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Identity, Culture, Class and Gender in the Novels of Margaret Drabble
The Question Of "Englishnessff. Identity, culture, Class and Gender in the Novels of Margaret Drabble Elizabeth Eastman Somerton Submitted in partial fuifiilment of the requirements for the degree of Doctor of Philosophy Dalhousie University Halifax, Nova Scotia September 1998 Q Copyright by Elizabeth Easmian Somerton, 1998 Acquisitions and Acquisitions et Bibliographie SeMces seNices bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence allowbg the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seli reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic fonnats. la forme de rnicrofiche/film, de reproduction sur papier ou sur format électronique. The author retains owership of the L'auteur consewe la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette îhèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Acknowledgements 1want to thank Dr. Victor Li, my supervisor, without whose help and encouragement this thesis would not have been writîen. I also want to thank Dr. Roberta Rubenstein of American University, Wa~hhgtonD.C. for taking the from a busy schedule to be the external examiner of my thesis and for making her report available to me. 1 also want to thank the intemal readers-Drs. Stephen Brooke. Anthony Stewart and Rohan Maitzen-for their constructive criticisrn of my work. -
Culture in Crisis: the English Novel in the Late Twentieth Century
Claremont Colleges Scholarship @ Claremont Scripps Faculty Books Scripps Faculty Scholarship 11-26-2014 Culture in Crisis: The nE glish Novel in the Late Twentieth Century Michael F. Harper Scripps College, [email protected] Follow this and additional works at: http://scholarship.claremont.edu/scripps_facbooks Part of the Cultural History Commons, and the Literature in English, British Isles Commons Recommended Citation Harper, Michael F., "Culture in Crisis: The nE glish Novel in the Late Twentieth Century" (2014). Scripps Faculty Books. Book 14. http://scholarship.claremont.edu/scripps_facbooks/14 This Book is brought to you for free and open access by the Scripps Faculty Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Faculty Books by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Culture in Crisis: The English Novel in the Late Twentieth Century Michael F. Harper Table of Contents 2 INTRODUCTION: ''WHERE ARE WE AT?" PART ONE: THE REALISM PROBLEM 15 16 ONE: MAPPING EXPERIENCE TWO: NEW MAPS AND OLD 41 THREE: GETTING IT RIGHT 87 FOUR: "REAL PEOPLE, REAL JOYS, REAL PAINS" 129 FIVE: SEAGULLS AT PADDINGTON STATION, SPADES AT WATERLOO 157 SIX: THE UNIVERSAL COVER 213 PART TWO: KILLING TIME 217 SEVEN: CLINGING TO THE YESTERDAYS 218 EIGHT: MARGARET DRABBLE AND THE STATE OF THE NATION 235 2 Culturein Crisis Introduction: "Where Are We At?" Suddenly we're going into production at the beginning ofJanuary, shooting early in March, as Frears ' Indian project has been delayed. So the script has to start looking ready. Try to get the story going earlier, Frears says. -
Download the Middle Ground, Margaret Drabble, Penguin, 1985
The middle ground, Margaret Drabble, Penguin, 1985, , . DOWNLOAD HERE The Middle Ages , Mike Corbishley, Jun 1, 2003, , 96 pages. Maps, charts, illustrations, and text explore the history and culture of the Middle Ages.. Research Report, Issues 756-757 , Neil Millward, 1994, Political Science, 170 pages. The Ice Age , Margaret Drabble, May 1, 1985, Fiction, 295 pages. Middle East Illusions Including Peace in the Middle East? Reflections on Justice and Nationhood, Noam Chomsky, 2004, History, 299 pages. This book offers chapters written by Chomsky just before the 2000 Intifada and up through October 2002, when 9-11 and a prospective military campaign against Iraq add new .... Language and literacy in the primary school , Margaret Meek Spencer, Margaret Meek, Colin Mills, 1988, , . An Anthology Green River review, 1968-1973, , 1975, Language Arts & Disciplines, 96 pages. London consequences a novel, Margaret Drabble, Bryan Stanley Johnson, Paul Ableman, 1972, Fiction, 157 pages. The Keepsake , , 1836, , . Isak Dinesen The Life of a