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2012 Carrboro Music Festival 2012 15Th Annual
2012 GUIDE TO THE CARRBORO MUSIC FESTIVAL SUNDAY, SEPTEMBER 30, 2012 INSIDE: Schedule and venues, festival info and lots more! Here’s to Janet Place and The Great Big Gone at the Weave, Jon Christie and Baffle at Southern Rail, and Rachel Kiel at The Music Loft. Here’s to the moms and their strollers, dads and their wagons and the 39 hipster teens with their And proudly supporting the Carrboro Music Festival skinny jeans. Here’s to everyone who makes the music and keeps our toes tapping. WE THANK YOU FOR MAKING OUR Proudly supporting the Carrboro Music Festival since 2003! COMMUNITY WHAT IT IS. www.theupsstorelocal.com/3651 Carrboro’s original real estate firm. LOCALLY OWNED SINCE DAY ONE WeaverStreetRealty.com 2 carrborocitizen.com + SEPTEMBER 2012 CARRBORO MUSIC FESTIVAL 2012 15th Annual Carrboro Music SUNDAY,Festival SEPT. 30, 2012 carrboromusicfestival.com Welcome It is my pleasure to invite you to the 15th Annual Carrboro Music Festival. Mark Welcome to the 15th Annual Carrboro Music Festival! Take a walk around town your calendars for Sunday, Sept. 30. I welcome you to come out and enjoy our on Sunday, Sept. 30 and enjoy a day jam-packed full of music. You can hear hip- unique, free, one-of-a-kind event. As always, there will be a wonderfully diverse hop, country, blues, rock, Celtic, world music, bluegrass, jazz and more – and variety of performers, at both indoor and outdoor venues, all over town. all within the seven or eight blocks of downtown Carrboro! Take a look at the I am so grateful to all the musicians, as well as the many volunteers and staff, festival website at carrboromusicfestival.com for their energy and dedication behind the scenes. -
December 2011
December 2011 Kilborn Alley Blues Band CD Release Party By Rich Cibelli What do you get when you cross one of the hottest local blues bands around just home from a great tour of Europe and a cold late November Tuesday night at The Iron Post in Urbana? Answer -- The Kilborn Alley Blues Band “Four” CD release party. The band, which actually returned the morning of the show, showed some signs of jet lag. But that didn’t stop them from putting on one of the best performances that this writer has seen. Blues fans, that is dedication from the heart -- a plain and simple fact. There is no way to teach this. You either have it or not. The Kilborn Alley Blues Band has it. Period! Andrew Duncanson and Abraham Johnson Courtesy Zack Widup Before I continue I’d like to take a minute and give a great big thank you to Paul Wirth and all the staff at the Iron Post for helping put on this event and for their continued support of live music in Champaign-Urbana. Most of all, a great thank you to the many fans who braved a cold Tuesday night to come see one of our own. I may have mentioned this in an earlier story, but for those of you new to the Prairie Crossroads Blues Society, The Kilborn Alley Blues Band was the first band to join our organization back almost a year and a half ago. Just like this event they took time from their show to thank us for the bond that we have. -
TN Bluesletter Week 10 080310.Cdr
(About the Blues continued) offered rich, more complex guitar parts, the beginnings of a blues trend towards separating lead guitar from rhythm playing. Shows begin at 6:30 unless noted Texas acoustic blues relied more on the use of slide, In case of inclement weather, shows will be held just down the and artists like Lightnin' Hopkins and Blind Willie street at the Grand Theater, 102 West Grand Avenue. Johnson are considered masters of slide guitar. Other June 1 Left Wing Bourbon local and regional blues scenes - from New Orleans MySpace.com/LeftWingBourbon June 8 The Pumps to Atlanta, from St. Louis to Detroit - also left their mark ThePumpsBand.com on the acoustic blues sound. MySpace.com/ThePumpsBand When African-American musical tastes began to June 15 The Blues Dogs change in the early-1960s, moving towards soul and August 3, 2010 at Owen Park MySpace.com/SteveMeyerAndTheBluesDogs rhythm & blues music, country blues found renewed June 22 Pete Neuman and the Real Deal popularity as the "folk blues" and was sold to a PeteNeuman.com June 29 Code Blue with Catya & Sue primarily white, college-age audience. Traditional YYoouunngg BBlluueess NNiigghhtt Catya.net artists like Big Bill Broonzy and Sonny Boy Williamson July 6 Mojo Lemon reinvented themselves as folk blues artists, while MojoLemon.com Piedmont bluesmen like Sonny Terry and Brownie MySpace.com/MojoLemonBluesBand McGhee found great success on the folk festival July 13 Dave Lambert DaveLambertBand.com circuit. The influence of original acoustic country July 20 Deep Water Reunion blues can be heard today in the work of MySpace.com/DWReunion contemporary blues artists like Taj Mahal, Cephas & July 27 The Nitecaps Wiggins, Keb' Mo', and Alvin Youngblood Hart. -
STRING STORIES the Roots and Fruits of the Blues Tuesday, April 24, 2018 11:30 A.M
