Jan Jarczyk Piano

Total Page:16

File Type:pdf, Size:1020Kb

Jan Jarczyk Piano LLee jjeudieudi 3 févrierfévrier 20112011 Thursday, February 3, 2011 à 19 h 30 7:30 p.m. Série des professeurs et invités de McGill McGill Staff and Guests Series Jan Jarczyk piano musique originale / original music pour clarinette, 2 pianos, piano solo, saxophone, violon, contrebasse, batterie et un comédien for clarinet, 2 pianos, piano solo, saxophone, violin, bass, drums and actor Callahan Connor, comédien / actor Jim Doxas, batterie / drums Corinne R. Jarczyk, violon / violin Morgan Moore, basse / bass Giacomo Smith, clarinette / clarinet Parker Shper, piano Jean-Pierre Zanella, saxophone P r o g r a m m e Quatre pièces pour clarinette solo Four Pieces for Clarinet Solo Prélude no 1 pour violon et piano Prelude No. 1 for Violin and Piano Suite d’hiver pour piano solo Winter Suite for Piano Solo ZALTO pour saxophone alto, piano, basse et batterie for alto saxophone, piano. bass and drums TRIO DE JAZZ / JAZZ TRIO There is Always Time Round, Round & Round Chopin & Jazz BELLS IN WINTER pour deux pianos et comédien (au poème du gagnant du Prix Nobel, Czelaw Milosz) for two pianos and an actor (to the Poem by Nobel Prize Winner, Czeslaw Milosz) Tous les compositions et arrangements par All compositions and arrangements by Jan Jarczyk Jan Jarczyk Jan Jarczyk, pianiste et compositeur, vit en Amérique du Nord (États-Unis et Canada) depuis 1977. Durant son séjour à Boston, il a travaillé avec plusieurs musiciens résidents et de 1980 à 1985, il a enseigné au Berklee College of Music comme professeur d’harmonie et de composition. Au cours des années il a écrit pour plusieurs ensembles musicaux à partir de pièces pour instrument solo jusqu’aux partitions pour orchestre symphonique. Sa musique a été jouée à Boston, Washington D.C., Chicago, Minneapolis, Montréal, Mainz, Rome, Londres et en Pologne. Résident à Montréal depuis 1985, il a enregistré plus de sept disques compacts à titre de pianiste, leader, arrangeur et compositeur dont la production « Things to look for » (1996) en nomination pour un Félix. M. Jarczyk a composé de la musique pour The Polish Jazz Studio Orchestra dirigé par Jan Ptaszyn Wroblewski, pour la Télévision et la Radio Nationale Polonaise de Cracovie et de Varsovie. Il a aussi écrit pour le théâtre et collaboré à de nombreux enregistrements de disques à titre de membre de différents groupes de jazz polonais (1970-76). Il est récipiendaire du Grand Prix du Concours d’Improvisation de Piano Jazz de Lyon en France (1974) et du prix Socan pour la meilleure composition de jazz du Festival international de jazz de Montréal (1999). M. Jarczyk partage son temps entre la composition, la performance musicale et sa tâche comme professeur enseignant à l’École de musique Schulich de l’Université McGill. Jan Jarczyk a joué sur les scènes musicales de Pologne, d’Allemagne, de République Tchèque, de Hongrie, d’Autriche, de France, du Benelux, de Scandinavie, des États-Unis, du Canada, d’Espagne, du Koweït et du Japon. De plus, il a collaboré avec des musiciens tels que Zbiggy Seifert, Tomasz Stanko, Zbigniew Namyslowski, Leszek Zadlo, Janusz Stefanski, Andrzej Olejniczak, Darek Oleszkiewicz, Phil Wilson, Greg Hopkins, Tim Hagans, Donny McCaslin,George Garzone, Aaron Scott, Pat LaBarbera, Jan De Haas, Jean-Pierre Zanella, Michel Donato, Kevin Dean, Neil Sveinson, André White, Dave Laing, Rémi Bolduc, Denny Christianson et Charito. Callahan Connor Callahan Connor poursuit sa troisième année en art dramatique à l’Université Concordia. Dans le rôle du Doctor Faust, il a participé à la présentation de la pièce « Doctor Faustus Lights the lights ». Sa contribution à la télévision inclut « Traders », « Radio Free Roscoe » et « Murdoch Mysteries ». Cet été, il se rendra à Beijing pour étudier la discipline acrobatique de l’opéra chinois. Jim Doxas Jim Doxas, musicien très apprécié, il a fait plusieurs tournées musicales en Asie et en Europe. Il joue régulièrement avec Oliver Jones, Sophie