Storyteller, Judith Thurman, Oct 15, 1995, Biography & Autobiography, 512 pages. Winner of the National Book Award A brilliant literary portrait, Isak Dinesen remains the only comprehensive biography of one of the greatest storytellers of our time. Her .... This bright field a travel book in one place, William Taylor, 2000, , 344 pages. Margaret Drabble in Tokyo , Margaret Drabble, Fumi Takano, YЕ«ko Tsushima, 1991, Literary Criticism, 122 pages. Chintito a "stir" is born, Chintito, Nizamuddin Ahmed, 2006, , . A compilation of articles by Chintito, columnist of the Daily star newspaper, published on its 15th anniversary celebrations.. Mommy, What's AIDS , Joyce Dodge, 1989, , 48 pages. -
Rebelling Against the Regency: Jane Austen and Margaret Drabble
Rebelling Against the RegencY: Jane Austen and Margaret Drabble NORA FOSTER STOVEL AB T6G 2E5 Department of English, University of Alberta' E'dmonton' an ambivalent Contemporary British writer Margaret Drabble has expressed and condemnation in attitude to Jane Austen, vacillatin[between admiration an f,.. commentaries. As i novelist, Drabble has also enjoyed "rl,i.uf relationship with her literary predecessor' fluctuating between writer' "-Uigr"rtimitation of her rectory precursor and reiellion against the Regency Bennett sisters con- Her first novel, A Summer Bird-Cag,e (1963), is about (1964')' is i"-piu,i"g marriage, and her novel, The Gqrrick Year '"tond In The uUoi u sEtf-deceived heroine named Emma considering adultery' i,'iiirion of Women's Fiction (1982), Drabble acknowledges: after Jane Austen When I began writing, in my innocence I called my characters Bennett which is characters. In a Summer ni.d-cage the characters are called unconsciously' the Bennet from Pride and PreJudice. I did this completely (93) im*a in The Garrick lear is aiso a Jane Austen character' ,.The Dower House at Austen frames Drabble's Career' for her latest fiction, for the 1993 6iitr.t," an original short story that she composed especially iesie it Late Louise, is a sequel to Austen's novel Persuasion.ln -"",ing "All my irr" qr"trl", pltoa following her reiding, she acknowledged' nor"it are a dialogue with Jane Austen"' Austen in enthusias- As a critic, Drablle has expressed her admiration for edition of tic introductions to Austen's works, beginning with the Penguin laneAusten:LailySusan,TheWatsons-,Sanditioninlg74'andconcluding of Austen's most recently witir her introductions to the new virago editions no,el,.oraruteopensherlgT4introductionbyassertingthat..Therewould by Jane ;;;";" genuine rejoicing at the discovery of-a complete new novel A;;, tiun uny &h". -
The Quest for a Female Identity in Historical Novels by British Women Writers
„My sense of my own identity is bound up with the past“ - The Quest for a Female Identity in Historical Novels by British Women Writers: Penelope Lively, Margaret Drabble, A.S. Byatt, Esther Freud Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Jessica Koch aus Roth Göttingen 2012 Danksagung Von den Anfängen dieser Arbeit bis hin zu ihrer Veröffentlichung war es ein langer Weg. Bei all den Personen, die mich hierbei tatkräftig unterstützt und über die Jahre hinweg stets begleitet haben, möchte ich mich herzlich bedanken. Besonderer Dank gilt dabei meinen Eltern Heidi und Hans-Dieter Koch, die immer an mich geglaubt haben. Ohne sie und ihre Unterstützung wäre diese Arbeit gar nicht erst möglich gewesen. Bedanken möchte ich mich auch bei Frau Prof. Dr. Brigitte Glaser, die meine Dissertation nicht nur betreut hat, sondern mir auch zahlreiche hilfreiche und zugleich inspirierende Denkanstöße gegeben hat. Ferner möchte ich auch Frau Prof. Dr. Barbara Schaff für ihre freundliche Übernahme der Zweitkorrektur meinen Dank aussprechen. Gewidmet ist diese Schrift schließlich meinen Großeltern, die die Fertigstellung leider nicht mehr erleben konnten. Roth, im Februar 2014 Jessica Koch “Only connect.” In loving memory of my grandparents. 1 Table of Contents List of Abbreviations ............................................................................................................................... 3 1. “My sense of my own identity is bound up -
Margaret Drabble and the State of the Nation 249
