor of the Norwegian News PUBLISHED BY THE NORWEGIAN NEWS COMPANY BROOKLYN, N. Y. This boo\ is respectfully dedicated to the people of Norwegian descent with whom I have had the privi- lege and honor to wor\ during many happy years. A. N. RYGG PRINTED IN U.S.A. ARNESEN PRESS, INC., BROOKLYN, N.Y. INTRODUCTION THE Norwegian Community in New York City is now more than a century old, figuring from the time of the arrival of the sloop Restau- rationen, which often and with justification has been called the Norwegian May')'lower. For about 115 years Norwegians have been part and parcel of this community and have made their substantial contributions to the upbuilding of the City and the land. These contributions to what may be called the Making of America have on the part of the Norwegian ele- ment embraced nearly every field of human endeavor, although it is quite natural that in the Port of New York and along the Atlantic seaboard as a whole the heaviest contribution to American life and development has been in shipping in all its various phases.
    [Show full text]
  • Operaonthemove.Pdf
    Opera on the Move in the Nordic Countries during the Long 19th Century Anne Sivuoja, Owe Ander, Ulla-Britta Broman-Kananen and Jens Hesselager (editors) Opera on the Move in the Nordic Countries during the Long 19th Century ISBN 978-952-5959-45-1 Anne Sivuoja, Owe Ander, Ulla-Britta Broman-Kananen and Jens Hesselager (editors): Opera on the Move in the Nordic Countries during the Long 19th Century DocMus-tohtorikoulun julkaisuja 4 // Docmus Research Publications 4 ISSN-L 2242-6418 ISSN 2242-6418 (printed publication) ISSN 2242-6426 (e-publication) Cover: Tiina Laino Layout: Henri Terho Printed in Unigrafia, Helsinki, Finland 2012 Contents Anne Sivuoja with Owe Ander, Ulla-Britta Broman-Kananen and Jens Hesselager Introduction 7 Voices Juvas Marianne Liljas The Björling ‘Opera’. A children’s Nursery Academy and an Italian Conservatory in Miniature 17 Marianne Tråvén Formed to Perform. Educating Students at the Opera School in Stockholm 1773–1850 50 Ingela Tägil Jenny Lind’s Vocal Strain 83 Theaters Anne Reese Willén Music at the Royal Swedish Opera in Stockholm during the Mid- nineteenth Century . The Musical Repertoire and Contemporary Criticism of the Position of the Opera as a Music Institution within the Musical Life of Stockholm 95 6 Pentti Paavolainen Two Operas or One – or None. Crucial Moments in the Competition for Operatic Audiences in Helsinki in the 1870s 125 Ulla-Britta Broman-Kananen Staging a National Language. Opera in Christiania and Helsinki in the 1870s 155 Performances Joakim Tillman The Introduction of Richard Wagner’s Music Dramas in Stockholm. The Reception of Die Meistersinger and Die Walküre 195 Jens Hesselager Rachel the Jewess in Copenhagen 221 Kristel Pappel Performative Elements and Sources.
    [Show full text]
  • BOOKLET NOTES: INGRID SKOVDAHL ENGLISH TRANSLATION: JIM SKURDALL Band, Commissioned Signe Lund to Write a Festive Prelude
    ET INSTRUMENT selvbiografi, og slik hennes etterkommere har beskrevet behandlet av det norske musikkliv som ikke ville gi ut eller er imidlertid godt, og det er tydelig at det finnes rom for henne, var en sterk, sta, driftig og stolt kvinne. framføre hennes større verker. Da hennes 60-årsdag ble videreutvikling av de lyriske motivene og temaene hun MED MANGE STRENGER, feiret i Oslo i 1938, med konsert av Filharmonisk Selskap presenterer i sine stykker. DE FLESTE STEMT I MOLL I 1902 flyttet hun til New York, og etter noen år videre til under Hugo Kramm, og med Mary Barratt Due og Astrid Chicago. I USA oppdaget hun raskt nye utfordringer og Bisgaard som solister, var hun svært opprørt over at Stilistisk har Lund hentet sin inspirasjon fra den germanske, en urettferdighet i samfunnet, som hun ikke kunne godta samtlige talere bare snakket om hennes utseende istedenfor senromantiske tradisjonen. I takt med at den europeiske «Jeg er blitt tegnet, malt og modellert adskillige ganger uten videre. Hennes omgangskrets bestod av politikere, hennes gjerninger og hennes musikk. Sterkt forbitret var musikken gjennomgikk større forandringer i både form i mitt liv, men på denne tegning – laget i løpet av tyve forfattere og journalister som var engasjert innen både hun også over toastmasteren, som under festen overså alle og tonalitet under denne tidsperioden, holdt hun fast ved minutter, på et hotellværelse i Bergen – kjenner jeg meg den sosialistiske ideologi og feminismen, og Lund ble snart kvinner som hadde lyst til å holde tale. «Nei, det at jeg er den eldre tradisjonen, og ble etter hvert oppfattet som en selv best.
    [Show full text]
  • Han Har Spilt Inn Verk Av Komponisten Norge Skulle Glemme
    32 ONSDAG 1. JULI 2020 BERGENS TIDENDE Kulturredaktør: FRODE BJERKESTRAND mobil 97 97 87 90 Nyhetsleder: GURO H. BERGESEN mobil 45 41 74 64 e-post: [email protected]/[email protected] Han har spilt inn verk av komponisten Norge skulle glemme Bergenseren Signe Lund var en av Norges mest frem tredende komponister på begynnelsen av 1900- tallet. – Det er trist at det hun gjorde mot slutten av livet har overskygget alt, sier pianist Rune Alver. KJETIL KOPREN ULLEBØ [email protected] foto BÅRD BØE «Fredsklokker (1918)» står det skrevet på et av notearkene som er plassert over Rune Alvers pianotangenter. – Dette verket skrev Signe Lund i 1918 da hun bodde i New York. Hun hadde to sønner som kjempet i første verdenskrig på amerikansk side, og hun visste ikke hvordan det gikk med noen av dem. En dag ringte byens kirke klokker for å markere at det var blitt fred. Hun satt seg ned og spilte med, og resultatet ble Rune Alver har som første pianist spilt inn klaververk av komponisten Signe Lund, og ønsker å gi et mer nyansert bilde av henne. Mot slutten av livet meldte Lund seg inn i Nasjonal Samling. klaverstykket «Fredsklokker», Signe Lund ble født i Christiana, forteller pianist Rune Alver. men vokste opp i Bergen. Vi befinner oss i Rune Alvers FOTO: NASJONALBIBLIOTEKET Store deler av norsk musikk- «Sol gjennom skyer», ble trukket arbeidsstue i Alverstraumen. Han elite var til stede for å hylle en DETTE ER ... tilbake fra markedet og alle ek- snakker entusiastisk om et av av landets mest fremtredende semplarene ble makulert.
    [Show full text]