School Day Live presents STRING STORIES The Roots and Fruits of the Blues Tuesday, April 24, 2018 11:30 a.m. Grades 3 - 12 As part of our ongoing commitment to providing world class entertainment and education through the arts, the Apollo Theater Education Program is pleased to present String Stories: The Roots and Fruits of the Blues, as part of our 2017/18 School Day Live series. From spirituals to work songs, the Delta Blues, Piedmont Blues, Kansas City and Chicago Blues, String Stories follows the history of the Blues and introduces students to some of the great women who helped create this American art form. The performance traces the Blues from the West African griot tradition, to the African American acapella spiritual tradition, to work songs, highlighting along the way how stringed instruments like the guitar and banjo accompanied the Blues and evolved with the music. String Stories features an orchestra comprised of world renown vocalists and instrumentalists: Jackie Coleman - Bass Tamar - Kali Brown - Vocals Queen Esther - Vocals Karyn Smith - Guitar Jackie Venson - Guitar LaFrae Sci - Drums The String Stories orchestra was organized by musical director LaFrae Sci specifically for this Apollo School Day Live performance. Sci, a drummer and composer believes music can heal the world and is trying to do her part one day at a time. In addition to being a founding teaching member of the Willie Mae Rock Camp for Girls and a faculty member of the Middle School Jazz Academy at Jazz at Lincoln Center, LaFrae has toured, recorded and worked with a myriad of Jazz, Blues, Pop, Rock, world music and Hip-hop artists. -
The Korean Wave in the Middle East: Past and Present
Article The Korean Wave in the Middle East: Past and Present Mohamed Elaskary Department of Arabic Interpretation, Hankuk University of Foreign Studies, Seoul 17035, South Korea; [email protected]; Tel. +821054312809 Received: 01 October 2018; Accepted: 22 October 2018; Published: 25 October 2018 Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed the wider world. For the sake of convenience, I will be using the term Hallyu (or Neo-Hallyu) rather than the Korean Wave throughout my paper. Keywords: Hallyu; Korean Wave; K-drama; K-pop; media; Middle East; “Gangnam Style”; Psy; Turkish drama 1. Introduction My first encounter with Korean culture was in 2010 when I was invited to present a paper at a conference on the Korean Wave that was held in Seoul in October 2010. In that presentation, I highlighted that Korean drama had been well received in the Arab world because most Korean drama themes (social, historical and familial) appeal to Arab viewers. In addition, the lack of nudity in these dramas as opposed to that of Western dramas made them more appealing to Arab viewers. The number of research papers and books focused on Hallyu at that time was minimal. -
BOB MARGOLIN - Live at Brianza Blues Festival, 7 Luglio 2011
BOB MARGOLIN - Live at Brianza Blues Festival, 7 luglio 2011 STEADY ROLLIN’ BOB MARGOLIN - Bob Margolin nasce a Boston nel 1949, ma cresce a Brookline, Massachusetts. Comincia a impugnare la chitarra all’età di 15 anni e sin da ragazzo si ispira alla musica di Chuck Berris e Muddy Waters. Nel 1973 Bob assiste a un concerto di Muddy Waters e lo stesso Muddy gli propone di suonare nella sua band. Bob ha quindi la possibilità di imparare a suonare la chitarra non più ascoltando i dischi di Waters ma suonando con lui. L’amicizia con Muddy porta Bob a girare il mondo e a salire su molti palchi tra cui, nel 1976, quello del concerto di The Band The Last Waltz che il regista Martin Scorsese rende immortale nel film omonimo. Gli anni 80 vedono Bob collaborare con numerosi artisti tra cui Steve Jacobs, Big Joe Maher, Tom Principato, Fats Jackson, Sweet Betty e Nappy Brown. Il primo album da solista The Old School esce nel 1989 e due anni dopo viene pubblicato il secondo Chicago Blues che tra le altre vede la collaborazione della celebre leggenda della chitarra Jimmy Rogers. Nel 1994 l’artista partecipa a numerosi Blues festival e, tra agosto e settembre, intraprende un tour nazionale con The Muddy Waters Tribute Band, i musicisti che avevano suonato nella band di Waters ai tempi di Bob e che vede la partecipazione di B. B. King, Dr. John e Little Feat. Nel 1995 esce My Blues and My Guitar: Bob si trova costantemente in tour, protagonista di concerti e festival anche oltreoceano e viene nominato per un W.C. -
Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
North Carolina