Eight: Margaret Drabble and the State of the Nation No, not a political novel. More a pathological novel. A psychotic novel. Sorry about that. It won't happen again. Sorry. A Natural Curiosity (194) As it is a rural route, avoiding the great industrial conurbations that straddle the middle of upper England, she is not here provoked into much political thought about the nature ofthe north andHow Britain Votes, andyou may be spared her occasional reflections on these themes, for this is not a political novel, and anyway her reflections are repetitive and do not seem to be getting her anywhere very fast. A Natural Curiosity (193) From the middle 'seventies onwards, Margaret Drabble became increasingly occupied as a novelist with representing and explaining the state of an increasingly-troubled nation. The novels that resulted are "pathological" in the sense that they might be said to belong to "the science or study of disease; that department of medical science, or of physiology, which treats of the causes and nature of diseases, or abnormal bodily affections or conditions" (OED). In this case the body is the body politic, and the novels are attempts to understand the pathology ("the sum of pathological processes or conditions" - OED) that afflicts late twentieth-century Britain. They also constitute a rigorous test ofthe traditional novel's adequacy to the task ofportraying and understanding the state of the nation. Beginning with The lee Age in 1977, Drabble questioned the ability of the past (i.e. history conceived of as a linear chain of cause-and-effect) to explain the present, and she therefore went on in subsequent novels to reject a traditionally linear, plotted narrative as a satisfactory means of representation. -
Chronicler, Moralist, Artist
CHANGES IN IDEOLOGY IN MARGARET DRABBLE’S FICTION CELIA M. WALLHEAD Universidad de Granada I have chosen to contribute to this homage to Dr. María Luisa Dañobeitia with an essay on English writer Margaret Drabble for three reasons. Drabble was born just a few months before María Luisa, so they are of an age. Secondly, Drabble came to the University of Granada and visited us at the Department of English and German in 1994. Thirdly, and most pertinently, María Luisa has always been interested in women’s writing or writing about women, which is one of the focuses of Drabble’s fiction and critical writing. Author of seventeen novels to date, also short fiction and journalistic writing, Drabble was successful with her very first novel, A Summer Bird Cage (1963), written at the tender age of twenty-three. Her more mature focus was brought to bear on English Literature in 2000, when, to great acclaim, she made the first major revision of the Cambridge Companion to English Literature. We hope that her creative and critical corpus is far from closed. MARGARET DRABBLE: CHRONICLER, MORALIST, ARTIST The title of this section is that of Mary Rose Sullivan’s chapter on Drabble in British Women Writing Fiction (Sullivan 2000:191–212). From the first novel, which made her name: […] each successive novel has been eagerly greeted, both by women who felt they had found a spokeswoman for their concerns and expectations and by a wider audience who found in her a chronicler of modern consciousness, a George Eliot of contemporary Britain (ibid.:191). -
Interview with Margaret Drabble Ac
Cercles 21 (2011) THREE INTERVIEWS WITH MARGARET DRABBLE CLAUDINE PEYRE Université Paul Sabatier, Toulouse Les deux premières interviews de Margaret En outre, il était tentant de mieux connaître les Drabble ont été effectuées à trois ans méandres de la créativité de la romancière: en d’intervalle, chez elle dans le Somerset, en août effet, la lecture de ses romans ressemble à une 1989 puis à Londres en octobre 1992. Dans ce promenade familière avec des dominantes laps de temps, elle a publié A Natural Curiosity, stylistiques qui permettent au lecteur entraîné suivi de The Gates of Ivory et a également dans un monde nouveau, d’avoir déjà des repères. démarré une longue recherche qui aboutira à La question de fond implicite de cette première une biographie d’Angus Wilson. interview était de définir les modalités de l’acte