Milman, le trio John Rony et le quatuor Chet Doxas. Par sa recherche et sa créativité musicale, Jim Doxas fait de la batterie un instrument lyrique. Il croit que la musique prend souvent son sens dans le non-dit. Ces moments nourrissent son improvisation et l’inspire dans sa proposition artistique toute en accents rythmiques. Corinne R. Jarczyk Née dans une famille de musiciens, c’est à l’âge de 7 ans que Corinne R-Jarczyk débute le violon. Dès ses 17 ans, elle poursuit ses études de violon à l’Université de Montréal et prend part au programme d’échange de Lille en France où elle obtient son Diplôme d’études musicales à l’unanimité. Corinne a participé à divers stages de musique au Canada et en Europe et a joué au sein de l’Orchestre des jeunes de la Méditerranée et de l’Orchestre mondial des Jeunesses musicales en Espagne. Elle est présentement étudiante au Doctorat à l’Université de Montréal, en interprétation du violon sous la direction de Vladimir Landsman. Morgan Moore Morgan Moore est un des bassistes les plus en demande à Montréal. Il a enregistré et fait plusieurs tournées avec trois des membres de l’Ordre du Canada : Ranee Lee, Oliver Jones et Guido Basso . De plus, il est un musicien actif auprès de James Gelfand, Dawn Tyler Watson, Kaba Horo, JP Zanella, Jan Jarczyk, Kevin Dean et Benoît Charest. Giacomo Smith Le clarinettiste Giacomo Smith a grandi dans la petite ville de Saratoga Springs dans l’état de New York. Situé également à proximité de Boston et Montréal, Saratoga a présenté régulièrement les meilleurs musiciens des scènes classique, jazz et rock. Au cours des années, cette ouverture à différents genres musicaux a eu une infl uence des plus marquantes, non seulement sur le choix de carrière de Giacomo, mais aussi sur son développement personnel quant à son appréciation de la musique comme un art de vivre. Il termine en ce moment sa Maitrise en clarinette à l’Université McGill. Parker Shper Pianiste et compositeur, Parker Shper a reçu sa première éducation musicale classique au Vermont. Dès le début de son expérience professionnelle, il s’est démarqué comme un musicien créatif sur la scène nord-est. En 2005, Parker s’est vu décerner une bourse, afi n de poursuivre ses études dans le programme de Jazz de l’École de Musique Schulich de l’Université McGill à Montréal où il a de plus, étudié le piano avec Jan Jarczyk. En 2007-2008, Parker a participé à un programme d’échange et s’est rendu à l’Académie de Musique de Gothenburg en Suède pour étudier avec Anders Jormin (ECM Records) et Lars Jansson. Parker est, un musicien en demande dans le monde du jazz, de la musique contemporaine, de la musique Hip Hop et de la musique rock à Montréal, à New York et en Nouvelle Angleterre. Jean-Pierre Zanella Saxophoniste, compositeur et arrangeur, Jean-Pierre Zanella est très recherché sur la scène musicale au Québec. Excellent musicien, il a participé à plusieurs festivals au Canada, en France et au Brésil. Il a travaillé avec des musiciens aussi prestigieux que Red Mitchell, Bob Brookmeyer, Chuck Israels, Al Cohn, Michel Legrand, Kenney Wheeler, Gino Vannelli, Frank Sinatra jr. Au Brésil, Zanella a développé des liens artistiques importants et enregistré avec des musiciens tels Marcos Valle, Altay Veloso, Boca Livre et le pianiste Marcos Ariel. Il a d’ailleurs reçu l’« Ordem do Rio Branco » du gouvernement brésilien. En 1994, il représente le Canada en Belgique lors du centenaire de la mort d’Adolph Sax, l’inventeur du saxophone. Avec sept disques solos à son actif, Zanella a été sélectionné pour plusieurs Félix et Juno. Il est aussi récipiendaire de plusieurs Prix Opus. En 1998, il s’est vu décerner le prix Socan pour la meilleure composition jazz du Festival International de Jazz de Montréal. Son disque «Villas Lobos & Jobim» lancé en 2006 a reçu deux nominations à l’ADISQ pour le meilleur disque de Jazz dans la catégorie interprétation et meilleur arrangeur. Jan Jarczyk Jan Jarczyk, Polish-born pianist and composer, has lived in the USA and Canada since 