Gowan MALS Final Project Spring 2014 2 Table of Contents The Roots of Jazz in North Carolina ................................................................................................. 3 Setting the Stage ............................................................................................................................ 4 The 19th Century: Songs of Joy and Freedom .................................................................................. 9 19th Century Secular Music in North Carolina: In the String of Things ......................... 10 Sacred Music in 19th Century North Carolina: Lined Up and Ready ............................. 19 The 20th Century: Repression, Deliverance, and Escape ............................................................. 28 Secular Music in 20th Century North Carolina: Getting the Blues ................................... 29 Sacred Music in the 20th Century: Shout It Out ................................................................... 39 North Carolina: Fertile Ground for Jazz? ..................................................................................... 48 Works Cited .......................................................................................................................................... 52 Gowan MALS Final Project Spring 2014 3 The Roots of Jazz in North Carolina An analysis of the musical heritage of the Tar Heel State and its connection to jazz greats North Carolina is not known for its jazz music. When you think about the hubs of jazz, New Orleans, New York, -
Muddy Waters Screamin' and Cryin' the Blues Mp3, Flac, Wma
Muddy Waters Screamin' And Cryin' The Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Screamin' And Cryin' The Blues Country: Europe Released: 2012 MP3 version RAR size: 1679 mb FLAC version RAR size: 1703 mb WMA version RAR size: 1952 mb Rating: 4.6 Votes: 987 Other Formats: WMA XM ADX VQF WAV DTS FLAC Tracklist Hide Credits Baby Please Don't Go 1 2:51 Written-By – McKinley Morganfield Soon Forgotten 2 4:55 Written-By – St. Louis Jimmy Oden Corrina, Corrina 3 3:40 Written-By – Bo Chatman, J. Mayo Williams After Hours 4 5:45 Written-By – Avery Parrish Hoochie Coochie Man 5 3:05 Written-By – Willie Dixon Junior Shuffle 6 4:44 Written-By – Amos Blakemore Howlin' Wolf 7 6:27 Written-By – McKinley Morganfield Floyd's Guitar Blues 8 7:49 Written-By – Floyd Smith Blow Wind Blow 9 3:53 Written-By – McKinley Morganfield Caldonia 10 6:00 Written-By – Fleecie Moore Screamin' And Cryin' 11 5:17 Written-By – McKinley Morganfield Got My Mojo Working 12 3:02 Written-By – Preston Foster Garbage Man 13 5:52 Written-By – Willie Hammond* J.P.'s Boogie 14 3:31 Written-By – Jerry Portnoy Goin' Down Slow 15 7:21 Written-By – St. Louis Jimmy Oden What's The Matter With The Mill? (Can't Get No Grindin') 16 4:53 Written-By – McKinley Morganfield Companies, etc. Phonographic Copyright (p) – Music Avenue (Europe) B.V.B.A. Copyright (c) – Music Avenue (Europe) B.V.B.A. Credits Bass – Calvin Jones Drums – Willie Smith Guitar – Bob Margolin, Luther Johnson Guitar, Vocals – Muddy Waters Harmonica – Jerry Portnoy Piano, Vocals – Pinetop Perkins Notes ℗ & © 2012 Recorded live on October 22, 1976 at the International Folk Music Festival & Jazz Jamboree in Warsaw, Poland. -
Formal Education Academic and Professional Positions Held
SONIA KHATCHADOURIAN CURRICULUM VITAE Formal Education Degree: Master of Arts, University of Hawaii-Manoa, Honolulu, HI, December 1987 Area: Creative Writing Thesis: What They Were Desperate For, collection of short fiction Degree: Bachelor of Arts, University of Wisconsin-Milwaukee, August 1984 Majors: Philosophy; English: Creative Writing concentration Academic and Professional Positions Held Senior Lecturer: English Department, University of Wisconsin-Milwaukee, August, 2002-present (with 50% Indefinite Status appointment granted January 2012) (Senior Lecturer Status granted in 2002) Lecturer: Lubar School of Business, University of Wisconsin-Milwaukee, August 2014-March 2015 Lecturer: English Department, University of Wisconsin-Milwaukee, September 1988-May 2002 Lecturer: Department of Learning Skills and Educational Opportunity/ Academic Opportunity Center, College of Allied Health-Health Care Opportunities Summer Program, Bridge Program, Upward Bound Program, University of Wisconsin-Milwaukee, August, 1988-August-1994 Visiting Lecturer: Institut fur Anglistik und Amerikanistik, Justus Liebig Universitat, Giessen, Germany, September 1994-August 1996 Lecturer: Milwaukee Institute of Arts and Design, August-December, 1996 Visiting Lecturer: Indiana University-Bloomington/Midwest Universities Consortium for International Activities at Institut Teknologi Mara, Shah Alam, Malaysia, January-June 1991 Lecturer: English Department, Marquette University, Milwaukee, WI, January 1989-December 1991 1 Copyeditor: Department of Religion, Buddhist-Christian Studies scholarly journal, University of Hawaii-Manoa, Honolulu, HI. January-May 1988 Professional Tutor: Learning Center, Chaminade University of Honolulu, Honolulu, HI, January-May 1988 Graduate Teaching Assistant: English Department, University of Hawaii-Manoa, August 1984-December 1987 Freelance Writer: August 1988-Present Awards, Research Grants, Honors, Certificates UWM Certificate in Online and Blended Teaching: April 2013 Learning Technology Center Open Education Resource Grant: Fall 2013. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.