d’écriture: s’agit-il d’un exercice de style délibéré L’idée de l’interview a surgi après le constat ou d’un acte spontané et sans contraintes? La du nombre grandissant de recueils fondés sur le lecture de The Gates of Ivory publié en 1991 fut une principe même de l’interview, de femmes de surprise, les nouvelles orientations littéraires lettres essentiellement. Une œuvre de nos jours suggérées par la structure et le contenu même du n’est plus un ensemble de mots avec une roman méritaient certains éclaircissements et la signature, il faut tenir compte de l’image tentation d’une nouvelle rencontre s’imposa publique de leur auteur qui, en se montrant, en comme une nécessité. Il s’agissait cette fois de parlant de son travail, en donnant son opinion définir la nouvelle voie vers laquelle la romancière sur la société, met la littérature encore plus à la se dirigeait et les motivations qui l’animaient. -
Gender, Culture and Social Change in the Fiction of Margaret Drabble
ANGLIA RUSKIN UNIVERSITY FACULTY OF ARTS, LAW AND SOCIAL SCIENCES GENDER, CULTURE AND SOCIAL CHANGE IN THE FICTION OF MARGARET DRABBLE TALLA ABDULLAH RASHID A thesis in partial fulfilment of the requirements of Anglia Ruskin University for the degree of Doctor of Philosophy Submitted: July 2018 ACKNOWLEDGMENTS I would like to express my special appreciation and thanks to my supervisor, Professor Mary Joannou, who ploughed through several drafts of this thesis, gave me the courage to strive and the stimulus to write, and has been an invaluable source of guidance and constant encouragement throughout the several years of preparing this thesis when great changes in my life happened. She is exemplary as a supervisor and a scholar. Additional thanks must go to Professor Valerie Purton who gave me very incisive comments and helpful suggestions on the final draft of the thesis. l am indebted to Andy Salmon, Acting Dean of the Faculty of Arts and Letters, for his understanding and support when this was needed. Outside the sphere of academia, I am indebted to my parents. Though far away, their emotional support was always by my side and their belief in me has been unfailing – it is to them that this work is dedicated. Last but not least, I would like to thank Areen and Nma, my lovely son and sweet daughter, who both challenged and inspired me as a mother. I appreciate their patience and to them this work is dedicated as well. i ANGLIA RUSKIN UNIVERSITY ABSTRACT FACULTY OF ARTS, LAW AND SOCIAL SCIENCES DOCTOR OF PHILIOSOPHY GENDER, CULTURE AND SOCIAL CHANGE IN THE FICTION OF MARGARET DRABBLE TALLA ABDULLAH RASHID July 2018 This thesis, which is feminist and historicist in its methodological approaches, explores the social, cultural and political circumstances in which Margaret Drabble's nineteen novels were produced by using close textual reading to position her novels in their historical context. -
Margaret Drabble's Female "Bildungsromane": Theory, Genre, and Gender New York: Peter Lang, 1995
admirable criticism—engaged, assured, elegant, enormously suggestive, always lucid, and often brilliant. Ian Wojcik-Andrews Margaret Drabble's Female "Bildungsromane": Theory, Genre, and Gender New York: Peter Lang, 1995. Pp. viii + 224. $49.95 Reviewed by Jane Campbell This book, Volume 6 of Peter Lang's series Writing About Women: Feminist Literary Studies, has a promising subtitle and an engaging project, that of applying Marxist-feminist analysis to Drabble's novels. In his first four chapters, Ian Wojcik-Andrews discusses, in general terms, female appropriation of the Bildungsroman and Künstlerroman; "family matters" (marriage) in Drabble's first novel, A Summer Bird-Cage (1963); housework in her second, The Garrick Year (1964); and "narratives of community" (Sandra Zagarell's term) in The Needle's Eye (1972). Chapter Five, "The Bildungsroman: Violent Conventions, Female Relations," returns to these three novels and sets them beside examples of male- centered Bildungsroman. In a subsection entitled "Mothers and Daughters," there is a brief discussion of Drabble's Jerusalem the Golden (1967); two additional subsections are labeled "Childhood and Children" and "Notes Toward a Pre- Oedipal Theory of Genre." Chapter Six, "The Bildungsroman as Künstlerroman: Autobiography, Memory, Identity," begins with the marginalization of the female by Wordsworth, Mill (surprisingly), and Wells, moves to Drabble's representation of women writers in her first novel, and concludes with a summary of Drabble's own journey as a writer; here, The Middle Ground (1980) is introduced into the discussion, with the assumption that its heroine, Kate, can be identified with its author. A brief chapter, "Toward a Marxist-feminist Theory of the Bildungsroman," concludes the book. -