1977. While in Boston. Mass., he worked with many Boston-based musicians and taught harmony and composition from 1980 to 1985 at Berklee College of Music. Over the years he wrote a lot of music for various size ensembles, from solo pieces to full-size symphony orchestra, the likes of which have been performed in Boston, Washington (DC), Chicago, Minneapolis, Montreal, Mainz (Germany), London, Bruxelles and Poland. Since 1994 he has recorded 7 CDs in Montreal as pianist, leader and arranger-composer (and fi ve as an arranger of both commercial (for singers ) and non-commercial productions). One of them, Things to Look For, received a nomination for a Felix Award in 1996. Mr. Jarczyk has composed music for The Polish Jazz Studio Orchestra, conducted by Jan Ptaszyn Wroblewski, Polish TV and Radio, and theater and fi lm, both in Poland and North America (US and Canada). Recipient of the Polish Composers Society Annual Scholarship in 1969-71, Mr. Jarczyk also won the Grand Prix of the Concours d’improvisation de piano jazz in Lyon, France in 1974 and the SOCAN award for Best Jazz Composition at the Montreal Jazz Festival in 1999. Nominated twice for ADISQ as well as for a Grammy, Mr. Jarczyk divides his time between composing, performing and teaching at the Shulich School of Music of McGill University. Jan Jarczyk has performed and recorded in Poland, Germany, the Czech Republic, Hungary, Austria, France, Benelux, Scandinavia, the USA, Japan, Spain, Kuwait and Canada with such prominent musicians as Zbiggy Seifert, Tomasz Stanko, Zbigniew Namyslowski, Leszek Zadlo, Janusz Stefanski, Andrzej Olejniczak, Darek Oleszkiewicz, Phil Wilson, Greg Hopkins, Tim Hagans, Donny McCaslin, Aaron Scott, Pat LaBarbera, George Garzone, Jan De Haas, Jean-Pierre Zanella, Michel Donato, Kevin Dean, Neil Sveinson, Andre White, Dave Laing, Remi Bolduc, Denny Christianson, and Charito among many others.
Recommended publications
  • Eyes on Culture
    mid-september 2006 to mid-january 2007 - volume 3 - number 3 - free Arts Calendar for the Boroughs of Montréal ville.montreal.qc.ca/culture All eyes on culture • 25th anniversary of the maisons de la culture • Awards tour of the Fondation du maire de Montréal pour la jeunesse feature Photography on the cover: Maribé—sors de ce corps. Twis-manivelle photo: Marie Béland Celebrating 25 years of Fondation du maire de Montréal pour la jeunesse The inaugural tour for award recipients in vibrant cultural life the performing arts! index in Montréal! For over a decade, the Fondation du maire de Montréal pour la jeunesse (FMMJ) has helped many young Feature................................................................2 It was on October 27, 1981, in the Hochelaga-Maisonneuve entrepreneurs and artists establish their business or carry Exhibitions..........................................................3 district, that the very first maison de la culture opened out their cultural projects. More than 595 grants have Shows .................................................................6 its doors to Montréal residents. Now, after 25 years of been awarded in total, making sure that ambitious young Singers................................................................6 Montrealers get started on the right foot. This year, for the Film......................................................................7 gradual expansion, there are twelve maisons operating throughout the city and enriching its cultural life. Thanks to first time, the Ville de Montréal and the FMMJ have joined Storytelling.........................................................9 together to give seven artist-recipients in the performing Dance..................................................................9 their excellent programming, many partnerships with other organizations, support of individual artists, and unwavering arts a special form of exposure in the form of an exciting, Comedy ...............................................................10 city-wide tour during 2006–2007.