Dame Margaret Drabble CBE
Dame Margaret Drabble CBE Dame Margaret Drabble was born in Sheffield in 1939 and was educated at Newnham College, Cambridge. She is the author of eighteen novels including A Summer Bird-Cage, The Millstone, The Peppered Moth, The Red Queen, The Sea Lady and the highly acclaimed The Pure Gold Baby. She has also written biographies, screenplays and was the editor of the Oxford Companion to English Literature. She was appointed CBE in 1980, and made DBE in the 2008 Honours list. She was also awarded the 2011 Golden PEN Award for a Lifetime’s Distinguished Service to Literature. Agents James Gill Assistant [email protected] Amber Garvey [email protected] 020 3214 0864 Publications Fiction Publication Notes Details THE PURE Anna is a child of special, unknowable qualities. She is a happy child, always GOLD BABY willing to smile at the world around her. But she also presents profound 2013 challenges. For her mother Jess, still in her early twenties, living alone in North CANONGATE London and hoping to embark on an adventurous career, her arrival will prove life-transforming. Over the course of decades, in ways large and small, Anna will affect the lives and loves of those around her. While Anna herself will remain largely unaltered by the passing years, she will live through a period of dramatic change, her journey illuminating our shifting attitudes towards motherhood, responsibility and the way we care for one another. Both personal and political, The Pure Gold Baby is a remarkable portrait of a family, a friendship, and a neighbourhood.It is a novel of great beauty, wisdom and stealthy power by one of our country's foremost and acclaimed writers. -
An Interview with Dame Margaret Drabble Nick Turner
An Interview with Dame Margaret Drabble Nick Turner Conducted at Dame Margaret’s home in London, on May 5th 2010. Dame Margaret Drabble is one of Britain’s leading novelists and critics. She has published seventeen novels, two acclaimed literary biographies (on Arnold Bennett and Angus Wilson), and was the editor of the Oxford Companion to English Literature, for its 1985 and 2000 editions. Drabble first came to prominence in the 1960s, along with other writers such as Nell Dunn, Lynne Reid Banks and Penelope Mortimer, all of whom were giving fresh and invigorating new portraits of women in modern Britain. Her early novels, in a highly readable way, documented the conflicts between traditional feminine roles and academic and career achievement faced by the author’s generation. Her fiction gave agency to female characters, aided by use of first-person narration, in a way that both continued nineteenth-century traditions and paralleled the incipient women’s movement. Drabble’s fiction of the 1970s became wider in scope, looking at society at large; The Ice Age (1977), in particular, is a contemporary condition of England novel. The idea of investigating the way we live now continued in Drabble’s trilogy The Radiant Way (1987), A Natural Curiosity (1989) and The Gates of Ivory (1991); in the latter, the action widened to take on an international perspective. The trilogy is united by its focus on three women, and how their lives are shaped by history present and past; this idea unites much of Drabble’s work. Margaret Drabble’s novels of the 1990s and beyond have ranged from a quasi-Gothic investigation of the state of the nation (The Witch of Exmoor, (1996)), an investigation of family history and DNA (The Peppered Moth, (2001)), to a novel that imagines the voice of an oriental woman of the past alongside that of a contemporary female academic (The Red Queen, (2004)).