    [Show full text]
  • System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
    NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera.
    [Show full text]
  • Cellular One and AT&T Long Distance Network Present the 10Th Annual
    University of North Florida UNF Digital Commons Jacksonville Jazz Festival Collection Materials Jacksonville Jazz Festival Collection 10-8-1992 Cellular One and AT&T Long Distance Network Present The 10th Annual Great American Jazz Piano Competition Jacksonville Jazz Festival Follow this and additional works at: https://digitalcommons.unf.edu/jacksonville_jazz_text Part of the Music Performance Commons ' . ·. CELLULAR ONE And AT&T LONG DISTANCE NETWORK Present The 10th Annual Great American Jazz Piano Competition Thursday, October 8, 1992 The Florida Theatre 1HE JUDGES 1,,,1,,,,,1,,1,,,1,,1,,,1,,,,,1 A renowned panel of jazz ex­ perts will adjudicate tonight's competition. Dr. George Butler is senior vice president and ex­ ecutive producer of jazz and pro­ gressive music for Columbia Records/Sony Music. He's pro­ duced many recordings with such Dr. George Butler stars as Wynton Marsalis, Wayne Shorter and Ramsey Lewis, and last year's competition winner, Travis Shook. Jazz pianist and singer Shirley Horn has come roaring back from semi-retirement with two major albums in two years that have stayed at the top of the Shirley Hom Billboard Jazz charts for weeks. She's a highly-acclaimed musician who is one of the truly great vocalists. Willard Jenkins, executive director of the National Jazz Ser­ vice Organization, is a tireless ac­ tivist for jazz, and in his long career he's been a jazz writer, Willard Jenkins broadcaster, and educator. Pianist, harmonica player and composer, Howard Levy, has been involved in music ranging from the Balkan Rhythm Band to the Harmonica Jazz Quartet. He has played with such greats as Paquito d'Rivera, Chuck Mangione and Arturo Sandoval Howard Levy and is a member of Bela Fleck and the Flecktones.
    [Show full text]
  • Jazz Canada Bulletin, Its 29Th Year, Continues to Set the Standard for Performances Are a Great Chance for Musicians 57 D’Arcy Drive, Winnipeg, Jazz Excellence
    THE NEWSLETTER OF JAZZ CANADA VOLUME 6 NUMBER 1 • SPRING 2002 INSIDE Music in the Mountains at The Banff Centre Music in the Mountains at Nestled below the massive peaks of the Wheeler, and Joe Lovano) have made their the Banff Centre 1 Canadian Rocky Mountains is an institution presence felt in Banff since 1973, working as known as The Banff Centre - a genuine haven “visiting artists” and collaborating with the President’s message 2 for artists. The Centre is a place renowned for jazz participants in the residency programs. its professional development programs for This year, the tradition continues with artists of all disciplines, including visual and renowned composer Maria Schneider joining FEATURE: Time: One of 3 media arts, theatre arts, writing and publishing, Hugh Fraser in the 2nd annual Jazz Orchestra The Fundamentals aboriginal arts, and of residency. Dave Douglas, course, music. The Jim Black, Chris Potter, Canadian Sister in Jazz 4 music programs at the Ari Hoenig, and Django Centre began in the Bates join artist-in- 1930’s with programs residence Kenny Werner FEATURE: The Musician’s 5 offered in the during the jazz Need for Awareness: Part 2 summer, and in 1979, workshop. the year-round music What makes all the programs were music programs at Young Women of Note 7 established. Since The Banff Centre then, countless Maria Schneider unique is not only conducting the jazz musicians (both estab- excellent faculty Institutional Update 8 orchestra, May 2001 lished and emerging) and top-notch have walked through the doors - including facilities, but also Regional News 9 composers, solo performers, ensembles, singers, the countless and of course, jazz musicians.
    [Show full text]
  • 25 Years of Keeping Jazz Alive
    April 2011 Vol. 26 No. 3 www.wmichjazz.org An All-Volunteer orgAnizAtion Retrospective 25 Years of Keeping Jazz Alive Wmjs: 1986 - 2011 Beginnings By Betty Forrest Quite often a good Nancy Gould, Kathi Swets, program, an orga- and Bob & Ginny Taylor. nization, or even a By April the first edition business, is developed of Jazz Notes was mailed to out of what was es- 40 people and our first public sentially one person’s meeting/gig was held at the individual, even self- former Pockett’s Club where ish, motive. Mine was one of our founding members, to establish a support Bruce Early, was appearing group to help promote with his big band (which has an annual Jimmy now evolved into the Grand Forrest Scholarship Rapids Jazz Orchestra). Mem- Fund concert. After bership rose to nearly 100 at Jimmy’s death in Au- a June jazz party held at the gust 1980, I had estab- home of Jim and Nancy lished a fund through Gould (Jim was drafted to GRJC to award mon- be our first President), and we ies to students major- felt we were off and running. ing in jazz studies by By the end of 1986, when we presenting an annual had our first annual holiday concert featuring pop- party, we had written by-laws, ular jazz stars that he established our non-profit had known or played Jimmy Forrest status, had money in the bank, with during his own 40-year career on tenor saxophone. and a membership of nearly 150! We call these our Charter Successful concerts were given each of the following five Members, and of these, 90 were still with us nearly 10 years years, with the Count Basie Orchestra appearing on later.
    [Show full text]
  • Mid West Program
    New Trier High School Jazz Ensemble I Winnetka, Illinois The Midwest Clinic An International Band and Orchestra Conference Chicago Hilton Grand Ballroom December 19, 2002 2:45 p.m. The NEW TRIER HIGH SCHOOL JAZZ ENSEMBLE I is the more advanced of four curricular jazz ensembles at New Trier High School. All jazz ensembles rehearse for forty minutes each school day and the students receive a grade for their participation. New Trier also offers four curricular concert bands and five orchestras. More than 120 students participate in the jazz studies program at New Trier. Some of the jazz artists who have performed with the New Trier Jazz Ensemble in- clude... Dizzy Gillespie, Maynard Ferguson, the rhythm section of the Count Basie Orchestra, Toshiko Akiyoshi, Lew Tabacken, Ed Shaugnessy, Clark Terry, Louie Bellson, Jamie Aebersold, Bobby Shew, and more than 50 others listed later in this program. Believing that their graduates are their trophies, the New Trier jazz ensembles do not participate in competitive jazz events. However, Jazz Ensemble I has performed at the Montreux Jazz Festi- val and the North Sea Jazz Festival, twice at the conventions of the Intemational Association of Jazz Education, three times before today at the Midwest Interna- tional Band and Orchestra Clinic, a Music Educators National Conference, and the National Band Association convention. They have performed several times at Ravinia and the Jazz Showcase in Chicago. During the summer of 2000 the ensemble toured China for two weeks with the Cham- ber Orchestra, performing the first jazz concerts ever presented in the three major cities in the Henan Province, China’s most populated Prov- ince.
    [Show full text]
  • A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
    A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture.
    [Show full text]
  • Developing and Promoting Big Band Jazz in Canada and Beyond
    2019 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 3 - 5, 2019 PRINCE WAIKIKI HOTEL, HONOLULU, HAWAII DEVELOPING AND PROMOTING BIG BAND JAZZ IN CANADA AND BEYOND GILLIS, RICHARD UNIVERSITY OF MANITOBA WINNIPEG, MANITOBA CANADA Dr. Richard Gillis University of Manitoba Winnipeg, Manitoba Canada Developing and Promoting Big Band Jazz in Canada and Beyond Synopsis: Big Band jazz is very much alive in every city and on every college campus in the Western world. Professional organizations throughout North America are actively engaged in big band exploration, creation, performance, recording and education. This article will present what the Winnipeg Jazz Orchestra is doing to keep big band alive and thriving, and how it is developing ties to like-minded organizations in Canada and beyond. Developing and Promoting Big Band Jazz in Canada and Beyond Synopsis: Big Band jazz is very much alive in every city and on every college campus in the Western world. Professional organizations throughout North America are actively engaged in big band exploration, creation, performance, recording and education. This article will present what the Winnipeg Jazz Orchestra is doing to keep big band alive and thriving, and how it is developing ties to like-minded organizations in Canada and beyond. Preamble: What comes to mind if you were asked to provide a definition of a “symphony orchestra”? Most people would respond with a description close to that in the Encyclopaedia Britannica… an ensemble “western classical” musical instruments - primarily strings, though usually complemented by brass, woodwinds and percussion1. If there was one composer that most would associate with this ensemble, it would be Beethoven2, but it is widely recognized that the symphony orchestra has a huge repertoire of masterworks from a great number of composers, with new works being created every year throughout the world.
    [Show full text]
  • Family Channel Takes a Stand Against Bullying
    Family Channel Takes a Stand Against Bullying Family Channel Partners with Bullying.org to Launch National Bullying Awareness Week November 15 to 21, 2004 Toronto, November 8, 2004 - Family Channel and Bullying.org Canada are launching the second- annual, national bullying awareness week on November 15, 2004. Running until November 21, the week-long campaign is intended to build awareness for the part that bystanders play in diffusing and preventing social/relational bullying situations. The campaign hinges on a challenge to young people to “Take the Pledge,” an empowering statement that encourages kids to take a stand against bullying. Last year 55,000 Canadian kids took the pledge and the goal is to increase this number to 100,000 during this year’s campaign. This year’s campaign will include a week of special programming on Family Channel; the launch of a new Public Service Announcement (PSA) demonstrating the part that bystanders can play in remedying bullying; and, an interactive website where Canadians can “Take the Pledge” and tell their stories of standing up to bullying. Schools across Canada will also hold events and organize initiatives during this week, and throughout the school year, to stop bullying and draw awareness to the part that bystanders can play. "Social bullying is reinforced when kids who witness the act stand by and do nothing about it," says Bill Belsey, President, Bullying.org Canada. "Family Channel and Bullying.org are trying to change ‘bystander’ behaviour by showing kids examples of how they can act differently and diffuse bullying situations. We are not asking kids to get involved in a physical way, but rather to reach out to victim and show bullies that their actions will not be sanctioned or tolerated.
    [Show full text]
  • Ravi Coltrane Steps out of His Parents' Shadows And
    001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • (“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
    INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p.
    [Show full text]
  • CWWA Annual Report 2015
    WIDCWomen In the Director’s Chair ! Advancing Canadian talent since 1997 2014-2015 Annual Report Table of Contents Year In Summary…………………..…………………………………………………….………...…...... 3 CWWA Board of Directors………………………………………………………………………...…….. 6 WIDC Presenting Partners………………………………………………………………………………. 8 Programs………….……………………………………………………………………………………..… 10 MODULE 1……. Story Incubation Module (SIM)………….............................. 10 Whistler Film Festival Industry Immersion………….……..... 11 SIM Follow up - Story Polish…………………………….…… 11 MODULE 2…….. Aspects of Camera & Post production (ACPM)………….… 12 MODULE 3…….. OutReach Initiative…………………………………..………… 13 Career Advancement Module (CAM)………….. 13 Other Initiatives……………….………………….. 14 MODUEL 4…….. WIDC Awards………………………………………...………... 15 Personnel…………...........….……………………………………………………………………………. 16 Directors…….…………………………………………….…………………………… 16 Mentors, Guests & Banff Centre Staff……………………..…….………………….. 17 Acting Ensemble ……………………………………………………………………… 19 Professional & Practicum Crew……………………………………………………… 19 Sponsor Acknowledgements……………………………….……………………………………………. 20 Financial Statements……………………………………………………………………………………... 21 Contact Information………………………………………………………………………………………. 24 2 WIDC 2015…Year In Summary President’s Report The 2014-15 fiscal year began in earnest on the heels of the first ever Women In the Director’s Chair (WIDC) “WIDC’s purpose was International Summit: Creating Confidence in Vancouver. reaffirmed at the 2014 Responding to feedback from Summit delegates and WIDC alumnae, the Creative Women Workshops
    [Show full text]